The Info List - Braveheart

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is a 1995 American epic war film directed by Mel Gibson, who stars as William Wallace, a late 13th-century Scottish warrior who led the Scots in the First War of Scottish Independence
First War of Scottish Independence
against King Edward I of England. The story is inspired by Blind Harry's epic poem The Actes and Deidis of the Illustre and Vallyeant Campioun Schir William Wallace
William Wallace
and was adapted for the screen by Randall Wallace. It grossed $210.4 million worldwide. Braveheart
was nominated for ten Academy Awards
Academy Awards
at the 68th Academy Awards
Academy Awards
and won five: Best Picture, Best Director, Best Cinematography, Best Makeup, and Best Sound Editing.


1 Plot 2 Cast 3 Production 4 Soundtrack 5 Release and reception

5.1 Box office 5.2 Critical reception 5.3 Effect on tourism 5.4 Awards and honors 5.5 Cultural effects 5.6 Wallace Monument

6 Historical inaccuracy

6.1 Jus primae noctis 6.2 Occupation and independence 6.3 Portrayal of William Wallace 6.4 Portrayal of Isabella of France 6.5 Portrayal of Robert the Bruce 6.6 Portrayal of Longshanks and Prince Edward 6.7 Wallace's military campaign

7 Accusations of Anglophobia 8 Sequel 9 References 10 External links

Plot[edit] In 1280, King Edward "Longshanks" invades and conquers Scotland following the death of Alexander III of Scotland, who left no heir to the throne. Young William Wallace
William Wallace
witnesses Longshanks' treachery, survives the deaths of his father and brother, and is taken abroad on a pilgrimage throughout Europe by his paternal Uncle Argyle, where he is educated. Years later, Longshanks grants his noblemen land and privileges in Scotland, including Prima Nocte. Meanwhile, a grown Wallace returns to Scotland
and falls in love with his childhood friend Murron MacClannough, and the two marry in secret. Wallace rescues Murron from being raped by English soldiers, but as she fights off their second attempt, Murron is captured and publicly executed. In retribution, Wallace leads his clan to slaughter the English garrison in his hometown and send the occupying garrison at Lanark
back to England. Longshanks orders his son Prince Edward to stop Wallace by any means necessary. Wallace rebels against the English, and as his legend spreads, hundreds of Scots from the surrounding clans join him. Wallace leads his army to victory at the Battle of Stirling Bridge
Battle of Stirling Bridge
and then destroys the city of York, killing Longshanks' nephew and sending his severed head to the king. Wallace seeks the assistance of Robert the Bruce, the son of nobleman Robert the Elder and a contender for the Scottish crown. Robert is dominated by his father, who wishes to secure the throne for his son by submitting to the English. Worried by the threat of the rebellion, Longshanks sends his son's wife Isabella of France to try to negotiate with Wallace as a distraction for the landing of another invasion force in Scotland. After meeting him in person, Isabella becomes enamored of Wallace. Warned of the coming invasion by Isabella, Wallace implores the Scottish nobility to take immediate action to counter the threat and take back the country. Leading the English army himself, Longshanks confronts the Scots at Falkirk where noblemen Lochlan and Mornay, having been bribed by Longshanks, betray Wallace, causing the Scots to lose the battle. As Wallace charges toward the departing Longshanks on horseback, he is intercepted by one of the king's lancers, who turns out to be Robert the Bruce, but filled with remorse, Bruce gets Wallace to safety before the English can capture him. Wallace kills Lochlan and Mornay for their betrayal, and wages a guerrilla war against the English for the next seven years, assisted by Isabella, with whom he eventually has an affair. Robert sets up a meeting with Wallace in Edinburgh, but Robert's father has conspired with other nobles to capture and hand over Wallace to the English. Learning of his treachery, Robert disowns his father. Isabella exacts revenge on the now terminally ill Longshanks by telling him that his bloodline will be destroyed upon his death as she is now pregnant with Wallace's child. In London, Wallace is brought before an English magistrate, tried for high treason, and condemned to public torture and beheading. Even whilst being hanged, drawn and quartered, Wallace refuses to submit to the king. As cries for mercy come from the watching crowd deeply moved by the Scotsman's valor, the magistrate offers him one final chance, asking him only to utter the word, "Mercy", and be granted a quick death. Wallace instead shouts, "Freedom!", and the judge orders his death. Moments before being decapitated, Wallace sees a vision of Murron in the crowd, smiling at him. In 1314, Robert, now Scotland's king, leads a Scottish army before a ceremonial line of English troops on the fields of Bannockburn, where he is to formally accept English rule. As he begins to ride toward the English, he stops and invokes Wallace's memory, imploring his men to fight with him as they did with Wallace. Robert then leads his army into battle against the stunned English, winning the Scots their freedom. Cast[edit]

Mel Gibson
Mel Gibson
as William Wallace

James Robinson as young William Wallace

Sophie Marceau
Sophie Marceau
as Princess Isabella of France Angus Macfadyen
Angus Macfadyen
as Robert the Bruce Patrick McGoohan
Patrick McGoohan
as King Edward "Longshanks" Catherine McCormack as Murron MacClannough-Wallace

Mhairi Calvey as young Murron

Brendan Gleeson
Brendan Gleeson
as Hamish

Andrew Weir as young Hamish

Peter Hanly as Prince Edward James Cosmo
James Cosmo
as Campbell David O'Hara as Stephen of Ireland Ian Bannen
Ian Bannen
as Bruce's father Seán McGinley as MacClannough Brian Cox as Argyle Wallace Sean Lawlor as Malcolm Wallace Sandy Nelson as John Wallace Stephen Billington
Stephen Billington
as Phillip John Kavanagh as Craig Alun Armstrong
Alun Armstrong
as Mornay John Murtagh as Lochlan Tommy Flanagan as Morrison Donal Gibson as Stewart Jeanne Marine as Nicolette Michael Byrne as Smythe Malcolm Tierney as Magistrate Bernard Horsfall as Balliol Peter Mullan
Peter Mullan
as Veteran Gerard McSorley as Cheltham (inspired by Hugh de Cressingham) Richard Leaf as Governor of York Mark Lees
Mark Lees
as Old Crippled Scotsman Tam White as MacGregor Jimmy Chisholm
Jimmy Chisholm
as Faudron David Gant as the Royal Magistrate


Gibson (right) on set with 20th Century Fox
20th Century Fox
executive Scott Neeson

Gibson's production company, Icon Productions, had difficulty raising enough money even if he were to star in the film. Warner Bros.
Warner Bros.
was willing to fund the project on the condition that Gibson sign for another Lethal Weapon
Lethal Weapon
sequel, which he refused. Paramount Pictures only agreed to American and Canadian distribution of Braveheart
after 20th Century Fox
20th Century Fox
partnered for international rights.[4] The production budget has been estimated by IMDb
at US$72 million. While the crew spent six weeks shooting on location in Scotland, the major battle scenes were shot in Ireland using members of the Irish Army Reserve as extras. To lower costs, Gibson had the same extras, up to 1,600 in some scenes, portray both armies. The reservists had been given permission to grow beards and swapped their military uniforms for medieval garb.[5] Braveheart
was shot in the anamorphic format with Panavision
C- and E-Series lenses.[6] Gibson toned down the film's battle scenes to avoid an NC-17
rating from the MPAA; the final version was rated R for "brutal medieval warfare".[7] Soundtrack[edit] Main article: Braveheart
(soundtrack) The score was composed and conducted by James Horner
James Horner
and performed by the London Symphony Orchestra. It is Horner's second of three collaborations with Mel Gibson
Mel Gibson
as director. The score has gone on to be one of the most commercially successful soundtracks of all time. It received considerable acclaim from film critics and audiences and was nominated for a number of awards, including the Academy Award, Saturn Award, BAFTA Award, and Golden Globe Award. Release and reception[edit] Box office[edit] On its opening weekend, Braveheart
grossed $9,938,276 in the United States and $75.6 million in its box office run in the U.S. and Canada.[2] Worldwide, the film grossed $210,409,945 and was the thirteenth highest-grossing film of 1995.[2] Critical reception[edit] Braveheart
met with generally positive reviews. In his review, Roger Ebert gave the film 3.5 stars out of four, writing, "An action epic with the spirit of the Hollywood swordplay classics and the grungy ferocity of The Road Warrior." The film's depiction of the Battle of Stirling Bridge
Battle of Stirling Bridge
was listed by CNN
as one of the best battles in cinema history.[8] In a 2005 poll by British film magazine Empire, Braveheart
was No. 1 on their list of "The Top 10 Worst Pictures to Win Best Picture Oscar".[9] Ironically, Empire Magazine's readers also voted Braveheart the best film of 1995.[10] Effect on tourism[edit] The European premiere was on September 3, 1995 in Stirling.[11] In 1996, the year after the film was released, the annual three-day " Braveheart
Conference" at Stirling Castle
Stirling Castle
attracted fans of Braveheart, increasing the conference's attendance to 167,000 from 66,000 in the previous year.[12] In the following year, research on visitors to the Stirling
area indicated that 55% of the visitors had seen Braveheart. Of visitors from outside Scotland, 15% of those who saw Braveheart
said it influenced their decision to visit the country. Of all visitors who saw Braveheart, 39% said the film influenced in part their decision to visit Stirling, and 19% said the film was one of the main reasons for their visit.[13] In the same year, a tourism report said that the " Braveheart
effect" earned Scotland
₤7 million to ₤15 million in tourist revenue, and the report led to various national organizations encouraging international film productions to take place in Scotland.[14] The film generated huge interest in Scotland
and in Scottish history, not only around the world, but also in Scotland
itself. Fans came from all over the world to see the places in Scotland
where William Wallace fought, also to the places in Scotland
and Ireland used as locations in the film. At a Braveheart
Convention in 1997, held in Stirling
the day after the Scottish Devolution vote and attended by 200 delegates from around the world, Braveheart
author Randall Wallace, Seoras Wallace of the Wallace Clan, Scottish historian David Ross and Bláithín FitzGerald from Ireland gave lectures on various aspects of the film. Several of the actors also attended including James Robinson (Young William), Andrew Weir (Young Hamish), Julie Austin (the young bride) and Mhairi Calvey (Young Murron). Awards and honors[edit] Braveheart
was nominated for many awards during the 1995 Oscar season, though it was not viewed by many as a major contender such as Apollo 13, Il Postino: The Postman, Leaving Las Vegas, Sense and Sensibility, and The Usual Suspects. It wasn't until after the film won the Golden Globe Award for Best Director at the 53rd Golden Globe Awards that it was viewed as a serious Oscar contender. When the nominations were announced for the 68th Academy Awards, Braveheart
received ten Academy Award nominations, and a month later, won five.[15] In 2010, the Independent Film & Television Alliance selected the film as one of the 30 Most Significant Independent Films of the last 30 years[16]

Year Ceremony Category Recipients Result

1995 68th Academy Awards Best Picture Mel Gibson, Alan Ladd Jr., and Bruce Davey Won

Best Director Mel Gibson Won

Best Original Screenplay Randall Wallace Nominated

Best Cinematography John Toll Won

Best Costume Design Charles Knode Nominated

Best Sound Mixing Andy Nelson, Scott Millan, Anna Behlmer, and Brian Simmons Nominated

Best Sound Editing Lon Bender and Per Hallberg Won

Best Film Editing Steven Rosenblum Nominated

Best Makeup Peter Frampton, Paul Pattison, and Lois Burwell Won

Best Original Score James Horner Nominated

53rd Golden Globe Awards Best Motion Picture – Drama Braveheart Nominated

Best Director Mel Gibson Won

Best Original Score James Horner Nominated

Best Screenplay Randall Wallace Nominated

49th British Academy Film Awards Best Direction Mel Gibson Nominated

Best Film Music James Horner Nominated

Best Production Design Thomas E. Sanders Nominated

Best Cinematography John Toll Won

Best Costume Design Charles Knode Won

Best Makeup Peter Frampton, Paul Pattison, and Lois Burwell Nominated

Best Sound Andy Nelson, Scott Millan, Anna Behlmer, and Brian Simmons Won

1996 MTV Movie Awards Best Movie Braveheart Nominated

Best Male Performance Mel Gibson Nominated

Most Desirable Male Nominated

Best Action Sequence Battle of Stirling Nominated

American Film Institute
American Film Institute

AFI's 100 Years...100 Movies – Nominated[17] AFI's 100 Years...100 Thrills – No. 91 AFI's 100 Years...100 Heroes & Villains:

William Wallace
William Wallace
– Nominated Hero[18]

AFI's 100 Years...100 Movie Quotes:

"They may take away our lives, but they'll never take our freedom!" – Nominated[19]

AFI's 100 Years of Film Scores
AFI's 100 Years of Film Scores
– Nominated[20] AFI's 100 Years...100 Cheers – No. 62 AFI's 100 Years...100 Movies (10th Anniversary Edition) – Nominated[21] AFI's 10 Top 10 – Nominated Epic Film[22]

Cultural effects[edit] Lin Anderson, author of Braveheart: From Hollywood To Holyrood, credits the film with playing a significant role in affecting the Scottish political landscape
Scottish political landscape
in the mid to late 1990s.[23] Wallace Monument[edit]

Tom Church's Freedom statue.

In 1997, a 12-ton sandstone statue depicting Mel Gibson
Mel Gibson
as William Wallace in Braveheart
was placed in the car park of the Wallace Monument near Stirling, Scotland. The statue, which was the work of Tom Church, a monumental mason from Brechin,[24] included the word "Braveheart" on Wallace's shield. The installation became the cause of much controversy; one local resident stated that it was wrong to "desecrate the main memorial to Wallace with a lump of crap".[25] In 1998, someone wielding a hammer vandalized the statue's face. After repairs were made, the statue was encased in a cage every night to prevent further vandalism. This only incited more calls for the statue to be removed, as it then appeared that the Gibson/Wallace figure was imprisoned. The statue was described as "among the most loathed pieces of public art in Scotland".[26] In 2008, the statue was returned to its sculptor to make room for a new visitor centre being built at the foot of the Wallace Monument.[27] Historical inaccuracy[edit] Randall Wallace, who wrote the screenplay, has acknowledged Blind Harry's 15th-century epic poem The Acts and Deeds of Sir William Wallace, Knight of Elderslie as a major inspiration for the film.[28] In defending his script, Randall Wallace has said, "Is Blind Harry true? I don't know. I know that it spoke to my heart and that's what matters to me, that it spoke to my heart."[28] Blind Harry's poem is not regarded as historically accurate, and although some incidents in the film that are not historically accurate are taken from Blind Harry (e.g. the hanging of Scottish nobles at the start),[29] there are large parts that are based neither on history nor Blind Harry
Blind Harry
(e.g. Wallace's affair with Princess Isabella). Elizabeth Ewan describes Braveheart
as a film that "almost totally sacrifices historical accuracy for epic adventure".[30] The "brave heart" refers in Scottish history
Scottish history
to that of Robert the Bruce, and an attribution by William Edmondstoune Aytoun, in his poem Heart of Bruce, to Sir James the Good
Sir James the Good
Douglas: "Pass thee first, thou dauntless heart, As thou wert wont of yore!", prior to Douglas' demise at the Battle of Teba
Battle of Teba
in Andalusia.[31] It has been described as one of the most historically inaccurate modern films.[32] Sharon Krossa noted that the film contains numerous historical errors, beginning with the wearing of belted plaid by Wallace and his men. In that period "no Scots ... wore belted plaids (let alone kilts of any kind)." Moreover, when Highlanders finally did begin wearing the belted plaid, it was not "in the rather bizarre style depicted in the film". She compares the inaccuracy to "a film about Colonial America showing the colonial men wearing 20th century business suits, but with the jackets worn back-to-front instead of the right way around."[33] In a previous essay about the film, she wrote, "The events aren't accurate, the dates aren't accurate, the characters aren't accurate, the names aren't accurate, the clothes aren't accurate—in short, just about nothing is accurate."[34] The belted plaid (feileadh mór léine) was not introduced until the 16th century.[35] Peter Traquair has referred to Wallace's "farcical representation as a wild and hairy highlander painted with woad (1,000 years too late) running amok in a tartan kilt (500 years too early)." [36] Irish historian Seán Duffy remarked "the battle of Stirling
Bridge could have done with a bridge." [37] In 2009, the film was second on a list of "most historically inaccurate movies" in The Times.[32] In the humorous non-fictional historiography An Utterly Impartial History of Britain (2007), author John O'Farrell notes that Braveheart
could not have been more historically inaccurate, even if a " Plasticine
dog" had been inserted in the film and the title changed to “ William Wallace
William Wallace
and Gromit”.[38] In the DVD audio commentary of Braveheart, Mel Gibson
Mel Gibson
acknowledges many of the historical inaccuracies but defends his choices as director, noting that the way events were portrayed in the film was much more "cinematically compelling" than the historical fact or conventional mythos. Jus primae noctis[edit] Edward Longshanks, King of England, is shown invoking Jus primae noctis, allowing the Lord of a medieval estate to take the virginity of his serfs' maiden daughters on their wedding nights. Critical medieval scholarship regards this supposed right as a myth, "the simple reason why we are dealing with a myth here rests in the surprising fact that practically all writers who make any such claims have never been able or willing to cite any trustworthy source, if they have any."[39][40] Occupation and independence[edit] The film suggests Scotland
had been under English occupation for some time, at least during Wallace’s childhood, and in the run-up to the Battle of Falkirk
Battle of Falkirk
Wallace says to the younger Bruce, “[W]e'll have what none of us have ever had before, a country of our own.” In fact Scotland
had been invaded by England
only the year before Wallace's rebellion; prior to the death of King Alexander III it had been a fully separate kingdom.[36] Portrayal of William Wallace[edit] As John Shelton Lawrence and Robert Jewett write, "Because [William] Wallace is one of Scotland's most important national heroes and because he lived in the very distant past, much that is believed about him is probably the stuff of legend. But there is a factual strand that historians agree to", summarized from Scots scholar Matt Ewart:

Wallace was born into the gentry of Scotland; his father lived until he was 18, his mother until his 24th year; he killed the sheriff of Lanark
when he was 27, apparently after the murder of his wife; he led a group of commoners against the English in a very successful battle at Stirling
in 1297, temporarily receiving appointment as guardian; Wallace's reputation as a military leader was ruined in the same year of 1297, leading to his resignation as guardian; he spent several years of exile in France before being captured by the English at Glasgow, this resulting in his trial for treason and his cruel execution.[41]

A.E. Christa Canitz writes about the historical William Wallace further: "[He] was a younger son of the Scottish gentry, usually accompanied by his own chaplain, well-educated, and eventually, having been appointed Guardian of the Kingdom of Scotland, engaged in diplomatic correspondence with the Hanseatic cities of Lübeck and Hamburg". She finds that in Braveheart, "any hint of his descent from the lowland gentry (i.e., the lesser nobility) is erased, and he is presented as an economically and politically marginalized Highlander and 'a farmer'—as one with the common peasant, and with a strong spiritual connection to the land which he is destined to liberate."[42] Colin McArthur writes that Braveheart
"constructs Wallace as a kind of modern, nationalist guerrilla leader in a period half a millennium before the appearance of nationalism on the historical stage as a concept under which disparate classes and interests might be mobilised within a nation state." Writing about Braveheart's "omissions of verified historical facts", McArthur notes that Wallace made "overtures to Edward I seeking less severe treatment after his defeat at Falkirk", as well as "the well-documented fact of Wallace's having resorted to conscription and his willingness to hang those who refused to serve."[43] Canitz posits that depicting "such lack of class solidarity" as the conscriptions and related hangings "would contaminate the movie's image of Wallace as the morally irreproachable primus inter pares among his peasant fighters."[42] Portrayal of Isabella of France[edit] Isabella of France
Isabella of France
is shown having an affair with Wallace after the Battle of Falkirk. She later tells Edward I she is pregnant, implying that her son, Edward III, was a product of the affair. In reality, Isabella was three years old and living in France at the time of the Battle of Falkirk, was not married to Edward II until he was already king, and Edward III was born seven years after Wallace died.[44][45] Portrayal of Robert the Bruce[edit] Robert the Bruce
Robert the Bruce
did change sides between the Scots loyalists and the English more than once in the earlier stages of the Wars of Scottish Independence, but he never betrayed Wallace directly, and he probably did not fight on the English side at the Battle of Falkirk
Battle of Falkirk
(although this claim does appear in a few medieval sources).[46] Later, the Battle of Bannockburn
Battle of Bannockburn
was not a spontaneous battle; he had already been fighting a guerrilla campaign against the English for eight years. His title before becoming king was Earl of Carrick, not Earl of Bruce.[36] Portrayal of Longshanks and Prince Edward[edit] The actual Edward I was ruthless and temperamental, but the film exaggerates his character for effect. Edward enjoyed poetry and harp music, was a devoted and loving husband to his wife Eleanor of Castile, and as a religious man he gave generously to charity. The film's scene where he scoffs cynically at Isabella for distributing gold to the poor after Wallace refuses it as a bribe would have been unlikely. Also, Edward died on campaign two years after Wallace's execution, not in bed at his home.[36] The depiction of the future Edward II as an effeminate homosexual drew accusations of homophobia against Gibson.

We cut a scene out, unfortunately. . . where you really got to know that character [Edward II] and to understand his plight and his pain. . . . But it just stopped the film in the first act so much that you thought, 'When's this story going to start?'[47][better source needed]

The actual Edward II, who fathered five children by two different women, was rumoured to have had sexual affairs with men, including Piers Gaveston, on whom the Prince's male lover Phillip was loosely based.[citation needed] Gibson defended his depiction of Prince Edward as weak and ineffectual, saying:

I'm just trying to respond to history. You can cite other examples – Alexander the Great, for example, who conquered the entire world, was also a homosexual. But this story isn't about Alexander the Great. It's about Edward II.[48]

In response to Longshanks's murder of the Prince's male lover Phillip, Gibson replied: "The fact that King Edward throws this character out a window has nothing to do with him being gay ... He's terrible to his son, to everybody."[49] Gibson asserted that the reason Longshanks kills his son's lover is because the king is a "psychopath".[50] Gibson expressed bewilderment that some filmgoers would laugh at this murder. Wallace's military campaign[edit] "MacGregors from the next glen" joining Wallace shortly after the action at Lanark
is dubious, since it is questionable whether Clan Gregor existed at that stage, and when they did emerge their traditional home was Glen Orchy, some distance from Lanark.[51] Wallace did win an important victory at the Battle of Stirling
Bridge, but the version in Braveheart
is highly inaccurate, as it was filmed without a bridge (and without Andrew Moray, joint commander of the Scots army, who was fatally injured in the battle). Later, Wallace did carry out a large-scale raid into the north of England, but he did not get as far south as York, nor did he kill Longshanks' nephew.[36] (However this was not as wide of the mark as Blind Harry, who has Wallace making it as far south as St. Albans, and only refraining from attacking London after the English queen came out to meet him.)[29] Edward's nephew John of Brittany did take part in the Wars of Scottish Independence, but he was not killed at York. The "Irish conscripts" at the Battle of Falkirk
Battle of Falkirk
are also unhistorical; there were no Irish troops at Falkirk (although many of the English army were actually Welsh), and it is anachronistic to refer to conscripts in the Middle Ages (although there were feudal levies).[36] The two-handed long swords used by Gibson in the film were not in wide use in the period. A one-handed sword and shield would be more accurate.[52] Accusations of Anglophobia[edit] Sections of the English media accused the film of harbouring Anglophobia. The Economist
The Economist
called it "xenophobic",[53] and John Sutherland writing in The Guardian
The Guardian
stated that: " Braveheart
gave full rein to a toxic Anglophobia".[54][55][56] In The Times, MacArthur said "the political effects are truly pernicious. It’s a xenophobic film."[55] Ian Burrell of The Independent has noted, "The Braveheart
phenomenon, a Hollywood-inspired rise in Scottish nationalism, has been linked to a rise in anti-English prejudice".[57] Sequel[edit] On February 9, 2018, a sequel titled Robert the Bruce
Robert the Bruce
was announced. The film will lead directly on from Braveheart
and follow the widow Moira, portrayed by Anna Hutchison, and her family (portrayed by Gabriel Bateman and Talitha Bateman), who save Robert the Bruce, with Angus Macfadyen
Angus Macfadyen
reprising his role from Braveheart. The cast will also include Jared Harris, Patrick Fugit, Zach McGowan, Emma Kenney, Diarmaid Murtagh, Seoras Wallace, Shane Coffey, Kevin McNally
Kevin McNally
and Melora Walters. Richard Gray will direct the film, with Macfadyen and Eric Belgau writing the script. Helmer Gray, Macfadyen, Hutchison, Kim Barnard, Nick Farnell, Cameron Nuggent and Andrew Curry will produce the film.[58] References[edit]

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External links[edit]

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at Metacritic Roger Ebert's review of Braveheart

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Mel Gibson

Films directed

The Man Without a Face
The Man Without a Face
(1993) Braveheart
(1995) The Passion of the Christ
The Passion of the Christ
(2004) Apocalypto
(2006) Hacksaw Ridge
Hacksaw Ridge

Written only

Get the Gringo (2012)

Produced only

The Singing Detective (2003) Paparazzi (2004) Stonehearst Asylum
Stonehearst Asylum
(2014) The Professor and the Madman (TBA)

Related articles

Filmography Awards and nominations Icon Productions Donal Gibson

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Films by Randall Wallace


The Man in the Iron Mask (1998) We Were Soldiers
We Were Soldiers
(2002) Secretariat (2010) Heaven Is for Real (2014)


The Man in the Iron Mask (1998) Pearl Harbor (executive producer, 2001) We Were Soldiers
We Were Soldiers


(1995) The Man in the Iron Mask (1998) Pearl Harbor (2001) We Were Soldiers
We Were Soldiers
(2002) Hacksaw Ridge
Hacksaw Ridge

v t e

Academy Award for Best Picture


Wings (1927/28) The Broadway Melody
The Broadway Melody
(1928/29) All Quiet on the Western Front (1929/30) Cimarron (1930/31) Grand Hotel (1931/32) Cavalcade (1932/33) It Happened One Night
It Happened One Night
(1934) Mutiny on the Bounty (1935) The Great Ziegfeld
The Great Ziegfeld
(1936) The Life of Emile Zola
The Life of Emile Zola
(1937) You Can't Take It with You (1938) Gone with the Wind (1939) Rebecca (1940) How Green Was My Valley (1941) Mrs. Miniver
Mrs. Miniver
(1942) Casablanca (1943) Going My Way
Going My Way
(1944) The Lost Weekend (1945) The Best Years of Our Lives
The Best Years of Our Lives
(1946) Gentleman's Agreement (1947) Hamlet (1948) All the King's Men (1949) All About Eve
All About Eve


An American in Paris (1951) The Greatest Show on Earth (1952) From Here to Eternity
From Here to Eternity
(1953) On the Waterfront
On the Waterfront
(1954) Marty (1955) Around the World in 80 Days (1956) The Bridge on the River Kwai
The Bridge on the River Kwai
(1957) Gigi (1958) Ben-Hur (1959) The Apartment
The Apartment
(1960) West Side Story (1961) Lawrence of Arabia (1962) Tom Jones (1963) My Fair Lady (1964) The Sound of Music (1965) A Man for All Seasons (1966) In the Heat of the Night (1967) Oliver! (1968) Midnight Cowboy
Midnight Cowboy
(1969) Patton (1970) The French Connection (1971) The Godfather
The Godfather
(1972) The Sting
The Sting
(1973) The Godfather
The Godfather
Part II (1974) One Flew Over the Cuckoo's Nest (1975)


(1976) Annie Hall
Annie Hall
(1977) The Deer Hunter
The Deer Hunter
(1978) Kramer vs. Kramer
Kramer vs. Kramer
(1979) Ordinary People
Ordinary People
(1980) Chariots of Fire
Chariots of Fire
(1981) Gandhi (1982) Terms of Endearment
Terms of Endearment
(1983) Amadeus (1984) Out of Africa (1985) Platoon (1986) The Last Emperor
The Last Emperor
(1987) Rain Man
Rain Man
(1988) Driving Miss Daisy
Driving Miss Daisy
(1989) Dances with Wolves
Dances with Wolves
(1990) The Silence of the Lambs (1991) Unforgiven
(1992) Schindler's List
Schindler's List
(1993) Forrest Gump
Forrest Gump
(1994) Braveheart
(1995) The English Patient (1996) Titanic (1997) Shakespeare in Love
Shakespeare in Love
(1998) American Beauty (1999) Gladiator (2000)


A Beautiful Mind (2001) Chicago (2002) The Lord of the Rings: The Return of the King (2003) Million Dollar Baby (2004) Crash (2005) The Departed (2006) No Country for Old Men (2007) Slumdog Millionaire
Slumdog Millionaire
(2008) The Hurt Locker
The Hurt Locker
(2009) The King's Speech
The King's Speech
(2010) The Artist (2011) Argo (2012) 12 Years a Slave (2013) Birdman or: (The Unexpected Virtue of Ignorance) (2014) Spotlight (2015) Moonlight (2016) The Shape of Water
The Shape of Water

v t e

Empire Award for Best Film

(1996) Se7en (1997) Men in Black (1998) Titanic (1999) The Matrix
The Matrix
(2000) Gladiator (2001) The Lord of the Rings: The Fellowship of the Ring (2002) The Lord of the Rings: The Two Towers (2003) The Lord of the Rings: The Return of the King (2004) The Bourne Supremacy (2005) King Kong (2006) Casino Royale (2007) The Bourne Ultimatum (2008) The Dark Knight (2009) Avatar (2010) Inception
(2011) Harry Potter and the Deathly Hallows – Part 2
Harry Potter and the Deathly Hallows – Part 2
(2012) Skyfall
(2013) Gravity (2014) Interstellar (2015) The Revenant (2016) Rogue One
Rogue One
(2017) Star Wars: The Last Jedi (2018)

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