Beher (poetry)

''Beher'' (Arabic/ Persian/Urdu is the meter of a '' sher'' (couplet). Essentially, ''beher'' is a specific pattern, combining the ''arkaans'' (dummy meaningless words) of Urdu prosody that define the "length" of a ''sher''. However, generally ''beher'' is categorized in three classes: Short, medium, long, depending upon the length of the ''sher'' of the ''ghazal''.

For a ''ghazal'', since all the ''shers'' in it should be of the same ''beher'', determining the ''beher'' of one ''sher'' (or even one line of the ''sher'') is enough to determine the ''beher'' of the entire ''ghazal''. For example, in this ''ghazal'' of Ghalib, the length and meter of the ashaar is same throughout. In terms of the European method of scansion, the metre can be written as follows (where "x" = long or short, "u" = short, "–" = long, "u u" = one long or two short syllables):

:x u – – u – u – u u –

:''koii ummiid bar nahiin aatii''
:''koii suurat nazar nahiin aatii ''

:''aage aatii thii haal-e-dil pe hansii ''
:''ab kisii baat par nahiin aatii ''

:''jaanataa huun savaab-e-taa'at-o-zahad''
:''par tabiiyat idhar nahiin aatii ''

:''hai kuchh aisii hii baat jo chup huun''
:''varna kyaa baat kar nahiin aatii ''

:''kaabaa kis muunh se jaaoge 'Ghaalib
:''sharm tum^ako magar nahiin aatii''

The ghazal above is written in a beher called: ''khafiif musaddas makhbuun mahzuuf maqtu'' (Meter G8). This is a ten-syllable beher and by the standards of Urdu poetry, is a ''chotii'' (small) beher.

As with the scansion of Persian poetry, a syllable such as ''miid'' or ''baat'' consisting of a long vowel plus consonant, or ''sharm'' consisting of a short vowel and two consonants, is "overlong", and counts as a long syllable + a short one.

In Urdu prosody, unlike Persian, any final long vowel can be shortened as the metre requires, for example, in the word ''kaabaa'' in the last verse above.

Mufa_e_lan

There exist many behers, but mainly there are 19 behers used in Urdu poetry. These behers are further distributed in different types, but they are not described here. The names are:

* beHr-e-rajaz
* beHr-e-ramal
* beHr-e-baseet
* beHr-e-taweel
* beHr-e-kaamil
* beHr-e-mutadaarik
* beHr-e-hazaj
* beHr-e-mushaakil
* beHr-e-madeed
* beHr-e-mutaqaarib
* beHr-e-mujtas
* beHr-e-muZaara
* beHr-e-munsareH
* beHr-e-waafer
* beHr-e-qareeb
* beHr-e-saree
* beHr-e-khafeef
* beHr-e-jadeed
* beHr-e-muqtaZeb

Example

مفاعیلن مفاعیلن مفاعیلن

زندہ تھی کبھی توحید جن کے دلوں میں
وہی لوگ آج باہم بُغض رکھتے ہیں
کرکے رائیگاں زندگی کس طلب میں اپنی
کیوں یہ ہاتھ آج دھرے بیٹھے ہیں

جیسے سہانی ہوتی ہے خوشبوگلاب میں

ویسے ہی تیراذکرہے میری کتاب میں

ماناکہ چاند حسن میں ضرب المثال ہے

اس سے بھی تم حسین ہو میر�
حساب میں

References

Bibliography

*Deo, Ashwini; Kiparsky, Paul (2011)
"Poetries in Contact: Arabic, Persian, and Urdu"
In Maria-Kristina Lotman and Mihhail Lotman ed. ''Proceedings of International Conference on Frontiers in Comparative Metrics'', Estonia, pp. 147–173.
* Pritchett, Frances W. (1993)
"Orient Pearls Unstrung: The Quest for Unity in the Ghazal"
''Edebiyât'' vol. NS 4, pp. 119–135.
*
*Thiesen, Finn (1982)
''A Manual of Classical Persian Prosody, with chapters on Urdu, Karakhanidic and Ottoman prosody.''
Wiesbaden.

{{DEFAULTSORT:Beher (Poetry)
Urdu-language poetry
Indian poetics
Ghazal
Poetic rhythm