Clarence John Laughlin
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Clarence John Laughlin (1905 – January 2, 1985) was an American photographer best known for his
surrealist Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to ...
photographs of the
American South The Southern United States (sometimes Dixie, also referred to as the Southern States, the American South, the Southland, or simply the South) is a geographic and cultural region of the United States of America. It is between the Atlantic Ocean ...
.


Biography


Early life

Laughlin was born into a middle-class family in
Lake Charles, Louisiana Lake Charles (French: ''Lac Charles'') is the fifth-largest incorporated city in the U.S. state of Louisiana, and the parish seat of Calcasieu Parish, located on Lake Charles, Prien Lake, and the Calcasieu River. Founded in 1861 in Calcas ...
. His rocky childhood, southern heritage, and interest in literature influenced his work greatly. After losing everything in a failed rice-growing venture in 1910, his family was forced to relocate to
New Orleans New Orleans ( , ,New Orleans
where Laughlin's father found work in a factory. Laughlin was an introverted child with few friends and a close relationship with his father, who cultivated and encouraged his lifelong love of literature and whose death in 1918 devastated his son. Although he dropped out of high school in 1920 after having barely completed his first year, Laughlin was an educated and highly literate man. His large vocabulary and love of language are evident in the elaborate captions he later wrote to accompany his photographs. He initially aspired to be a writer and wrote many poems and stories in the style of
French symbolism Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realis ...
, most of which remained unpublished.


Photography career

Laughlin discovered photography when he was 25 and taught himself how to use a simple 2½ by 2¼
view camera A view camera is a large-format camera in which the lens forms an inverted image on a ground-glass screen directly at the film plane. The image is viewed and then the glass screen is replaced with the film, and thus the film is exposed to exactly ...
. He began working as a freelance architectural photographer and was subsequently employed by agencies as varied as ''Vogue'' magazine and the US government. Disliking the constraints of government work, Laughlin eventually left Vogue after a conflict with then-editor
Edward Steichen Edward Jean Steichen (March 27, 1879 – March 25, 1973) was a Luxembourgish American photographer, painter, and curator, renowned as one of the most prolific and influential figures in the history of photography. Steichen was credited with tr ...
. Thereafter, he worked almost exclusively on personal projects utilizing a wide range of photographic styles and techniques, from simple geometric abstractions of architectural features to elaborately staged allegories utilizing models, costumes, and props. Through this period one of his favorite models was Dody Weston Thompson who went on to become a notable photographer in her own right. Laughlin's personal projects and large collection of images focused mostly on places and the architecture located there. His most well known works focus on New Orleans, but he also photographed in Chicago, Salt Lake City, Los Angeles, San Francisco, St. Louis, San Antonio, and Little Rock. With the photobook being the ultimate goal and measure for success for photographers, Laughlin achieved this in 1948 when ''Ghosts Along the Mississippi: The Magic of the Old Houses of Louisiana'' was first published. The book features 100 black and white images of photographs that are focused around the architecture of the south during the plantation era. Through this book, Laughlin was interested in representing the lengthy history of Louisiana and the feeling of life there, while also recognizing the history of slavery as well as the imaginary situations that he created.


Death

He died on January 2, 1985, in New Orleans, leaving behind a massive collection of books and images. Thanks to the 17,000 negatives that he preserved, his work continues to be shown around the United States and Europe. Laughlin's library, comprising over 30,000 volumes, was purchased by
Louisiana State University Louisiana State University (officially Louisiana State University and Agricultural and Mechanical College, commonly referred to as LSU) is a public land-grant research university in Baton Rouge, Louisiana. The university was founded in 1860 nea ...
in 1986. The collection's focus in on science fiction, fantasy, mystery and the macabre. Other subjects represented include 20th-century art and design, European and American architecture, photography, Victoriana, humor, sex and sexuality, psychology, spiritualism, and the occult. Laughlin is buried in Paris's
Père Lachaise Cemetery Père Lachaise Cemetery (french: Cimetière du Père-Lachaise ; formerly , "East Cemetery") is the largest cemetery in Paris, France (). With more than 3.5 million visitors annually, it is the most visited necropolis in the world. Notable figure ...
in grave 18223.


Legacy

Many historians credit Laughlin as being the first true surrealist photographer in the United States. His images are often nostalgic, reflecting the influence of Eugène Atget and other photographers who tried to capture vanishing urban landscapes. A pair of surrealistic photographs of parts on a 1939 Ford, in which the photographer's reflection as he took the pictures could be seen, were showcased in 2013 on an episode of
Antiques Roadshow ''Antiques Roadshow'' is a British television programme broadcast by the BBC in which antiques appraisers travel to various regions of the United Kingdom (and occasionally in other countries) to appraise antiques brought in by local people ( ...
set in Baton Rouge, Louisiana, and attributed to Clarence John Laughlin. The man who brought the photographs to the Roadshow knew Laughlin's son, and saw the photos hanging at the son's place of business. In order to acquire them, the man traded automobile repairs and various parts, first for one, then for the other. Their retail value, as a pair, was appraised at $7,000 to $9,000, although the owner indicated that he thought they were priceless.


References


External links


Masters of Photography''Clarence John Laughlin: Prophet without Honor'' University Press of Mississippi"Clarence John Laughlin: An Artist with a Camera" (2009)Clarence John Laughlin: Poems of DesolationClarence John Laughlin Papers
a
The Historic New Orleans Collection
{{DEFAULTSORT:Lauglin, Clarence American surrealist artists 1905 births 1985 deaths Artists from New Orleans Burials at Père Lachaise Cemetery 20th-century American photographers