Chalk Cliffs on Rügen
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''Chalk Cliffs on Rügen'' (german: Kreidefelsen auf Rügen) is an
oil painting Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of ...
of circa 1818 by German Romantic artist Caspar David Friedrich.


Development

In January 1818, Caspar David Friedrich married Christiane Caroline Bommer, who was about 20 years his junior. On their honeymoon in July and August 1818, they visited relatives in
Neubrandenburg Neubrandenburg (lit. ''New Brandenburg'', ) is a city in the southeast of Mecklenburg-Vorpommern, Germany. It is located on the shore of a lake called Tollensesee and forms the urban centre of the Mecklenburg Lakeland. The city is famous for its ...
and
Greifswald Greifswald (), officially the University and Hanseatic City of Greifswald (german: Universitäts- und Hansestadt Greifswald, Low German: ''Griepswoold'') is the fourth-largest city in the German state of Mecklenburg-Western Pomerania after Rostoc ...
. From there, the couple undertook an excursion to the island of
Rügen Rügen (; la, Rugia, ) is Germany's largest island. It is located off the Pomeranian coast in the Baltic Sea and belongs to the state of Mecklenburg-Western Pomerania. The "gateway" to Rügen island is the Hanseatic city of Stralsund, where ...
with Friedrich's brother Christian. The painting appears as a celebration of the couple's union.


Description

The painting depicts the view from the chalk cliffs of the
Stubbenkammer The Jasmund National Park (German: ''Nationalpark Jasmund'') is a nature reserve on the Jasmund peninsula, in the northeast of Rügen island in Mecklenburg-Vorpommern, Germany. It is famous for containing the largest chalk cliffs in Germany, th ...
, at that time one of the most famous lookout points on the island. It is frequently but incorrectly believed that the '' Wissower Klinken'' outcrops in particular were a model for the painting; however, these did not exist at the time of the painting's creation, but appeared later because of
erosion Erosion is the action of surface processes (such as water flow or wind) that removes soil, rock, or dissolved material from one location on the Earth's crust, and then transports it to another location where it is deposited. Erosion is distin ...
. Friedrich often composed his landscapes from carefully chosen elements of different sketches, so that a specific location is not necessarily discernible. Two trees, whose leaves cover the upper third of the painting, frame the scenery. Two men and a woman in town clothes gaze in wonder at the view. The thin figure in the middle is usually interpreted as Caspar David Friedrich himself.Helmut Börsch-Supan: ''Caspar David Friedrich.'' 4. erweiterte und überarbeitete Auflage, Prestel, Munich 1987, , p 118 His hat lies beside him as a sign of humility. He seeks for a foothold in the grass as a symbol of the transience of life and looks into the abyss opening before him—the abyss of death. On the right, the man with crossed arms leans against the trunk of a dying tree and looks far out to the sea. The two tiny sailboats stand as symbols for the soul which opens to eternal life and correspond to the figures of the two men. On the left, the woman in a red dress (who is usually identified as Friedrich's wife Caroline) sits beside an almost dried-up shrub: only the twigs around her face are leafing out. With her right hand she points either at the abyss or at the flowers bordering it. In contrast to the men, who gaze either at the abyss or into the distance, she communicates with the other figures—whether she feels threatened by the abyss or compelled by the natural beauty is unclear. The colors of the figure's clothes are also symbolic. The middle figure is blue, the color of faith; the left figure is red, that of love; and the right figure is green, that of hope. Thus they can be interpreted as embodiments of the three Christian
theological virtues Theological virtues are virtues associated in Christian theology and philosophy with salvation resulting from the grace of God. Virtues are traits or qualities which dispose one to conduct oneself in a morally good manner. Traditionally they hav ...
: faith, hope and love. The art historian Helmut Börsch-Supan sees in the picture a representation of Friedrich's relation to death, and the threat to life by death: "clear ..as almost never before, but at the same time also in an unusually serene mood"."deutlich ..wie kaum zuvor, zugleich aber auch in einer selten heiteren Stimmung"


See also

*
List of works by Caspar David Friedrich This is an incomplete list of works by the German Romantic artist Caspar David Friedrich (1774–1840) by completion date where known. Friedrich was a prolific artist who produced over 500 attributed works; however, he is generally known for only ...


Notes


References

* Börsch-Supan, H. (1987). ''Caspar David Friedrich'' (4th enlarged and revised edition). Munich: Prestel. * Schmied, Wieland (1992). ''Caspar David Friedrich''. Cologne: DuMont. * Wolf, Norbert (2003). ''Caspar David Friedrich – Der Maler der Stille''. Cologne:
Taschen Taschen is a luxury art book publisher founded in 1980 by Benedikt Taschen in Cologne, Germany. As of January 2017, Taschen is co-managed by Benedikt and his eldest daughter, Marlene Taschen. History The company began as Taschen Comics, pu ...
Verlag.


External links

* {{DEFAULTSORT:Chalk Cliffs on Rugen Paintings by Caspar David Friedrich 1818 paintings Paintings in Winterthur Ships in art