The Info List - Carl Perkins

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Carl Lee Perkins (April 9, 1932 – January 19, 1998)[1] was an American singer-songwriter who recorded most notably at the Sun Studio, in Memphis, beginning in 1954. His best-known song is "Blue Suede Shoes". According to Charlie Daniels, "Carl Perkins' songs personified the rockabilly era, and Carl Perkins' sound personifies the rockabilly sound more so than anybody involved in it, because he never changed."[2] Perkins's songs were recorded by artists (and friends) as influential as Elvis Presley, the Beatles, Jimi Hendrix, and Johnny Cash, which further established his place in the history of popular music. Paul McCartney
Paul McCartney
claimed that "if there were no Carl Perkins, there would be no Beatles."[3] Called "the King of Rockabilly", he was inducted into the Rock and Roll Hall of Fame, the Rockabilly
Hall of Fame, the Memphis
Music Hall of Fame, and the Nashville Songwriters Hall of Fame. He also received a Grammy Hall of Fame Award.


1 Biography

1.1 Early life 1.2 Beginnings as a performer 1.3 Sun Records 1.4 Road accident 1.5 Return to recording and touring 1.6 Life after Sun 1.7 Later years 1.8 Personal life

2 Guitar
style 3 Legacy 4 Awards 5 Discography

5.1 Studio albums 5.2 Collaborative albums 5.3 Live albums 5.4 Religious albums 5.5 Selected compilations 5.6 Guest appearances 5.7 Charted albums 5.8 Charted singles

6 Notes 7 References 8 External links

Biography[edit] Early life[edit] Perkins was born near Tiptonville, Tennessee, the son of poor sharecroppers, Buck and Louise Perkins (misspelled on his birth certificate as "Perkings").[4] He grew up hearing southern gospel music sung by white friends in church and by African-American
field workers when he worked in the cotton fields.[5] Beginning at the age of six, during spring and autumn, school days would be followed by a few hours of work in the fields. In the summer, workdays were 12 to 14 hours, "from can to can't." Perkins and his brother Jay together would earn 50 cents a day. All his family members worked, so there was enough money for beans and potatoes, tobacco for Perkins's father, and occasionally the luxury of a five-cent bag of hard candy.[6] On Saturday nights Perkins would listen to the Grand Ole Opry
Grand Ole Opry
on his father's radio. Roy Acuff's broadcasts inspired him to ask his parents for a guitar.[7] Since they could not afford one, his father made one from a cigar box and a broomstick. Finally, a neighbor in hard times offered to sell his dented and scratched Gene Autry
Gene Autry
model guitar with worn-out strings. Buck Perkins bought it for his son for a couple of dollars. Perkins taught himself parts of Acuff's "Great Speckled Bird" and "The Wabash Cannonball", having heard them played on the Opry. He also cited Bill Monroe's fast playing and vocals as an early influence.[8] Perkins learned more about the guitar from John Westbrook, an African-American
field worker in his sixties. "Uncle John", as Perkins called him, played blues and gospel music on an old acoustic guitar. Westbrook advised Perkins to "Get down close to it. You can feel it travel down the strangs, come through your head and down to your soul where you live. You can feel it. Let it vib-a-rate." Perkins could not afford new strings, and when they broke he had to retie them. The knots cut his fingers when he would slide to another note, so he began bending the notes, stumbling onto a type of blue note.[2][9] Perkins was recruited to be a member of the Lake County Fourth Grade Marching Band. Since his family was too poor to afford them, Lee McCutcheon, the woman in charge of the band, gave him a new white shirt, cotton pants, a white band cap and a red cape.[10] In January 1947, the Perkins family moved from Lake County, Tennessee, to Madison County, Tennessee. A new radio that ran on house current rather than a battery and the closeness to Memphis
exposed Perkins to a greater variety of music.[11] At age fourteen, using the I-IV-V chord progression common in country music of the day,[12] he wrote a song that came to be known around Jackson as "Let Me Take You to the Movie, Magg"[13] (the song later persuaded Sam Phillips
Sam Phillips
to sign Perkins to his Sun Records
Sun Records
label). Beginnings as a performer[edit] Perkins and his brother Jay had their first paying job (in tips) as entertainers at the Cotton Boll tavern on Highway 45, twelve miles south of Jackson, starting on Wednesday nights during late 1946. Perkins was 14 years old. One of the songs they played was an up-tempo country blues shuffle version of Bill Monroe's "Blue Moon of Kentucky". Free drinks were one of the perks of playing in a tavern, and Perkins drank four beers that first night. Within a month Carl and Jay began playing Friday and Saturday nights at the Sand Ditch tavern, near the western boundary of Jackson. Both places were the scene of occasional fights, and both of the Perkins brothers gained a reputation as fighters.[14] During the next couple of years the Perkins brothers began playing other taverns around Bemis and Jackson, including El Rancho, the Roadside Inn, and the Hilltop, as they became better known. Carl persuaded his brother Clayton to play the upright bass to complete the sound of the band.[15] Perkins began performing regularly on WTJS in Jackson during the late 1940s as a sometime member of the Tennessee Ramblers. He also appeared on Hayloft Frolic, on which he performed two songs, sometimes including "Talking Blues" as done by Robert Lunn on the Grand Ole Opry. Perkins and then his brothers began appearing on The Early Morning Farm and Home Hour. Positive listener response resulted in a 15-minute segment sponsored by Mother's Best Flour. By the end of the 1940s, the Perkins Brothers were the best-known band in the Jackson area.[16] Perkins had day jobs during most of these early years, picking cotton and later working at Day's Dairy in Malesus, at a mattress factory and in a battery plant. He worked as a pan greaser for the Colonial Baking Company in 1951 and 1952.[17][18] In January 1953, Perkins married Valda Crider, whom he had known for a number of years. When his job at the bakery was reduced to part-time, Valda, who had her own job, encouraged Perkins to begin working the taverns full-time. He began playing six nights a week. Later the same year he added W.S. "Fluke" Holland to the band as a drummer. Halder had no previous experience as a musician but had a good sense of rhythm.[19] Malcolm Yelvington, who remembered the Perkins Brothers when they played in Covington, Tennessee, in 1953, noted that Carl had an unusual blues-like style all his own.[20] By 1955 Perkins had made tapes of his material with a borrowed tape recorder, and he sent them to companies such as Columbia and RCA, with addresses like "Columbia Records, New York City". "I had sent tapes to RCA and Columbia and had never heard a thing from 'em."[21] In July 1954, Perkins and his wife heard a new release of "Blue Moon of Kentucky" by Elvis Presley, Scotty Moore and Bill Black
Bill Black
on the radio.[22] As the song faded out, Perkins said, "There's a man in Memphis
who understands what we're doing. I need to go see him."[23] According to another telling of the story, it was Valda who told him that he should go to Memphis.[24] Later, Presley told Perkins that he had traveled to Jackson and seen Perkins and his group playing at El Rancho.[21] Years later the musician Gene Vincent
Gene Vincent
told an interviewer that, rather than "Blue Moon of Kentucky" being a "new sound", "a lot of people were doing it before that, especially Carl Perkins."[25] Sun Records[edit] Perkins successfully auditioned for Sam Phillips
Sam Phillips
at Sun Records
Sun Records
in early October 1954. "Movie Magg" and "Turn Around" were released on the Phillips-owned Flip label (151) on March 19, 1955.[26] "Turn Around" became a regional success.[1] With the song getting airplay across the South and Southwest, Perkins was booked to appear along with Elvis Presley
Elvis Presley
at theaters in Marianna and West Memphis, Arkansas. Commenting on the audience reaction to both Presley and himself, Perkins said, "When I'd jump around they'd scream some, but they were gettin' ready for him. It was like TNT, man, it just exploded. All of a sudden the world was wrapped up in rock."[27] Johnny Cash
Johnny Cash
and the Tennessee Two were the next musicians to be added to the performances by Sun musicians. During the summer of 1955 there were junkets to Little Rock and Forrest City, Arkansas
Forrest City, Arkansas
and to Corinth and Tupelo, Mississippi. Again performing at El Rancho, the Perkins brothers were involved in an automobile accident in Woodside, Delaware. A friend, who had been driving, was pinned by the steering wheel. Perkins managed to drag him from the car, which had begun burning. Clayton had been thrown from the car but was not injured seriously.[28] Another Perkins song, "Gone Gone Gone",[29][30] released by Sun in October 1955,[31] was also a regional success. It was a "bounce blues in flavorsome combined country and r.&b. idioms".[32] It was backed by the more traditional "Let the Jukebox Keep On Playing", complete with fiddle, "Western boogie" bass line, steel guitar and weepy vocal.[33] Commenting on Perkins's playing, Sam Phillips
Sam Phillips
has been quoted as saying, "I knew that Carl could rock and in fact he told me right from the start that he had been playing that music before Elvis came out on record ... I wanted to see whether this was someone who could revolutionize the country end of the business."[34] Also in the autumn of 1955, Perkins wrote "Blue Suede Shoes"[5] after seeing a dancer get angry with his date for scuffing up his shoes.[35] Several weeks later, on December 19, 1955, Perkins and his band recorded the song during a session at Sun Studio
Sun Studio
in Memphis. Phillips suggested changes to the lyrics ("Go, cat, go"), and the band changed the end of the song to a "boogie vamp".[36] Presley left Sun for a RCA in November, and on December 19, 1955, Phillips, who had begun recording Perkins in late 1954, told Perkins, "Carl Perkins, you're my rockabilly cat now."[37] Released on January 1, 1956, "Blue Suede Shoes" was a massive chart success. In the United States, it reached number 1 on Billboard magazine's country music chart (the only number 1 success he would have) and number 2 on the Billboard Best Sellers popular music chart. On March 17, Perkins became the first country artist to reach number 3 on the rhythm and blues charts.[36][38] That night, Perkins performed the song on ABC-TV's Ozark Jubilee, his television debut (Presley performed it for the second time that same night on CBS-TV's Stage Show; he'd first sung it on the program on February 11). In the United Kingdom, the song became a Top Ten hit, reaching number 10 on the British charts. It was the first record by a Sun artist to sell a million copies. The B side, "Honey Don't", was covered by the Beatles,[5] Wanda Jackson
Wanda Jackson
and (in the 1970s) T. Rex. John Lennon
John Lennon
sang lead on the song when the Beatles performed it, before it was given to Ringo Starr
Ringo Starr
to sing. Lennon also performed the song on the Lost Lennon Tapes.[38] Road accident[edit] After playing a show in Norfolk, Virginia, on March 21, 1956, the Perkins Brothers Band headed to New York City
New York City
for a March 24 appearance on NBC-TV's Perry Como
Perry Como
Show. Shortly before sunrise on March 22, on Route 13 between Dover and Woodside, Delaware, Stuart Pinkham (also known as Richard Stuart and Poor Richard) assumed duties as driver. After hitting the back of a pickup truck, their car went into a ditch containing about a foot of water, and Perkins was left lying face down in the water. Drummer Holland rolled Perkins over, saving him from drowning. He had sustained three fractured vertebrae in his neck, a severe concussion, a broken collar bone, and lacerations all over his body in the crash. Perkins remained unconscious for an entire day. The driver of the pickup truck, Thomas Phillips, a 40-year-old farmer, died when he was thrown into the steering wheel.[39] Jay Perkins had a fractured neck and severe internal injuries; he never fully recovered and died in 1958. On March 23, Bill Black, Scotty Moore and D.J. Fontana, the members of Elvis's band, visited Perkins on their way to New York to appear with Presley the next day. Fontana recalled Perkins saying, "Of all the people, I looked up and there you guys are. You looked like a bunch of angels coming to see me."[40] Black told him, "Hey man, Elvis sends his love", and lit a cigarette for him, even though the patient in the next bed was in an oxygen tent. A week later, Perkins was given a telegram from Presley (which had arrived on March 23), wishing him a speedy recovery.[41] Sam Philips had planned to surprise Perkins with a gold record on The Perry Como
Perry Como
Show. "Blue Suede Shoes" had sold more than 500,000 copies by March 22.[42] Now, while Perkins recuperated from his injuries, "Blue Suede Shoes" reached number 1 on regional pop, R&B, and country charts. It also reached number 2 on the Billboard pop and country charts. Elvis Presley's "Heartbreak Hotel" was number one on the pop and country charts at that time, but "Blue Suede Shoes" did better than "Heartbreak" on the R&B charts. By mid-April, more than one million copies of "Blue Suede Shoes" had been sold.[43] On April 3, while still recuperating in Jackson, Perkins watched Presley perform "Blue Suede Shoes" on his first appearance on The Milton Berle Show, which was his third performance of the song on national television.[44][45] He also made references to it twice during an appearance on The Steve Allen Show. Although his version became more famous than Perkins's, it reached only as high as number 20 on the Billboard pop chart.[46] Return to recording and touring[edit]

"Dixie Fried"

The rockabilly song "Dixie Fried" performed by Carl Perkins

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Perkins returned to live performances on April 21, 1956, beginning with an appearance in Beaumont, Texas, with the "Big D Jamboree" tour.[47] Before he resumed touring, Sam Phillips
Sam Phillips
arranged a recording session at Sun, with Ed Cisco filling in for the still-recuperating Jay. By mid-April, "Dixie Fried", "Put Your Cat Clothes On", "Right String, Wrong Yo-Yo", "You Can't Make Love to Somebody", "Everybody's Trying to Be My Baby", and "That Don't Move Me" had been recorded.[48]

Carl Perkins
Carl Perkins
(2nd from left) performing "Glad All Over" with (left to right) Clayton Perkins, W.S. "Fluke" Holland, and Jay Perkins in the movie Jamboree

Beginning early that summer, Perkins was paid $1,000 to play just two songs a night on the extended tour of "Top Stars of '56". Other performers on the tour were Chuck Berry
Chuck Berry
and Frankie Lymon and the Teenagers. When Perkins and the group entered the stage in Columbia, South Carolina, he was appalled to see a teenager with a bleeding chin pressed against the stage by the crowd. During the first guitar intermission of "Honey Don't" they were waved offstage and into a vacant dressing room behind a double line of police officers. Perkins was quoted as saying, "It was dangerous. Lot of kids got hurt. There was a lot of rioting going on, just crazy, man! The music drove 'em insane." Appalled by what he had seen and experienced, Perkins left the tour.[49] Appearing with Gene Vincent
Gene Vincent
and Lillian Briggs
Lillian Briggs
in a "rock 'n' roll show", he helped pull 39,872 people to the Reading Fair in Pennsylvania on a Tuesday night in late September. A full grandstand and one thousand people stood in a heavy rain to hear Perkins and Briggs at the Brockton Fair in Massachusetts.[50] Sun issued more Perkins songs in 1956: "Boppin' the Blues"/"All Mama's Children" (Sun 243), the B side co-written with Johnny Cash, and "Dixie Fried"/"I'm Sorry, I'm Not Sorry" (Sun 249). "Matchbox"/"Your True Love" (Sun 261)[51] came out in February 1957.[31] "Boppin' the Blues" reached number 47 on the Cashbox pop singles chart, number 9 on the Billboard country and western chart, and number 70 on the Billboard Top 100 chart. "Matchbox" is considered a rockabilly classic. The day it was recorded, Elvis Presley
Elvis Presley
visited the studio. Perkins, Presley, Jerry Lee Lewis and Johnny Cash
Johnny Cash
(who left early) spent more than an hour singing gospel, country and rhythm-and-blues songs while a tape rolled.[5] The performers at this casual session were called the Million Dollar Quartet
Million Dollar Quartet
by a local newspaper the next day. These recordings were released on CD in 1990.[1] On February 2, 1957, Perkins again appeared on Ozark Jubilee, singing "Matchbox" and "Blue Suede Shoes". He also made at least two appearances on Town Hall Party in Compton, California, in 1957,[52] singing both songs. Those performances were included in the Western Ranch Dance Party series filmed and distributed by Screen Gems. He released "That's Right", co-written with Johnny Cash, backed with the ballad "Forever Yours", as Sun single 274 in August 1957. Neither side made it onto the charts. The 1957 film Jamboree included a Perkins performance of "Glad All Over" (not to be confused with the Dave Clark Five song of the same name), which ran 1:55. "Glad All Over", written by Aaron Schroeder, Sid Tepper, and Roy C. Bennett,[53] was released by Sun in January 1958.[54] Life after Sun[edit] In 1958, Perkins moved to Columbia Records, for which he recorded "Jive After Five", "Rockin' Record Hop", "Levi Jacket (And a Long Tail Shirt)", "Pop, Let Me Have the Car", "Pink Pedal Pushers", "Any Way the Wind Blows", "Hambone", "Pointed Toe Shoes", "Sister Twister", "L-O-V-E-V-I-L-L-E" and other songs.[31] In 1959, he wrote the country-and-western song "The Ballad of Boot Hill" for Johnny Cash, who recorded it on an EP for Columbia Records. In the same year, Perkins was cast in a Filipino movie produced by People's Pictures, Hawaiian Boy, in which he sang "Blue Suede Shoes".[citation needed] He performed often at the Golden Nugget Casino in Las Vegas in 1962 and 1963. During this time he toured nine Midwestern states and made a tour in Germany. In May 1964, Perkins toured Britain with Chuck Berry.[55] Perkins had been reluctant to undertake the tour, convinced that as forgotten as he was in America, he would be even more obscure in the U.K., and he did not want to be humiliated by drawing meager audiences. Berry assured him that they had remained much more popular in Britain since the 1950s than they had in the United States and that there would be large crowds of fans at every show. The Animals
The Animals
backed the two performers. On the last night of the tour, Perkins attended a party where he sat on the floor sharing stories, playing guitar, and singing songs while surrounded by the Beatles. Ringo Starr
Ringo Starr
asked if he could record "Honey Don't". Perkins answered, "Man, go ahead, have at it."[56] The Beatles
The Beatles
went on to record covers of "Matchbox", "Honey Don't" and "Everybody's Trying to Be My Baby" (recorded by Perkins, adapted from a song originally recorded by Rex Griffin
Rex Griffin
in 1936, with new music by Perkins; a song with the same title was recorded by Roy Newman in 1938). The Beatles
The Beatles
recorded two versions of "Glad All Over" in 1963.[57] Another tour to Germany followed in the autumn. He released "Big Bad Blues" backed with "Lonely Heart" as a single on Brunswick Records with the Nashville Teens in June 1964.[58] While on tour with the Johnny Cash
Johnny Cash
troupe in 1968, Perkins went on a four-day drinking binge. With the urging of Cash, he opened a show in San Diego, California, by playing four songs after seeing "four or five of me in the mirror" and while being able to see "nothin' but a blur". After drinking yet another pint of whiskey, he passed out on the tour bus. By morning he started hallucinating "big spiders, and dinosaurs, huge, and they were gonna step on me". The bus was parked on a beach at the ocean. He was tempted by yet another pint of whiskey that he had hidden. He took the bottle with him onto the beach and fell on his knees and said, "Lord, ... I'm gonna throw this bottle. I'm gonna show You that I believe in you. I sailed it into the Pacific ... I got up, I knew I had done the right thing." Perkins and Cash, who had his own problems with drugs, then gave each other support to stay sober.[59] In 1968, Cash recorded the Perkins-written "Daddy Sang Bass" (which incorporates parts of the American standard "Will the Circle Be Unbroken") and scored No. 1 on the country music charts for six weeks. Glen Campbell
Glen Campbell
also covered the song, as did the Statler Brothers and Carl Story. "Daddy Sang Bass" was a Country Music Association
Country Music Association
nominee for Song of the Year. Perkins also played lead guitar on Cash's single "A Boy Named Sue", recorded live at San Quentin
San Quentin
prison, which went to No. 1 for five weeks on the country chart and No. 2 on the pop chart (the performance was also filmed by Granada Television
Granada Television
for broadcast). Perkins spent a decade in Cash's touring revue, often as an opening act for Cash (as at the Folsom and San Quentin
San Quentin
prison concerts, at which he was recorded singing "Blue Suede Shoes" and "Matchbox" before Cash took the stage; these performances were not released until the 2000s). He also appeared on the television seriesThe Johnny Cash
Johnny Cash
Show. He played "Matchbox" with Cash and Derek and the Dominos. Cash also featured Perkins in rehearsal jamming with José Feliciano
José Feliciano
and Merle Travis. On the television program Kraft Music Hall
Kraft Music Hall
on April 16, 1969, hosted by Cash, Perkins performed his song "Restless".[60][61] Perkins and Bob Dylan
Bob Dylan
wrote "Champaign, Illinois" in 1969. Dylan was recording in Nashville from February 12 to February 21 for his album Nashville Skyline. He met Perkins when he appeared on The Johnny Cash Show on June 7.[62] Dylan had written one verse of the song but was stuck. Perkins worked out a loping rhythm and improvised a verse-ending lyric, and Dylan said to him, "Your song. Take it. Finish it."[63] The co-authored song was included on Perkins's 1969 album On Top.[64][65] Perkins was also united in 1969 by Columbia's Murray Krugman with a rockabilly group based in New York's Hudson Valley, the New Rhythm and Blues Quartet. Perkins and NRBQ
recorded Boppin' the Blues, which featured the group backing him on songs including his staples "Turn Around" and "Boppin' the Blues" and included songs recorded separately by Perkins and NRBQ.[66] One of his TV appearances with Cash was on the popular country series Hee Haw, on February 16, 1974. Tommy Cash
Tommy Cash
(brother of Johnny Cash) had a Top Ten country gospel hit in 1970 with a recording of the song "Rise and Shine", written by Perkins. It reached number 9 on the Billboard country chart and number 8 on the Canadian country chart. Arlene Harden had a Top 40 country hit in 1971 with the Perkins composition "True Love Is Greater Than Friendship", from the film Little Fauss and Big Halsy
Little Fauss and Big Halsy
(1971), which reached number 22 on the Billboard country chart and number 33 on the Billboard Adult Contemporary chart for Al Martino
Al Martino
that same year. After a long legal struggle with Sam Phillips
Sam Phillips
over royalties, Perkins gained ownership of his songs in the 1970s.[67] Later years[edit] In 1981 Perkins recorded the song "Get It" with Paul McCartney, providing vocals and playing guitar with the former Beatle. This recording was included on the chart-topping album Tug of War, released in 1982.[68] This track was also the B-side of the title track single in a slightly edited form. One source states that Perkins "wrote the song with Paul McCartney".[69] The song ends with a fade-out of Perkins's impromptu laughter. The rockabilly revival of the 1980s helped bring Perkins back into the limelight. During 1985, he re-recorded "Blue Suede Shoes" with Lee Rocker and Slim Jim Phantom
Slim Jim Phantom
of the Stray Cats, as part of the soundtrack for the film Porky's Revenge. In October 1985, George Harrison, Eric Clapton, Dave Edmunds, Lee Rocker, Rosanne Cash
Rosanne Cash
and Ringo Starr
Ringo Starr
appeared with him on stage for a television special, Blue Suede Shoes: A Rockabilly
Session, which was taped live at the Limehouse Studios in London. The show was shown on Channel 4
Channel 4
on January 1, 1986. Perkins performed 16 songs, with two encores, in an extraordinary performance. He and his friends ended the session by singing his most famous song, 30 years after its writing, which brought Perkins to tears. The concert special was a highlight of his later career and has been praised by fans for the spirited performances delivered by Perkins and his guests. The concert was released for DVD by Snapper Music in 2006.[70] Perkins was inducted into the Nashville Songwriters Hall of Fame in 1985. Wider recognition of his contribution to music came with his induction into the Rock and Roll Hall of Fame
Rock and Roll Hall of Fame
in 1987. "Blue Suede Shoes" was chosen as one of the Rock and Roll Hall of Fame's “500 Songs That Shaped Rock and Roll”. The song also received a Grammy Hall of Fame Award. Perkins was inducted into the Rockabilly
Hall of Fame in recognition of his pioneering contribution to the genre. Perkins's only notable film performance as an actor was in John Landis's 1985 film Into the Night, a cameo-laden film that includes a scene in which characters played by Perkins and David Bowie
David Bowie
die at each other's hand.[71] Perkins returned to the Sun Studio
Sun Studio
in Memphis
in 1986, joining Cash, Jerry Lee Lewis
Jerry Lee Lewis
and Roy Orbison
Roy Orbison
on the album Class of '55. The record was a tribute to their early years at Sun and, specifically, the Million Dollar Quartet
Million Dollar Quartet
jam session involving Perkins, Presley, Cash, and Lewis in 1956. In 1989, Perkins co-wrote and played guitar on the Judds' number 1 country hit, "Let Me Tell You About Love". Also in that year, he signed a record deal with Platinum Records for the album Friends, Family, and Legends, featuring performances by Chet Atkins, Travis Tritt, Steve Wariner, Joan Jett
Joan Jett
and Charlie Daniels, along with Paul Shaffer and Will Lee. During the production of this album, Perkins developed throat cancer. He again returned to Sun Studio
Sun Studio
to record with Scotty Moore, Presley's first guitar player, for the album 706 ReUNION, released by Belle Meade Records, which also featured D.J. Fontana, Marcus Van Storey and the Jorddanaires. In 1993, Perkins performed with the Kentucky Headhunters in a music video remake of his song "Dixie Fried", filmed in Glasgow, Kentucky, In 1994, he teamed up with Duane Eddy
Duane Eddy
and the Mavericks to contribute "Matchbox" to the AIDS
benefit album Red Hot + Country, produced by the Red Hot Organization. His last album, Go Cat Go!, released by the independent label Dinosaur Records in 1996, features Perkins singing duets with Bono, Johnny Cash, John Fogerty, George Harrison, Paul McCartney, Willie Nelson, Tom Petty, Paul Simon, and Ringo Starr.[72][73] His last major concert performance was the Music for Montserrat all-star charity concert at London's Royal Albert Hall
Royal Albert Hall
on September 15, 1997. Perkins died four months later, on January 19, 1998, at the age of 65, at Jackson-Madison County Hospital in Jackson, Tennessee, from throat cancer. He had also suffered several minor strokes the previous month. Among the mourners at his funeral at Lambuth University were George Harrison, Jerry Lee Lewis, Wynonna Judd, Garth Brooks, Nashville agent Jim Dallas Crouch, Johnny Cash
Johnny Cash
and June Carter Cash. Perkins was interred at Ridgecrest Cemetery in Jackson. Personal life[edit] A strong advocate for the prevention of child abuse, Perkins worked with the Jackson Exchange Club to establish the first center for the prevention of child abuse in Tennessee and the fourth in the nation. Proceeds from a concert planned by Perkins were combined with a grant from the National Exchange Club to establish the Prevention of Child Abuse in October 1981. For years its annual Circle of Hope Telethon generated one quarter of the center's annual operating budget.[74] Perkins had one daughter, Debbie, and three sons, Stan, Greg, and Steve. Stan, his first-born son, is also a recording artist. In 2010, he joined forces with Jerry Naylor to record a duet tribute, "To Carl: Let it Vibrate". Stan has been inducted into the Rockabilly
Hall of Fame. Perkins' widow, Valda deVere Perkins, died on November 15, 2005, in Jackson. Guitar
style[edit] As a guitarist Perkins used finger picking, imitations of the pedal steel guitar, right-handed damping (muffling strings near the bridge with the palm), arpeggios, advantageous use of open strings, single and double string bending (pushing strings across the neck to raise their pitch), chromaticism (using notes outside of the scale), country and blues licks, and tritone and other tonality clashing licks (short phrases that include notes from other keys and move in logical, often symmetric patterns).[75] A rich vocabulary of chords including sixth and thirteenth chords, ninth and add nine chords, and suspensions, show up in rhythm parts and solos. Free use of syncopations, chord anticipations (arriving at a chord change before the other players, often by an eighth-note) and crosspicking (repeating a three eighth-note pattern so that an accent falls variously on the upbeat or downbeat) are also in his bag of tricks.[76] Legacy[edit]

Historic marker commemorating Perkins alongside other famous peers

Continuation of the historic placard in tribute to Perkins

Perkins wrote his autobiography, Go, Cat, Go, published in 1996, in collaboration with music writer David McGee in 1996. Plans for a biographical film were announced by Santa Monica-based production company Fastlane Entertainment.[77][78] was slated for release in 2009. In 2004, Rolling Stone
Rolling Stone
ranked Perkins number 99 on its list of the 100 Greatest Artists of All Time.[79] His version of "Blue Suede Shoes" was included by the National Recording Preservation Board in the National Recording Registry of the Library of Congress
Library of Congress
in 2006.[80] The Perkins family still owns his songs, the rights to which are administered MPL Communications, a company founded by Paul McCartney.[67] Drive-By Truckers, on their album The Dirty South, recorded a song about him, "Carl Perkins' Cadillac". The Carl Perkins
Carl Perkins
Arena in Jackson, Tennessee
Jackson, Tennessee
is named in his honor. George Thorogood and the Destroyers covered "Dixie Fried" on their 1985 album Maverick. The Kentucky Headhunters
Kentucky Headhunters
also covered the song, as did Keith de Groot on his 1968 album No Introduction Necessary, with Jimmy Page
Jimmy Page
on lead guitar and John Paul Jones on bass.[81] Ricky Nelson
Ricky Nelson
covered Perkins's "Boppin' the Blues" and "Your True Love" on his 1957 debut album, Ricky. Perkins was portrayed by Johnny Saint Holiday in the 2005 Johnny Cash biopic Walk the Line. Awards[edit]

This section needs expansion. You can help by adding to it. (August 2014)

The following recording by Carl Perkins
Carl Perkins
was inducted into the Grammy Hall of Fame, which is a special Grammy award established in 1973 to honor recordings that are at least 25 years old and that have "qualitative or historical significance".

Carl Perkins: Grammy Hall of Fame Awards[82]

Year Released Title Genre Label Year Inducted Notes

1956 "Blue Suede Shoes" Rock and Roll (single) Sun Records 1986

Discography[edit] Studio albums[edit]

Dance Album (1957) Whole Lotta Shakin' (1958) On Top (1969) My Kind of Country (1973) Ol' Blue Suede's Back (1978) Country Soul (1979) Disciple in Blue Suede Shoes
Blue Suede Shoes
(1984) Born to Rock (1989)

Collaborative albums[edit]

Boppin' the Blues
Boppin' the Blues
(1970, with NRBQ) The Survivors (1982, with Jerry Lee Lewis, and Johnny Cash) Class of '55
Class of '55
(1986, with Roy Orbison, Jerry Lee Lewis, and Johnny Cash) The Million Dollar Quartet
Million Dollar Quartet
(1990, with Elvis Presley, Jerry Lee Lewis, and Johnny Cash) 706 Re-Union (1990, with Scotty Moore) Carl Perkins
Carl Perkins
& Sons (1993, with his sons Greg and Stan) Go Cat Go! (1996, with various guest stars)

Live albums[edit]

The Carl Perkins
Carl Perkins
Show (1976) Live at Austin City Limits (1981) The Silver Eagle Cross Country: Carl Perkins
Carl Perkins
Live (1997) Live (2000) Blue Suede Shoes: A Rockabilly
Session (2006)

Religious albums[edit]

Cane Creek Glory Church (1979) Gospel (1984)

Selected compilations[edit]

Country Boy Dreams (1967) Carl Perkins' Greatest Hits (1969, re-recordings) Original Golden Hits (1969) That Rockin' Guitar
Man (1981) Presenting Carl Perkins
Carl Perkins
(1982) Boppin' the New Bleus (1982) Born to Boogie (1982) The Heart and Soul of Carl Perkins
Carl Perkins
(1983) Carl Perkins
Carl Perkins
(1985) Original Sun Greatest Hits (1986) Up Through the Years 1954–57 (1986) Friends, Family & Legends (1992)

Guest appearances[edit]

Judds: Greatest Hits Volume II (1991) Philip Claypool: Perfect World (1999)

Charted albums[edit]

Year Album Peak positions Label

US Country

1969 Carl Perkins' Greatest Hits (re-recordings) 32 Columbia

On Top 42

Original Golden Hits 43 Sun

1973 My Kind of Country 48 Mercury

1982 The Survivors Live (with Johnny Cash
Johnny Cash
and Jerry Lee Lewis) 21 Columbia

1986 Class of '55 (with Jerry Lee Lewis, Roy Orbison
Roy Orbison
and Johnny Cash) 15 America/Mercury

Charted singles[edit]

Year Single Peak chart positions Album

US Country US CAN Country

1956 "Blue Suede Shoes" 1 2 — Dance Album of ... Carl Perkins

"Boppin' the Blues" 7 70 —

"Dixie Fried" 10 — — Original Golden Hits

"I'm Sorry, I'm Not Sorry" flip — — Blue Suede Shoes

1957 "Your True Love" 13 67 — Dance Album of ... Carl Perkins

1958 "Pink Pedal Pushers" 17 91 — The King of Rock

1959 "Pointed Toe Shoes" — 93 —

1966 "Country Boy's Dream" 22 — — Country Boy's Dream

1967 "Shine, Shine, Shine" 40 — —

1969 "Restless" 20 — — Carl Perkins' Greatest Hits

1971 "Me Without You" 65 — — The Man Behind Johnny Cash

"Cotton Top" 53 — —

1972 "High on Love" 60 — — Single only

1973 "(Let's Get) Dixiefried" (1973 version) 61 — — My Kind of Country

1986 "Birth of Rock and Roll" 31 — 44 Class of '55

1987 "Class of '55" 83 — —

1989 "Charlene" — — 74 Born to Rock


^ a b c Pareles. ^ a b Naylor, p. 118. ^ "Rock 'n Roll Legend Carl Perkins' Much Anticipated Story to Come to the Big Screen". August 16, 2007. Retrieved April 5, 2013.  ^ [1] Archived February 26, 2010, at the Wayback Machine. ^ a b c d Carl Perkins
Carl Perkins
interviewed on the Pop Chronicles
Pop Chronicles
(1969) ^ Perkins, pp. 8–9. ^ Naylor. ^ Perkins, pp. 11–12. ^ Perkins, pp. 13–14. ^ Perkins, p. 21. ^ Perkins, pp. 30, 55. ^ [2] Archived April 18, 2009, at the Wayback Machine. ^ Perkins, pp. 30, 68. ^ Perkins, pp. 36–41. ^ Perkins, p. 48. ^ Perkins, pp. 48–49. ^ Perkins, pp. 32, 70–71. ^ "The Legend Carl Perkins". Rockabillytennessee.com. January 19, 1998. Archived from the original on November 17, 2011. Retrieved November 25, 2011.  ^ Perkins, pp. 70–71. ^ Perkins, p. 77. ^ a b "The Top Beats the Bottom: Carl Perkins
Carl Perkins
and his Music". The Atlantic. December 1970. p. 100. ^ [3][dead link] ^ Perkins, pp. 79–90. ^ Rockabilly
Legends. Naler. p. 121. ^ VanHecke, Susan (2000). Race with the Devil. St. Martin's Press. p. 219. ISBN 0-312-26222-1. ^ "Archived copy". Archived from the original on July 13, 2012. Retrieved May 22, 2014.  ^ Perkins, pp. 106–108. ^ Perkins, pp. 122–124. ^ [4][dead link] ^ "MP3 recording" (MP3). Rcs-discography.com. Retrieved 2015-08-17.  ^ a b c "Archived copy". Archived from the original on July 17, 2012. Retrieved May 22, 2014.  ^ Billboard, October 22, 1955. Reviews of New C&W Records. p. 44. ^ "MP3 recording" (MP3). Rcs-discography.com. Retrieved 2015-08-17.  ^ Escott, Colin; Hawkins, Martin. Good Rockin' Tonight: Sun Records and the Birth of Rock 'n' Roll. Google eBook. Retrieved 10.11.2011. ^ Perrkins, Carl; McGee, David (1996). Go, Cat, Go! Hyperion Press. p. 129. ISBN 0-7868-6073-1 ^ a b Miller, James (1999). Flowers in the Dustbin: The Rise of Rock and Roll, 1947–1977. Simon & Schuster. pp. 124–25. ISBN 0-684-80873-0. ^ Naylor, p. 135. ^ a b Naylor, p. 137. ^ Perkins, pp. 178, 180. ^ Burke, Ken; Griffin, Dan (2006). The Blue Moon Boys: The Story of Elvis Presley's Band. Chicago Review Press. p. 88. ISBN 1-55652-614-8. ^ Perkins, pp. 182, 184. ^ Perkins, p. 173. ^ Perkins, p. 187. ^ Perkins, p. 184. ^ "Elvis's Television Appearances 1956–1973". Kki.pl. Archived from the original on July 18, 2011. Retrieved 2011-11-25.  ^ "Top 20 Billboard Singles: Billboard Chart Statistics: All About Elvis". Elvis.com. Archived from the original on September 28, 2011. Retrieved 2011-11-25.  ^ Perkins, p. 191. ^ Perkins, p. 198. ^ Perkins, pp. 188, 210, 212. ^ Billboard September 29, 1956. pages 73, 78. ^ [5] Archived February 5, 2009, at the Wayback Machine. ^ "Town Hall Party". hillbilly-music.com. Retrieved 2011-11-25.  ^ [6][dead link] ^ [7] Archived July 17, 2012, at Archive.is ^ "Tour Information 1964". Chuckberry.de. Retrieved 2011-11-25.  ^ Naylor, p. 142. ^ The Beatles
The Beatles
"Glad All Over". " The Beatles
The Beatles
Lyrics - Glad All Over". Oldielyrics.com. Retrieved 2011-11-25.  ^ " Carl Perkins
Carl Perkins
- Big Bad Blues / Lonely Heart - Brunswick - UK - 05909". 45cat. Retrieved 2015-08-17.  ^ Perkins, pp. 309–310. ^ "Restless - Carl Perkins". Rockabillyeurope.com. Retrieved 2011-11-25.  ^ "Kraft Music Hall: Johnny Cash ... On The Road Episode Summary". TV.com. Retrieved 2011-11-25.  ^ "The Johnny Cash
Johnny Cash
Show Season 2 Episode Guide". TV.com. Retrieved 2011-11-25.  ^ Perkins. ^ "RAB Hall of Fame: Carl Perkins". Rockabilly
Hall of Fame. Retrieved 2007-01-18.  ^ "On Top: Carl Perkins". AOL Music. Retrieved 2007-01-18.  ^ Boppin' the Blues. Columbia CS9981 (1969). ^ a b Mike Kovacich (April 17, 2003). "MACCA-News: McCartney to Administer Perkins's Music". Macca-central.com. Retrieved 2011-11-25.  ^ "Tug Of War". Jpgr.co.uk. Retrieved 2011-11-25.  ^ Naylor, p. 145. ^ DVD Carl Perkins
Carl Perkins
& Friends. Released by Graham Nolder/Snapper Music. 2006. Cat:SDVD514 ^ "Into the Night (1985): Full Cast & Crew". IMDb.com. Retrieved 2015-08-17.  ^ "Carl Perkins/Various Artists: Go Cat Go!". Theband.hiof.no. Retrieved 2011-11-25.  ^ [8][dead link] ^ Tennessee Historial Commission ^ "Pentatonics" (PDF). Paul-clark.com. Archived from the original (PDF) on January 16, 2016. Retrieved August 17, 2015.  ^ Perkins, p. 78. ^ "The Carl Perkins
Carl Perkins
Story". Billboardpublicitywire.com. Archived from the original on 2008-04-13. Retrieved 2011-11-25.  ^ "Rock 'N Roll Legend Carl Perkins's Much Anticipated Story To Come To The Big Screen". Billboard Publicity Wire. Archived from the original on 2008-04-13.  ^ "The Immortals: The First Fifty". Rolling Stone
Rolling Stone
(946).  ^ "2006 National Recording Registry choices". Loc.gov. 2011-05-13. Retrieved 2011-11-25.  ^ "George Thorogood & The Destroyers Albums". Softshoe-slim.com. Retrieved 2011-11-25.  ^ "Grammy Hall Of Fame". Grammy.org. Archived from the original on January 22, 2011. Retrieved 2015-08-17. 


Guterman, Jimmy. (1998.) "Carl Perkins". The Encyclopedia of Country Music. Paul Kingsbury, ed. New York: Oxford University Press. pp. 412–413. Naylor, Jerry; Halliday, Steve. The Rockabilly
Legends: They Called It Rockabilly
Long Before They Called It Rock and Roll. Milwaukee, Wisc.: Hal Leonard. ISBN 978-1-4234-2042-2. OCLC 71812792.  Pareles, Jon (January 20, 1998). " Carl Perkins
Carl Perkins
Dies at 65; Rockabilly Pioneer Wrote 'Blue Suede Shoes'". New York Times. p. B12. Retrieved December 4, 2009.  Perkins, Carl; McGee, David (1996). Go, Cat, Go!. New York: Hyperion Press. ISBN 0-7868-6073-1. OCLC 32895064. .

External links[edit]

Wikimedia Commons has media related to Carl Perkins.

The Carl Perkins
Carl Perkins
Story on IMDb Carl Perkins
Carl Perkins
biography Perkins' page at the Rockabilly
Hall of Fame Carl Perkins
Carl Perkins
bio at Rolling Stone Carl Perkins
Carl Perkins
Biography at The History of Rock

v t e

Grammy Award for Best Spoken Word Album


Stan Freberg
Stan Freberg
– The Best of the Stan Freberg
Stan Freberg
Shows (1959) Carl Sandburg
Carl Sandburg
Lincoln Portrait (1960) Robert Bialek (producer) – FDR Speaks (1961) Leonard Bernstein
Leonard Bernstein
– Humor in Music (1962) Charles Laughton
Charles Laughton
– The Story-Teller: A Session With Charles Laughton (1963) Edward Albee
Edward Albee
(playwright) – Who's Afraid of Virginia Woolf?
Who's Afraid of Virginia Woolf?
(1964) That Was the Week That Was
That Was the Week That Was
– BBC Tribute to John F. Kennedy (1965) Goddard Lieberson
Goddard Lieberson
(producer) – John F. Kennedy - As We Remember Him (1966) Edward R. Murrow
Edward R. Murrow
Edward R. Murrow
Edward R. Murrow
- A Reporter Remembers, Vol. I The War Years (1967) Everett Dirksen
Everett Dirksen
– Gallant Men (1968) Rod McKuen
Rod McKuen
– Lonesome Cities (1969) Art Linkletter
Art Linkletter
& Diane Linkletter – We Love You Call Collect (1970) Martin Luther King Jr.
Martin Luther King Jr.
– Why I Oppose the War in Vietnam (1971) Les Crane
Les Crane
– Desiderata (1972) Bruce Botnick (producer) – Lenny performed by the original Broadway cast (1973) Richard Harris
Richard Harris
Jonathan Livingston Seagull (1974) Peter Cook
Peter Cook
and Dudley Moore
Dudley Moore
– Good Evening (1975) James Whitmore
James Whitmore
Give 'em Hell, Harry!
Give 'em Hell, Harry!
(1976) Henry Fonda, Helen Hayes, James Earl Jones
James Earl Jones
and Orson Welles
Orson Welles
- Great American Documents (1977) Julie Harris – The Belle of Amherst
The Belle of Amherst
(1978) Orson Welles
Orson Welles
Citizen Kane
Citizen Kane
Original Motion Picture Soundtrack (1979) John Gielgud
John Gielgud
– Ages of Man - Readings From Shakespeare


Pat Carroll – Gertrude Stein, Gertrude Stein, Gertrude Stein
Gertrude Stein
(1981) Orson Welles
Orson Welles
Donovan's Brain
Donovan's Brain
(1982) Tom Voegeli (producer) – Raiders of the Lost Ark
Raiders of the Lost Ark
- The Movie on Record performed by Various Artists (1983) William Warfield
William Warfield
Lincoln Portrait (1984) Ben Kingsley
Ben Kingsley
– The Words of Gandhi (1985) Mike Berniker (producer) & the original Broadway cast – Ma Rainey's Black Bottom (1986) Johnny Cash, Jerry Lee Lewis, Chips Moman, Ricky Nelson, Roy Orbison, Carl Perkins
Carl Perkins
and Sam Phillips
Sam Phillips
– Interviews From the Class of '55 Recording Sessions (1987) Garrison Keillor
Garrison Keillor
Lake Wobegon Days (1988) Jesse Jackson
Jesse Jackson
– Speech by Rev. Jesse Jackson
Jesse Jackson
(1989) Gilda Radner
Gilda Radner
– It's Always Something (1990) George Burns
George Burns
– Gracie: A Love Story (1991) Ken Burns
Ken Burns
– The Civil War (1992) Earvin "Magic" Johnson and Robert O'Keefe – What You Can Do to Avoid AIDS
(1993) Maya Angelou
Maya Angelou
On the Pulse of Morning
On the Pulse of Morning
(1994) Henry Rollins
Henry Rollins
– Get in the Van (1995) Maya Angelou
Maya Angelou
– Phenomenal Woman (1996) Hillary Clinton
Hillary Clinton
It Takes a Village (1997) Charles Kuralt
Charles Kuralt
– Charles Kuralt's Spring (1998) Christopher Reeve
Christopher Reeve
Still Me
Still Me
(1999) LeVar Burton
LeVar Burton
– The Autobiography of Martin Luther King Jr.
Martin Luther King Jr.


Sidney Poitier, Rick Harris & John Runnette (producers) – The Measure of a Man: A Spiritual Autobiography (2001) Quincy Jones, Jeffrey S. Thomas, Steven Strassman (engineers) and Elisa Shokoff (producer) – Q: The Autobiography of Quincy Jones (2002) Maya Angelou
Maya Angelou
and Charles B. Potter (producer) – A Song Flung Up to Heaven / Robin Williams, Nathaniel Kunkel (engineer/mixer) and Peter Asher (producer) – Live 2002 (2003) Al Franken
Al Franken
and Paul Ruben (producer) – Lies and the Lying Liars Who Tell Them (2004) Bill Clinton
Bill Clinton
– My Life (2005) Barack Obama
Barack Obama
Dreams from My Father
Dreams from My Father
(2006) Jimmy Carter
Jimmy Carter
– Our Endangered Values: America's Moral Crisis / Ossie Davis and Ruby Dee
Ruby Dee
- With Ossie and Ruby (2007) Barack Obama
Barack Obama
and Jacob Bronstein (producer) – The Audacity of Hope (2008) Beau Bridges, Cynthia Nixon
Cynthia Nixon
and Blair Underwood
Blair Underwood
– An Inconvenient Truth by Al Gore
Al Gore
(2009) Michael J. Fox
Michael J. Fox
– Always Looking Up (2010) Jon Stewart
Jon Stewart
– The Daily Show with Jon Stewart
Jon Stewart
Presents Earth (The Audiobook) (2011) Betty White
Betty White
– If You Ask Me (And Of Course You Won't) (2012) Janis Ian
Janis Ian
– Society's Child (2013) Stephen Colbert
Stephen Colbert
– America Again: Re-becoming The Greatness We Never Weren't (2014) Joan Rivers
Joan Rivers
– Diary of a Mad Diva (2015) Jimmy Carter
Jimmy Carter
– A Full Life: Reflections at 90 (2016) Carol Burnett
Carol Burnett
– In Such Good Company: Eleven Years of Laughter, Mayhem, and Fun in the Sandbox (2017) Carrie Fisher
Carrie Fisher
The Princess Diarist
The Princess Diarist

v t e

Rock and Roll Hall of Fame
Rock and Roll Hall of Fame
Class of 1987


The Coasters
The Coasters
(Carl Gardner, Cornell Gunter, Billy Guy, Dub Jones) Eddie Cochran Bo Diddley Aretha Franklin Marvin Gaye Bill Haley B.B. King Clyde McPhatter Ricky Nelson Roy Orbison Carl Perkins Smokey Robinson Big Joe Turner Muddy Waters Jackie Wilson

Early influences

Louis Jordan T-Bone Walker Hank Williams

Non-performers (Ahmet Ertegun Award)

Leonard Chess Ahmet Ertegün Jerry Leiber and Mike Stoller Jerry Wexler

Authority control

WorldCat Identities VIAF: 2657344 LCCN: n88613660 ISNI: 0000 0001 1844 6199 GND: 119500051 SUDOC: 082121338 BNF: cb13898373s (data) MusicBrainz: 068bd7ab-c38e-4fae-8ed2-cb0c153ed68f NKC: xx0022543 BNE: XX842