The Info List - Dexys Midnight Runners

Dexys Midnight Runners
Dexys Midnight Runners
(currently officially Dexys, their former nickname, styled without an apostrophe[1][2]) are an English pop band with soul influences, who achieved their major success in the early to mid-1980s. They are best known in the UK for their songs "Come On Eileen" and "Geno", both of which peaked at No. 1 on the UK Singles Chart, as well as six other top-20 singles. During the late 1970s and early 1980s, Dexys went through numerous personnel changes over the course of three albums and thirteen singles, with only singer/songwriter/co-founder Kevin Rowland remaining in the band through all of the transitions and only Rowland and "Big" Jim Paterson (trombone) appearing on all of the albums. By 1985, the band consisted only of Rowland and long-standing members Helen O'Hara (violin) and Billy Adams (guitar). The band broke up in 1987, with Rowland becoming a solo artist. After two failed restart attempts, Dexys was reformed by Rowland in 2003 with new members, as well as a few returning members from the band's original lineup (known as Dexys Mark I). Dexys released their fourth album in 2012 and a fifth followed in 2016.


1 History

1.1 Dexys Mark I: 1978–80

1.1.1 Foundation and first single 1.1.2 Searching for the Young Soul Rebels
Searching for the Young Soul Rebels
and first band split

1.2 Dexys Mark II: 1981–82

1.2.1 The Projected Passion Revue 1.2.2 Too-Rye-Ay, stardom, and turnover

1.3 Dexys Mark III: 1982–87

1.3.1 Touring and more turnover 1.3.2 Don't Stand Me Down
Don't Stand Me Down
and break-up

1.4 Rowland solo and failed Dexys reunions: 1987–2002 1.5 Dexys Mark IV: 2003–present

1.5.1 Dexys reformed 1.5.2 One Day I'm Going to Soar
One Day I'm Going to Soar
and subsequent touring 1.5.3 Let The Record Show: Dexys Do Irish and Country Soul

2 Members 3 Awards 4 Discography

4.1 Studio albums 4.2 Singles 4.3 Live albums 4.4 Compilation albums 4.5 Videography

5 References 6 External links

History[edit] Dexys Mark I: 1978–80[edit] Foundation and first single[edit] Dexys Midnight Runners
Dexys Midnight Runners
were founded in 1978 in Birmingham, England
by Kevin Rowland
Kevin Rowland
(vocals, guitar, at the time using the pseudonym Carlo Rolan)[3] and Kevin "Al" Archer (vocals, guitar). Both had been in the short-lived punk band the Killjoys. Rowland had previously written a Northern soul-style song that the two of them sang, "Tell Me When My Light Turns Green", which became the first Dexys "song".[4] The band's name was derived from Dexedrine, a brand of dextroamphetamine used as a recreational drug among Northern soul
Northern soul
fans to give them energy to dance all night.[3] While recruiting members for the new band, Rowland noted that "Anyone joining Dexys had to give up their job and rehearse all day long. . . . We had nothing to lose and felt that what we were doing was everything."[4] "Big" Jim Paterson (trombone), Geoff "JB" Blythe (saxophone, previously of Geno Washington's Ram Jam Band), Steve "Babyface" Spooner (alto saxophone), Pete Saunders (keyboard), Pete Williams (bass) and John Jay (drums) formed the first line-up of the band, which began playing live at the end of 1978.[5] By the middle of 1979, Bobby "Jnr" Ward had replaced Jay on drums.[5] Clash manager Bernard Rhodes then signed them and sent them into the studio to record a Rowland-penned single, "Burn It Down", which Rhodes renamed to "Dance Stance".[3][4] In response to Rhodes' criticism of Rowland's singing style, Rowland developed a "more emotional" sound, influenced by General Johnson of the Holland-Dozier-Holland band Chairmen of the Board,[6] as well as the theatricality of Bryan Ferry.[2] After a series of dates opening for The Specials, who wore suits on stage to create an image, Rowland decided that his new band needed its own distinct look.[6] Borrowing from an outfit that Paterson had worn to rehearsals,[6] Dexys subsequently dressed in donkey jackets or leather coats and woolly hats, a look described as "straight out of De Niro's Mean Streets".[3] Rowland said of the band's sound and look in January 1980: "we didn't want to become part of anyone else's movement. We'd rather be our own movement".[3] A unified image became very important to the group, with Rowland commenting "We wanted to be a group that looked like something ... a formed group, a project, not just random."[7] "Dance Stance", which Rhodes produced, was released on the independent Oddball Records, which Rhodes owned, and which was distributed by EMI.[5] Although it was named "single of the week" by Sounds,[3] it stalled at number 40 in the British charts,[5] which EMI
and Rowland believed was due to Rhodes' poor production.[4] Rowland said, "We learned that early on, that the wrong producer can totally screw your record up."[4] As a result, Dexys fired Rhodes and signed directly to EMI, and EMI
immediately put Pete Wingfield in charge of their production.[4] Both Saunders and Ward left the band, to be replaced by Andy Leek (keyboards) and Andy "Stoker" Growcott (drums).[5] Searching for the Young Soul Rebels
Searching for the Young Soul Rebels
and first band split[edit] Building on the unexpected success of "Dance Stance" (aka "Burn It Down"), Dexys' next single, "Geno" – about Geno Washington
Geno Washington
– became a British Number One in 1980.[4] It featured the band's "Late Night Feelings" imprint on the single, which became a trademark of the band's records on EMI.[5] Rowland wrote about Washington as he had seen one of his performances aged 11 with his brother.[7] The success of the song prompted Washington to make a return to live performance, but it also prompted the departure of Leek, who said he didn't want to be famous.[8] Pete Saunders returned to the band temporarily, replacing Leek, to record their debut album.[5] Dexys' debut LP, Searching for the Young Soul Rebels, which featured "Geno", was released in July 1980.[5] The label of the album also included the band's "Late Night Feelings" imprint, and the album's sleeve featured a photograph of a Belfast
Catholic boy carrying his belongings after moving from his home during the Troubles; the Irish-descended Rowland explained that "I wanted a picture of unrest. It could have been from anywhere but I was secretly glad that it was from Ireland."[7] Of the album's title, Rowland said "I don't know ... I just liked the sound of it, really."[7] Of the songs on the album, only two ("Geno" and "There, There, My Dear") were written by Rowland (lyrics) and Archer (music) together; producer Pete Wingfield hadn't liked Rowland's lyrics on their third co-composition ("Keep It") and had instead turned those lyrics into a separate song ("Love Part One"); Blythe wrote new lyrics for the version of "Keep It" on the album.[9] The same month, Rowland imposed a press embargo on the band; instead, Dexys would take out ads in the music papers explaining the band's position on various issues.[3] This was a response to some less than complimentary opinions from some music press writers;[4] for example, the NME's Mark Cordery accused the band of "emotional fascism" and described their music as a perversion of soul music with "no tenderness, no sex, no wit, no laughter".[7] After the album, Saunders was replaced by Mick Talbot
Mick Talbot
(ex-The Merton Parkas) on keyboards.[5] "There, There, My Dear" became the band's second top-10 single. However, after a couple months of touring, Rowland insisted on writing new lyrics to Archer's music for "Keep It" for release as the band's next single, despite EMI's objections.[5] The single, called "Keep It Part Two (Inferiority Part One)", was a failure, and five of the band members then quit,[5] angered over continual personality problems with Rowland, as well as Rowland's policy of not speaking to the music press.[4] Archer and Paterson both remained with Rowland at first, but then Archer also decided to leave,[4] which reduced Dexys to just Rowland and Paterson, whom Rowland referred to as "the Celtic soul brothers" (in reference to Paterson's Scottish background and Rowland's Irish background).[10] Archer (and Leek) eventually formed The Blue Ox Babes, while the other departing members—Blythe, Spooner, Williams, "Stoker", and Talbot—formed The Bureau, which Wingfield continued to produce. Dexys Mark II: 1981–82[edit] The Projected Passion Revue[edit] Rowland and Paterson first chose to write several new songs, so that Dexys could move forward from the split.[4] They then brought in an old friend of theirs, Kevin "Billy" Adams (guitar/banjo), along with Seb Shelton (drums, formerly of Secret Affair), Mickey Billingham (keyboard), Brian Maurice Brummitt (who dropped his last name for his stage name "Brian Maurice", alto saxophone), Paul Speare (tenor saxophone) and Steve Wynne (bass).[5] This new lineup also adopted a new look that included hooded tops, boxing boots, and pony tails.[7] Along with the new image, Rowland brought in a fitness regime, which included working out together and running as a group, Rowland commenting "The togetherness of running along together just gets ... that fighting spirit going".[7] The group would also take part in group exercise sessions before performances, and drinking before shows was strictly forbidden.[7] By the time the new band's first single "Plan B", produced by Alan Shacklock instead of Wingfield, was released in March 1981, the band's management had discovered that EMI
had failed to pick up a mandatory contract option, so Dexys were technically no longer under contract. They asked, without success, that EMI
not release the single; without promotion, the single flopped.[3] Later in March 1981, an ad appeared in which Rowland stated that the previous members of the band had "hatched a plot to throw Kevin out and still carry on under the same name". It also cited Rowland's suggestion that "they might learn new instruments" as a reason for their displeasure.[3] The ad announced that Dexys had been working on a new live venture, "The Midnight Runners Projected Passion Revue".[3] In April, Dexys prevailed to win their release from EMI, although without the financial support of a label, they were unable to mount the spring tour that had planned and had to settle for playing only five dates, including one recorded by BBC Radio 1.[5] In June they signed by Mercury Records, where Dexys remained until their 1987 breakup.[5] Dexys' first single for Mercury, "Show Me", produced by Tony Visconti. was released in July 1981 and reached No. 16 in the UK.[5] The label switch was followed by a session for Richard Skinner's BBC Radio 1
BBC Radio 1
show in which the band previewed tracks that would be reworked later on Too-Rye-Ay.[3] Wynne was sacked by the group at this point, to be replaced by Mick Gallick (whom Rowland gave the stage name "Giorgio Kilkenny") on bass.[11] Music journalist Paolo Hewitt commented about this version of Dexys: "Dexys wouldn't make a record unless they thought it was great. And they wouldn't play a gig unless they thought they were gonna be great."[11] Around this time, Archer played Rowland demos of Archer's new group, The Blue Ox Babes, which featured, in Rowland's words, "a Tamla-style beat with violins".[4] The violins had been played by a Birmingham School of Music classical violin student named Helen Bevington. Rowland's first idea was to get the horn players to also play strings, as he had discussed in the March interview (with Speare on viola, which he already played, and string novices Paterson and Maurice on cello), and the horn players (with session musician support) contributed strings to the third single with the new lineup, "Liars A to E", produced by Neil Kernon, which was released in October 1981.[5] In November, the group played a three-night stand at The Old Vic in London, with the horn section again doubling on strings. The Old Vic shows attracted unexpectedly rave reviews in the press, although these concerts were not recorded. Rowland said of these shows, "Those three nights at the Old Vic were all I wanted to say in '81."[11] Dexys' 1981 recordings, including all three singles (both A-sides and B-sides) as well as the tracks from the two BBC Radio 1
BBC Radio 1
appearances, were released by Dexys on CD in 2007 as The Projected Passion Revue.[5] Too-Rye-Ay, stardom, and turnover[edit]

Dexys Midnight Runners
Dexys Midnight Runners
in Zürich in 1982. Photograph by Ueli Frey.

As Dexys prepared to record their first album for Mercury, Rowland decided that he needed more proficient string players to achieve the sound he envisioned. He sent Speare to invite Bevington to join Dexys,[11] which she agreed to do, and Rowland gave her the Irish-sounding stage name of Helen O'Hara.[10] Rowland also asked her to recruit two other violinists; she brought fellow students Steve Shaw and Roger Huckle, whom Rowland renamed as Steve Brennan and Roger MacDuff, and Rowland named the violin section "The Emerald Express". However, the need to rearrange all the songs for both strings and horns left the brass section of Paterson and Maurice (and to a lesser extent Speare) feeling that their role in the band had diminished. Thus, just prior to the recording sessions, Paterson and Maurice quit.[12] Rowland was able to persuade them to remain in Dexys long enough to record the next album .[11] Shortly thereafter, Speare also joined their planned departure.[11] This fractured line-up recorded Too-Rye-Ay
in early 1982 with producers Rowland, Clive Langer and Alan Winstanley. The album featured a hybrid of soul and Celtic folk, similar to Archer's new direction. All of the post-breakup singles and the Projected Passion Revue material were re-arranged and re-recorded with the new lineup. The new sound was accompanied by the band's third new look, with the band attired in dungarees, scarves, leather waistcoats, and what was described as "a generally scruffy right-off-the-farm look", or "a raggle-taggle mixture of gypsy, rural Irish and Steinbeck Okie".[3][7][13] Rowland jokingly said of the new image: "These are my best clothes. Again it just feels right for the music. Everybody else is dressing up sort of straight-laced and pretty down-to-earth and we come in wearing these and it's like, y'know here we are, a bit of hoedowning is even possible".[3] The first single, "The Celtic Soul Brothers" (cowritten by Rowland and Paterson with Mickey Billingham), which was released before the album, only reached number 45 on the UK charts.[14] After the failure of this single, O'Hara said that the band believed that they immediately needed a hit single to survive.[11] To help create momentum, the band performed a live BBC Radio 1
BBC Radio 1
concert in Newcastle on 6 June 1982, which was the last appearance of the horn section of Paterson, Maurice, and Speare with Dexys.[5] Released right after the live appearance, Dexys' follow-up single, "Come On Eileen" (cowritten by Rowland and Paterson with Billy Adams), became that much-needed hit – a Number One hit in the UK, which also became Dexys' first single released in the United States (and second in North America, after "Seven Days Too Long", which was only released in Canada)[15] – where it peaked at #1 in April 1983 on the Billboard Hot 100
Billboard Hot 100
chart. The third UK single from the album , Van Morrison's " Jackie Wilson
Jackie Wilson
Said (I'm in Heaven When You Smile)", also reached the top 5 in the UK singles chart.[3] The band sang this song on the UK comedy The Young Ones.[3] When the band performed this single on the BBC TV music show Top of the Pops, instead of a picture of Jackie Wilson, the American soul singer, the band performed in front of a photo of Jocky Wilson, the Scottish darts player.[16] The horn section became known as The TKO Horns and continued working with Too-Rye-Ay
producers Langer and Winstanley, just as The Bureau and The Blue Ox Babes had continued working with Pete Wingfield. To replace them, Dexys added saxophonist Nick Gatfield and used various session musicians, including Kevin Gilson (saxophone) and Mark Walters and Spike Edney (trombone).[5] Soon thereafter, Billingham also left the band but continued to appear with Dexys on a session basis until the end of the year, when he joined General Public.[5] Dexys Mark III: 1982–87[edit] Touring and more turnover[edit] With Paterson and Billingham's departures, the core of Dexys became Rowland, Adams, and O'Hara. In September, touring behind the hit album, Dexys embarked on The Bridge tour.[5] On 10 October 1982, the Dexys performance at the Shaftesbury Theatre
Shaftesbury Theatre
in London was recorded by Steve Barron
Steve Barron
and then released on videodisk and videocassette (and later DVD) as an edited 9-song set also entitled The Bridge. Rowland, Adams and O'Hara jointly wrote the band's next single, "Let's Get This Straight (From the Start)" (with O'Hara also contributing piano on the recording along with Billingham). At the start of 1983, Robert "Bob" Noble replaced Billingham on keyboards and Kilkenny was replaced by John "Rhino" Edwards on bass.[5] Dexys finally toured the U.S. in 1983 and continued to tour through that summer. However, the major success of Too-Rye-Ay
became an issue for Rowland, who said in 1999 that "I was fairly comfortable being the outsider knocking on the door[, but] once the door opened and I stepped inside, I was completely lost" and that he went into "complete self-destruct mode."[6] Rowland and O'Hara also began a personal relationship during the U.S. tour; in Rowland's words, he was "obsessed with her but not enjoying the band."[4] Don't Stand Me Down
Don't Stand Me Down
and break-up[edit] Although Dexys began preparing material for a new album in late 1983, once the touring stopped, the band was reduced to a nucleus of Rowland, Adams, O'Hara and Gatfield.[4] Recording and mixing the new album took almost two years and spread across Switzerland, the U.K., and the U.S.[5] Various seasoned performers and session musicians made up the rest of the band, including Vincent Crane (ex-Atomic Rooster) on piano, Julian Littman on mandolin, Tim Dancy (who had been Al Green's drummer) on drums, Tommy Evans on steel guitar, and former Dexys members "Big" Jim Paterson on trombone, Robert Noble on organ and synthesizer, and John "Rhino" Edwards on bass. Finally, in September 1985, Dexys released its first new album in three years, Don't Stand Me Down.[5] Production was originally credited to Alan Winstanley and Rowland, although later reissues have included Adams and O'Hara as producers as well.[17] The four remaining members were pictured on the album cover in the band's fourth new look, an Ivy League, Brooks-Brothers look,[5] wearing ties and pin-striped suits (except for O'Hara, who wore a grey women's business suit), and with neatly combed hair. Rowland described Dexys' new look as "so clean and simple; it's a much more adult approach now".[7] In an interview with HitQuarters
Gatfield later described the recording process as "very long and painful",[18] and he left the group after a short tour of France and the UK. The album's most controversial feature was its use of conversational dialogue in the songs;[19] Rowland said, "The idea of a conversation in a song is interesting to me."[20] Commenting on this, O'Hara said that "we had to keep going ahead with what we believed" despite the length of time that the production took.[21] Most contemporaneous reviewers strongly disliked this latest incarnation of Dexys, comparing the new look to "double glazing salesmen" and condemning the album as "a mess" and "truly awful".[17][22][23] Only a few reviewers were supportive; for example, writing in the Melody Maker, Colin Irwin described it as "quite the most challenging, absorbing, moving, uplifting and ultimately triumphant album of the year".[24] Rowland at first refused to issue any singles from the album, comparing Dexys to bands like Led Zeppelin
Led Zeppelin
that never released singles.[6] By the time a 3-minute edit of the 12-minute "This Is What She's Like" was released, it was too late to save the album from commercial failure, and the "Coming to Town" tour that followed the album was played before "half-empty theaters".[6] Rowland said, "I felt that we couldn't do anything better than [Don't Stand Me Down]. It took so much out of me, but the record company threw the towel in. I think they wanted to teach me a lesson."[4] In the aftermath, Rowland and O'Hara's personal relationship ended, and Rowland started to have issues with drug abuse.[6] However, Dexys returned to the U.K. charts in late 1986 with the single "Because Of You", again written by and featuring the nucleus of Rowland, O'Hara and Adams (and which was used as the theme tune to a British sitcom, Brush Strokes).[5] Dexys, which at this point just consisted of that trio, finally disbanded in early 1987.[5] Rowland solo and failed Dexys reunions: 1987–2002[edit] Rowland became a solo singer with the release of 1988's poorly received album, The Wanderer.[5] Rowland then suffered from financial problems, drug addiction and issues with depression, leading to him being "a bankrupt" by 1991 despite his ongoing royalties.[25] However, Dexys returned to the charts that year with the greatest-hits TV compilation The Very Best of Dexys Midnight Runners, which featured a number of songs that had never been released on CD, reached #12 on the charts, and was certified "Gold". Consequently, Rowland "spent most of my time in rehab" in 1993 and 1994.[6] As part of that, Rowland made plans to reform Dexys together with Big Jim Paterson and Billy Adams, although these plans resulted in little more than a solitary TV performance in 1993.[5][26] Rowland then went on the dole; as he put it in 1999, "Insanity is no fun, mate. People try to romanticize the idea of the suffering artist. At my lowest ebbs there was no romance to it at all."[6] After more treatment, Rowland returned once more as a solo performer and signed to Creation Records, although, in his words, "every other record label advised [Creation] against it because I was trouble."[6] In 1997, he released his first project on Creation: a remastered and reprocessed version of Don't Stand Me Down
Don't Stand Me Down
with extensive liner notes, revised credits and titles, and two extra songs, which helped contribute to a significant reversal of opinion with regard to the album, which was now increasingly being re-evaluated and recognized as an unfairly overlooked masterwork.[25][19] Following this, in 1999 Rowland released a new solo album of interpretations of "classic" songs called My Beauty, which received virtually no publicity or radio airplay and sold poorly but attracted attention for Rowland's cross-dressing cover attire.[6][25] Rowland limited his pre-release publicity for the album to one interview, and he "auditioned" potential interviewers before selecting Jon Wilde.[6] However, the negative reaction to My Beauty
My Beauty
and the demise of Creation Records shortly after its release meant that Rowland's planned follow-up album, which would have featured Dexys performing new material, was never made. The failure caused Rowland more problems; in his own words from 2003, "Four years ago, I was nuts."[25] Later, in March 2010, Rowland said that signing to Creation was "definitely a mistake".[27] Dexys Mark IV: 2003–present[edit] Dexys reformed[edit] While recording two new songs, "Manhood" and "My Life in England" (both credited to Rowland, Paterson, and David Ditchfield) for a forthcoming Dexys greatest hits album, Rowland recruited Welsh classical violist (and studio musician) Lucy J. Morgan to play on the sessions along with original Dexys members Pete Williams as co-vocalist and "MD" Mick Talbot
Mick Talbot
on keyboards, plus Paul Taylor on trombone and Neil Hubbard
Neil Hubbard
on guitar.[5] Following the sessions, Rowland offered Morgan a permanent place in the group, and she accepted.[28] With her addition, Rowland announced the reformation of Dexys in April 2003; he told Williams that his goal for the reformed band was to be true to the memory of Dexys but to "take it somewhere else".[25] The Dexys greatest hits album containing the new songs, Let's Make This Precious: The Best of Dexys Midnight Runners, was released on EMI
in September 2003,[25] followed by a successful tour 'to stop the burning' in October and November.[5] The new songs on the album were touted as new singles, with Dexys even performing "Manhood" on Top of the Pops.[5] However, despite promotional single releases for each by EMI
and airplay on national radio, neither was officially released as a commercial single. Instead, a live performance by this 2003 version of Dexys was released on DVD, entitled It Was Like This – Live (although some versions were packaged with a misleading picture of Rowland from the 1980s on the cover). It Was Like This – Live was reissued in 2012 on CD and DVD as At the Royal Court, Liverpool. In 2004, another Rowland-supervised reissue of the now-out-of-print Don't Stand Me Down, subtitled "The Director's Cut", was issued on EMI with different remixing and remastering, an additional track ("Kevin Rowland's 13th Time"), and a different cover photograph showing the core trio (Rowland, Adams and O'Hara) walking in a park wearing "preppy" attire (instead of the previous business attire). In the liner notes, Rowland said that, after the remastering and track changes, the album "now sounds to me as it was intended to sound."[29] During a June 2005 interview on BBC Radio 2, Kevin Rowland
Kevin Rowland
announced that Dexys were "back in the studio" and seeking a record deal for a new album. A new track, "It's OK Johanna", appeared on the band's MySpace site in 2007, and in January 2008, Rowland told Uncut magazine further details about the album, saying in part: "I'm in the process of demo-ing the songs ... I don't know when it will be ready or who will play on the record. I want to get everything 100 percent right, and know that it's the best I can do and every note is there for a reason ... The only way I can be satisfied is to make the record I'm hearing in my head on my own terms." As Rowland repeatedly stated, "Dexys are not a revival band. They are going forward, not backward."[30] One Day I'm Going to Soar
One Day I'm Going to Soar
and subsequent touring[edit] In 2011, with the band's name officially shortened to "Dexys", work on new material started again with Rowland, Pete Williams, Mick Talbot, Neil Hubbard, and Lucy Morgan, who had all been in Dexys since the 2003 reformation, plus Big Jim Paterson and new female vocalist Madeleine Hyland.[31] Hyland was discovered at the last minute prior to recording, after what Rowland described as "about four years" of searching.[2] Rowland stated that some of the songs Dexys were recording dated back "15 or 20 years."[2] Dexys then announced that they would be embarking on another tour. In February 2012, Rowland officially announced the imminent release of a fourth studio album for Dexys.[31] The band also released a preview of "Now", the album's first track. The album, entitled One Day I'm Going to Soar, was released by BMG on 4 June 2012.[32] All but one song were co-written by Rowland and Talbot, usually with other co-writers such as Paterson or Glen Matlock; the album continued in the same style as Don't Stand Me Down
Don't Stand Me Down
(featuring spoken sections in the songs), which led the album to be described as "a concept album with an unreliable narrator".[33] The first single from the album was "She Got a Wiggle", released 28 May 2012.[34] They performed the song on Later... with Jools Holland in May 2012. The group toured in September 2012 in the UK, performing their new album.[35] Talbot left the group following this tour. In 2013 the band announced that they would play nine shows in London's West End at the Duke of York's Theatre, St Martins Lane between 15 and 27 April.[36] These shows would become the basis for a documentary on the group entitled Nowhere Is Home, directed by Kieran Evans and Paul Kelly.[37] Nowhere Is Home was issued in both triple-CD and double-DVD formats in October 2014 on Dexys' own label, Absolute Dexys.[5] Dexys played more live dates in 2014; however, as Hyland was not available for several shows during the summer, Siobhan Fahey replaced her in the Dexys lineup.[38] (Fahey's sister, actress Máire Fahey, had portrayed "Eileen" in the music video and picture sleeve for "Come On Eileen" in 1982.)[39] Let The Record Show: Dexys Do Irish and Country Soul[edit] On 17 March 2016 (St. Patrick's Day), Dexys announced the release of their fifth studio album, Let The Record Show: Dexys Do Irish And Country Soul, which was subsequently released on 100%/Warner Music on 3 June 2016. The album features interpretations of Irish folk standards plus songs written by contemporary musicians.[40] The pre-release videos included on Dexys' Facebook page featured three band members: Rowland, Lucy Morgan, and Sean Read, whom Rowland described as the "nucleus" of the current version of Dexys.[30] The album also includes guest violinist Helen O'Hara, recording with the band for the first time in 30 years. Rowland said that the idea for the album dated back to 1984–85, at which time the album would have been called Irish and featured only traditional Irish songs as interpreted by Dexys.[30] O'Hara, in fact, had released such an album in 1998, entitled A Night in Ireland, which includes three of the same songs.[41] According to Rowland, "the brief [has] expanded from solely consisting of Irish songs, to songs I've always loved and wanted to record", such as "You Wear It Well", "To Love Somebody", and "Both Sides, Now".[30] Dexys made its only two live appearances of 2016 to support this release: one at a private reception at the Embassy of Ireland in London on 6 June and one at Rough Trade East in London on 3 June.[42] They also performed two songs on the ITV program Weekend on 11 June.[43] For these three performances, O'Hara temporarily rejoined Dexys in place of Morgan, who was unavailable.[42] Members[edit]

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Current members

Kevin Rowland
Kevin Rowland
— lead vocals, bass, guitar, piano (1978–87, 2003–present) Lucy Morgan — violin, viola (2003–present) Sean Read — keyboards, sax, guitar, vocals (2013–present) Michael Timothy — keyboards (2013–present) Andy Hobson — bass (2013–present) Billy Stookes — drums (2016) Mark Kavuma — trumpet (2016)

Former members

Kevin "Al" Archer — guitar, vocals (1978–81) Jim Paterson — trombone (1978–82, 1985, 2005–16) Pete Williams — bass, vocals (1978–80, 2003–14) Pete Saunders — keyboards (1978–80) John Jay — drums (1978–79) Terry De Sarge — drums (1979) Steve Spooner — saxophone (1978–80) Geoff Blythe — saxophone (1978–80) Geoff Kent — trumpet (1978–79) Bobby Ward — drums (1979–80) Andy Leek — keyboards (1980) Andy Growcott — drums (1980) Mick Talbot
Mick Talbot
— keyboards (1980, 2003–13) Kevin "Billy" Adams — guitar, banjo, vocals (1981–87) Mickey Billingham — keyboards, accordion (1981–82) Seb Shelton — drums (1981–84)

Paul Speare — saxophone, flute (1981–82) Brian Maurice — saxophone (1981–82) Steve Wynne — bass (1981–81) Giorgio Kilkenny — bass (1981–82) Helen O'Hara — violin, vocals (1981–87, 2016) Steve Brennan — violin, accordion (1981–84) Roger MacDuff — violin (1981–84) John Edwards — bass (1982–85) Nick Gatfield — saxophone (1982–85) Spike Edney — trombone (1982–84) Robert Noble — organ (1982–85) Vincent Crane — piano (1985) Tim Dancy — drums (1985) Julian Litman — mandolin (1985) Mick Bolton — piano (1985–86)

Pol Coussee — saxophone (1985–86) Fayyaz Virji — trombone (1985–86) Penn Pennington — guitar (1985–86) Jerry Preston — bass (1985–86) Philip Blakeman — guitar, accordion (2003–05) Comedius Dave — horn, vibes (2005–06) Neil Hubbard
Neil Hubbard
— guitar (2003–12) Julian Crampton — bass (2003–05) Crispin Taylor — drums (2003–05) Volker Janssen — keyboards (2003–05) Paul Taylor — trombone (2003–05) Madeleine Hyland — vocals (2011–14) John McKenzie—bass (2012) Tim Cansfield — guitar (2013–14) David Ruffy — drums (2013–14) Siobhan Fahey — vocals (2014)


1983 Brit Awards
Brit Awards
– Best British single (for "Come On Eileen")

Discography[edit] Studio albums[edit]

Year Album details Peak chart positions Certifications[44][45] (sales threshold)

UK [46] NZ [47] SWE [48] NOR [49] US [50]

1980 Searching for the Young Soul Rebels

First studio album Release date: July 1980 Label: EMI

6 11 31 — —

UK: Silver

1982 Too-Rye-Ay

Second studio album Release date: August 1982 Label: Mercury Records

2 2 22 22 14

UK: Platinum

1985 Don't Stand Me Down

Third studio album Release date: September 1985 Label: Mercury Records

22 — — — —

2012 One Day I'm Going to Soar

Fourth studio album Release date: June 2012 Label: BMG

13 — — 27 —

2016 Let the Record Show: Dexys Do Irish and Country Soul

Fifth studio album Release date: June 2016 Label: 100% / Warner Music

10 — — — —

"—" denotes releases that did not chart


Year Single Peak chart positions B-side Album

UK[51] AUS IRL [52] US US AC US Main

1979 "Dance Stance" 40 — — — — — "I'm Just Looking" Non-album single

1980 "Geno" (UK: Silver) 1 — 2 — — — "Breakin' Down the Walls of Heartache" Searching for the Young Soul Rebels

"There, There, My Dear" 7 — — — — — "The Horse"

"Keep It Part Two (Inferiority Part One)" — — — — — — "One Way Love" Non-album single

1981 "Plan B" 58 — — — — — "Soul Finger"

"Show Me" 16 — 21 — — — "Soon"

"Liars A to E" — — — — — — "And Yes We Must Remain the Wildhearted Outsiders" Too-Rye-Ay

1982 "The Celtic Soul Brothers" 45 — — — — — "Love (Part 2)"

"Come On Eileen" (UK: Platinum) 1 1 1 1 31 6 "Dubious"

" Jackie Wilson
Jackie Wilson
Said (I'm in Heaven When You Smile)" 5 — 7 — — — "Let's Make This Precious"

"Let's Get This Straight (From the Start)" 17 — 9 — — — "Old" Non-album single

1983 "Geno" (re-release) — — — — — — "Breakin' Down the Walls of Heartache" Geno

"The Celtic Soul Brothers" (re-release) 20 — 13 86 — — "Reminisce Part One" Too-Rye-Ay

1985 "This Is What She's Like" 78 — — — — — "Marguerita Time" Don't Stand Me Down

1986 "Because of You" 13 — 11 — — — "Kathleen Mavourneen" Non-album single

2012 "She Got a Wiggle" — — — — — — — One Day I'm Going to Soar

"—" denotes releases that did not chart

Live albums[edit]

1980–1982: The Radio One Sessions (1995) BBC Radio One Live in Concert (1995) The Projected Passion Revue (2007) At the Royal Court, Liverpool (2012) Nowhere Is Home (2014)

Compilation albums[edit]

Geno (1983) (UK #79[51]) The Very Best of Dexys Midnight Runners
The Very Best of Dexys Midnight Runners
(1991) (UK #12,[51] UK: Gold) Because of You (1993) It Was Like This (1996) Master Series (1996) Let's Make This Precious: The Best of Dexys Midnight Runners
Dexys Midnight Runners
(2003) (UK No. 75[51]) Worth It – The Collection (2008) 20th Century Masters – The Millennium Collection: The Best of Dexy's Midnight Runners (2009)


The Bridge (1983) It Was Like This – Live (2004) At the Royal Court, Liverpool (2012) (repackage of It Was Like This – Live) Nowhere Is Home (2014)


^ Michaels, Sean (13 February 2012). " Dexys Midnight Runners
Dexys Midnight Runners
to release first new album in 27 years Music". The Guardian. Retrieved 17 April 2014.  ^ a b c d Kinney, Fergal (26 October 2014). "Dexy's: Nowhere is Home – Kevin Rowland
Kevin Rowland
and Jim Paterson in depth interview". Louder Than War. Retrieved 1 April 2016.  ^ a b c d e f g h i j k l m n o Gimarc, George (2005) Punk Diary: The Ultimate Trainspotter's Guide to Underground Rock 1970–1982, Backbeat Books, ISBN 0-87930-848-6 ^ a b c d e f g h i j k l m n o Dave Simpson (16 October 2014). "'We were always hard workers': Kevin Rowland
Kevin Rowland
and Big Jim Paterson on their favourite Dexys songs". The Guardian. Retrieved 24 January 2016.  ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag "Dexys Biography". dexysonline.com. Archived from the original on 18 March 2016. Retrieved 29 January 2016.  ^ a b c d e f g h i j k l Wilde, Jon (9 November 2012). "Kevin Rowland: Classic Interview (from 1999)". Sabotage Times. Retrieved 24 January 2016.  ^ a b c d e f g h i j Reynolds, Simon (2005) Rip It Up and Start Again: Postpunk 1978–1984, Faber & Faber, ISBN 0-571-21570-X, p. 293–296 ^ Record Mirror, 10 May 1980 ^ Kevin Archer, Liner notes to Searching for the Young Soul Rebels (2000) ^ a b "Young Guns" BBC interview, available at "The Dexys Story". ^ a b c d e f g Richard White, Dexys Midnight Runners: Young Soul Rebels (2005), p. 121-22. ^ Record Mirror 3 July 1982 ^ Raggett, Ned " Too-Rye-Ay
Review", AllMusic, Macrovision Corporation ^ British Hit Singles & Albums (Guinness World Records) ^ "Truly Precious Possessions". dexys.org. Retrieved 8 April 2016. [permanent dead link] ^ Press Office – BBC says fond farewell to Top of the Pops. BBC. Retrieved on 9 May 2012. ^ a b Kevin Rowland, Liner notes to Creation reissue of Don't Stand Me Down. (1997) ^ "Interview With Nick Gatfield". HitQuarters. 8 October 2007. Retrieved 30 June 2010.  ^ a b Holland, Roger (10 November 2005). "Dexy's Midnight Runners, Don't Stand Me Down
Don't Stand Me Down
(1985)". PopMatters.com. Retrieved 18 February 2016.  ^ Mason, Phil (3 December 2013). "Searching for the Old(er) Soul Rebel: An Interview with Dexys' Kevin Rowland". PopMatters.com. Retrieved 13 February 2016.  ^ Helen O'Hara interview, reprinted at Dexys' website ^ Thompson, Dave " Don't Stand Me Down
Don't Stand Me Down
Review", AllMusic, Macrovision Corporation ^ Schnee, Steve "Spaz" "The Blue Ox Babes: Apples & Oranges (Bonus Tracks) Review", AllMusic, Macrovision Corporation ^ Irwin, Colin (7 September 1985). "Stand And Deliver". Melody Maker.  ^ a b c d e f Simpson, Dave (18 September 2003). "'I was nuts'". The Guardian. Retrieved 31 January 2016.  ^ The band performed two new songs, "Manhood" and "If I Ever", on the UK Channel 4
Channel 4
TV show Saturday Zoo ^ Dave Haslam, Author and DJ – Official Site. Davehaslam.com. Retrieved on 25 August 2011. Archived 4 March 2012 at the Wayback Machine. ^ "Classical violinist Lucy J Morgan on her role in Dexys Midnight Runners' new comeback album". Wales Online. 10 December 2011. Retrieved 3 April 2016.  ^ Kevin Rowland, Liner notes for Don't Stand Me Down: The Director's Cut (2004). Retrieved 12 February 2015. ^ a b c d "The Dexys New Album "Let The Record Show: Dexys Do Irish and Country Soul" Available June 3"". Rhino Records. 6 March 2016. Retrieved 3 April 2016.  ^ a b Cashmere, Paul (2011) "Dexy's [sic] Midnight Runners Return After 27 Years", noise11.com, 11 February 2012, retrieved 9 April 2012 ^ Dexys Midnight Runners
Dexys Midnight Runners
to release first new album in 27 years, NME, 10 February 2012, retrieved 9 April 2012 ^ Ewing, Tom (13 June 2012). "Dexys: One Day I'm Going to Soar". Pitchfork.com. Retrieved 12 February 2016.  ^ Dexys: triumphant return of the soul rebels, The Guardian, 10 May 2012, Retrieved 16 May 2012 ^ "Dexys announce September UK tour – ticket details". www.nme.com. Retrieved 12 September 2012.  ^ "Dexys – Now In The West End – ticket details". Archived from the original on 8 April 2013. Retrieved 23 February 2013.  ^ "Documentary Nowhere is Home – a Film about Dexys". walesartreview.com. 22 May 2014. Retrieved 9 November 2015.  ^ "Happy Birthday: Siobhan Fahey of Bananarama". Rhino Records. Retrieved 12 February 2016.  ^ "5 Things You Didn't Know: "Come On Eileen" By Dexys Midnight Runners". WCBS-FM. 29 March 2013. Retrieved 12 February 2016.  ^ "Dexys announce new album". New Musical Express. 17 March 2016. Retrieved 19 March 2016.  ^ Dexys News. "New Dexys Album out in June". dexys.org. Retrieved 9 April 2016.  ^ a b "Dexys announce special London performances". Irish World. 25 May 2016. Retrieved 30 June 2016.  ^ Dexys (12 June 2016). "If you missed Dexys on the Weekend show yesterday then you can now watch back online". Retrieved 12 March 2017.  ^ [1] Archived 2 February 2016 at the Wayback Machine. ^ Canadian Recording Industry Association (CRIA): Gold & Platinum Archived 12 April 2009 at the Wayback Machine.. Cria.ca. Retrieved on 25 August 2011. ^ UK Top 40 Chart Archive, British Singles & Album Charts. everyHit.com (16 March 2000). Retrieved on 25 August 2011. ^ New Zealand charts portal. charts.org.nz (19 September 1982). Retrieved on 25 August 2011. ^ Swedish Charts Portal. swedishcharts.com. Retrieved on 25 August 2011. ^ Norwegian charts portal. norwegiancharts.com. Retrieved on 25 August 2011. ^ " Dexys Midnight Runners
Dexys Midnight Runners
– Charts & Awards > Billboard Albums". AllMusic. Retrieved 7 May 2012.  ^ a b c d Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 153. ISBN 1-904994-10-5.  ^ "The Irish Charts – All there is to know". chartstats.com. Retrieved 24 June 2012. 

External links[edit]

Dexys official website Pete Williams official website

v t e

Dexys Midnight Runners

Kevin Rowland Lucy Morgan Sean Read Michael Timothy Andy Hobson

Al Archer Jim Paterson Pete Williams Pete Saunders John Jay Steve Spooner Geoff Blythe Jeff Kent Bobby Ward Andy Leek Andy "Stoker" Growcott Mick Talbot Billy Adams Mickey Billingham Seb Shelton Paul Speare Brian Maurice Steve Wynne Giorgio Kilkenny Helen O'Hara Steve Brennan Roger MacDuff John Edwards Andy Hamilton Nick Gatfield Spike Edney Robert Noble Vincent Crane Tim Dancy Julian Litman Mick Bolton Pol Coussee Fayyaz Virji Penn Pennington Jerry Preston Philip Blakeman Neil Hubbard Julian Crampton Crispin Taylor Volker Janssen Paul Taylor Madeleine Hyland Tim Cansfield David Ruffy Siobhan Fahey Billy Stookes Mark Kavuma

Studio albums

Searching for the Young Soul Rebels Too-Rye-Ay Don't Stand Me Down One Day I'm Going to Soar Let The Record Show: Dexys Do Irish And Country Soul


Geno The Very Best of Dexys Midnight Runners BBC Radio One Live in Concert Let's Make This Precious: The Best of Dexys Midnight Runners The Projected Passion Revue Master Series - Dexy's Midnight Runners


"Dance Stance" "Geno" "There, There, My Dear" "Keep It Part Two (Inferiority Part One)" "Plan B" "Show Me" "Liars A To E" "The Celtic Soul Brothers" "Come On Eileen" " Jackie Wilson
Jackie Wilson
Said (I'm in Heaven When You Smile)" "Let's Get this Straight (From the Start)" "This is What She's Like" "Because of You" "She Got a Wiggle"

Related articles

The Blue Ox Babes The Bureau General Public The Killjoys

v t e

Best-selling singles by year in the United Kingdom


1952: "Auf Wiederseh'n Sweetheart" – Vera Lynn
Vera Lynn
(UK) 1953: "I Believe" – Frankie Laine 1954: "Secret Love" – Doris Day 1955: "Rose Marie" – Slim Whitman 1956: "I'll Be Home" – Pat Boone 1957: "Diana" – Paul Anka 1958: "Jailhouse Rock" – Elvis Presley 1959: "Living Doll" – Cliff Richard
Cliff Richard
(UK) 1960: "It's Now or Never" – Elvis Presley 1961: "Wooden Heart" – Elvis Presley 1962: "I Remember You" – Frank Ifield (UK) 1963: "She Loves You" – The Beatles
The Beatles
(UK) 1964: "Can't Buy Me Love" – The Beatles
The Beatles
(UK) 1965: "Tears" – Ken Dodd
Ken Dodd
(UK) 1966: "Green, Green Grass of Home" – Tom Jones (UK) 1967: "Release Me" – Engelbert Humperdinck (UK) 1968: "Hey Jude" – The Beatles
The Beatles
(UK) 1969: "Sugar, Sugar" – The Archies


1970: "The Wonder of You" – Elvis Presley 1971: "My Sweet Lord" – George Harrison
George Harrison
(UK) 1972: "Amazing Grace" – The Royal Scots Dragoon Guards
Royal Scots Dragoon Guards
Band (UK) 1973: "Tie a Yellow Ribbon Round the Ole Oak Tree" – Tony Orlando and Dawn 1974: "Tiger Feet" – Mud (UK) 1975: "Bye Bye Baby" – Bay City Rollers
Bay City Rollers
(UK) 1976: "Save Your Kisses for Me" – Brotherhood of Man
Brotherhood of Man
(UK) 1977: "Mull of Kintyre" / "Girls' School" – Wings (UK) 1978: "Rivers of Babylon" / "Brown Girl in the Ring" – Boney M. 1979: "Bright Eyes" – Art Garfunkel 1980: "Don't Stand So Close to Me" – The Police
The Police
(UK) 1981: "Don't You Want Me" – The Human League
The Human League
(UK) 1982: "Come On Eileen" – Dexys Midnight Runners
Dexys Midnight Runners
(UK) 1983: "Karma Chameleon" – Culture Club
Culture Club
(UK) 1984: "Do They Know It's Christmas?" – Band Aid (UK) 1985: "The Power of Love" – Jennifer Rush 1986: "Don't Leave Me This Way" – The Communards (UK) 1987: "Never Gonna Give You Up" – Rick Astley
Rick Astley
(UK) 1988: "Mistletoe and Wine" – Cliff Richard
Cliff Richard
(UK) 1989: "Ride on Time" – Black Box


1990: "Unchained Melody" – The Righteous Brothers 1991: "(Everything I Do) I Do It for You" – Bryan Adams 1992: "I Will Always Love You" – Whitney Houston 1993: "I'd Do Anything for Love (But I Won't Do That)" – Meat Loaf 1994: "Love Is All Around" – Wet Wet Wet
Wet Wet Wet
(UK) 1995: "Unchained Melody" – Robson & Jerome (UK) 1996: "Killing Me Softly" – Fugees 1997: "Something About the Way You Look Tonight" / "Candle in the Wind 1997" – Elton John
Elton John
(UK) 1998: "Believe" – Cher 1999: "...Baby One More Time" – Britney Spears 2000: "Can We Fix It?" – Bob the Builder
Bob the Builder
(UK) 2001: "It Wasn't Me" – Shaggy featuring Rikrok
(UK) 2002: "Anything Is Possible" / "Evergreen" – Will Young
Will Young
(UK) 2003: "Where Is the Love?" – The Black Eyed Peas 2004: "Do They Know It's Christmas?" – Band Aid 20 (UK) 2005: "Is This the Way to Amarillo" – Tony Christie
Tony Christie
featuring Peter Kay (UK) 2006: "Crazy" – Gnarls Barkley 2007: "Bleeding Love" – Leona Lewis
Leona Lewis
(UK) 2008: "Hallelujah" – Alexandra Burke
Alexandra Burke
(UK) 2009: "Poker Face" – Lady Gaga


2010: "Love the Way You Lie" – Eminem
featuring Rihanna 2011: "Someone Like You" – Adele
(UK) 2012: "Somebody That I Used to Know" – Gotye
featuring Kimbra 2013: "Blurred Lines" – Robin Thicke
Robin Thicke
featuring T.I.
& Pharrell Williams 2014: "Happy" – Pharrell Williams 2015: "Uptown Funk" – Mark Ronson
Mark Ronson
(UK) featuring Bruno Mars 2016: "One Dance" – Drake featuring Wizkid and Kyla (UK) 2017: "Shape of You" - Ed Sheeran
Ed Sheeran

Authority control

WorldCat Identities VIAF: 133844969 ISNI: 0000 0001 1956 295X BNF: cb13902934d (data) MusicBrainz: ccce2053-7007-4c36-b1e7-