Boston accent

A Boston accent is a local accent of Eastern New England English, native specifically to the city of Boston and its suburbs. Northeastern New England English is classified as traditionally including New Hampshire, Maine, and all of eastern Massachusetts, though some uniquely local vocabulary appears only around Boston. A 2006 study co-authored by William Labov claims that the accent remains relatively stable,Labov, William (2010).
The Politics of Language Change: Dialect Divergence in America
'. The University of Virginia Press. Pre-publication draft. p. 53. though a 2018 study suggests the accent's traditional features may be retreating, particularly among the city's younger residents, and becoming increasingly confined to the historically Irish-American neighborhood of South Boston.

Phonological characteristics

Boston accents typically have the cot-caught merger but not the father-bother merger. This means that instead of merging the historical "short ''o''" sound (as in ) with the "broad ''a''" (as in ) like most other American accents, the Boston accent merges it with the "aw" vowel (as in ). Thus, ''lot'', ''paw'', ''caught'', ''cot'', ''law'', ''wand'', ''rock'', ''talk'', ''doll'', ''wall'', etc. all are pronounced with the same open back (often) rounded vowel , while keeping the broad ''a'' sound distinct: , as in ''father'', ''spa'', and ''dark''. So, even though the word ''dark'' has no in many Boston accents, it remains pronounced differently from ''dock'' because it belongs to Boston's – class of words versus the – one: ''dark'' versus ''dock'' . Thus, while New York accents have for ''paw'' and for ''lot'' and Standard British accents have a similar distinction ( versus ), Boston accents only have one merged phoneme here for both: .

In general, Eastern New England accents have a "short ''a''" vowel , as in , that is extremely tensed towards when it precedes a nasal consonant; thus, ''man'' is and ''planet'' is . Boston shares this system with some of the American Midwest and most of the West, though the raising in Boston tends to be more extreme. This type of modern General American -raising system is simpler than the systems of British or New York City accents. However, elements of a more complex pattern exist for some Boston speakers; in addition to raising before nasals, Bostonians (unlike nearby New Hampshirites, for example) may also "raise" or "break" the "short ''a''" sound before other types of consonants too: primarily the most strongly before voiceless fricatives, followed by voiced stops, laterals, voiceless stops, and voiced fricatives, so that words like ''half'', ''bath'', and ''glass'' become , and , respectively. This trend began around the early-mid to mid-twentieth century, replacing the older Boston accent's London-like "broad ''a''" system, in which those same words are transferred over to the class (see "Declining features" below).Wood, 2010, p. 139. The raised may overlap with the non-rhotic realization of as .

Boston accents make a greater variety of distinctions between short and long vowels before medial than many other modern American accents do: ''hurry'' and ''furry'' ; and ''mirror'' and ''nearer'' , though some of these distinctions are somewhat endangered as people under 40 in neighboring New Hampshire and Maine have lost them. In this case, Boston shares these distinctions with both New York and British accents, whereas other American accents, like in the Midwest, have has lost them entirely.

The nuclei of the diphthongs and ( and . respectively) may be raised to something like before voiceless consonants: thus ''write'' has a higher vowel than ''ride'' and ''lout'' has a higher vowel than ''loud''. This phenomenon, more famously associated with Canadian accents, is known by linguists as Canadian raising.

The nuclei of and (in and ) are significantly less fronted than in many other American accents. The latter may be diphthongized to or .

Speakers of the more deeply urban varieties of the Boston accent may realize the English dental fricatives as the dental stops , giving rise to a phonemic distinction between dental and alveolar stops; thus, ''those'' may sound closer to ''doze''.

Non-rhoticity

The traditional Boston accent is widely known for being non-rhotic (or "''r''-dropping"), particularly before the mid-20th century. Recent studies have shown that younger speakers use more of a rhotic (or ''r''-ful) accent than older speakers. This goes for black Bostonians as well. Non-rhoticity means the phoneme does not appear in coda position (where in English phonotactics it must precede other consonants, see English phonology - coda), as in most dialects of English in England and Australia; ''card'' therefore becomes "cahd" and ''color'' "culluh". Words such as ''weird'' and ''square'' feature centering diphthongs, which correspond to the sequences of close and mid vowels + in rhotic AmE. The phonemicity of the centering diphthongs depends on a speaker's rhoticity.

An example of non-rhoticity (plus a fronted vowel) is "Park your car in Harvard Yard", pronounced , or as if spelled "pahk yah cah(r) in Hahvud Yahd". The ''r'' in ''car'' would usually be pronounced in this case, because the Boston accent possesses both linking R and intrusive R: an will not be lost at the end of a word if the next word begins with a vowel, and an will be inserted after a word ending with a central or low vowel if the next word begins with a vowel: ''the tuner is'' and ''the tuna is'' are both .

Declining features

Many characteristics of the Boston accent may be retreating, particularly among younger residents. In the most old-fashioned of Boston accents, there may be a lingering resistance to the horse–hoarse merger, so that ''horse'' has the pure vowel , while ''hoarse'' has the centering diphthong ; this can potentially cause the –– merger, so that ''tort'', ''tot'' and ''taught'' are phonemically all . The result is that, for an older Boston accent, the –– vowel is distinct from the vowel. Another two example words that would traditionally be distinguished, thus, are ''for'' versus ''four'' . This distinction was rapidly fading out of currency in the second half of the 20th century with the words belonging to the class being transferred over to the class, undoing the merger of with –, as it is in almost all regions of North America that still make it. For non-rhotic speakers, the modern-day situation in Boston is that both ''horse'' and ''hoarse'', as well as both ''for'' and ''four'', take the centering diphthong .

A feature that Boston speakers once shared with Britain's Received Pronunciation, though now uncommon in Boston, is the "broad ''a''" of the lexical set of words, making a distinction from the set (). In particular words that in other American accents have the "short ''a''" pronounced as , that vowel was replaced in the nineteenth century (if not earlier and often sporadically by speakers as far back as the late eighteenth century) with : thus, ''half'' as and ''bath'' as . Fewer words have the broad ''a'' in Boston English than in the London accents, and fewer and fewer Boston speakers maintain the broad ''a'' system as time goes on, with its transition into a decline occurring in speakers born from about 1930 to 1950 (and first documented as a decline in 1977). Boston speakers born before about 1930 used this broad ''a'' in the words ''after'', ''ask'', ''aunt'', ''bath'', ''calf'', ''can't'', ''glass'', ''half'', ''laugh'', ''pasture'', ''path'', and perhaps other words, and born from about 1930 to 1950 use it only in ''aunt'', ''calf'', ''half'', ''laugh'', and ''pass''. Speakers born since 1950 typically have no broad ''a'' whatsoever and, instead, slight /æ/ raising (i.e. ), for example, in ''craft'', ''bad'', ''math'', etc.) with this same set of words and, variably, other instances of short ''a'' too. Only ''aunt'' maintains the broad ''a'' sound in even the youngest speakers, though this one word is a common exception throughout all of the Northeastern U.S. Broad ''a'' in ''aunt'' is also heard by occasional speakers throughout Anglophone North America; it is quite commonly heard in African American speech as well.

In popular culture

Although not all Boston-area speakers are non-rhotic, non-rhoticity remains the feature most widely associated with the region. As a result, it is frequently the subject of humor about Boston, as in comedian Jon Stewart joking in his book ''America'' that, although John Adams drafted the 1780 Massachusetts Constitution, "delegates from his state refused to ratify the letter 'R'".

Being conspicuous and easily identifiable as regional, Boston accents are routinely featured by actors in films set in Boston, particularly for working-class white characters, such as in '' Good Will Hunting'', ''Mystic River'', ''The Departed'', '' Manchester by the Sea'', '' The Town'', '' Ted'', ''The Fighter'', and '' Black Mass''.Gottlieb, Jeremy (2017).
Hollywood has a Boston problem
. ''The Washington Post''. Television series based within a Boston setting such as '' Boston Public'' and ''Cheers'' have featured the accent. ''Simpsons'' character Mayor Quimby talks with an exaggerated Boston accent as reference to the former US Senator Ted Kennedy. Television comedy sketches have featured the accent, including " The Boston Teens" and "Dunkin Donuts" on ''Saturday Night Live'', as well as "Boston Accent Trailer" on ''Late Night with Seth Meyers''.

In '' The Heat'', the family of Shannon Mullins all speak with the Boston accent and confusion arises from the pronunciation of the word ''narc'' as ''nahk'' . In the video game ''Team Fortress 2'', the character Scout, who is himself a Boston native, talks with a distinct Boston accent, although it sometimes lapses into a Brooklyn accent.

Notable lifelong native speakers

* William J. Bratton – "thick Boston accent"
* Bill Burr — "the comic's wicked Boston accent"
* Lenny Clarke – "a Cambridge-raised verbal machine gun with a raspy Boston accent"
* Chick Corea – "his speech still carries more than a trace of a Boston accent"
* Sue Costello – "Between her thick Boston accent and fearless, stand-up style, Sue Costello is a true embodiment of the city's comedy scene."
* Nick Di Paolo – "thick Boston accent"
* Jack Haley – "from Boston (as anyone who heard the Tin Man's accent would know)"
* Mel King – "he has the soft R's of a deep Boston accent"
* Lyndon LaRouche – "a cultivated New England accent"
* Tom and Ray Magliozzi – "like drunk raccoons with Boston accents"
* Rocky Marciano – "He spoke with distinct traces of a Boston accent"
* Gina McCarthy – "Obama's nominee to head the EPA has that spectacular South Boston accent"
* Joey McIntyre – "his authentic Boston accent"
* Christy Mihos – "speaks unpretentiously in a variation of a Boston accent, and drops the 'g' in words like talking or running."
*Thomas Menino – "strong traces of the Boston dialect"
* Brian and Jim Moran – "The Moran brothers share... an unmistakable Massachusetts accent"
* Alex Rocco – "grew up in blue-collar Cambridge"
* Tom Silva – "New England accent"
* Marty Walsh – "he demonstrates what many believe to be the strongest Boston dialect in the city’s mayoral history."
* Jermaine Wiggins – "skin as thick as his East Boston accent"

See also

* Boston slang
* Eastern New England English
* New England English
* North American English regional phonology

References

Bibliography

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Further reading

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External links

Guide to Boston English

Glossary of Boston English
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;Recordings of the Boston accent

37-year-old female

73-year-old male

Medford City Councilor


and compare with other accents from the US and around the World.

{{DEFAULTSORT:Boston Accent
American English
Accent
Languages of Massachusetts
City colloquials