Cybernetic art
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Cybernetic art is
contemporary art Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic com ...
that builds upon the legacy of
cybernetics Cybernetics is a wide-ranging field concerned with circular causality, such as feedback, in regulatory and purposive systems. Cybernetics is named after an example of circular causal feedback, that of steering a ship, where the helmsperson m ...
, where feedback involved in the work takes precedence over traditional
aesthetic Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed th ...
and material concerns. The relationship between cybernetics and art can be summarised in three ways: cybernetics can be used to study art, to create works of art or may itself be regarded as an art form in its own right.


History

Nicolas Schöffer Nicolas Schöffer ( hu, Schöffer Miklós; 6 September 1912 — 8 January 1992) was a Hungarian-born French cybernetic artist. Schöffer was born in Kalocsa, Hungary and resided in Paris from 1936 until his death in Montmartre in 1992. He b ...
's ''CYSP I'' (1956) was perhaps the first artwork to explicitly employ cybernetic principles (CYSP is an acronym that joins the first two letters of the words "CYbernetic" and "SPatiodynamic"). The artist
Roy Ascott Roy Ascott FRSA (born 26 October 1934) is a British artist, who works with cybernetics and telematics on an art he calls technoetic by focusing on the impact of digital and telecommunications networks on consciousness. Since the 1960s, Ascott ...
elaborated an extensive theory of cybernetic art in "Behaviourist Art and the Cybernetic Vision" (Cybernetica, Journal of the International Association for Cybernetics (Namur), Volume IX, No.4, 1966; Volume X No.1, 1967) and in "The Cybernetic Stance: My Process and Purpose" (Leonardo Vol 1, No 2, 1968). Art historian
Edward A. Shanken Edward A. Shanken (born 1964) is an American art historian, whose work focuses on the entwinement of art, science and technology, with a focus on experimental new media art and visual culture. Shanken is Professor, Arts Division, at UC Santa Cru ...
has written about the history of art and cybernetics in essays including
Cybernetics and Art: Cultural Convergence in the 1960s
and "From Cybernetics to Telematics: The Art, Pedagogy, and Theory of
Roy Ascott Roy Ascott FRSA (born 26 October 1934) is a British artist, who works with cybernetics and telematics on an art he calls technoetic by focusing on the impact of digital and telecommunications networks on consciousness. Since the 1960s, Ascott ...
"(2003), which traces the trajectory of Ascott's work from cybernetic art to
telematic art Telematic art is a descriptive of art projects using computer-mediated telecommunications networks as their medium. Telematic art challenges the traditional relationship between active viewing subjects and passive art objects by creating interactive ...
(art using computer networking as its medium, a precursor to
net.art net.art refers to a group of artists who have worked in the medium of Internet art since 1994. Some of the early adopters and main members of this movement include Vuk Ćosić, Jodi.org, Alexei Shulgin, Olia Lialina, Heath Bunting, Daniel Gar ...
.) Audio feedback and the use of tape loops, sound synthesis and computer generated compositions reflected a cybernetic awareness of information, systems and cycles. Such techniques became widespread in the 1960s in the music industry. The visual effects of electronic feedback became a focus of artistic research in the late 1960s, when video equipment first reached the consumer market.
Steina and Woody Vasulka Steina Vasulka (born Steinunn Briem Bjarnadottir in 1940)
Soros Center for Contemporary Arts Budapest
and Woody Vasul ...
, for example, used "all manner and combination of audio and video signals to generate electronic feedback in their respective of corresponding media."
Edward A. Shanken Edward A. Shanken (born 1964) is an American art historian, whose work focuses on the entwinement of art, science and technology, with a focus on experimental new media art and visual culture. Shanken is Professor, Arts Division, at UC Santa Cru ...
, "From Cybernetics to Telematics: The Art, Pedagogy, and Theory of Roy Ascott," in Roy Ascott (2003, 2007), ''Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness'', University of California, .
With related work by Edward Ihnatowicz,
Wen-Ying Tsai Wen-Ying Tsai (; October 13, 1928 – January 2, 2013) was a Chinese-American pioneer cybernetic sculptor and kinetic artist best known for creating sculptures using electric motors, stainless steel rods, stroboscopic light, and audio feedb ...
and cybernetician
Gordon Pask Andrew Gordon Speedie Pask (28 June 1928 – 29 March 1996) was an English author, inventor, educational theorist, cybernetician and psychologist who made contributions to cybernetics, instructional psychology, experimental epistemology and ed ...
and the animist kinetics of
Robert Breer Robert Carlton Breer (September 30, 1926 – August 11, 2011) was an American experimental filmmaker, painter, and sculptor. Life and career "A founding member of the American avant-garde," Breer was best known for his films, which combine ...
and
Jean Tinguely Jean Tinguely (22 May 1925 – 30 August 1991) was a Swiss sculptor best known for his kinetic art sculptural machines (known officially as Métamatics) that extended the Dada tradition into the later part of the 20th century. Tinguely's art s ...
, the 1960s produced a strain of cyborg art that was very much concerned with the shared circuits within and between the living and the technological. A line of cyborg art theory also emerged during the late 1960s. Writers like Jonathan Benthall and
Gene Youngblood Gene Youngblood (May 30, 1942 – April 6, 2021) was an American theorist of media arts and politics, and a respected scholar in the history and theory of alternative cinemas. His best-known book, ''Expanded Cinema'', was the first to consider vi ...
drew on cybernetics and cybernetic. The most substantial contributors here were the British artist and theorist
Roy Ascott Roy Ascott FRSA (born 26 October 1934) is a British artist, who works with cybernetics and telematics on an art he calls technoetic by focusing on the impact of digital and telecommunications networks on consciousness. Since the 1960s, Ascott ...
with his essay "Behaviourist Art and the Cybernetic Vision" in the journal Cybernetica (1976), and the American critic and theorist
Jack Burnham Jack Wesley Burnham Jr. (born New York City, November 13, 1931 - February 25, 2019) was an American writer and theorist of art and technology, who taught art history at Northwestern University and the University of Maryland. He is one of the mai ...
. In "Beyond Modern Sculpture" from 1968 he builds cybernetic art into an extensive theory that centers on art's drive to imitate and ultimately reproduce life. '' Cybernetic Serendipity: The Computer and the Arts'' curated by
Jasia Reichardt Jasia Reichardt (born 1933) is a British art critic, curator, art gallery director, teacher and prolific writer, specialist in the emergence of computer art. In 1968 she was curator of the landmark ''Cybernetic Serendipity'' exhibition at London's ...
at the
Institute of Contemporary Arts The Institute of Contemporary Arts (ICA) is an artistic and cultural centre on The Mall in London, just off Trafalgar Square. Located within Nash House, part of Carlton House Terrace, near the Duke of York Steps and Admiralty Arch, the ICA c ...
,
London London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a majo ...
,
England England is a country that is part of the United Kingdom. It shares land borders with Wales to its west and Scotland to its north. The Irish Sea lies northwest and the Celtic Sea to the southwest. It is separated from continental Europe b ...
in 1968 is attributed at being one of the first exhibition of cybernetic art. Leading art theorists and historians in this field include
Christiane Paul (curator) Christiane Paul is chief curator/director of the Sheila C. Johnson Design Center at Parsons School of Design and an associate professor in the School of Media Studies at The New School, and Adjunct Curator of New Media Arts at the Whitney Museum ...
,
Frank Popper Frank Popper (17 April 1918 – 12 July 2020) was a Czech-born French-British historian of art and technology and Professor Emeritus of Aesthetics and the Science of Art at the University of Paris VIII. He was decorated with the medal of the Lé ...
,
Christine Buci-Glucksmann Christine Buci-Glucksmann is a French philosopher and Professor Emeritus from University of Paris VIII specializing in the aesthetics of the Baroque and Japan, and computer art. Her best-known work in English is ''Baroque Reason: The Aesthetics o ...
,
Dominique Moulon Dominique Moulon (born 1962) is a historian of art and technology, art critic and curator, specializing in French digital art. He is the author of the books ''Art contemporain nouveaux médias'' and ''Art Beyond Digital''. Background Dominiqu ...
,
Robert C. Morgan Robert C. Morgan (born 1943) is an American art critic, art historian, curator, poet, and artist. Biography Robert C. Morgan received his M.F.A. in sculpture from the University of Massachusetts, Amherst in 1975 and his Ph.D. in art education f ...
,
Roy Ascott Roy Ascott FRSA (born 26 October 1934) is a British artist, who works with cybernetics and telematics on an art he calls technoetic by focusing on the impact of digital and telecommunications networks on consciousness. Since the 1960s, Ascott ...
,
Margot Lovejoy Margot Lovejoy (21 October 1930 – 1 August 2019) ...
,
Edmond Couchot Edmond Couchot (16 August 1932 – 26 December 2020) was a French digital artist and art theoretician who taught at the University Paris VIII. Life and work Couchot was a Doctor of aesthetics in the visual arts. From 1982-2000 he headed the depar ...
,
Fred Forest Fred Forest (born July 6, 1933 in Mascara, French Algeria) is a French new media artist making use of video, photography, the printed press, mail, radio, television, telephone, telematics, and the internet in a wide range of installations, perform ...
and
Edward A. Shanken Edward A. Shanken (born 1964) is an American art historian, whose work focuses on the entwinement of art, science and technology, with a focus on experimental new media art and visual culture. Shanken is Professor, Arts Division, at UC Santa Cru ...
.


See also

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Cyborg art Cyborg art, also known as cyborgism, is an art movement that began in the mid-2000s in United Kingdom, Britain. It is based on the creation and addition of new senses to the body via cybernetic implants and the creation of art works through new se ...
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Computer art Computer art is any art in which computers play a role in production or display of the artwork. Such art can be an image, sound, animation, video, CD-ROM, DVD-ROM, video game, website, algorithm, performance or gallery installation. Many traditi ...
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Conceptual art Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called insta ...
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Cyberarts Cyberarts or cyberart refers to the class of art produced with the help of computer software and hardware, often with an interactive or multimedia aspect. Overview The term "cyberarts" is vague and relatively new; nevertheless much of the work d ...
* Cybism *
Digital Sublime The digital sublime is the mythologization of the impact of computers and cyberspace on human experiences of time, space and power. It's also known as cyber sublime or algorithmic sublime. It is a philosophical conception of emotions that captivat ...
*
Electronic art Electronic art is a form of art that makes use of electronic media. More broadly, it refers to technology and/or electronic media. It is related to information art, new media art, video art, digital art, interactive art, internet art, and electr ...
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Generative art Generative art refers to art that in whole or in part has been created with the use of an autonomous system. An autonomous system in this context is generally one that is non-human and can independently determine features of an artwork that wo ...
*
Internet art upright=1.3, "Simple Net Art Diagram", a 1997 work by Michael Sarff and Tim Whidden Internet art (also known as net art) is a form of new media art distributed via the Internet. This form of art circumvents the traditional dominance of the phys ...
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Neo-conceptual art Neo-conceptual art describes art practices in the 1980s and particularly 1990s to date that derive from the conceptual art movement of the 1960s and 1970s. These subsequent initiatives have included the Moscow Conceptualists, United States neo- ...
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New media art New media art includes artworks designed and produced by means of new media, electronic media technology, technologies, comprising virtual art, computer graphics, computer animation, digital art, interactive art, sound art, Internet art, video g ...
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Post-conceptual art Post-conceptual, postconceptual, post-conceptualism or postconceptualism is an art theory that builds upon the legacy of conceptual art in contemporary art, where the concept(s) or idea(s) involved in the work takes some precedence over traditional ...
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Post-convergent Virtual worlds are an example of an early 21st-century post-convergent medium. Virtual worlds present a complex matrix of interdependent relationships among such media elements as sound, vision, network, time, interactivity, and other prior techno ...
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Postminimalism Postminimalism is an art term coined (as post-minimalism) by Robert Pincus-Witten in 1971Chilvers, Ian and Glaves-Smith, John, ''A Dictionary of Modern and Contemporary Art'', second edition (Oxford and New York: Oxford University Press, 2009), p. ...
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Postmodern art Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath. In general, movements such as intermedia, installation art, conceptual art and multimedia, ...
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Systems art Systems art is art influenced by cybernetics, and systems theory, that reflects on natural systems, social systems and social signs of the art world itself. Systems art emerged as part of the first wave of the conceptual art movement extended i ...
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Virtual art Virtual art is a term for the virtualization of art, made with the technical media developed at the end of the 1980s (or a bit before, in some cases). These include human-machine interfaces such as visualization casks, stereoscopic spectacles and s ...


Notes and references


External links

* * {{DEFAULTSORT:Cybernetic art Contemporary art movements Conceptual art Postmodern art
art Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of wha ...