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''Deidamia'' ( HWV 42) is an opera in three acts composed by George Frideric Handel to an Italian libretto by Paolo Antonio Rolli. It premiered on 10 January 1741 at Lincoln's Inn Fields Theatre, London.
"Twists and Turns on the Achilles Myth in Handel's 'Deidamia'"
''
Phoenix tries to persuade Nerea that he is in earnest: as a Greek woman herself she should be proud, not jealous, that he is soon to leave for the Trojan war. Nerea realises that she should not let this opportunity slip through her fingers.
Ulysses and Phoenix put into practice a scheme to unmask Achilles. They present the women of the court with a chest of ribbons, fabrics and other finery. As Deidamia frantically urges Achilles to show a girlish interest in them, he instinctively reaches for a helmet, shield and sword cunningly placed amongst the trinkets. A call to arms sounds, and he brandishes the sword ready for action. He has betrayed himself, and Ulysses confronts him with his true identity, urging him to join the Greek force massing against Troy. Achilles enthusiastically agrees. Grief-stricken at the thought of losing him, Deidamia curses Ulysses for destroying her happiness.
Deidamia visits her father and confesses her love for Achilles. Though he blesses their love he tells her that it can last only until Achilles departs, and reveals the prediction that Achilles will die at Troy. Achilles, now at last dressed as a man, comes to Deidamia and proposes that they marry immediately, but her anger and distress at his imminent departure lead them into a quarrel. Ulysses pacifies them by revealing his own identity: he too has famously left his much-loved wife Penelope to go to war, to the greater glory of them both; he predicts that Achilles and Deidamia will achieve similar fame. Deidamia will not be comforted.
Nerea accuses Phoenix of feigning love purely to discover and abduct Achilles. He assures her that his love is genuine; he proposes, and she accepts him. They are joined by the others, Lycomedes now content to surrender Achilles to the Greek cause. Ulysses joins the hands of Deidamia and Achilles, and the final chorus encourages them, and us, to take our fleeting pleasures while we may.
Score
of ''Deidamia'' (ed.
''Deidamia'' ( HWV 42) is an opera in three acts composed by George Frideric Handel to an Italian libretto by Paolo Antonio Rolli. It premiered on 10 January 1741 at Lincoln's Inn Fields Theatre, London.
Performance history
Aballad opera The ballad opera is a genre of English stage entertainment that originated in the early 18th century, and continued to develop over the following century and later. Like the earlier '' comédie en vaudeville'' and the later ''Singspiel'', its dist ...
on the same story by John Gay had been performed in London in 1733, under the title ''Achilles
In Greek mythology, Achilles ( ) or Achilleus ( grc-gre, Ἀχιλλεύς) was a hero of the Trojan War, the greatest of all the Greek warriors, and the central character of Homer's '' Iliad''. He was the son of the Nereid Thetis and Pele ...
.''
Handel's opera, a co-production with the Earl of Holderness
The title Earl of Holderness also known as Holdernesse existed in the late 11th and early 12th centuries as a feudal lordship and was officially created three times in the Peerage of England namely in 1621, in 1644 as a subsidiary title to that of ...
, was first performed on 10 January 1741 at London's Lincoln's Inn Fields Theatre, but received only two more performances at a time when the public was becoming tired of Italian opera. The work was Handel's last Italian opera, and he subsequently turned his attention to composing oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is ...
s. The opera was revived in the 1950s and it receives staged performances today, e.g. the 2012 staging by David Alden for Netherlands Opera.Loomis, George (27 March 2012)"Twists and Turns on the Achilles Myth in Handel's 'Deidamia'"
''
The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid d ...
''. Retrieved 24 October 2014.
Roles
Synopsis
The opera is based upon theGreek mythological
A major branch of classical mythology, Greek mythology is the body of myths originally told by the ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the origin and nature of the world, the lives and activities of d ...
character Deidamia, the daughter of King Lycomedes
In Greek mythology, Lycomedes ( grc, Λυκομήδης), also known as Lycurgus, was the most prominent king of the Dolopians in the island of Scyros near Euboea during the Trojan War.
Family
Lycomedes was the father of seven daughters inc ...
of Skyros
Skyros ( el, Σκύρος, ), in some historical contexts Latinized Scyros ( grc, Σκῦρος, ), is an island in Greece, the southernmost of the Sporades, an archipelago in the Aegean Sea. Around the 2nd millennium BC and slightly later, the ...
, who bore a child by Achilles
In Greek mythology, Achilles ( ) or Achilleus ( grc-gre, Ἀχιλλεύς) was a hero of the Trojan War, the greatest of all the Greek warriors, and the central character of Homer's '' Iliad''. He was the son of the Nereid Thetis and Pele ...
, as told in the stories of Achilles on Skyros
Achilles on Skyros is an episode in the myth of Achilles, a Greek hero of the Trojan War. Not existing in Homer's epic poem ''Iliad'', the episode is written down in detail in some later versions of the story, particularly the ''Achilleid'' by the ...
.
The oracle predicted that Achilles would die if he fought in the Trojan War. In an attempt to forestall this fate, his father Peleus has disguised him as a girl and sent him to live in the palace of his friend Lycomedes, on the island of Skyros, where he is brought up amongst Lycomedes' daughters and becomes the lover of the eldest, Deidamia. As the Greeks prepare for their war against Troy, the priest Calchas reveals that the city cannot be taken without Achilles' help. Ambassadors are sent to Skyros to retrieve him.
Act 1
The ambassadors from Agamemnon arrive on Skyros: Ulysses, disguised under the name of Antilochus, Phoenix and Nestor (a silent role). Ulysses asks Lycomedes to contribute military help to the expedition, to which he readily agrees; he then demands that Lycomedes surrender the young Achilles, rumoured to be concealed on the island and essential to the Greek victory. Loyal to his friend Peleus, Lycomedes denies that he is sheltering Achilles, but permits his guests to search for him. Inside the palace, Deidamia waits longingly for her beloved Pyrrha to return from hunting. Pyrrha – Achilles in disguise – returns flushed with his exertions and rebukes the women for sitting idly indoors. The women leave Deidamia and Achilles together. Deidamia gently chides Achilles for being more in love with the chase than with her. Achilles admits that he loves her, but is not prepared to sacrifice his freedom. Deidamia's confidante, the princess Nerea, brings news of the strangers arrived from mainland Greece in search of Achilles. Deidamia is immediately anxious on Achilles' behalf and a short conversation with Ulysses convinces her that they must be on their guard.
Act 2
In the palace garden Achilles sees Deidamia talking to Ulysses and is fascinated by his armour and manliness. He listens to their conversations, as Ulysses now pays court to Deidamia in order to win her confidence, and Deidamia politely but firmly refuses him. Stung with jealousy, Achilles petulantly berates her for encouraging Ulysses' attention. Nerea brings news that Lycomedes has arranged a hunt to entertain their guests. Deidamia is alarmed that Achilles' enthusiasm and hunting skill will betray his identity. But Nerea has also been courted by Phoenix and suggests that she and Deidamia distract the Greeks by appearing to respond to their addresses. Deidamia agrees, but begins to wonder whether Achilles' angry outburst covered a real resolution to abandon her. Lycomedes recommends the hunting on his estate to Ulysses; he, however, is too old for such sports. The hunt begins, and Nerea attaches herself to Phoenix, gaily taunting him with being more interested in the hunt than in her. Ulysses has been watching 'Pyrrha' and now joins Phoenix: the strange girl's strength and skill in hunting have convinced him that 'she' is in fact Achilles in disguise. Finding an opportunity to draw 'Pyrrha' aside Ulysses begins a feigned declaration of love; Achilles is flattered and amused, and more so when he notices that Deidamia is in hearing. As soon as Ulysses leaves she furiously attacks Achilles for thoughtlessly risking exposure and their happiness. Achilles shrugs off her anger and is about to rejoin the hunt when he is now stopped by Phoenix, who similarly engages him in conversation. Achilles' lack of interest in love convinces Phoenix that Ulysses was correct: 'Pyrrha' is in fact a man.Act 3
Phoenix tries to persuade Nerea that he is in earnest: as a Greek woman herself she should be proud, not jealous, that he is soon to leave for the Trojan war. Nerea realises that she should not let this opportunity slip through her fingers.
Ulysses and Phoenix put into practice a scheme to unmask Achilles. They present the women of the court with a chest of ribbons, fabrics and other finery. As Deidamia frantically urges Achilles to show a girlish interest in them, he instinctively reaches for a helmet, shield and sword cunningly placed amongst the trinkets. A call to arms sounds, and he brandishes the sword ready for action. He has betrayed himself, and Ulysses confronts him with his true identity, urging him to join the Greek force massing against Troy. Achilles enthusiastically agrees. Grief-stricken at the thought of losing him, Deidamia curses Ulysses for destroying her happiness.
Deidamia visits her father and confesses her love for Achilles. Though he blesses their love he tells her that it can last only until Achilles departs, and reveals the prediction that Achilles will die at Troy. Achilles, now at last dressed as a man, comes to Deidamia and proposes that they marry immediately, but her anger and distress at his imminent departure lead them into a quarrel. Ulysses pacifies them by revealing his own identity: he too has famously left his much-loved wife Penelope to go to war, to the greater glory of them both; he predicts that Achilles and Deidamia will achieve similar fame. Deidamia will not be comforted.
Nerea accuses Phoenix of feigning love purely to discover and abduct Achilles. He assures her that his love is genuine; he proposes, and she accepts him. They are joined by the others, Lycomedes now content to surrender Achilles to the Greek cause. Ulysses joins the hands of Deidamia and Achilles, and the final chorus encourages them, and us, to take our fleeting pleasures while we may.
Recordings
Audio recordings
Video recording
References
Notes
Further reading
* The second of the two volume definitive reference on the operas of HandelExternal links
Score
of ''Deidamia'' (ed.
Friedrich Chrysander
Karl Franz Friedrich Chrysander (8 July 1826 – 3 September 1901) was a German music historian, critic and publisher, whose edition of the works of George Frideric Handel and authoritative writings on many other composers established him as a ...
, Leipzig 1885)
Libretto in Italian/English of "Deidamia"
* https://www.naxosmusiclibrary.com/sharedfiles/booklets/ALY/booklet-TROY460.pdf
{{Authority control
Operas by George Frideric Handel
1741 operas
Operas based on classical mythology
Operas