Blue Note Records discography
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7000 / 1200 series


7000 series

The "traditional series" of 10" LPs consisted of new recordings and reissues of material from the 78 era. Some of this material was repackaged in the short-lived 1200 series of 12" LPs.


1200 series


Modern Jazz Series


Modern Jazz 5000 series

The Blue Note Modern Jazz Series began late in 1951 with the following 10" monaural LPs. Some of these LPs were later reissued as part of the Blue Note 1500 Series of 12" LPs. At first, recordings were made in various studios in New York (Reeves Sound Studio, WOR Studios, Apex Studios, Audio Video Studios). Beginning in October 1953, however, most Blue Note sessions took place in
Rudy Van Gelder Rudolph Van Gelder (November 2, 1924 – August 25, 2016) was an American recording engineer who specialized in jazz. Over more than half a century, he recorded several thousand sessions, with musicians including John Coltrane, Miles Davis, Theloni ...
's home studio in Hackensack, New Jersey. The sessions were produced by Alfred Lion and engineered by Van Gelder, and many LP covers featured photographs by Lion's partner in Blue Note Francis Wolff.


Modern Jazz 1500 series

Blue Note made the switch to 12" albums late in 1955. The Modern Jazz Series (see the 5000 series below) continued with the following 12" LPs. Many of these were issued in both monaural versions (BLP series) and stereo versions (BST 81500 series), sometimes in electronically rechanneled stereo. In certain cases, the stereo versions of recordings from 1957 onwards only appeared many years later. Beginning in 1956 with BLP 1509, Reid Miles designed most of the Blue Note LP covers. The 1500 series has been systematically reissued by Toshiba-EMI in Japan ("Blue Note Works 1500" series, 20-bit 88.2 kHz CDs); the catalog numbers are TOCJ-1501, etc. In addition, originally unissued material from these dates was made available of Toshiba's 1600 series (20-bit 88.2 kHz CDs).


Modern Jazz 4000 series

The Modern Jazz Series continued into the 1970s with the LPs listed below. Many were issued in both monaural versions (BLP series) and stereo versions (BST 84000 series). Beginning with 4258 all subsequent LPs (with three exceptions: 4263, 4264, and 4265) were issued only in stereo. Most of the first 300 numbers of the 4000 series have been reissued by Toshiba-EMI in Japan ("Blue Note Works 4000" series); the catalog numbers are TOCJ-4###.


4000 series


4100 series


4200 series


4300 series


4400 series


Modern Jazz New 4400 series


Modern Jazz New 89900 series


BN-LA / LT series


BN-LA series

12" LP's issued during the 1970s using the numbering sequence of parent company
United Artists Records United Artists Records was an American record label founded by Max E. Youngstein of United Artists in 1957 to issue movie soundtracks. The label expanded into other genres, such as easy listening, jazz, pop, and R&B. History Genres In 1959, ...
with an extra prefix. The suffix is a code for the list price of the album and whether it is a two-disc set. In this series there are many reissues from earlier series, "Best of" albums, live albums and
compilation Compilation may refer to: *In computer programming, the translation of source code into object code by a compiler **Compilation error **Compilation unit *Product bundling, a marketing strategy used to sell multiple products *Compilation thesis M ...
s, as well as new studio albums.


LT series

After
EMI EMI Group Limited (originally an initialism for Electric and Musical Industries, also referred to as EMI Records Ltd. or simply EMI) was a British Transnational corporation, transnational Conglomerate (company), conglomerate founded in March 1 ...
acquired
United Artists Records United Artists Records was an American record label founded by Max E. Youngstein of United Artists in 1957 to issue movie soundtracks. The label expanded into other genres, such as easy listening, jazz, pop, and R&B. History Genres In 1959, ...
, Blue Note LPs continued to appear with catalog numbers taken from the main numbering sequence of UA and its successor, the revived Liberty Records. This is effectively a continuation of the BN-LA series without UA's letter codes. Albums in this series appeared in the late 1970s and early 1980s.


Manhattan 85100 series

Series of new studio albums as well as a few reissues released c. 1985-87, following Blue Note's reestablishment.


Other series


1600 series

These CDs make available originally unissued material from the sessions from the 1500 series. They were manufactured by
Toshiba-EMI , formerly , was one of Japan's leading music companies. It became a wholly owned subsidiary of British music company EMI Group Ltd. on June 30, 2007, after Toshiba sold off its previous 45% stake. Its CEO and president was Kazuhiko Koike. When ...
and use 20-bit, 88.2 kHz recording technology.


9000 series

An experimental and short-lived vocal jazz series; only two albums were released in this series:


King Records


GXF 3000 series


GP 3100 series


K18P-9200 series


King Records BONUS DY 5800 series


Other


References


Bibliography

* Cohen, Frederick. Blue Note Records: A Guide for Identifying Original Pressings. ISBN 978-0-692-00322-0. * Cook, Richard. ''Blue Note Records: A Biography''. . * Cuscuna, Michael & Michel Ruppli. ''The Blue Note Label: A Discography''. nd ed 2001* Marsh, Graham & Glyn Callingham. ''Blue Note: Album Cover Art''. . * Marsh, Graham ''Blue Note 2: The Album Cover Art: The Finest in Jazz Since 1939''. S edition* Wolff, Francis et al. ''Blue Note Jazz Photography of Francis Wolff''. . {{Jazz Jazz discographies Discographies of American record labels