Dena Paona
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''Dena Paona'' ( bn, দেনা পাওনা) () is a 1931
Bengali Bengali or Bengalee, or Bengalese may refer to: *something of, from, or related to Bengal, a large region in South Asia * Bengalis, an ethnic and linguistic group of the region * Bengali language, the language they speak ** Bengali alphabet, the w ...
film directed by
Premankur Atorthy Premankur Atorthy (1890–1964) was an Indian novelist, journalist, and film director. He was involved in Hindi and Bengali cinema.Amar Mullick, Durgadas Bannerjee, Jahar Ganguly, Nibhanani Devi, and Bhanu Bandopadhyay. Based on a novel by Sarat Chandra Chattopadhyay and produced by
New Theatres New Theatres is an Indian film studio. It was formed in Calcutta by producer B. N. Sircar (Birendranath Sircar, the recipient of Dadasaheb Phalke Award of 1970). It was formed on 10 February 1931. Motto of this company was– ''Jivatang Jyotir ...
, it is credited as the one of first Bengali
talkie A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before ...
s, and along with Alam Ara, was one of the first sound films produced in India. The film explored the ills of the
dowry A dowry is a payment, such as property or money, paid by the bride's family to the groom or his family at the time of marriage. Dowry contrasts with the related concepts of bride price and dower. While bride price or bride service is a payment ...
system and touched on the problems of female oppression in 19th century
Bengal Bengal ( ; bn, বাংলা/বঙ্গ, translit=Bānglā/Bôngô, ) is a geopolitical, cultural and historical region in South Asia, specifically in the eastern part of the Indian subcontinent at the apex of the Bay of Bengal, predom ...
.


Plot

Jibananda is a drunkard Zamindar. Ekkari is his companion in all his sinful deeds and greed for money. Sorashi is the priestess in the local Chandi Temple and the estranged wife of Jibananda. She is adamant and stubborn, but responsible and honest. She has immense influence in certain sections of local society. When Sorashi was young, she was known as Alaka. Circumstances force Sorashi to stay whole night in the drunk Jibananda's house. This created a ripple amongst the local villagers when they come to know about this incident. But Sorashi gave a legal statement to the police and Magistrate that she went to the Zamindar's house willingly. Jibananda was freed from all offences due to this statement. But the village leaders were very strict about their decision. Sarbeswar Shiromani, Mr. Chowdhury, and Janardan Roy decided not to assign the responsibility of a priestess of the temple to Sorashi any more. Nirmal, the son-in-law of Sabeswar Shiromani, is very impressed by the attitude and intelligence of Sorashi. Jibananda later tries to make advances on Sorashi but she refuses him, making him angry. He attempts to evict her from her shelter. Sagar and his team wait for Sorashi's order to fight against Jibananda. But Sorashi is totally dispassionate and decides to leave the temple as well as the village forever. This brings an unexpected change in Jibananda as he realises his mistakes and surrenders to Sorashi. In response to which she accepts his unconditional apology and accepts him.


Cast

* Bhanu Bannerjee as Nirmal * Durgadas Bannerjee as Jibananda *Nibhanani Devi as Shoroshi * Jahar Ganguly as Sagar Sardar * Amar Mullick as Ekkari *Bhumen Roy as Nirmal *Shishubala as Haimabati *Umasashi in a crowd scene


References


External links

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See also

* Alam Ara * Jamai Shashthi 1931 films 1931 drama films Bengali-language Indian films Indian drama films Films set in Kolkata Films based on works by Sarat Chandra Chattopadhyay Indian black-and-white films 1930s Bengali-language films Films directed by Premankur Atorthy {{1930s-Bengali-film-stub