Willis's first published story was "The Secret of Santa Titicaca" in Worlds of Fantasy, Winter 1970 (December).[10] At least seven stories followed (1978–81) before her debut novel, Water Witch by Willis and Cynthia Felice, published by Ace Books in 1982.[10] After receiving a National Endowment for the Arts grant that year, she left her teaching job and became a full-time writer.[11]
Scholar Gary K. Wolfe has written, "Willis, the erstwhile stand-up superstar of SF conventions—having her as your MC is like getting Billy Crystal back as host of the Oscars—and the author of some of the field's funniest stories, is a woman of considerably greater complexity and gravity than her personal popularity reflects, and for all her facility at screwball comedy knock-offs and snappy parody, she wants us to know that she's a writer of some gravity as well."[12]
Willis is known for writing "romantic 'screwball' comedy in the manner of 1940s Hollywood movies."[13]
Much of Willis's writing explores the social sciences. She often weaves technology into her stories in order to prompt readers to question what impact it has on the world. For instance, Lincoln's Dreams plumbs not just the psychology of dreams, but also their role as indicators of disease. The story portrays a young man's unrequited love for a young woman who might or might not be experiencing reincarnation or precognition, and whose outlook verges on suicidal. Similarly, Bellwether is almost exclusively concerned with human psychology.
Other Willis stories explore the so-called "hard" sciences, following in the classic science fiction tradition. "The Sidon in the Mirror" harks back to the interplanetary and interstellar romanticism of the 1930s and 1940s. "Samaritan" is another take on the theme of Robert A. Heinlein's "Jerry Was a Man", while "Blued Moon" is similarly reminiscent of Heinlein's "The Year of the Jackpot".
Scholar Gary K. Wolfe has written, "Willis, the erstwhile stand-up superstar of SF conventions—having her as your MC is like getting Billy Crystal back as host of the Oscars—and the author of some of the field's funniest stories, is a woman of considerably greater complexity and gravity than her personal popularity reflects, and for all her facility at screwball comedy knock-offs and snappy parody, she wants us to know that she's a writer of some gravity as well."[12]
Willis is known for writing "romantic 'screwball' comedy in the manner of 1940s Hollywood movies."[13]
Much of Willis's writing explores the social sciences. She often weaves technology into her stories in order to prompt readers t
Scholar Gary K. Wolfe has written, "Willis, the erstwhile stand-up superstar of SF conventions—having her as your MC is like getting Billy Crystal back as host of the Oscars—and the author of some of the field's funniest stories, is a woman of considerably greater complexity and gravity than her personal popularity reflects, and for all her facility at screwball comedy knock-offs and snappy parody, she wants us to know that she's a writer of some gravity as well."[12]
Willis is known for writing "romantic 'screwball' comedy in the manner of 1940s Hollywood movies."[13]
Much of Willis's writing explores the social sciences. She often weaves technology into her stories in order to prompt readers to question what impact it has on the world. For instance, Lincoln's Dreams plumbs not just the psychology of dreams, but also their role as indicators of disease. The story portrays a young man's unrequited love for a young woman who might or might not be experiencing reincarnation or precognition, and whose outlook verges on suicidal. Similarly, Bellwether is almost exclusively concerned with human psychology.
Other Willis stories explore the so-called "hard" sciences, following in the classic science fiction tradition. "The Sidon in the Mirror" harks back to the interplanetary and interstellar romanticism of the 1930s and 1940s. "Samaritan" is another take on the theme of Robert A. Heinlein's "Jerry Was a Man", while "Blued Moon" is similarly reminiscent of Heinlein's "The Year of the Jackpot".
At the 2006 Hugo Awards ceremony, Willis presented writer Harlan Ellison with a special committee award. When Ellison got to the podium, Willis asked him "Are you going to be good?" When she asked the question a second time, Ellison put the microphone in his mouth, to the crowd's laughter. He then momentarily put his hand on her left breast.[14][15][16] Ellison subsequently complained that Willis refused to acknowledge his apology.[14]
Religious beliefs
Willis is a Christian
Willis is a Christian. In 1996, Willis wrote, "I sing soprano in a Congregationalist church choir. It is my belief that everything you need to know about the world can be learned in a church choir."[17]
The Soul Selects Her Own Society: Invasion and Repulsion: A Chronological Reinterpretation of Two of Emily Dickinson's Poems: A Wellsian Perspective : short story : 1997
^Sawyer, Robert J. (April 29, 2008). "The Savage Humanists". Robert J. Sawyer. Retrieved June 16, 2013. Meet the Savage Humanists: the hottest science-fiction writers working today. They use SF's unique powers to comment on the human condition in mordantly funny, satiric stories... In these pages, you'll find the top names in the SF field: including...Connie Willis (The Doomsday Book)...