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Christopher Dresser
Christopher Dresser
(4 July 1834 in Glasgow
Glasgow
– 24 November 1904 in Mulhouse) was a designer and design theorist, now widely known as one of the first and most important, independent designers. He was a pivotal figure in the Aesthetic Movement
Aesthetic Movement
and a major contributor to the allied Anglo-Japanese or Modern English style, both of which originated in England and had long-lasting international influence.

Contents

1 Biography 2 Partial bibliography 3 References 4 Further reading

Biography[edit]

Teapot of 1879

Dresser was born in Glasgow, Scotland, of a Yorkshire family. At age 13, he began attending the Government School of Design, Somerset House, London.[citation needed] He received training in design and took botany as his specialization. He lectured on the new subject of Art Botany to complete his studies before his appointment in 1855 as Professor of Artistic Botany in the Department of Science and Art, South Kensington. He wrote a series of articles that appeared in the Art Journal in 1857, "Botany as Adapted to the Arts and Art Manufactures". In 1858 he sold his first designs. In 1850 the University of Jena, Germany, where Schleiden held the chair, granted a conventional doctorate to Dresser on his submission of his books Rudiments of Botany (1859) and Unity in Variety (1859) and a short paper on plant structure; as Dresser did not attend the university his doctorate was awarded in absentia.

Soup pot, 1888

From this early date his design work widened to include carpets, ceramics, furniture, glass, graphics, metalwork, including silver and electroplate, and textiles printed and woven. He claimed to have designed "as much as any man" at the International Exhibition London 1862. As early as 1865 the Building News reported that in the early part of his career he had been active as a designer of wallpapers, textiles and carpets, and the most active revolutioniser in the decorative art of the day.[1] He wrote several books on design and ornament, including The Art of Decorative Design (1862), The Development of Ornamental Art in the International Exhibition (1862), and Principles of Design (1873), which was addressed in the preface to "working men". In 1899 The Studio magazine found it was possible to quote this book "page after page and not find a line, scarcely a word, that would not be endorsed by the most critical member of the Arts and Crafts Association today." In effect Dresser set the agenda adopted by the Arts and Crafts movement at a later date.[2] In 1873 he was requested by the American Government to write a report on the design of household goods.[2] En route for Japan in 1876 he delivered a series of three lectures in the Philadelphia Museum and School of Industrial Art and supervised the manufacture of wallpapers to his design for Wilson Fennimore. He was commissioned by Messrs Tiffany of New York to form a collection, whilst in Japan, of art objects both old and new that should illustrate the manufactures of that country.[1] In four months in 1876/1877 Dresser travelled about 2000 miles in Japan, recording his impressions in Japan, its Architecture, Art and Art-Manufactures. He represented the South Kensington Museum whilst in Japan, and was received at court by the Emperor, who ordered Dresser to be treated as a guest of the nation – all doors were open to him. He was requested by the Japanese Government to write a report on 'Trade with Europe'. His pioneering study of Japanese art is evident in much of his work which is considered typical of the Anglo-Japanese style. From 1879 to 1882 Dresser was in partnership with Charles Holme (1848–1923) as Dresser & Holme, wholesale importers of Oriental goods, with a warehouse at 7 Farringdon Road, London [1], next door to those of the American inventor and abolitionist, Thaddeus Hyatt (1816–1901).

Christopher Dresser. Soup Plate, Persia Pattern, 1886 Brooklyn Museum

Between 1879 and 1882, as Art Superintendent at the Linthorpe
Linthorpe
Art Pottery in Linthorpe
Linthorpe
in Middlesbrough
Middlesbrough
he designed over 1,000 pots. If his ceramic work from the 1860s onwards (for firms such as Mintons, Wedgwood, Royal Worcester, Watcombe, Linthorpe, Old Hall at Hanley and Ault) is considered, he must be amongst the most influential ceramic designers of any period. Much of his other work remains to be identified, although wallpaper designs for American, and textiles for French and German manufacturers have recently been located. A significant Dresser collection is held by the Dorman Museum
Dorman Museum
in Middlesbrough. A Heritage Lottery Fund
Heritage Lottery Fund
funded project draws attention to this. Some of Dresser’s metalwork designs are still in production, such as his oil and vinegar sets and toast rack designs, now manufactured by Alessi. Alberto Alessi goes so far as to say Dresser 'knew the techniques of metal production better than any designer who has come to Alessi'.[3] One of his Old Hall designs is thought to have inspired Alan Garner's 1967 novel The Owl Service.[4] Partial bibliography[edit]

Botany diagram, about 1855, Christopher Dresser
Christopher Dresser
V&A Museum no. 3968

Unity in Variety as Deduced from the Vegetable Kingdom (1859) The Rudiments of Botany, Structural and Physiological (1859) Popular Manual on Botany (1860) The Art of Decorative Design (1862) Development of Ornamental Art in the International Exhibition (1862) General Principles of Art, Decorative and Pictorial, with hints on colour, its harmonies and contrasts (1868) Principles of Decorative Design (1873) Studies in Design (1875) Japan, its Architecture, Art and Art-Manufactures (1882) Modern Ornamentation (1886)

References[edit]

^ a b W.Halen. Christopher Dresser, 1990, p.17 ^ a b Morley, Christopher. Dresser's Decorative Design. 2010 p.256 ^ The dream factory. Alessi since 1921.p.115 ^ The Blackden Trust – Benefactors – Chris Lynch

Further reading[edit]

Flanders, Judith. Inside the Victorian Home: a Portrait of Domestic Life in Victorian England. New York: W. W. Norton, 2004. ISBN 978-0-393-05209-1. Halen, Widar. Christopher Dresser, a Pioneer of Modern Design. Phaidon: 1990. ISBN 0-7148-2952-8. Durant, Stuart. Christopher Dresser. 1993 Snodin, Michael and John Styles. Design & The Decorative Arts, Britain 1500–1900. V&A Publications: 2001. ISBN 1-85177-338-X. Whiteway, Michael. Christopher Dresser. A Design Revolution. V & A Publications, Cooper-Hewitt National Design Museum, Smithsonian Institution, London 2004. ISBN 1-85177-427-0. Lyons, Harry. Christopher Dresser. The People's Designer
Designer
1834–1904. Antique Collectors' Club. ISBN 1-85149-455-3. Morley, Christopher. Dresser's Decorative Design. Beresford C 2010 Emil Fonfoneata, Exhibition Catalogue of Christopher Dresser (1834–1904) Pioneer of Modern Design, 13/10/2007 – 13/01/2008 – Design Museum Gent – Belgium

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Christopher Dresser
Christopher Dresser
1834–1904 from www.christopherdresser.co.uk. Christopher Dresser: Industrial Designer
Designer
from designmuseum.org. Christopher Dresser: A Design Revolution, exhibition at the Victoria and Albert Museum, 9 September – 5 December 2004. Works by Christopher Dresser
Christopher Dresser
at Project Gutenberg Works by Christopher Dresser
Christopher Dresser
at Faded Page (Canada) Works by or about Christopher Dresser
Christopher Dresser
at Internet Archive

Authority control

WorldCat Identities VIAF: 49322359 LCCN: n50029621 ISNI: 0000 0001 1061 5429 GND: 11852738X SUDOC: 033794030 BNF: cb124620434 (data) BIBSYS: 90397445 ULAN: 500042183 NDL: 00914889 BNE: XX1307165 RKD: 230

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