• Recording modes
• Packet writing

Standard CDs have a diameter of 120 millimetres (4.7 in) and are designed to hold up to 74 minutes of uncompressed stereo digital audio or about 650 MiB of data. Capacity is routinely extended to 80 minutes and 700 MiB by arranging more data closely on the same sized disc. The Mini CD has various diameters ranging from 60 to 80 millimetres (2.4 to 3.1 in); they are sometimes used for CD singles, storing up to 24 minutes of audio, or delivering device drivers.

At the time of the technology's introduction in 1982, a CD could store much more data than a personal computer hard drive, which would typically hold 10 MB. By 2010, hard drives commonly offered as much storage space as a thousand CDs, while their prices had plummeted to commodity level. In 2004, worldwide sales of audio CDs, CD-ROMs, and CD-Rs reached about 30 billion discs. By 2007, 200 billion CDs had been sold worldwide.^[2]

From the early 2000s, CDs were increasingly being replaced by other forms of digital storage and distribution, with the result that by 2010 the number of audio CDs being sold in the U.S. had dropped about 50% from their peak; however, they remained one of the primary distribution methods for the music industry.^[3] In 2014, revenues from digital music services, such as iTunes, Spotify and YouTube, matched those from physical format sales for the first time.^[4] According to the RIAA's midyear report in 2020, vinyl record revenues surpassed those of CDs for the first time since the 1980s.^[5]

History

Optophonie, first presented in 1931, is a very early example of a recording device using light for both recording and playing back sound signals on a transparent photograph.^[6] More than thirty years later, American inventor James T. Russell has been credited with inventing the first system to record digital video on an optical transparent foil that is lit from behind by a high-power halogen lamp, not a laser.^[7][8] Russell's patent application was filed in 1966, and he was granted a patent in 1970. Following litigation, Sony and Philips licensed Russell's patents for recording, not the play-back part (then held by a Canadian company, Optical Recording Corp.) in the 1980s.^[9][10][11] It is debatable whether Russell's concepts, patents, and prototypes instigated and in some measure influenced compact disc's design.

The compact disc is an evolution of LaserDisc technology, where a focused laser beam is used that enables the high information density required for high-quality digital audio signals. Unlike the prior art by Optophonie and James Russell, the information on the disc is read from a reflective layer using a laser as a light source through a protective substrate. Prototypes were developed by Philips and Sony independently in the late 1970s.^[12] Although originally dismissed by Philips Research management as a trivial pursuit,^[13] the CD became the primary focus for Philips as the LaserDisc format struggled.^[14] In 1979, Sony and Philips set up a joint task force of engineers to design a new digital audio disc. After a year of experimentation and discussion, the Red Book CD-DA standard was published in 1980. After their commercial release in 1982, compact discs and their players were extremely popular. Despite costing up to $1,000, over 400,000 CD players were sold in the United States between 1983 and 1984.^[15] By 1988, CD sales in the United States surpassed those of vinyl LPs, and by 1992 CD sales surpassed those of prerecorded music cassette tapes.^[16][17] The success of the compact disc has been credited to the cooperation between Philips and Sony, which together agreed upon and developed compatible hardware. The unified design of the compact disc allowed consumers to purchase any disc or player from any company, and allowed the CD to dominate the at-home music market unchallenged.^[18]

Digital audio laser-disc prototypes

In 1974, Lou Ottens, director of the audio division of Philips, started a small group to develop an analog^[19] optical audio disc with a diameter of 20 cm (7.9 in) and a sound quality superior to that of the vinyl record.^[20] However, due to the unsatisfactory performance of the analog format, two Philips research engineers recommended a digital format in March 1974.^[19] In 1977, Philips then established a laboratory with the mission of creating a digital audio disc. The diameter of Philips's prototype compact disc was set at 11.5 cm (4.5 in), the diagonal of an audio cassette.^[19][21]

Heitaro Nakajima, who developed an early digital audio recorder within Japan's national public broadcasting organization NHK in 1970, became general manager of Sony's audio department in 1971. His team developed a digital PCM adaptor audio tape recorder using a Betamax video recorder in 1973. After this, in 1974 the leap to storing digital audio on an optical disc was easily made.^{stereo digital audio or about 650 MiB of data. Capacity is routinely extended to 80 minutes and 700 MiB by arranging more data closely on the same sized disc. The Mini CD has various diameters ranging from 60 to 80 millimetres (2.4 to 3.1 in); they are sometimes used for CD singles, storing up to 24 minutes of audio, or delivering device drivers.}

At the time of the technology's introduction in 1982, a CD could store much more data than a personal computer hard drive, which would typically hold 10 MB. By 2010, hard drives commonly offered as much storage space as a thousand CDs, while their prices had plummeted to commodity level. In 2004, worldwide sales of audio CDs, CD-ROMs, and CD-Rs reached about 30 billion discs. By 2007, 200 billion CDs had been sold worldwide.^[2]

From the early 2000s, CDs were increasingly being replaced by other forms of digital storage and distribution, with the result that by 2010 the number of audio CDs being sold in the U.S. had dropped about 50% from their peak; however, they remained one of the primary distribution methods for the music industry.^[3] In 2014, revenues from digital music services, such as iTunes, Spotify and YouTube, matched those from physical format sales for the first time.^[4] According to the RIAA's midyear report in 2020, vinyl record revenues surpassed those of CDs for the first time since the 1980s.^[5]

Optophonie, first presented in 1931, is a very early example of a recording device using light for both recording and playing back sound signals on a transparent photograph.^[6] More than thirty years later, American inventor James T. Russell has been credited with inventing the first system to record digital video on an optical transparent foil that is lit from behind by a high-power halogen lamp, not a laser.^[7][8] Russell's patent application was filed in 1966, and he was granted a patent in 1970. Following litigation, Sony and Philips licensed Russell's patents for recording, not the play-back part (then held by a Canadian company, Optical Recording Corp.) in the 1980s.^[9][10][11] It is debatable whether Russell's concepts, patents, and prototypes instigated and in some measure influenced compact disc's design.

The compact disc is an evolution of LaserDisc technology, where a focused laser beam is used that enables the high information density required for high-quality digital audio signals. Unlike the prior art by Optophonie and James Russell, the information on the disc is read from a reflective layer using a laser as a light source through a protective substrate. Prototypes were developed by Philips and Sony independently in the late 1970s.^[12] Although originally dismissed by Philips Research management as a trivial pursuit,^[13] the CD became the primary focus for Philips as the LaserDisc format struggled.^[14] In 1979, Sony and Philips set up a joint task force of engineers to design a new digital audio disc. After a year of experimentation and discussion, the Red Book CD-DA standard was published in 1980. After their commercial release in 1982, compact discs and their players were extremely popular. Despite costing up to $1,000, over 400,000 CD players were sold in the United States between 1983 and 1984.^[15] By 1988, CD sales in the United States surpassed those of vinyl LPs, and by 1992 CD sales surpassed those of prerecorded music cassette tapes.^[16][17] The success of the compact disc has been credited to the cooperation between Philips and Sony, which together agreed upon and developed compatible hardware. The unified design of the compact disc allowed consumers to purchase any disc or player from any company, and allowed the CD to dominate the at-home music market unchallenged.^[18]

Digital audio laser-disc prototypes

In 1974, Lou Ottens, director of the audio division of Philips, started a small group to develop an analog^[19] optical audio disc with a diameter of 20 cm (7.9 in) and a sound quality superior to that of the vinyl record.^[20] However, due to the unsatisfactory performance of the analog format, two Philips research engineers recommended a digital format in March 1974.^[19] In 1977, Philips then established a laboratory with the mission of creating a digital audio disc. The diameter of Philips's prototype compact disc was set at 11.5 cm (4.5 in), the diagonal of an audio cassette.^[19][21]

Heitaro Nakajima, who developed an early digital audio recorder within Japan's national public broadcasting organization NHK in 1970, became general manager of Sony's audio department in 1971. His team developed a digital PCM adaptor audio tape recorder using a Betamax video recorder in 1973. After this, in 1974 the leap to storing digital audio on an optical disc was easily made.^[22] Sony first publicly demonstrated an optical digital audio disc in September 1976. A year later, in September 1977, Sony showed the press a 30 cm (12 in) disc that could play an hour of digital audio (44,100 Hz sampling rate and 16-bit resolution) using MFM modulation.^[23] In September 1978, the company demonstrated an optical digital a

The compact disc is an evolution of LaserDisc technology, where a focused laser beam is used that enables the high information density required for high-quality digital audio signals. Unlike the prior art by Optophonie and James Russell, the information on the disc is read from a reflective layer using a laser as a light source through a protective substrate. Prototypes were developed by Philips and Sony independently in the late 1970s.^[12] Although originally dismissed by Philips Research management as a trivial pursuit,^[13] the CD became the primary focus for Philips as the LaserDisc format struggled.^[14] In 1979, Sony and Philips set up a joint task force of engineers to design a new digital audio disc. After a year of experimentation and discussion, the Red Book CD-DA standard was published in 1980. After their commercial release in 1982, compact discs and their players were extremely popular. Despite costing up to $1,000, over 400,000 CD players were sold in the United States between 1983 and 1984.^[15] By 1988, CD sales in the United States surpassed those of vinyl LPs, and by 1992 CD sales surpassed those of prerecorded music cassette tapes.^[16][17] The success of the compact disc has been credited to the cooperation between Philips and Sony, which together agreed upon and developed compatible hardware. The unified design of the compact disc allowed consumers to purchase any disc or player from any company, and allowed the CD to dominate the at-home music market unchallenged.^[18]

In 1974, Lou Ottens, director of the audio division of Philips, started a small group to develop an analog^[19] optical audio disc with a diameter of 20 cm (7.9 in) and a sound quality superior to that of the vinyl record.^[20] However, due to the unsatisfactory performance of the analog format, two Philips research engineers recommended a digital format in March 1974.^[19] In 1977, Philips then established a laboratory with the mission of creating a digital audio disc. The diameter of Philips's prototype compact disc was set at 11.5 cm (4.5 in), the diagonal of an audio cassette.^[19][21]

Heitaro Nakajima, who developed an early digital audio recorder within Japan's national public broadcasting organization NHK in 1970, became general manager of Sony's audio department in 1971. His team developed a digital Heitaro Nakajima, who developed an early digital audio recorder within Japan's national public broadcasting organization NHK in 1970, became general manager of Sony's audio department in 1971. His team developed a digital PCM adaptor audio tape recorder using a Betamax video recorder in 1973. After this, in 1974 the leap to storing digital audio on an optical disc was easily made.^[22] Sony first publicly demonstrated an optical digital audio disc in September 1976. A year later, in September 1977, Sony showed the press a 30 cm (12 in) disc that could play an hour of digital audio (44,100 Hz sampling rate and 16-bit resolution) using MFM modulation.^[23] In September 1978, the company demonstrated an optical digital audio disc with a 150-minute playing time, 44,056 Hz sampling rate, 16-bit linear resolution, and cross-interleaved error correction code—specifications similar to those later settled upon for the standard compact disc format in 1980. Technical details of Sony's digital audio disc were presented during the 62nd AES Convention, held on 13–16 March 1979, in Brussels.^[23] Sony's AES technical paper was published on 1 March 1979. A week later, on 8 March, Philips publicly demonstrated a prototype of an optical digital audio disc at a press conference called "Philips Introduce Compact Disc"^[24] in Eindhoven, Netherlands.^[25] Sony executive Norio Ohga, later CEO and chairman of Sony, and Heitaro Nakajima were convinced of the format's commercial potential and pushed further development despite widespread skepticism.^[26]

In 1979, Sony and Philips set up a joint task force of engineers to design a new digital audio disc. Led by engineers Kees Schouhamer Immink and Toshitada Doi, the research pushed forward laser and optical disc technology.^[24] After a year of experimentation and discussion, the task force produced the Red Book CD-DA standard. First published in 1980, the standard was formally adopted by the IEC as an international standard in 1987, with various amendments becoming part of the standard in 1996.

Philips coined the term compact disc in line with another audio product, the Compact Cassette,^[21] and contributed the general manufacturing process, based on video LaserDisc technology. Philips also contributed eight-to-fourteen modulation (EFM), while Sony contributed the error-correction method, CIRC, which offers a certain resilience to defects such as scratches and fingerprints.

The Compact Disc Story,^[19] told by a former member of the task force, gives background information on the many technical decisions made, including the choice of the sampling frequency, playing

Philips coined the term compact disc in line with another audio product, the Compact Cassette,^[21] and contributed the general manufacturing process, based on video LaserDisc technology. Philips also contributed eight-to-fourteen modulation (EFM), while Sony contributed the error-correction method, CIRC, which offers a certain resilience to defects such as scratches and fingerprints.

The Compact Disc Story,^[19] told by a former member of the task force, gives background information on the many technical decisions made, including the choice of the sampling frequency, playing time, and disc diameter. The task force consisted of around 6 persons,^[13][27] though according to Philips, the compact disc was "invented collectively by a large group of people working as a team."^[28]

Philips established the Polydor Pressing Operations plant in Langenhagen near Hannover, Germany, and quickly passed a series of milestones.

• The first test pressing was of a recording of Richard Strauss's Eine Alpensinfonie (An Alpine Symphony) played by the Berlin PhilharmonicThe Japanese launch was followed in March 1983 by the introduction of CD players and discs to Europe[35] and North America (where CBS Records released sixteen titles).^[36] This 1983 event is often seen as the "Big Bang"^{[by whom?]} of the digital audio revolution. The new audio disc was enthusiastically received, especially in the early-adopting classical music and audiophile communities, and its handling quality received particular praise. As the price of players gradually came down, and with the introduction of the portable Discman the CD began to gain popularity in the larger popular and rock music markets. With the rise in CD sales, pre-recorded cassette tape sales began to decline in the late 1980s; CD sales overtook cassette sales in the early 1990s.^[37][38]

  The first artist to sell a million copies on CD was Dire Straits, with their 1985 album Brothers in Arms.^[39] One of the first CD markets was devoted to reissuing popular music whose commercial potential was already proven. The first major artist to have their entire catalog converted to CD was David Bowie, whose first fourteen studio albums of (then) sixteen were made available by RCA Records in February 1985, along with four greatest hits albums; his fifteenth and sixteenth albums had already been issued on CD by EMI Records in 1983 and 1984, respectively.^[40] On February 26, 1987, the first four UK albums by the Beatles were released in mono on compact disc.^[41] In 1988, 400 million CDs were manufactured by 50 pressing plants around the world.^[42]

  Further development and decline

  The first artist to sell a million copies on CD was Dire Straits, with their 1985 album Brothers in Arms.^[39] One of the first CD markets was devoted to reissuing popular music whose commercial potential was already proven. The first major artist to have their entire catalog converted to CD was David Bowie, whose first fourteen studio albums of (then) sixteen were made available by RCA Records in February 1985, along with four greatest hits albums; his fifteenth and sixteenth albums had already been issued on CD by EMI Records in 1983 and 1984, respectively.^[40] On February 26, 1987, the first four UK albums by the Beatles were released in mono on compact disc.^[41] In 1988, 400 million CDs were manufactured by 50 pressing plants around the world.^[42]

  The CD was primarily planned as the successor to the vinyl record for playing music, rather than as a data storage medium. However, CDs have grown to encompass other applications. In 1983, following the CD's introduction, Immink and Joseph Braat presented the first experiments with erasable compact discs during the 73rd AES Convention.^[43] It took, however, almost 10 years before their technology was commercialized in Sony's MiniDisc. In June 1985, the computer-readable CD-ROM (read-only memory) and, in 1990, CD-Recordable were introduced, also developed by both Sony and Philips.^[44] Recordable CDs were a new alternative to tape for recording and copying music without the defects introduced in compression used in other digital recording methods^[which?]. Other newer video formats such as DVD and Blu-ray use the same physical geometry as CD, and most DVD and Blu-ray players are backward compatible with audio CD.

  CD sales in the United States peaked by 2000.^[45] By the early 2000s, the CD player had largely replaced the audio cassette player as standard equipment in new automobiles, with 2010 being the final model year for any car in the United States to have a factory-equipped cassette player.^[46] With the increasing popularity of portable digital audio players, such as mobile phones, and solid state music storage, CD players are being phased out of automobiles in favor of minijack auxiliary inputs, wired connection to USB devices and wireless Bluetooth connection.^[47]

  Meanwhile, with the advent and popularity of Internet-based distri

  CD sales in the United States peaked by 2000.[45] By the early 2000s, the CD player had largely replaced the audio cassette player as standard equipment in new automobiles, with 2010 being the final model year for any car in the United States to have a factory-equipped cassette player.^[46] With the increasing popularity of portable digital audio players, such as mobile phones, and solid state music storage, CD players are being phased out of automobiles in favor of minijack auxiliary inputs, wired connection to USB devices and wireless Bluetooth connection.^[47]

  Meanwhile, with the advent and popularity of Internet-based distribution of files in lossily-compressed audio formats such as MP3, sales of CDs began to decline in the 2000s. For example, between 2000 and 2008, despite overall growth in music sales and one anomalous year of increase, major-label CD sales declined overall by 20%,^[48] although independent and DIY music sales may be tracking better according to figures released March 30, 2009, and CDs still continue to sell greatly.^[49] As of 2012, CDs and DVDs made up only 34% of music sales in the United States.^[50] By 2015^[update], only 24% of music in the United States was purchased on physical media, 2/3 of this consisting of CDs;^[51] however, in the same year in Japan, over 80% of music was bought on CDs and other physical formats.^[52] In 2018, U.S. CD sales were 52 million units—less than 6% of the peak sales volume in 2000.^[45]

  Despite the rapidly declining sales year-over-year, the pervasiveness of the technology remained for a time, with companies placing CDs in pharmacies, supermarkets, and filling station convenience stores targeting buyers least able to use Internet-based distribution.^[14] In 2018 Best Buy announced plans to decrease their focus on CD sales, however, while continuing to sell records, sales of which are growing during the vinyl revival.^[53][54][55]

  Sony and Philips received praise for the development of the compact disc from professional organizations. These awards include

  • Technical Grammy Award for Sony and Philips, 1998.^[56]
  • IEEE Milestone award, 2009, for Philips only with the ci

    A CD is made from 1.2-millimetre (0.047 in) thick, polycarbonate plastic and weighs 14–33 grams.^[58] From the center outward, components are: the center spindle hole (15 mm), the first-transition area (clamping ring), the clamping area (stacking ring), the second-transition area (mirror band), the program (data) area, and the rim. The inner program area occupies a radius from 25 to 58 mm.

    A thin layer of aluminum or, more rarely, gold is applied to the surface, making it reflective. The metal is protected by a film of lacquer normally spin coated directly on the reflective layer. The label is printed on the lacquer layer, usually by screen printing or offset printing.

    

    Pits and Lands of a compact disc under a microscope

    CD data is represented as tiny indentations known as pits, encoded in a spiral track moulded into the top of the polycarbonate layer. The areas between pits are known as lands. Each pit is approximately 100 nm deep by 500 nm wide, and varies from 850 nm to 3.5 µm in length.^[59] The distance between the tracks (the pitch) is 1.6 µm.^[60][61][62]

    When playing an audio CD, a motor within the CD player spins the disc to a scanning velocity of 1.2–1.4 m/s (constant linear velocity, CLV)—equivalent to approximately 500  RPM at the inside of the disc, and approximately 200  RPM at the outside edge. The track on the CD begins at the inside and spirals outward so a disc played from beginning to end slows its rotation rate during playback.

    

    Comparison of various optical storage media

    The program area is 86.05 cm² and the length of the recordable spiral is 86.05 cm² / 1.6 µm = 5.38 km. With a scanning speed of 1.2 m/s, the playing time is 74 minutes, or 650 MiB of data on a CD-ROM. A disc with data packed slightly more densely is tolerated by most players (though some old ones fail). Using a linear velocity of 1.2 m

    A thin layer of aluminum or, more rarely, gold is applied to the surface, making it reflective. The metal is protected by a film of lacquer normally spin coated directly on the reflective layer. The label is printed on the lacquer layer, usually by screen printing or offset printing.

    CD data is represented as tiny indentations known as pits, encoded in a spiral track moulded into the top of the polycarbonate layer. The areas between pits are known as lands. Each pit is approximately 100 nm deep by 500 nm wide, and varies from 850 nm to 3.5 µm in length.^[59] The distance between the tracks (the pitch) is 1.6 µm.^[60][61][62]

    When playing an audio CD, a motor within the CD player spins the disc to a scanning velocity of 1.2–1.4 m/s (constant linear velocity, CLV)—equivalent to approximately 500  RPM at the inside of the disc, and approximately 200  RPM at the outside edge. The track on the CD begins at the inside and spirals outward so a disc played from beginning to end slows its rotation rate during playback.

    When playing an audio CD, a motor within the CD player spins the disc to a scanning velocity of 1.2–1.4 m/s (constant linear velocity, CLV)—equivalent to approximately 500  RPM at the inside of the disc, and approximately 200  RPM at the outside edge. The track on the CD begins at the inside and spirals outward so a disc played from beginning to end slows its rotation rate during playback.

    The program area is 86.05 cm² and the length of the recordable spiral is 86.05 cm² / 1.6 µm = 5.38 km. With a scanning speed of 1.2 m/s, the playing time is 74 minutes, or 650 MiB of data on a CD-ROM. A disc with data packed slightly more densely is tolerated by most players (though some old ones fail). Using a linear velocity of 1.2 m/s and a narrower track pitch of 1.5 µm increases the playing time to 80 minutes, and data capacity to 700 MiB.

    

    wavelength (near infrared) semiconductor laser through the bottom of the polycarbonate layer. The change in height between pits and lands results in a difference in the way the light is reflected. Because the pits are indented into the top layer of the disc and are read through the transparent polycarbonate base, the pits form bumps when read.^[63] The laser hits the disc, casting a circle of light wider than the modulated spiral track reflecting partially from the lands and partially from the top of any bumps where they are present. As the laser passes over a pit (bump), its height means that the part of the light reflected from its peak is 1/2 wavelength out of phase with the light reflected from the land around it. This causes partial cancellation of the laser's reflection from the surface. By measuring the reflected intensity change with a photodiode, a modulated signal is read back from the disc.

    To accommodate the spiral pattern of data, the laser is placed on a mobile mechanism within the disc tray of any CD player. This mechanism typically takes the form of a sled that moves along a rail. The sled can be driven by a worm gear or linear motor. Where a worm gear is used, a second shorter-throw linear motor, in the form of a coil and magnet, makes fine position adjustments to track eccentricities in the disk at high speed. Some CD drives (particularly those manufactured by Philips during the 1980s and early 1990s) use a swing arm similar to that seen on a gramophone. This mechanism allows the laser to read information from the center to the edge of a disc without having to interrupt the spinning of the disc itself.^{[further exp}

    To accommodate the spiral pattern of data, the laser is placed on a mobile mechanism within the disc tray of any CD player. This mechanism typically takes the form of a sled that moves along a rail. The sled can be driven by a worm gear or linear motor. Where a worm gear is used, a second shorter-throw linear motor, in the form of a coil and magnet, makes fine position adjustments to track eccentricities in the disk at high speed. Some CD drives (particularly those manufactured by Philips during the 1980s and early 1990s) use a swing arm similar to that seen on a gramophone. This mechanism allows the laser to read information from the center to the edge of a disc without having to interrupt the spinning of the disc itself.^{[further explanation needed]}

    The pits and lands do not directly represent the 0's and 1's of binary data. Instead, non-return-to-zero, inverted encoding is used: a change from either pit to land or land to pit indicates a 1, while no change indicates a series of 0's. There must be at least 2, and no more than 10 0's between each 1, which is defined by the length of the pit. This, in turn, is decoded by reversing the eight-to-fourteen modulation used in mastering the disc, and then reversing the cross-interleaved Reed–Solomon coding, finally revealing the raw data stored on the disc. These encoding techniques (defined in the Red Book) were originally designed for CD Digital Audio, but they later became a standard for almost all CD formats (such as CD-ROM).

    Integrity

    CDs are susceptible to damage during handling and from environmental exposure. Pits are much closer to the label side of a disc, enabling defects and contaminants on the clear side to be out of focus during playback. Consequently, CDs are more likely to suffer damage on the label side of the disc. Scratches on the clear side can be repaired by refilling them with similar refractive plastic or by careful polishing. The ed

    CDs are susceptible to damage during handling and from environmental exposure. Pits are much closer to the label side of a disc, enabling defects and contaminants on the clear side to be out of focus during playback. Consequently, CDs are more likely to suffer damage on the label side of the disc. Scratches on the clear side can be repaired by refilling them with similar refractive plastic or by careful polishing. The edges of CDs are sometimes incompletely sealed, allowing gases and liquids to enter the CD and corrode the metal reflective layer and/or interfere with the focus of the laser on the pits, a condition known as disc rot.^[64] The fungus Geotrichum candidum has been found—under conditions of high heat and humidity—to consume the polycarbonate plastic and aluminium found in CDs.^[65][66]

    The data integrity of compact discs can be measured using surface error scanning, which is able to measure the rates of different types of data erro

    The data integrity of compact discs can be measured using surface error scanning, which is able to measure the rates of different types of data errors, known as C1, C2, CU and extended (finer-grain) error measurements known as E11, E12, E21, E22, E31 and E32, of which higher rates indicate a possibly damaged or unclean data surface, low media quality, deteriorating media and recordable media written to by a malfunctioning CD writer.

    Error scanning can reliably predict data losses caused by media deteriorating. Support of error scanning varies among vendors and models of optical disc drives, and extended error scanning (known as "advanced error scanning" in Nero DiscSpeed) has only been available on Plextor and some BenQ optical drives so far, as of 2020.^[67][68]

    The digital data on a CD begins at the center of the disc and proceeds toward the edge, which allows adaptation to the different size formats available. Standard CDs are available in two sizes. By far, the most common is 120 millimetres (4.7 in) in diameter, with a 74- or 80-minute audio capacity and a 650 or 700 MiB (737,280,000-byte) data capacity. Discs are 1.2 mm thick, with a 15 mm center hole. The official Philips history says this capacity was specified by Sony executive Norio Ohga to be able to contain the entirety of Beethoven's Ninth Symphony on one disc.^[26] This is a myth according to Kees Immink, as the EFM code format had not yet been decided in December 1979, when the decision to adopt the 120 mm was made. The adoption of EFM in June 1980 allowed 30 percent more playing time that would have resulted in 97 minutes for 120  mm diameter or 74 minutes for a disc as small as 100  mm. Instead, however, the information density was lowered by 30 percent to keep the playing time at 74 minutes.^[69][13][70] The 120  mm diameter has been adopted by subsequent formats, including Super Audio CD, DVD, HD DVD, and Blu-ray Disc. The 80-mm-diameter discs ("Mini CDs") can hold up to 24 minutes of music or 210 MiB.

    Physical size	Audio capacity	CD-ROM data capacity	Definition
    120 mm	74–80 min	650–700 MiB	Standard size
    80 mm	21–24 min	185–210 MiB	Mini-CD size
    80×54 mm – 80×64 mm	~6 min	10–65 MiB	"Business card" size

    Logical format

    [71] The document is known colloquially as the Red Book CD-DA after the color of its cover. The format is a two-channel 16-bit PCM encoding at a 44.1 kHz sampling rate per channel. Four-channel sound was to be an allowable option within the Red Book format, but has never been implemented. Monaural audio has no existing standard on a Red Book CD; thus, the mono source material is usually presented as two identical channels in a standard Red Book stereo track (i.e., mirrored mono); an MP3 CD, however, can have audio file formats with mono sound. CD-Text is an extension of the Red Book specification for an audio CD that allows for the storage of additional text information (e.g., album name, song name, artist) on a standards-compliant audio CD. The information is stored either in the lead-in area of the CD, where there is roughly five kilobytes of space available or in the subcode channels R to W on the disc, which can store about 31 megabytes. Compact Disc + Graphics is a special audio compact disc that contains graphics data in addition to the audio data on the disc. The disc can be played on a regular audio CD player, but when played on a special CD+G player, it can output a graphics signal (typically, the CD+G player is hooked up to a television set or a computer monitor); these graphics are almost exclusively used to display lyrics on a television set for karaoke performers to sing along with. The CD+G format takes advantage of the channels R through W. These six bits store the graphics information. CD + Extended Graphics (CD+EG, also known as CD+XG) is an improved variant of the Compact Disc + Graphics (CD+G) format. Like CD+G, CD+EG uses basic CD-ROM features to display text and video information in addition to the music being played. This extra data is stored in subcode channels R-W. Very few, if any, CD+EG discs have been published. Super Audio CD Main article: Super Audio CD Super Audio CD (SACD) is a high-resolution read-only optical audio disc format that was designed to provide higher-fidelity digital audio reproduction than the Red Book. Introduced in 1999, it was developed by Sony and Philips, the same companies that created the Red Book. SACD was in a format war with DVD-Audio, but neither has replaced audio CDs. The SACD standard is referred to as the Scarle CD-Text is an extension of the Red Book specification for an audio CD that allows for the storage of additional text information (e.g., album name, song name, artist) on a standards-compliant audio CD. The information is stored either in the lead-in area of the CD, where there is roughly five kilobytes of space available or in the subcode channels R to W on the disc, which can store about 31 megabytes. Compact Disc + Graphics is a special audio compact disc that contains graphics data in addition to the audio data on the disc. The disc can be played on a regular audio CD player, but when played on a special CD+G player, it can output a graphics signal (typically, the CD+G player is hooked up to a television set or a computer monitor); these graphics are almost exclusively used to display lyrics on a television set for karaoke performers to sing along with. The CD+G format takes advantage of the channels R through W. These six bits store the graphics information. CD + Extended Graphics (CD+EG, also known as CD+XG) is an improved variant of the Compact Disc + Graphics (CD+G) format. Like CD+G, CD+EG uses basic CD-ROM features to display text and video information in addition to the music being played. This extra data is stored in subcode channels R-W. Very few, if any, CD+EG discs have been published. Super Audio CD (SACD) is a high-resolution read-only optical audio disc format that was designed to provide higher-fidelity digital audio reproduction than the Red Book. Introduced in 1999, it was developed by Sony and Philips, the same companies that created the Red Book. SACD was in a format war with DVD-Audio, but neither has replaced audio CDs. The SACD standard is referred to as the Scarlet Book standard. Titles in the SACD format can be issued as hybrid discs; these discs contain the SACD audio stream as well as a standard audio CD layer which is playable in standard CD players, thus making them backward compatible. CD-MIDI For the first few years of its existence, the CD was a medium used purely for audio. However, in 1988, the Yellow Book CD-ROM standard was established by Sony and Philips, which defined a non-volatile optical data computer data storage medium using the same physical format as audio compact discs, readable by a computer with a CD-ROM drive. Video CD (VCD) Main art Video CD (VCD, View CD, and Compact Disc digital video) is a standard digital format for storing video media on a CD. VCDs are playable in dedicated VCD players, most modern DVD-Video players, personal computers, and some video game consoles. The VCD standard was created in 1993 by Sony, Philips, Matsushita, and JVC and is referred to as the White Book standard. Overall picture quality is intended to be comparable to VHS video. Poorly compressed VCD video can sometimes be lower quality than VHS video, but VCD exhibits block artifacts rather than analog noise and does not deteriorate further w The VCD standard was created in 1993 by Sony, Philips, Matsushita, and JVC and is referred to as the White Book standard. Overall picture quality is intended to be comparable to VHS video. Poorly compressed VCD video can sometimes be lower quality than VHS video, but VCD exhibits block artifacts rather than analog noise and does not deteriorate further with each use. 352×240 (or SIF) resolution was chosen because it is half the vertical and half the horizontal resolution of the NTSC video. 352×288 is similarly one-quarter PAL/SECAM resolution. This approximates the (overall) resolution of an analog VHS tape, which, although it has double the number of (vertical) scan lines, has a much lower horizontal resolution. Super Video CD (Super Video Compact Disc or SVCD) is a format used for storing video media on standard compact discs. SVCD was intended as a successor to VCD and an alternative to DVD-Video and falls somewhere between both in terms of technical capability and picture quality. SVCD has two thirds the resolution of DVD, and over 2.7 times the resolution of VCD. One CD-R disc can hold up to 60 minutes of standard-quality SVCD-format video. While no specific limit on SVCD video length is mandated by the specification, one must lower the video bit rate, and therefore quality, to accommodate very long videos. It is usually difficult to fit much more than 100 minutes of video onto SVCD has two thirds the resolution of DVD, and over 2.7 times the resolution of VCD. One CD-R disc can hold up to 60 minutes of standard-quality SVCD-format video. While no specific limit on SVCD video length is mandated by the specification, one must lower the video bit rate, and therefore quality, to accommodate very long videos. It is usually difficult to fit much more than 100 minutes of video onto one SVCD without incurring significant quality loss, and many hardware players are unable to play video with an instantaneous bit rate lower than 300 to 600 kilobits per second. Photo CD is a system designed by Kodak for digitizing and storing photos on a CD. Launched in 1992, the discs were designed to hold nearly 100 high-quality images, scanned prints and slides using special proprietary encoding. Photo CDs are defined in the Beige Book and conform to the CD-ROM XA and CD-i Bridge specifications as well. They are intended to play on CD-i players, Photo CD players, and any computer with suitable software (irrespective of operating system). The images can also be printed out on photographic paper with a special Kodak machine. This format is not to be confused with Kodak Picture CD, which is a consumer product in CD-ROM format. CD-i Main article: Phi The Philips Green Book specifies a standard for interactive multimedia compact discs designed for CD-i players (1993). CD-i discs can contain audio tracks that can be played on regular CD players, but CD-i discs are not compatible with most CD-ROM drives and software. The CD-i Ready specification was later created to improve compatibility with audio CD players, and the CD-i Bridge specification was added to create CD-i compatible discs that can be accessed by regular CD-ROM drives. CD-i Ready Main article: CD-i Ready Phili Philips defined a format similar to CD-i called CD-i Ready, which puts CD-i software and data into the pregap of track 1. This format was supposed to be more compatible with older audio CD players. Enhanced Music CD (CD+) audio tracks and data tracks on the same disc by putting audio tracks in a first session and data in a second session. It was developed by Philips and Sony, and it is defined in the Blue Book. VinylDisc Main article: VinylDisc VinylDisc is the hybrid of a standard audio CD and the vinyl record. The vinyl layer on the disc's label side can hold approximately three minutes of music. Manufacture Main article: In 1995, material costs were 30 cents for the jewel case and 10 to 15 cents for the CD. Wholesale cost of CDs was $0.75 to $1.15, while the typical retail price of a prerecorded music CD was $16.98.[72] On average, the store received 35 percent of the retail price, the record company 27 percent, the artist 16 percent, the manufacturer 13 percent, and the distributor 9 percent.[72] When 8-track tapes, cassette tapes, and CDs were introduced, each was marketed at a higher price than the format they succeeded, even though the cost to produce the media was reduced. This was done because the apparent value increased. This continued from vinyl to CDs but was broken when Apple marketed MP3s for $0.99, and albums for $9.99. The incremental cost, though, to produce an MP3 is negligible.[73] Writable compact discs Recordable CD CD-Rs, are injection-molded with a "blank" data spiral. A photosensitive dye is then applied, after which the discs are metalized and lacquer-coated. The write laser of the CD recorder changes the color of the dye to allow the read laser of a standard CD player to see the data, just as it would with a standard stamped disc. The resulting discs can be read by most CD-ROM drives and played in most audio CD players. CD-Rs follow the Orange Book standard. CD-R recordings are designed to be permanent. Over time, the dye's physical characteristics may change causing read errors and data loss until the reading device cannot recover with error correction methods. Errors can be predicted using surface error scanning. The design life is from 20 to 100 years, depending on the quality of the discs, the quality of the writing drive, and storage conditions.[74] However, testing has demonstrated such degradation of some discs in as little as 18 months under normal storage conditions.[75][76] This failure is known as disc rot, for which there are several, mostly environmental, reasons.[77] The recordable audio CD is designed to be used in a consumer audio CD recorder. These consumer audio CD recorders use SCMS (Serial Copy Management System), an early form of digital rights management (DRM), to conform to the AHRA (Audio Home Recording Act). The Recordable Audio CD is typically somewhat more expensive than CD-R due to lower production volume and a 3 percent surface error scanning. The design life is from 20 to 100 years, depending on the quality of the discs, the quality of the writing drive, and storage conditions.[74] However, testing has demonstrated such degradation of some discs in as little as 18 months under normal storage conditions.[75][76] This failure is known as disc rot, for which there are several, mostly environmental, reasons.[77] The recordable audio CD is designed to be used in a consumer audio CD recorder. These consumer audio CD recorders use SCMS (Serial Copy Management System), an early form of digital rights management (DRM), to conform to the AHRA (Audio Home Recording Act). The Recordable Audio CD is typically somewhat more expensive than CD-R due to lower production volume and a 3 percent AHRA royalty used to compensate the music industry for the making of a copy.[78] High-capacity recordable CD is a higher-density recording format that can hold 20% more data than of conventional discs.[79] The higher capacity is incompatible with some recorders and recording software.[80] CD-RW is a re-recordable medium that uses a metallic alloy instead of a dye. The write laser, in this case, is used to heat and alter the properties (amorphous vs. crystalline) of the alloy, and hence change its reflectivity. A CD-RW does not have as great a difference in reflectivity as a pressed CD or a CD-R, and so many earlier CD audio players cannot read CD-RW discs, although most later CD audio players and stand-alone DVD players can. CD-RWs follow the Orange Book standard. The ReWritable Audio CD is designed to be used in a consumer audio CD recorder, which will not (without modification) accept standard CD-RW discs. These consumer audio CD recorders use the Serial Copy Management System (SCMS), an early form of digital rights management (DR The ReWritable Audio CD is designed to be used in a consumer audio CD recorder, which will not (without modification) accept standard CD-RW discs. These consumer audio CD recorders use the Serial Copy Management System (SCMS), an early form of digital rights management (DRM), to conform to the United States' Audio Home Recording Act (AHRA). The ReWritable Audio CD is typically somewhat more expensive than CD-R due to (a) lower volume and (b) a 3 percent AHRA royalty used to compensate the music industry for the making of a copy.[78] The Red Book audio specification, except for a simple "anti-copy" statement in the subcode, does not include any copy protection mechanism. Known at least as early as 2001,[81] attempts were made by record companies to market "copy-protected" non-standard compact discs, which cannot be ripped, or copied, to hard drives or easily converted to other formats (like FLAC, MP3 or Vorbis). One major drawback to these copy-protected discs is that most will not play on either computer CD-ROM drives or some standalone CD players that use CD-ROM mechanisms. Philips has stated that such discs are not permitted to bear the trademarked Compact Disc Digital Audio logo because they violate the Red Book specifications. Numerous copy-protection systems have been countered by readily available, often free, software, or even by simply turning off automatic AutoPlay to prevent the running of the DRM executable program. Other uses scare birds. See also 5.1 Music Disc Apparente Libertà the longest song released on a compact disc Compact disc bronzing Digipak DualDisc Extended Resolution Compact Disc GD-ROM