was a Japanese

author An author is the writer of a book, article, play, mostly written work. A broader definition of the word "author" states: "''An author is "the person who originated or gave existence to anything" and whose authorship determines responsibility f ...

and

kimono The is a traditional Japanese garment and the national dress of Japan. The kimono is a wrapped-front garment with square sleeves and a rectangular body, and is worn left side wrapped over right, unless the wearer is deceased. The kimono ...

designer. She was known for her contributions to Japanese fashion, film, and literature.

Early years

Uno was born in Iwakuni, Yamaguchi. In 1915, she was fired from her job as a teacher's assistant due to an affair she was having with a colleague. In 1919, she married her cousin, a banker named Fujimara Tadashi. Her initial literary success came in 1921 when she was awarded a prize for her short story , or ''Painted Face.'' After receiving the award, Uno left Tadashi and moved to

Tokyo Tokyo (; ja, 東京, , ), officially the Tokyo Metropolis ( ja, 東京都, label=none, ), is the capital and List of cities in Japan, largest city of Japan. Formerly known as Edo, its metropolitan area () is the most populous in the world, ...

. Like many young Japanese people of the 1920s, Uno was fascinated with American and

Europe Europe is a large peninsula conventionally considered a continent in its own right because of its great physical size and the weight of its history and traditions. Europe is also considered a subcontinent of Eurasia and it is located entirel ...

an culture and dressing. In 1927, she was one of the first women in Japan to bob her hair like a

flapper Flappers were a subculture of young Western women in the 1920s who wore short skirts (knee height was considered short during that period), bobbed their hair, listened to jazz, and flaunted their disdain for what was then considered accepta ...

. Beyond hairstyles, Uno also began to pursue the life of a free-spirited woman. She wanted to be a , or "modern girl", and not confined to just the role of supportive wife and mother. She became part of the Bohemian world of Tokyo, and had liaisons with other writers, poets, and painters.

Career

In 1933, Uno started publishing the serialised novel . The best seller brought her much fame. The novel details an artist and his various love affairs, and a suicide attempt with his mistress. The novel was based on the biography of Seiji Tōgō, an artist with whom Uno had a romantic relationship. Uno was applauded for her ability to write convincingly from the perspective of a man in ''Confessions of Love'', which further added to her book's appeal. Shortly after the success of ''Confessions of Love'', Uno started a magazine called , or ''Style,'' in 1936. The magazine was the first in Japan to focus on foreign fashions. took up much of her time through the following decades until its bankruptcy in 1959. Uno continued to write and intrigue an audience of Japanese women, who found a sense of liberation in Uno's prose. Even if Uno's readers remained within conventional boundaries themselves, they could escape briefly through her stories of lovers and entanglements. Throughout her literary career, she was praised for her ability to write skillfully from both male and female perspectives. Uno also became successful as a kimono designer, and along with her assistant designer Tomiyo Hanazawa, Uno traveled to the United States to stage the first kimono fashion show in the United States in 1957.

Later years

In later years, Uno's popularity was given formal status as she was recognized by the Emperor and assumed the honor of being one of Japan's oldest and most talented female writers. In 1983 she published the memoir , which was widely read and adapted for television. She was named a "person of cultural merit" in 1990. She stated that the essence of her life was not to follow anyone else's rules and to have done as she pleased. Uno married multiple times with varying levels of success, as she found it difficult to remain with just one man, and it was said that she would even move to a new house every time a major affair or marriage ended. She died in 1996 at the age of 98 due to pneumonia.

Works

* ''Confessions of Love,'' 1933-1935 * ''Ningyoshi Tenguya Kyukichi (The Puppet Master Tenguya Kyukichi)'', 1942 * ''Ohan,'' 1957 * ''Sasu (To Sting)'', 1964 * ''Kaze no Oto (The Sound of the Wind)'', 1969 * ''Kofuku (Blessings)'', 1970 * ''The Story of a Single Woman,'' 1972 * ''Mama no Hanashi (Mama-san's Story)'', 1976 * ''Cheri ga Shina (Cherry is Dead)'', 1976 * ''I Will Go On Living,'' 1983 * ''Ippen Harukaze ga Fuitekita (Suddenly a Spring Wind)'', 1987

Awards and honors

* 1957,

Noma Literary Prize The Noma Literary Prize (''Noma Bungei Shō'') was established in 1941 by the Noma Service Association (''Noma Hōkō Kai'') in accordance with the last wishes of Seiji Noma (1878–1938), founder and first president of the Kodansha publishing c ...

External links

Prominent People of Minato City Chiyo Uno

at JLPP (Japanese Literature Publishing Project) * ''The Sound of the Wind: The Life and Works of Uno Chiyo''. Rebecca L. Copeland (1992)

References

{{DEFAULTSORT:Uno, Chiyo 1897 births 1996 deaths 20th-century Japanese writers 20th-century Japanese women writers Writers from Yamaguchi Prefecture