Charles Lutwidge Dodgson

Charles Lutwidge Dodgson (; 27 January 1832 – 14 January 1898), better known by his pen name Lewis Carroll, was an English author, poet and mathematician. His most notable works are ''Alice's Adventures in Wonderland'' (1865) and its sequel ''Through the Looking-Glass'' (1871). He was noted for his facility with word play, logic, and fantasy. His poems '' Jabberwocky'' (1871) and ''The Hunting of the Snark'' (1876) are classified in the genre of literary nonsense.

Carroll came from a family of high-church Anglicans, and developed a long relationship with Christ Church, Oxford, where he lived for most of his life as a scholar and teacher. Alice Liddell, the daughter of Christ Church's dean Henry Liddell, is widely identified as the original inspiration for ''Alice in Wonderland'', though Carroll always denied this.

An avid puzzler, Carroll created the word ladder puzzle (which he then called "Doublets"), which he published in his weekly column for ''Vanity Fair'' magazine between 1879 and 1881. In 1982 a memorial stone to Carroll was unveiled at Poets' Corner in Westminster Abbey. There are societies in many parts of the world dedicated to the enjoyment and promotion of his works.

Early life

Dodgson's family was predominantly northern English, conservative, and high-church Anglican. Most of his male ancestors were army officers or Anglican clergymen. His great-grandfather, Charles Dodgson, had risen through the ranks of the church to become the Bishop of Elphin in rural Ireland. His paternal grandfather, another Charles, had been an army captain, killed in action in Ireland in 1803, when his two sons were hardly more than babies. The older of these sons, yet another Charles Dodgson, was Carroll's father. He went to Westminster School and then to Christ Church, Oxford. He reverted to the other family tradition and took holy orders. He was mathematically gifted and won a double first degree, which could have been the prelude to a brilliant academic career. Instead, he married his first cousin Frances Jane Lutwidge in 1830 and became a country parson. Cohen, pp. 30–35

Dodgson was born on 27 January 1832 at All Saints' Vicarage in Daresbury, Cheshire, the oldest boy and the third oldest of 11 children. When he was 11, his father was given the living of Croft-on-Tees, Yorkshire, and the whole family moved to the spacious rectory. This remained their home for the next 25 years. Charles' father was an active and highly conservative cleric of the Church of England who later became the Archdeacon of Richmond and involved himself, sometimes influentially, in the intense religious disputes that were dividing the church. He was high-church, inclining toward Anglo-Catholicism, an admirer of John Henry Newman and the Tractarian movement, and did his best to instil such views in his children. However, Charles developed an ambivalent relationship with his father's values and with the Church of England as a whole.

During his early youth, Dodgson was educated at home. His "reading lists" preserved in the family archives testify to a precocious intellect: at the age of seven, he was reading books such as ''The Pilgrim's Progress''. He also spoke with a stammer – a condition shared by most of his siblings – that often inhibited his social life throughout his years. At the age of twelve he was sent to Richmond Grammar School (now part of Richmond School) in Richmond, North Yorkshire.

In 1846 Dodgson entered Rugby School, where he was evidently unhappy, as he wrote some years after leaving: "I cannot say ... that any earthly considerations would induce me to go through my three years again ... I can honestly say that if I could have been ... secure from annoyance at night, the hardships of the daily life would have been comparative trifles to bear." He did not claim he suffered from bullying, but cited little boys as the main targets of older bullies at Rugby. Stuart Dodgson Collingwood, Dodgson's nephew, wrote that "even though it is hard for those who have only known him as the gentle and retiring don to believe it, it is nevertheless true that long after he left school, his name was remembered as that of a boy who knew well how to use his fists in defence of a righteous cause", which is the protection of the smaller boys.

Scholastically, though, he excelled with apparent ease. "I have not had a more promising boy at his age since I came to Rugby", observed mathematics master R. B. Mayor. Francis Walkingame's ''The Tutor's Assistant; Being a Compendium of Arithmetic'' – the mathematics textbook that the young Dodgson used – still survives and it contained an inscription in Latin, which translates to: "This book belongs to Charles Lutwidge Dodgson: hands off!" Some pages also included annotations such as the one found on p. 129, where he wrote "Not a fair question in decimals" next to a question.

He left Rugby at the end of 1849 and matriculated at the University of Oxford in May 1850 as a member of his father's old college, Christ Church. After waiting for rooms in college to become available, he went into residence in January 1851.Clark, pp. 64–65 He had been at Oxford only two days when he received a summons home. His mother had died of "inflammation of the brain" – perhaps meningitis or a stroke – at the age of 47.

His early academic career veered between high promise and irresistible distraction. He did not always work hard, but was exceptionally gifted, and achievement came easily to him. In 1852, he obtained first-class honours in Mathematics Moderations and was soon afterwards nominated to a Studentship by his father's old friend Canon Edward Pusey. Collingwood, p. 52Clark, p. 74 In 1854, he obtained first-class honours in the Final Honours School of Mathematics, standing first on the list, and thus graduated as Bachelor of Arts. Collingwood, p. 57Wilson, p. 51 He remained at Christ Church studying and teaching, but the next year he failed an important scholarship exam through his self-confessed inability to apply himself to study. Cohen, p. 51Clark, p. 79 Even so, his talent as a mathematician won him the Christ Church Mathematical Lectureship in 1855, which he continued to hold for the next 26 years. Cohen, pp. 414–416 Despite early unhappiness, Dodgson remained at Christ Church, in various capacities, until his death, including that of Sub-Librarian of the Christ Church library, where his office was close to the Deanery, where Alice Liddell lived.Leach, Ch. 2.

Character and appearance

Health problems

The young adult Charles Dodgson was about tall and slender, and he had curly brown hair and blue or grey eyes (depending on the account). He was described in later life as somewhat asymmetrical, and as carrying himself rather stiffly and awkwardly, although this might be on account of a knee injury sustained in middle age. As a very young child, he suffered a fever that left him deaf in one ear. At the age of 17, he suffered a severe attack of whooping cough, which was probably responsible for his chronically weak chest in later life. In early childhood, he acquired a stammer, which he referred to as his "hesitation"; it remained throughout his life.

The stammer has always been a significant part of the image of Dodgson. While one apocryphal story says that he stammered only in adult company and was free and fluent with children, there is no evidence to support this idea. Many children of his acquaintance remembered the stammer, while many adults failed to notice it. Dodgson himself seems to have been far more acutely aware of it than most people whom he met; it is said that he caricatured himself as the Dodo in ''Alice's Adventures in Wonderland'', referring to his difficulty in pronouncing his last name, but this is one of the many supposed facts often repeated for which no first-hand evidence remains. He did indeed refer to himself as a dodo, but whether or not this reference was to his stammer is simply speculation.

Dodgson's stammer did trouble him, but it was never so debilitating that it prevented him from applying his other personal qualities to do well in society. He lived in a time when people commonly devised their own amusements and when singing and recitation were required social skills, and the young Dodgson was well equipped to be an engaging entertainer. He could reportedly sing at a passable level and was not afraid to do so before an audience. He was also adept at mimicry and storytelling, and reputedly quite good at charades.

Social connections

In the interim between his early published writings and the success of the ''Alice'' books, Dodgson began to move in the pre-Raphaelite social circle. He first met John Ruskin in 1857 and became friendly with him. Around 1863, he developed a close relationship with Dante Gabriel Rossetti and his family. He would often take pictures of the family in the garden of the Rossetti's house in Chelsea, London. He also knew William Holman Hunt, John Everett Millais, and Arthur Hughes, among other artists. He knew fairy-tale author George MacDonald well – it was the enthusiastic reception of ''Alice'' by the young MacDonald children that persuaded him to submit the work for publication. Cohen, pp. 100–4

Politics, religion, and philosophy

In broad terms, Dodgson has traditionally been regarded as politically, religiously, and personally conservative. Martin Gardner labels Dodgson as a Tory who was "awed by lords and inclined to be snobbish towards inferiors". William Tuckwell, in his ''Reminiscences of Oxford'' (1900), regarded him as "austere, shy, precise, absorbed in mathematical reverie, watchfully tenacious of his dignity, stiffly conservative in political, theological, social theory, his life mapped out in squares like Alice's landscape". Dodgson was ordained a deacon in the Church of England on 22 December 1861. In ''The Life and Letters of Lewis Carroll'', the editor states that "his Diary is full of such modest depreciations of himself and his work, interspersed with earnest prayers (too sacred and private to be reproduced here) that God would forgive him the past, and help him to perform His holy will in the future." When a friend asked him about his religious views, Dodgson wrote in response that he was a member of the Church of England, but "doubt dif he was fully a 'High Churchman'". He added:

Dodgson also expressed interest in other fields. He was an early member of the Society for Psychical Research, and one of his letters suggests that he accepted as real what was then called "thought reading". Dodgson wrote some studies of various philosophical arguments. In 1895, he developed a philosophical regressus-argument on deductive reasoning in his article " What the Tortoise Said to Achilles", which appeared in one of the early volumes of ''Mind''. The article was reprinted in the same journal a hundred years later in 1995, with a subsequent article by Simon Blackburn titled "Practical Tortoise Raising".

Artistic activities

Literature

From a young age, Dodgson wrote poetry and short stories, contributing heavily to the family magazine ''Mischmasch'' and later sending them to various magazines, enjoying moderate success. Between 1854 and 1856, his work appeared in the national publications ''The Comic Times'' and ''The Train'', as well as smaller magazines such as the '' Whitby Gazette'' and the ''Oxford Critic''. Most of this output was humorous, sometimes satirical, but his standards and ambitions were exacting. "I do not think I have yet written anything worthy of real publication (in which I do not include the ''Whitby Gazette'' or the ''Oxonian Advertiser''), but I do not despair of doing so someday," he wrote in July 1855. Sometime after 1850, he did write puppet plays for his siblings' entertainment, of which one has survived: ''La Guida di Bragia''.

In March 1856, he published his first piece of work under the name that would make him famous. A romantic poem called "Solitude" appeared in ''The Train'' under the authorship of "Lewis Carroll". This pseudonym was a play on his real name: ''Lewis'' was the anglicised form of ''Ludovicus'', which was the Latin for ''Lutwidge'', and ''Carroll'' an Irish surname similar to the Latin name ''Carolus'', from which comes the name ''Charles''. The transition went as follows:
"Charles Lutwidge" translated into Latin as "Carolus Ludovicus". This was then translated back into English as "Carroll Lewis" and then reversed to make "Lewis Carroll". This pseudonym was chosen by editor Edmund Yates from a list of four submitted by Dodgson, the others being Edgar Cuthwellis, Edgar U. C. Westhill, and Louis Carroll.

Alice books

In 1856, Dean Henry Liddell arrived at Christ Church, bringing with him his young family, all of whom would figure largely in Dodgson's life over the following years, and would greatly influence his writing career. Dodgson became close friends with Liddell's wife Lorina and their children, particularly the three sisters Lorina, Edith, and Alice Liddell. He was widely assumed for many years to have derived his own "Alice" from Alice Liddell; the acrostic poem at the end of ''Through the Looking-Glass'' spells out her name in full, and there are also many superficial references to her hidden in the text of both books. It has been noted that Dodgson himself repeatedly denied in later life that his "little heroine" was based on any real child,Leach, Ch. 5 "The Unreal Alice" and he frequently dedicated his works to girls of his acquaintance, adding their names in acrostic poems at the beginning of the text. Gertrude Chataway's name appears in this form at the beginning of ''The Hunting of the Snark'', and it is not suggested that this means that any of the characters in the narrative are based on her.

Information is scarce (Dodgson's diaries for the years 1858–1862 are missing), but it seems clear that his friendship with the Liddell family was an important part of his life in the late 1850s, and he grew into the habit of taking the children on rowing trips (first the boy, Harry, and later the three girls) accompanied by an adult friend to nearby Nuneham Courtenay or Godstow.Leach, Ch. 4

It was on one such expedition on 4 July 1862 that Dodgson invented the outline of the story that eventually became his first and greatest commercial success. He told the story to Alice Liddell and she begged him to write it down, and Dodgson eventually (after much delay) presented her with a handwritten, illustrated manuscript entitled ''Alice's Adventures Under Ground'' in November 1864.

Before this, the family of friend and mentor George MacDonald read Dodgson's incomplete manuscript, and the enthusiasm of the MacDonald children encouraged Dodgson to seek publication. In 1863, he had taken the unfinished manuscript to Macmillan the publisher, who liked it immediately. After the possible alternative titles were rejected – ''Alice Among the Fairies'' and ''Alice's Golden Hour'' – the work was finally published as ''Alice's Adventures in Wonderland'' in 1865 under the Lewis Carroll pen-name, which Dodgson had first used some nine years earlier. The illustrations this time were by Sir John Tenniel; Dodgson evidently thought that a published book would need the skills of a professional artist. Annotated versions provide insights into many of the ideas and hidden meanings that are prevalent in these books. Critical literature has often proposed Freudian interpretations of the book as "a descent into the dark world of the subconscious", as well as seeing it as a satire upon contemporary mathematical advances.

The overwhelming commercial success of the first Alice book changed Dodgson's life in many ways. The fame of his alter ego "Lewis Carroll" soon spread around the world. He was inundated with fan mail and with sometimes unwanted attention. Indeed, according to one popular story, Queen Victoria herself enjoyed ''Alice in Wonderland'' so much that she commanded that he dedicate his next book to her, and was accordingly presented with his next work, a scholarly mathematical volume entitled ''An Elementary Treatise on Determinants''. Dodgson himself vehemently denied this story, commenting "... It is utterly false in every particular: nothing even resembling it has occurred"; and it is unlikely for other reasons. As T. B. Strong comments in a '' Times'' article, "It would have been clean contrary to all his practice to identify heauthor of Alice with the author of his mathematical works". He also began earning quite substantial sums of money but continued with his seemingly disliked post at Christ Church.

Late in 1871, he published the sequel '' Through the Looking-Glass, and What Alice Found There''. (The title page of the first edition erroneously gives "1872" as the date of publication.) Its somewhat darker mood possibly reflects changes in Dodgson's life. His father's death in 1868 plunged him into a depression that lasted some years.

The Hunting of the Snark

In 1876, Dodgson produced his next great work, ''The Hunting of the Snark'', a fantastical "nonsense" poem, with illustrations by Henry Holiday, exploring the adventures of a bizarre crew of nine tradesmen and one beaver, who set off to find the snark. It received largely mixed reviews from Carroll's contemporary reviewers, but was enormously popular with the public, having been reprinted seventeen times between 1876 and 1908, and has seen various adaptations into musicals, opera, theatre, plays and music. Painter Dante Gabriel Rossetti reputedly became convinced that the poem was about him.

Sylvie and Bruno

In 1895, 30 years after the publication of his masterpieces, Carroll attempted a comeback, producing a two-volume tale of the fairy siblings Sylvie and Bruno. Carroll entwines two plots set in two alternative worlds, one set in rural England and the other in the fairytale kingdoms of Elfland, Outland, and others. The fairytale world satirizes English society, and more specifically the world of academia. ''Sylvie and Bruno'' came out in two volumes and is considered a lesser work, although it has remained in print for over a century.

Photography (1856–1880)

In 1856, Dodgson took up the new art form of photography under the influence first of his uncle Skeffington Lutwidge, and later of his Oxford friend Reginald Southey

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