Classic rag
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Classic rag (short for classical ragtime) is the style of
ragtime Ragtime, also spelled rag-time or rag time, is a musical style that flourished from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott J ...
composition pioneered by Scott Joplin and the Missouri school of ragtime composers. These compositions were first considered "classic" by Joplin's publisher,
John Stark Major-General John Stark (August 28, 1728 – May 8, 1822) was an American military officer who served during the French and Indian War and the Revolutionary War. He became known as the "Hero of Bennington" for his exemplary service at the Batt ...
, as a way to distinguish them from what he considered the "common" rags of other publishers. Today, any composition fitting this particular ragtime structural form is considered classic rag. In the earliest days of ragtime, there was little consensus on how to print the syncopated melodies of ragtime, so there was considerable variety in the formatting of sheet music. Pieces appeared in common
meter The metre (British spelling) or meter (American spelling; see spelling differences) (from the French unit , from the Greek noun , "measure"), symbol m, is the primary unit of length in the International System of Units (SI), though its pref ...
, in 4/4 time, and in 2/4 time, and often followed conventions of earlier musical forms such as the
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. As the 20th century dawned most composers, arrangers, and publishers began to settle on a common set of notational and structural conventions, and because Scott Joplin was the best-selling ragtime composer in that era, his conventions eventually predominated. The "classic rag" form can thus be considered a typical form of a ragtime piano composition, though it is by no means the only form.


Anatomy

In idealized form, the classic rag has the following structure: * It is set in 2/4 time. * It starts with a four-bar introduction. * It continues with a pair of 16-bar themes, in the following sequence: ** An initial theme (or A strain). ** A repeat of the A strain. ** A second theme (or B strain). ** A repeat of the B strain. ** A restatement of the A strain. * It concludes with a pair of 16-bar themes in the subdominant key (the key with one additional flat, or one less sharp), commonly called the trio, in the following sequence: ** A third theme (or C strain). ** A repeat of the C strain. ** A fourth theme (or D strain). ** A repeat of the D strain. This can be written more succinctly as: INTRO AA BB A CC DD. Few classic rags follow this idealized form, which is only a generalization; there are a number of standard variations: * The introduction may be longer or shorter than four bars, or may be omitted altogether. * The C and D strains may continue in the original key rather than use the subdominant key. * The D strain may return to the original key rather than stay in the subdominant key. * The D strain may be omitted altogether, or replaced with a restatement of the A or B strain. * Some repetitions of strains may be omitted, usually one of the repeats of the A strain. * Brief transitional phrases may be inserted between strains. In the later years of ragtime, under the influence of
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, a shorter three-strain form (omitting the D strain) became common.


Anatomy of a rag strain

Rag strains themselves have considerable structure. The treble clef (played by the right hand) typically contains the syncopated melodic theme, while the bass clef (the left-hand part) grounds this theme rhythmically with a regular, alternating pattern of eighth-notes (a
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). The sixteen-bar strain is often structurally divided into 4 four-bar phrases, the third phrase repeating the first. There is considerable variation, though. Some composers (such as James Scott) made frequent use of two-bar phrases and others (such as Joseph Lamb) tended to employ eight-bar phrases.


Further reading

* {{Portal bar, Classical music, Jazz 20th-century music genres Ragtime es:Ragtime