''Domine, quo vadis?'' is a 1602 painting by the

Italian Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Ita ...

Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...

painter

Annibale Carracci Annibale Carracci (; November 3, 1560 – July 15, 1609) was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of th ...

(1560–1609), depicting a scene from the

apocryphal Apocrypha are works, usually written, of unknown authorship or of doubtful origin. The word ''apocryphal'' (ἀπόκρυφος) was first applied to writings which were kept secret because they were the vehicles of esoteric knowledge considered ...

Acts of Peter The Acts of Peter is one of the earliest of the apocryphal Acts of the Apostles in Christianity, dating to the late 2nd century AD. The majority of the text has survived only in the Latin translation of the Codex Vercellensis, under the title ...

. It is housed in the

National Gallery The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director o ...

, where it is given the title ''Christ appearing to Saint Peter on the Appian Way''. The subject is a rare representation in art of the theme ''

Quo vadis ''Quō vādis?'' (, ) is a Latin phrase meaning "Where are you marching?". It is also commonly translated as "Where are you going?" or, poetically, "Whither goest thou?" The phrase originates from the Christian tradition regarding Saint Pete ...

''. Annibale Carracci was the founder of the Italian Baroque painting school, called

Bolognese School The Bolognese School of painting, also known as the ''School of Bologna'', flourished between the 16th and 17th centuries in Bologna, which rivalled Florence and Rome as the center of painting in Italy. Its most important representatives i ...

. This painting is one of his best known works. Peter is depicted fleeing

Rome , established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption ...

to avoid

crucifixion Crucifixion is a method of capital punishment in which the victim is tied or nailed to a large wooden cross or beam and left to hang until eventual death from exhaustion and asphyxiation. It was used as a punishment by the Persians, Carthagin ...

and has a vision of meeting

Christ Jesus, likely from he, יֵשׁוּעַ, translit=Yēšūaʿ, label=Hebrew/Aramaic ( AD 30 or 33), also referred to as Jesus Christ or Jesus of Nazareth (among other Names and titles of Jesus in the New Testament, names and titles), was ...

bearing his Cross. Peter asks Jesus "Quo vadis?" to which he replies, "Romam vado iterum crucifigi" ("I am going to Rome to be crucified again"). Peter returns to Rome after this vision.

Painting

The work depicts a scene featured in the

Saint Peter Saint Peter; he, שמעון בר יונה, Šimʿōn bar Yōnāh; ar, سِمعَان بُطرُس, translit=Simʿa̅n Buṭrus; grc-gre, Πέτρος, Petros; cop, Ⲡⲉⲧⲣⲟⲥ, Petros; lat, Petrus; ar, شمعون الصفـا, Sham'un ...

, while fleeing

along the ancient

Via Appia The Appian Way (Latin and Italian: ''Via Appia'') is one of the earliest and strategically most important Roman roads of the ancient republic. It connected Rome to Brindisi, in southeast Italy. Its importance is indicated by its common name, rec ...

, meets

outside the city, who is walking in the opposite direction towards the city, carrying his cross. Peter asks him, ''Domine, quo vadis?'' The question is in Latin and means "Lord, where are you going?" Jesus replies, ''Eo Romam iterum crucifigi,'' which means: "I am going to Rome to be crucified again." The scene as catalogued in the

Acts of St. Peter, describes Peter who is fleeing Rome at the time of

Emperor Nero Nero Claudius Caesar Augustus Germanicus ( ; born Lucius Domitius Ahenobarbus; 15 December AD 37 – 9 June AD 68), was the fifth Roman emperor and final emperor of the Julio-Claudian dynasty, reigning from AD 54 unti ...

's persecution. This encounter is reminiscent of

Peter's denial The Denial of Peter (or Peter's Denial) refers to three acts of denial of Jesus by the Apostle Peter as described in all four Gospels of the New Testament. All four Canonical Gospels state that during Jesus' Last Supper with his disciples, he p ...

, when Peter chose to deny Jesus three times during his passion and crucifixion. Saint Peter realizes that he is on his way to making the same mistake all over again now, abandoning Jesus and his church in a moment of danger. Peter turns around when he understands that this was a sign, and returns to Rome to face the

martyrdom A martyr (, ''mártys'', "witness", or , ''marturia'', stem , ''martyr-'') is someone who suffers persecution and death for advocating, renouncing, or refusing to renounce or advocate, a religious belief or other cause as demanded by an external ...

. It was commissioned by Cardinal

Pietro Aldobrandini Pietro Aldobrandini (31 March 1571 – 10 February 1621) was an Italian cardinal and patron of the arts. Biography He was made a cardinal in 1593 by his uncle, Pope Clement VIII. He took over the duchy of Ferrara in 1598 when it fell to the Pa ...

, and was kept in the Aldobrandini Collection recorded in 1603. The artwork blends two differing styles; both illustrating the typical

approach to the subject. The colours were influenced by the Venetian School's rich colours, while the figures were monumental. This new style attempts to bring back the spirit of the

classicism Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. In its purest form, classicism is an aestheti ...

found in

Michelangelo Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was insp ...

and

Raphael Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of ...

's works, into Annibale's style; it came at a time Annibale entered an important new phase of creativity. Carracci used to draw also a lot after live models. In ''Domine, quo vadis?'' Carracci has portrayed Christ as a muscular athlete easily carrying the cross on his shoulder as he passes St Peter, with a dramatic gesture, bursting forth on the canvas. This new era took on a dramatic feel with a leaning towards intensifying movement and "figures

hat A hat is a head covering which is worn for various reasons, including protection against weather conditions, ceremonial reasons such as university graduation, religious reasons, safety, or as a fashion accessory. Hats which incorporate mecha ...

are rich in dignity". Peter originally had a straighter posture, but Annibale changed this in order to illustrate the emotional shock of Peter coming across Jesus. The paintings included references to

classical antiquity Classical antiquity (also the classical era, classical period or classical age) is the period of cultural history between the 8th century BC and the 5th century AD centred on the Mediterranean Sea, comprising the interlocking civilizations of ...

, including architecture like temples and columns; the scale of the individuals was increased by bringing them into closer proximity to the surface giving the impression that they would emerge from the painting.

References

Citations Bibliography * * *

External links

The men of Joseph

{{Annibale Carracci 1600s paintings Paintings by Annibale Carracci Collections of the National Gallery, London

Carracci The Carracci were a family of Italian artists. Notable members include: * Agostino Carracci (1557–1602), Italian painter and printmaker * Annibale Carracci (1560–1609), Italian Baroque painter and brother of Agostino Carracci * Ludovico Carra ...

Paintings depicting Saint Peter

Painting

See also

References

External links