Daniel David Kirwan (born 13 May 1950) is a British musician whose
greatest success came with his role as guitarist, singer and
songwriter with the blues rock band
Fleetwood Mac between 1968 and
1.1 Early career
1.2 Fleetwood Mac
1.3 Sessions away from Fleetwood Mac
1.4 Kiln House
1.5 Kirwan and Bob Welch
1.6 Fired from Fleetwood Mac
1.7 Solo career and beyond
1.8 Mental health
1.9 Recent developments
3.1 Solo albums
5 See also
Kirwan was born in Brixton, South London, and his guitar skills
started attracting attention at an early age. He was still only 17
when he came to the attention of established British blues band
Fleetwood Mac, while he was playing in
London with his first band
Boilerhouse, with Trevor Stevens on bass guitar and Dave Terrey on
drums. He persuaded Mac's producer Mike Vernon to go and watch
Boilerhouse rehearse (in a
South London basement boiler-room), and
Vernon then informed
Fleetwood Mac founder Peter Green of his
discovery. Green was impressed and Boilerhouse began playing support
Fleetwood Mac at
London venues like John Gee's Marquee Club
in Wardour Street, allowing Kirwan and Green to jam together and get
to know each other.
Green took a managerial interest in Boilerhouse but Stevens and Terrey
were not prepared to turn professional at the time, so Green put an
advert in the Melody Maker to find another rhythm section to back
Kirwan. Over 300 applicants replied but after several auditions, none
was deemed good enough to replace the pair by the hard to please
Green, so another solution was found.
Fleetwood Mac had been
constituted as a quartet, but Green had been looking for another
guitarist to share some of the workload, in view of slide guitarist
Jeremy Spencer's unwillingness to contribute much to Green's songs.
Drummer Mick Fleetwood, previously a member of
John Mayall & the
Bluesbreakers, suggested to Green that Kirwan could join Fleetwood
Mac, and although neither Green, bassist
John McVie (both also former
Bluesbreakers), nor Spencer were entirely convinced, Fleetwood
asked Kirwan to join the band in August 1968. Kirwan's arrival
Fleetwood Mac to a five-piece with three guitarists. He
played his first gig with the band on 14 August at the Nag's Head Blue
Horizon Club in Battersea, London.
In an interview with Mike Vernon in June 1999, Green described Kirwan
as "a clever boy who got ideas for his guitar playing by listening to
all that old-fashioned roaring twenties big band stuff." He added that
in those early days, Kirwan "was so into it that he cried as he
Kirwan playing at the Niedersachsenhalle, Hanover, Germany March 18,
Kirwan's first recorded work with the band was his contribution to
Green's huge instrumental hit single "Albatross". Green later stated
that, "I would never have done "Albatross" if it wasn't for Danny. I
would never have had a number one hit record." The
B-side of the
single was Kirwan's first published tune, the instrumental "Jigsaw
Puzzle Blues". This was an old clarinet piece, written by Joe Venuti
and Adrian Rollini, and recorded by the
Joe Venuti /
Eddie Lang Blue
Five in 1933. Kirwan had adapted the piece for himself and Green to
play on guitar, but Green remembered, "I couldn't do it properly... My
style wasn't all that satisfactory to Danny, but his style wasn't all
that satisfactory to me." So Kirwan played all the guitar parts
Kirwan's skills came further to the forefront on the mid-1969 album
Then Play On
Then Play On where he split the songwriting and lead vocal duties
almost equally with Green, with many of the performances featuring
their dual lead
Gibson Les Paul
Gibson Les Paul guitars. Since Spencer hardly played
on the album, Kirwan had a significant role in the recording. In fact,
his "Coming Your Way" opened Side 1, and his varied musical influences
are in evidence throughout, from the flowing instrumental "My Dream"
to the 1930s-style "When You Say", which Green had earmarked to be a
single until his own composition, "Oh Well", took shape and was chosen
The UK release of
Then Play On
Then Play On featured two extra, slightly older,
Kirwan recordings – the sad blues "Without You", and the heavy "One
Sunny Day", which was later covered by American blues musician Tinsley
Ellis on his 1997 album Fire It Up. The US-only release English Rose
from the same era included these two songs, plus the tense blues
"Something Inside of Me" and the aforementioned "Jigsaw Puzzle Blues",
both also dating from earlier sessions.
When the US track listing of
Then Play On
Then Play On was reordered to allow the
inclusion of the full version of Green's hit single "Oh Well", two of
Kirwan's songs ("My Dream" and "When You Say") were dropped. Only
"Coming Your Way", the wistful "Although the Sun Is Shining", and his
duet with Green "Like Crying" appeared on all the later non-UK vinyl
releases. On the 1990 CD release, Kirwan's two dropped songs were
reinstated, although "One Sunny Day" and "Without You" were now absent
from releases in all territories, including the UK. The 2013 CD
release restored the original UK track order, with "Without You" and
"One Sunny Day" included.
Archival packages from this era, such as the Vaudeville Years and
Blues double sets, include many more Kirwan songs, showing
blues influences as well as the more arcane tastes that led to songs
like "Tell Me from the Start" which could have been mistaken for the
1920s-style group The Temperance Seven. Such unusual musical interests
prompted band leader Green to dub Kirwan "Ragtime Cowboy Joe".
Although Fleetwood Mac's hit singles from 1969 to 1970 were all
Green-penned tunes, Kirwan's style showed through thanks to Green's
increasing desire not to act as the band's main focus. He joined Green
in the dual guitar harmonies on "Albatross", and took the solo on "Oh
Well Pt. 1". The final hit single from this line-up, "The Green
Manalishi", was recorded in a difficult session after Green had
announced he was leaving the band. Producer
Martin Birch recalls Green
growing increasingly frustrated at the results of the session, but
that Kirwan reassured him that they would stay there all night until
they got it right.
B-side of "The Green Manalishi" was the instrumental "World in
Harmony", the only track ever to receive a "Kirwan/Green" joint
Jeremy Spencer recalled that Kirwan and Green had
begun to piece their guitar parts together "almost like orchestrally
layered guitar work", something in which Spencer was not
interested. Kirwan and Green had already worked on melodic twin
guitar demos that sparked rumours in the music press in late 1969 of a
duelling guitars project, which ultimately never came to fruition.
Despite the closeness of their musical partnership, Kirwan and Green
did not always get on well personally, with Kirwan's short temper
being a problem. Although Kirwan had high musical standards and
concentrated more on rehearsing than the other members, with Green
recalling that Kirwan always had to arrive anywhere an hour early,
Green was far more talented when it came to improvisational skills.
Roadie Dennis Keane suggested that the success of "Albatross" and the
follow-up single "Man of the World" went to Kirwan's head, and he
became more confident, to the point of trying to pressure Green and
compete with him. However, others, like producer Martin Birch,
remember that Kirwan was often seeking reassurance from Green, and
that he was always in awe of him: "I often got the impression that
Danny was looking for Peter's approval."
After rumours in the music press in early 1970 that Kirwan would leave
Fleetwood Mac, it was Green who left in May of that year, and Kirwan
later said that he was not surprised at his departure: "We played well
together but we didn't get on. I was a bit temperamental you see."
Sessions away from Fleetwood Mac
In January 1969, Kirwan made his first non–
Fleetwood Mac appearance
when he contributed to Otis Spann's blues album The Biggest Thing
Since Colossus, along with Green and McVie. After
Then Play On
Then Play On had
been completed, Kirwan worked on Christine McVie's first solo album,
simply titled Christine Perfect as she was still using her maiden name
at that time. She recorded a version of Kirwan's "When You Say" which
was chosen as a single, with Kirwan arranging the string section and
acting as producer.
Kirwan also worked on the first solo album from a then-current member
of Fleetwood Mac, when
Jeremy Spencer released his eponymously titled
album in 1970. Kirwan played rhythm guitar and sang backing vocals
throughout. The album was not commercially successful but Spencer
discovered that he and Kirwan worked well together without Green: "In
retrospect, one of the most enjoyable things was working with Danny on
it, as it brought out a side of him I hadn't seen."
Kirwan was also asked to contribute as a session guitarist with the
blues band Tramp on their album Tramp (1969). After he left Fleetwood
Mac, Kirwan worked with Tramp again on their second album, Put a
Record On (1974), and also with
Chris Youlden of
Savoy Brown on his
Nowhere Road (1973).
After Green left in 1970, the band considered splitting up, but
they continued briefly as a four-piece before recruiting keyboard
player Christine McVie. Kirwan and Spencer handled the guitars and
vocals together on the
Kiln House album, released in the summer of
that year, and they were able to continue the working relationship
they had started during the recording of Spencer's solo album the
Kirwan's songs on the album included "Station Man" (co-written with
Spencer and John McVie) which became a live staple for some years,
stretching into the post-1974 Buckingham-Nicks era. His other songs
were "Jewel-Eyed Judy", dedicated to a friend of the band, Judy Wong;
the energetic "Tell Me All the Things You Do", and "Earl Gray", an
atmospheric instrumental which Kirwan largely composed while Peter
Green was still in the band. Kirwan could also be heard providing
distinctive backing vocals to some of Spencer's numbers, such as the
1950s-flavoured album opener, "This Is the Rock".
Other Kirwan compositions from the second half of 1970, such as those
that eventually surfaced on the 2003 Madison
Blues CD box set,
included "Down at the Crown", with lyrics centring on a pub down the
lane from the communal band house 'Benifold' in Headley, Hampshire.
The unsuccessful single "Dragonfly", recorded late in the year, was
also written by Kirwan, and included lyrics adapted from a poem by W.
H. Davies. Peter Green said of "Dragonfly", "The best thing he ever
wrote... that should have been a hit." This was not to be the last
time Kirwan used a poem as lyrics for a song, and may have been a
solution to Kirwan's apparent occasional lack of inspiration when
writing lyrics. The
B-side of the single, "The Purple Dancer", was
written by Kirwan, Fleetwood and
John McVie and uniquely featured
Kirwan and Spencer duetting on lead vocals.
Kirwan and Bob Welch
Two tours of the USA followed in support of Kiln House, but the
second, in early 1971, was blighted by Spencer's bizarre departure
from the group, when he disappeared one afternoon in Los Angeles, and
was later discovered to have joined the religious cult the Children of
God. After an uncomfortable time finishing the tour, during which
Peter Green was asked to come back and help out, Californian Bob Welch
was recruited to replace Spencer, without an audition as such, after a
brief period getting to know the band. Welch's contrasting
attitudes towards Kirwan (on the one hand their difficult personal
relationship, and on the other, Welch's respect for Kirwan's
musicianship) were a point of focus during the 18 months they were
together in Fleetwood Mac. In 1999, Welch stated: "He was a talented,
gifted musician, almost equal to Pete Green in his beautiful guitar
playing and faultless string bends." In a later interview, Welch
said: "Danny wasn't a very lighthearted person, to say the least. He
probably shouldn't have been drinking as much as he did, even at his
young age... He was always very intense about his work, as I was, but
he didn't seem to ever be able to distance himself from it... and
laugh about it. Danny was the definition of 'deadly serious'."
The last two
Fleetwood Mac albums to feature Kirwan showed an
increasing maturity in his songwriting and playing, his songs taking
up about half of each album. His guitar work also showed noticeably in
several songs written by Welch and McVie, as they developed their own
songwriting techniques. Future Games, released in 1971, was a
departure from its predecessor with the clear absence of Spencer and
his 50s rock 'n' roll parodies. Welch brought a couple of new songs,
notably the lengthy title track, which featured both guitarists
playing long instrumental sections. Kirwan contributed the opener
"Woman of 1000 Years" which, according to one unknown critic at the
time, "floated on a languid sea of echo-laden acoustic and electric
guitars". His other songs were the melodic "Sands of Time" which
was chosen as a single in the USA, and the country-flavoured
"Sometimes" which suggested the route he would take during his solo
career. Kirwan's influence can also clearly be heard on the two
Christine McVie songs, "Morning Rain" and the laid-back and gentle
"Show Me a Smile".
The following year,
Bare Trees was released, containing five Kirwan
songs including another instrumental, "Sunny Side of Heaven", and the
album-closer "Dust" with its lyric taken from a romantic poem by
British war poet Rupert Brooke, although Brooke was not credited.
"Danny's Chant" featured heavy use of the wah-wah guitar effect and
was effectively an instrumental piece but for Kirwan's wordless scat
vocals. "Bare Trees" and "Child of Mine", the latter touching upon the
absence of Kirwan's father during his childhood, opened each side of
the LP and showed funk and slight jazz leanings. An unissued Kirwan
track, "Trinity", was played live for a period during 1971–1972 and
the studio version was eventually released on the 1992 box set 25
Years – The Chain.
Fired from Fleetwood Mac
Kirwan shouldered much of the songwriting responsibility during this
troubled and uncertain period for the band, through the changes in
both the line-up and in musical style. The pressure showed in his
health and he suffered problems with alcoholism; stories abound of
Kirwan not eating for several days at a time, subsisting largely on
beer. He gradually became estranged from the other band members,
and things came to a head during the autumn of 1972. Before a concert
on that year's US tour, Kirwan and Welch rowed over tuning and Kirwan
flew into a rage, banging his head and fists against the wall, then
Gibson Les Paul
Gibson Les Paul guitar and refused to go onstage. Instead
he watched while the rest of the band struggled through without him,
and offered unwelcome criticism afterwards. Kirwan was sacked by
Fleetwood, who had hitherto been the only other member still speaking
to him. Fleetwood later said: "It was a torment for him, really, to be
up there, and it reduced him to someone who you just looked at and
thought 'My God'. It was more a thing of, although he was asked to
leave, the way I was looking at it was, I hoped, it was almost putting
him out of his agony." He later commented, "I don't think he's ever
forgiven me really."
Kirwan's reaction was initially one of surprise, and it seemed he had
little idea of how alienated from the other band members he had
become, but shortly afterwards he met up with his replacement Bob
Weston. Weston described the meeting: "He was aware that I was taking
over, and rather sarcastically wished me the best of luck – then
paused and added, 'You're gonna need it.' I read between the lines
that he was pretty angry with the band."
Solo career and beyond
In early 1974, Kirwan and another recently fired member of Fleetwood
Mac, Dave Walker, joined forces with keyboardist Paul Raymond, bassist
Andy Silvester and drummer Mac Poole to form a short-lived band called
Hungry Fighter. This group played only one gig, at the
University of Surrey
University of Surrey in Guildford, England, which was not recorded.
According to Walker, although Kirwan's playing was "superb", the band
did not function properly because "perhaps we were not focused enough
musically, and in addition, Danny Kirwan's problems were just starting
and this made communication extremely difficult."
Guided by ex-
Fleetwood Mac manager Clifford Davis, Kirwan later
recorded three solo albums for DJM Records, showing a gentler side as
opposed to the blues guitar dynamics of his earlier Fleetwood Mac
days. The first of these,
Second Chapter (1975) was filled with
various musical influences, including a style close to that of Paul
McCartney late in his
Beatles career. Many songs were very simple
musically, with little more than infectious melody and basic lyrics to
carry them along. Lyrical themes rarely ventured beyond love.
1976's Midnight in San Juan featured a reggae-inspired cover of The
Beatles' "Let It Be", which was released as a single in the USA.
Otherwise, Kirwan tended towards the simple tunes and dispensed with
the heavy production which dominated the previous LP. Lyrically the
subject matter still largely dwelt upon love, but apparently less
cheerfully than before, with growing themes of loneliness and
isolation, such as on the closing track "Castaway". There was also a
song, "Look Around You", written by fellow Mac refugee Dave Walker,
with whom Kirwan had worked in Hungry Fighter a couple of years
Kirwan's last album, Hello There Big Boy!, featured guitar
contributions by his
Fleetwood Mac replacement, Bob Weston. Kirwan was
not well at this time and it is not clear how much, if any, guitar
work he contributed to the recording, though he did sing on all the
tracks. Far fewer of the songs were self-penned, and there was one
song ("Only You") dug up from his
Fleetwood Mac days. There were also
backing vocalists for the first time, and the musical style was much
less distinct. Producer Clifford Davis added the contribution of 87
musicians to the final recording, and later described the album as
None of Kirwan's solo releases was commercially successful, which
could be attributed to his reluctance to perform live. Kirwan did not
play any live gigs after a few shows with Tramp and the single
performance with Hungry Fighter, all in 1974, leaving all three of his
solo albums completely unsupported by any form of extra exposure or
active promotion apart from an irregular string of equally
unsuccessful singles. None of his singles saw release in continental
Europe, which might have been a source of success given Peter Green's
resurgence there, particularly in Germany.
Kirwan was married in 1971, but was divorced a few years later. He
has one son.
During the late 1970s Kirwan's mental health deteriorated
significantly and since then he has played no further part in the
music industry. During the 1980s and 1990s, he endured a period of
homelessness living in London.
In a 2009 BBC TV documentary about Peter Green, Clifford Davis blamed
Kirwan's mental deterioration on the same incident that damaged
Green's mental stability, i.e. a reaction to
LSD taken at a party at a
commune in Munich, Germany in late March 1970. Davis stated:
"Peter Green and
Danny Kirwan both went together to that house in
Munich, both of them took acid as I understand it, [and] both of them,
as of that day, became seriously mentally ill."
However, other sources do not concur that Kirwan was present at the
commune in Munich.
Fleetwood Mac roadie Dinky Dawson remembers that
the only two to go to the party were Green and another roadie, Dennis
Keane, and that Kirwan did not go. Dawson also states that when Keane
returned to the band's hotel to explain that Green would not leave the
commune, neither Kirwan nor Davis travelled to the commune to fetch
Green, leaving that job to Keane, Dawson and Mick Fleetwood. Keane
himself concurs with Dawson, except that he telephoned Davis from the
commune and did not physically return to the hotel to fetch help, and
that Davis accompanied Dawson and Fleetwood to fetch
Green.:110–11 Green also commented, "To my knowledge only Dennis
and myself out of the English lot went there.":111 Jeremy Spencer
has also stated that he was present at the commune, and has implied
that he arrived later with Fleetwood. Neither Keane, Dawson, Green
nor Spencer mention Kirwan being present at the commune.
Kirwan was inducted into the
Rock and Roll Hall of Fame
Rock and Roll Hall of Fame in 1998 for
his work as part of Fleetwood Mac, although he did not travel to the
His three solo albums were given a belated CD release in February
2006, but only in Japan. A limited edition of 2,500 copies of "Second
Chapter" was issued by Repertoire Records in early 2008. The rights
and royalties situation regarding these releases is currently such
that it is not commonly known if Kirwan will receive any income from
them. Prior to this, only
Second Chapter had been available on CD, for
a brief period in Germany in 1993.
During the mid-2000s, there were rumours of a reunion of the early
line-up of Fleetwood Mac, involving Green and Spencer. Although the
two guitarists apparently remained unconvinced about a reunion,
Kirwan made no comment on the subject. In April 2006, during a
question-and-answer session on the Penguin
Fleetwood Mac fan website,
John McVie said of the reunion idea:
"If we could get Peter and Jeremy to do it, I'd probably, maybe, do
it. I know Mick would do it in a flash. Unfortunately, I don't think
there's much chance of Danny doing it. Bless his heart."
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Watkins Rapier 33, 1960s British-made Fender Stratocaster-style
guitar, with a chambered body. Kirwan's was red, and he used it when
in Boilerhouse, and during early
Fleetwood Mac performances (e.g. Hyde
Park, London, free concert 1968).
Fender Telecaster Standard Blonde. Used on Like Crying.
Gibson Les Paul
Gibson Les Paul Standard, Goldtop, P-90 pickups, no pickguard,
later refinished to red.
Gibson Les Paul
Gibson Les Paul Standard, Cherry Sunburst, no pickguard.
Gibson Les Paul
Gibson Les Paul Standard, Tobacco Sunburst, no pickguard.
Gibson Les Paul
Gibson Les Paul Custom, 3 pickup Black Beauty, no pickguard.
Orange Matamp 100W valve (vacuum tube) amplifier, usually used with
two 4 x 12 Orange speaker cabinets (used by the whole band for a
period) and separate Orange (valve) spring reverb unit.
Fender Dual Showman amplifier
Danny Kirwan discography
Second Chapter (DJM 1975)
Midnight in San Juan (DJM 1976)
Danny Kirwan (DJM 1977 – US release of Midnight in San Juan)
Hello There Big Boy!
Hello There Big Boy! (DJM 1979)
Ram Jam City
Ram Jam City (Mooncrest 2000 – recorded in the mid-1970s as demo
tracks for the
Second Chapter album)
^ Rawlings, Terry (2002). Then, now and rare British Beat 1960-1969.
Omnibus Press. p. 77. ISBN 0-7119-9094-8.
^ Brunning, B (1998):
Fleetwood Mac – The First 30 Years. London:
^ "The Penguin Q&A Sessions: Jeremy Spencer, June 1999". The
Penguin. June 1999. Retrieved 2008-05-20.
^ a b c d e f g h i j k l m
The Vaudeville Years
The Vaudeville Years (CD booklet notes).
Fleetwood Mac. Receiver Records. 1998.
^ a b Vernon, Mike (1999). The Complete
Blue Horizon Sessions (CD box
set booklet). Fleetwood Mac. Sire Records.
^ a b c d Show-Biz
Blues (CD booklet notes). Fleetwood Mac. Receiver
^ Christine Perfect (LP album sleeve notes). Christine Perfect. Blue
^ a b c d Wasserzieher, Bill (October 2006). "The Return of Jeremy
Blues Revue. Archived from the original on 20 February 2008.
^ a b c d e "Interview with Mick Fleetwood, John McVie, and Christine
transcripturl= missing title (help). November 1976. BBC.
access-date= requires url= (help)
^ "The Penguin Q&A Sessions: Bob Welch, November 8–21, 1999".
The Penguin. 21 November 1999. Retrieved 2008-05-20.
^ "The Penguin Q&A Sessions: Bob Welch, August 4–17, 2003". The
Penguin. 2003-04-17. Retrieved 2008-05-20.
Future Games (CD booklet notes). Fleetwood Mac. Reprise. 1971.
^ a b Brunning, Bob (1990). Fleetwood Mac: Behind the Masks. London:
New English Library. ISBN 0-450-53116-3.
^ "Rock Family Trees: The
Fleetwood Mac Story", dir. Francis Hanly,
^ "The Penguin Q&A Sessions: Bob Weston, December 6–19, 1999".
The Penguin. 19 December 1999. Retrieved 2008-05-20.
^ "The Penguin Q&A Sessions: Dave Walker, October 12–25, 2000,
Page 1". The Penguin. 12 October 2000. Retrieved 2010-08-10.
^ a b "The Penguin Q&A Sessions: Dave Walker, October 12–25,
2000, Page 2". The Penguin. 12 October 2000. Retrieved
^ Viglione, Joe. "
Second Chapter review". Allmusic. Rovi Corporation.
^ a b Hogan, Richard (1979). "Press release for Hello There Big Boy!".
^ Clifford Davis, "Peter Green: Man of the World", BBC TV, 2009.
^ Dawson, Dinky & Alan, Carter, "Life on the Road", Billboard,
^ a b Celmins, Martin. Peter Green: Founder of Fleetwood Mac. Castle.
Jeremy Spencer interviewed by Steve Clark, NME magazine, 5 October
^ "Fleetwood Mac". Rock & Roll Hall of Fame. Retrieved
^ "The Penguin Q&A Sessions:
John McVie Q&A Session, Part 2".
The Penguin. January 2006. Retrieved 2008-05-20.
"The Penguin Biographies: Danny Kirwan". The Penguin. Retrieved
Freedland, Jan; Fitzgerald, John (1 October 2006). "Danny Kirwan
Fleetwood Mac Legacy. Archived from the original on 22
April 2008. Retrieved 2008-05-20.
Danny Kirwan discography at MusicBrainz
Sleeve notes for Then Play On, Kiln House, Ram Jam City, and Second
Fleetwood, Mick; Davis, Stephen (1992). My 25 Years in Fleetwood Mac.
New York: Hyperion. ISBN 1-56282-936-X. OCLC 25788644.
Lewry, Peter (1998). Fleetwood Mac: The Complete Recording Sessions
1967–1997. London: Blandford. ISBN 0-7137-2724-1.
Then Play On
Mystery to Me
Heroes Are Hard to Find
Tango in the Night
Behind the Mask
Say You Will
The Pious Bird of Good Omen
Fleetwood Mac in Chicago
Black Magic Woman
The Original Fleetwood Mac
25 Years – The Chain
The Vaudeville Years
Blue Horizon Sessions 1967–1969
The Best of Peter Green's Fleetwood Mac
The Very Best of Fleetwood Mac
The Essential Fleetwood Mac
Live in Boston
Live at the BBC
Live in Boston
Just Tell Me That You Want Me: A Tribute to Fleetwood Mac
"I Believe My Time Ain't Long"
"Hellhound on My Trail"
"Shake Your Moneymaker"
"Stop Messin' Around"
Love So Bad"
"Great Balls of Fire"
"Black Magic Woman"
"When You Say"
"Man of the World"
"Somebody's Gonna Get Their Head Kicked in Tonite"
The Green Manalishi
The Green Manalishi (With the Two Prong Crown)"
"For Your Love"
"Over My Head"
"I'm So Afraid"
"Second Hand News"
"Never Going Back Again"
"Go Your Own Way"
"You Make Loving Fun"
"I Don't Want to Know"
"Gold Dust Woman"
"Think About Me"
"Not That Funny"
"Sisters of the Moon"
"Walk a Thin Line"
"I Know I'm Not Wrong"
Love in Store"
"Can't Go Back"
"Tango in the Night"
"Isn't It Midnight"
"As Long as You Follow"
"No Questions Asked"
"Skies the Limit"
"In the Back of My Mind"
Love Is Dangerous"
"Murrow Turning Over in His Grave"
"Say You Will"
Heroes Are Hard to Find
Heroes Are Hard to Find Tour
Fleetwood Mac Tour
Shake the Cage Tour
Behind the Mask Tour
Say You Will Tour
Fleetwood Mac Live
On with the Show
Fleetwood Mac band members
Lindsey Buckingham Christine McVie
Bekka & Billy
Stretch ("Bogus Fleetwood Mac")
"Rumours" (Glee episode)
ISNI: 0000 0000 5513 3821
BNF: cb138007106 (data)