Crucifixion (van Eyck)
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''Crucifixion'' is a recently discovered early-15th-century drawing of the
death of Jesus The crucifixion and death of Jesus occurred in 1st-century Judea, most likely in AD 30 or AD 33. It is described in the four canonical gospels, referred to in the New Testament epistles, attested to by other ancient sources, and consider ...
attributed to
Jan van Eyck Jan van Eyck ( , ; – July 9, 1441) was a painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art. A ...
or his workshop,Concerning a drawing at the exhibition The Road to van Eyck
. Flemish Art Collection. Retrieved 28 May 2017
now in the collection of the
Museum Boijmans van Beuningen Municipal Museum Boijmans Van Beuningen () is an art museum in Rotterdam in the Netherlands. The name of the museum is derived from the two most important collectors of Frans Jacob Otto Boijmans and Daniël George van Beuningen. It is located ...
.The Crucifixion of Christ ca. 1440-50 Jan van Eyck
Museum Boijmans van Beuningen. Retrieved 5 April 2020 It is variously dated to the early 1430s, implying an original van Eyck, or c. 1440, making it a pastiche by a workshop member after Jan's death. The only other known van Eyck drawing is the '' Study for Cardinal Niccolò Albergati'' if the 1437 ''
Saint Barbara Saint Barbara ( grc, Ἁγία Βαρβάρα; cop, Ϯⲁⲅⲓⲁ Ⲃⲁⲣⲃⲁⲣⲁ; ; ), known in the Eastern Orthodox Church as the Great Martyr Barbara, was an early Christian Lebanese and Greek saint and martyr. Accounts place her in t ...
'' is excluded as an unfinished painting, although there are similarities between the two; especially in its perspective, the angle of the observer's point of view, and the shadings of the rock formations. The quality of draftsmanship is of the first rate, and it is perhaps the most elaborate and complex surviving drawing from the 16th century. It is executed in gold and silver stylus, pen and brush and lead slate pencil.Unknown drawing from Van Eyck studio found: One of the greatest discoveries in early drawing
. Art Daily. Retrieved 28 May 2017
It is in poor condition, being covered in yellowish varnish which has damaged both the paper and drawing. The drawing is linked to the left hand panel the New York '' Crucifixion and Last Judgement diptych'', which is generally, but not always, attributed to Jan; likely workshop members completed many passages on the right hand frame. As such this drawing is either an original preparatory study, or a workshop pastiche by an associate created for commercial sale. It shows a mass of people gather around a crucifixion scene, with Christ's followers grieving in the foreground (though they are thinly described compared to the other figures), soldiers and spectators hanging around in the mid-ground and a portrayal of three crucified bodies in the upper-ground. Both works contain a number of similarly depicted and positions figures, share the same steep perspective, with the city of
Jerusalem Jerusalem (; he, יְרוּשָׁלַיִם ; ar, القُدس ) (combining the Biblical and common usage Arabic names); grc, Ἱερουσαλήμ/Ἰεροσόλυμα, Hierousalḗm/Hierosóluma; hy, Երուսաղեմ, Erusałēm. i ...
can be seen in the distance, though at a much lower angle here than in the finished diptych.


Notes

{{Van Eyck 1430s paintings 1440s paintings Drawings by Jan van Eyck