Cantata (Stravinsky)
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The Cantata by
Igor Stravinsky Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the ...
is a work for soprano, tenor, female choir, and instrumental ensemble (of two
flute The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless ...
s,
oboe The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A ...
,
cor anglais The cor anglais (, or original ; plural: ''cors anglais''), or English horn in North America, is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially an alto ...
(doubling second oboe), and
cello The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), t ...
), and was composed from April 1951 to August 1952. The premiere performance on 11 November 1952 was by the Los Angeles (Chamber) Symphony Society (to whom the work is dedicated), conducted by Stravinsky himself. After completing the opera ''
The Rake's Progress ''The Rake's Progress'' is an English-language opera from 1951 in three acts and an epilogue by Igor Stravinsky. The libretto, written by W. H. Auden and Chester Kallman, is based loosely on the eight paintings and engravings ''A Rake's Progres ...
'', Stravinsky felt the urge to compose another work setting English words, but in a non-dramatic form. The piece consists of the following movements: For his texts, Stravinsky chose four anonymous 15th- and 16th-century poems found in,, an anthology of poetry presented to him as a Christmas gift by W. H. Auden, the librettist of his opera ''
The Rake's Progress ''The Rake's Progress'' is an English-language opera from 1951 in three acts and an epilogue by Igor Stravinsky. The libretto, written by W. H. Auden and Chester Kallman, is based loosely on the eight paintings and engravings ''A Rake's Progres ...
''. The
dirge A dirge ( la, dirige, naenia) is a somber song or lament expressing mourning or grief, such as would be appropriate for performance at a funeral. Often taking the form of a brief hymn, dirges are typically shorter and less meditative than elegies ...
sections concern a soul's approach to and journey through
purgatory Purgatory (, borrowed into English via Anglo-Norman and Old French) is, according to the belief of some Christian denominations (mostly Catholic), an intermediate state after physical death for expiatory purification. The process of purgatory ...
. In between the verses of the dirge there are two ricercars (Ricercar I sets "The maidens came"; Ricercar II sets the carol "
Tomorrow shall be my dancing day "Tomorrow Shall Be My Dancing-day" is an English carol usually attributed as "traditional"; its first written appearance is in William B. Sandys' ''Christmas Carols Ancient and Modern'' of 1833. However, it is almost certainly of a much earlier da ...
"), and a sixteenth-century song text, " Westron Wind".


References


Further reading

* * * * Garbutt, John, and Matthew Patterson. 1957. "An Approach to Stravinsky's 'Cantata' and 'The Wedding'". ''Music & Letters'' 38, no. 1 (January): 28–31. * * * * {{Authority control Cantatas Compositions by Igor Stravinsky 1952 compositions