C-41 process
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C-41 is a
chromogenic In chemistry, the term chromogen refers to a colourless (or faintly coloured) chemical compound that can be converted by chemical reaction into a compound which can be described as "coloured". There is no universally agreed definition of the term. ...
color print film Color prints have been developed since their beginnings in 1935 with Eastman Kodak’s Company’s Kodachrome film, as well in 1936 with Agfa Company’s Agfacolor film. Color print film is the most common type of photographic film in consumer use ...
developing process introduced by
Kodak The Eastman Kodak Company (referred to simply as Kodak ) is an American public company that produces various products related to its historic basis in analogue photography. The company is headquartered in Rochester, New York, and is incorpor ...
in 1972, superseding the
C-22 process Introduced by Kodak in the 1956, C-22 is an obsolete process for developing color film, superseded by the C-41 process in 1972 for the launch of 110 film 110 is a cartridge-based film format used in still photography. It was introduced by Ko ...
. C-41, also known as CN-16 by Fuji, CNK-4 by Konica, and AP-70 by AGFA, is the most popular film process in use, with most photofinishing labs devoting at least one machine to this development process. Processed C-41 negatives, as with all color films, consist of an image formed of dye. Due to the long-term instability of dyes, C-41 negatives can fade or color-shift over time. This was a significant problem with early films; whether the newer films are archival or not is a subject of some debate.


Film layers

C-41 film consists of an acetate or polyester film base, onto which multiple emulsions are coated. Each layer is only sensitive to a certain color of visible light. In the classic illustrative example, there are three emulsions: one is red sensitive, another is green sensitive, and the top is blue-sensitive. Beneath the blue layer is a yellow filter, composed of dyes or colloidal silver. All silver-based photographic emulsions have some sensitivity to blue light, regardless of what other colors they may be sensitized for. This filter layer serves to remove the blue light, which would expose the layers beneath it. Beneath the blue-sensitive layer and the yellow filter are the green and red sensitive layers. The illustrative example outlined above differs from the design of actual film, in respect to the number of layers. Almost all C-41 films contain multiple layers sensitive to each color. Each of these layers has different speed and contrast characteristics, allowing the film to be correctly exposed over a wider range of lighting conditions. In addition to multiple emulsion layers, real films have other layers that are not sensitive to light. Some films are top-coated with UV blocking layers or
anti-scratch coating Anti-scratch coating is a type of protective coating or film applied to an object's surface for mitigation against scratches. Scratches are small surface-level cuts left on a surface following interaction with a sharper object. Anti-scratch coatings ...
s. There also may be layers to space different emulsions, or additional filter layers. Each emulsion layer, in addition to the light-sensitive components, contains chemicals called dye couplers. These couplers, located in the blue, green and red-sensitive layers, produce yellow, magenta and cyan dyes, respectively, when developed.


Process

The C-41 process is the same for all C-41 films, although different manufacturers' processing chemistries vary slightly. After exposure, the film is developed in a "color developer". The developing ingredient is a paraphenylene diamine-based chemical known as CD-4. The developer develops the silver in the emulsion layers. As the silver is developing, oxidized developer reacts with the dye couplers, resulting in formation of dyes. The control of temperature and agitation of the film in the developer is critical in obtaining consistent, accurate results. Incorrect temperature can result in severe color shifts or significant under- or overdevelopment of the film. After the developer, a bleach converts the metallic
silver Silver is a chemical element with the symbol Ag (from the Latin ', derived from the Proto-Indo-European ''h₂erǵ'': "shiny" or "white") and atomic number 47. A soft, white, lustrous transition metal, it exhibits the highest electrical ...
generated by development to silver halide, which is soluble in fixer. After the bleach, a fixer removes the silver halide. This is followed by a wash, and a final stabilizer and rinse to complete the process. There are simplified versions of the process that use a combined bleach-fix (
EDTA Ethylenediaminetetraacetic acid (EDTA) is an aminopolycarboxylic acid with the formula H2N(CH2CO2H)2sub>2. This white, water-soluble solid is widely used to bind to iron (Fe2+/Fe3+) and calcium ions (Ca2+), forming water-soluble complexes ev ...
) that dissolves the
silver Silver is a chemical element with the symbol Ag (from the Latin ', derived from the Proto-Indo-European ''h₂erǵ'': "shiny" or "white") and atomic number 47. A soft, white, lustrous transition metal, it exhibits the highest electrical ...
generated by development and removes undeveloped silver halide. These are not used by commercial C-41 processors, and are marketed for home or field use.


Push processing

Like the black-and-white film process, the C-41 process can be used to push-process films. Due to the complexity of the film and exacting nature of the process, the results vary widely; as with black-and-white negatives, the process generally results in a negative that is higher in contrast and sometimes higher in grain.


The negative

The resulting film is a negative, meaning that the darkest spots on the film are those areas that were brightest in the source. Nearly all C-41 films also include an additional orange mask to offset the optical inadequacies of the dyes in the film. These C-41 negatives appear orange when viewed directly, though the orange base is compensated for in the formulation of color print materials. Some C-41 films, intended for scanning, do not have this orange base. The finished negative is printed using color photographic paper to yield a positive image.


Black-and-white use


C-41 "chromogenic" black-and-white films

While C-41 is usually considered a color process, Ilford manufactures two "
chromogenic In chemistry, the term chromogen refers to a colourless (or faintly coloured) chemical compound that can be converted by chemical reaction into a compound which can be described as "coloured". There is no universally agreed definition of the term. ...
" C-41 compatible
black-and-white Black-and-white (B&W or B/W) images combine black and white in a continuous spectrum, producing a range of shades of grey. Media The history of various visual media began with black and white, and as technology improved, altered to color. ...
films, their own XP2 Super and
Fuji Fuji may refer to: Places China * Fuji, Xiangcheng City (付集镇), town in Xiangcheng City, Henan Japan * Mount Fuji, the tallest mountain in Japan * Fuji River * Fuji, Saga, town in Saga Prefecture * Fuji, Shizuoka, city in Shizuoka Prefec ...
's Neopan 400CN.
Kodak The Eastman Kodak Company (referred to simply as Kodak ) is an American public company that produces various products related to its historic basis in analogue photography. The company is headquartered in Rochester, New York, and is incorpor ...
used to manufacture a similar film, BW400CN, but this was discontinued in August 2014. (These should not be confused with regular black-and-white films, which are not compatible with C-41 chemistry.) These films work like any other C-41 film; development causes dyes to form in the emulsion. Their structure, however, is different. Although they may have multiple layers, all are sensitive to all colors of light, and are designed to produce a black dye. The result is a black-and white image. The Kodak film has the same orange base as color C-41 films; the base on XP2 is Purple and Fuji films are clear. The orange base on the Kodak film allows them to be printed with correct blacks on standard color printing machines, but this film can be difficult to print on multigrade black-and-white paper, whose contrast is determined by the use of a colored filter during the printing process. Conversely, the clear-based Ilford and Fuji films sometimes results in off-color prints on color paper, but can be optically printed on black-and-white paper, just like any other black-and-white film. It is often said that prints from these films do not have grain. While they may not appear to have grain, this statement is technically incorrect. On an image from regular black-and-white film, the individual silver particles forming the image are seen as grain. The image on the C-41 films, however, does not contain silver. Instead, C-41 negatives and prints have clouds of dye, causing the resulting image to appear different from that of silver grain.


Traditional black-and-white films

While regular black-and-white films are not intended for use with C-41 chemistry, some photographers have used C-41 developer to develop high-contrast black-and-white films (such as traffic surveillance film and Kodak's
Technical Pan Technical Pan is an almost panchromatic black-and-white film that was produced by Kodak. While it can reproduce the visible light spectrum, it leans to the red, and so unfiltered outdoor shots render blues, most notably the sky, with additiona ...
). This is done in order to lower the contrast. In this application, only a silver image is formed; the bleach step of the C-41 process is not used, as it would destroy the image.


Cross processing

It is also possible to cross-process
slide film In photography, reversal film or slide film is a type of photographic film that produces a positive image on a transparent base. Instead of negatives and prints, reversal film is processed to produce transparencies or diapositives (abbreviat ...
for the
E-6 process The E-6 process (often abbreviated to E-6) is a chromogenic photographic process for developing Ektachrome, Fujichrome and other color reversal (also called slide or transparency) photographic film. Unlike some color reversal processes (such ...
in C-41, which yields negatives with a color shift and stronger saturation. (C-41 film also may be processed in E-6 yielding positive images with a strong green cast, caused by the orange mask.) Varying brands and film speeds yield different color shifts producing bright, saturated colors and high contrast. C-41 film can be processed in standard black-and-white chemicals, to produce a monochrome negative image. The negatives will typically be of very low contrast, and cloudy, partly caused by the orange mask.


See also

*
Chromogenic In chemistry, the term chromogen refers to a colourless (or faintly coloured) chemical compound that can be converted by chemical reaction into a compound which can be described as "coloured". There is no universally agreed definition of the term. ...
*
Replenishment (photography) Replenishment is a component in the processing of photographic film and paper, where fresh chemistry is used to replace exhausted chemistry in a continuous or per-batch fashion. Replenishment rates are calculated by the quantity of film processed ...


References


External links

*Koda
process C-41 (color negative) processing manual Z-131
( PDF) {{Photography Photographic film processes