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Beaumont and Fletcher were the English dramatists Francis Beaumont
Francis Beaumont
and John Fletcher, who collaborated in their writing during the reign of James I of England
James I of England
(James VI of Scotland, 1567–1625; he reigned in England from 1603). They became known as a team early in their association, so much so that their joined names were applied to the total canon of Fletcher, including his solo works and the plays he composed with various other collaborators including Philip Massinger
Philip Massinger
and Nathan Field. The first Beaumont and Fletcher folio of 1647 contained 35 plays; 53 plays were included in the second folio in 1679. Other works bring the total plays in the canon to about 55. While scholars and critics will probably never render a unanimous verdict on the authorship of all these plays — especially given the difficulties of some of the individual cases — contemporary scholarship has arrived at a corpus of about 12 to 15 plays that are the work of both men. (See the individual pages on Beaumont and Fletcher for more details). Works[edit] The plays generally recognized as Beaumont/Fletcher collaborations:

The Woman Hater, comedy (1606; printed 1607) Cupid's Revenge, tragedy (c. 1607–12; printed 1615) Philaster, or Love Lies a-Bleeding, tragicomedy (c. 1609; printed 1629) The Maid's Tragedy, tragedy (c. 1609; printed 1619) A King and No King, tragicomedy (1611; printed 1619) The Captain, comedy (c. 1609–12; printed 1647) The Scornful Lady, comedy (c. 1613; printed 1616) Love's Pilgrimage, tragicomedy (c. 1615–16; 1647) The Noble Gentleman, comedy (licensed 3 February 1626; printed 1647).

Beaumont/Fletcher plays, later revised by Massinger:

Thierry and Theodoret, tragedy (c. 1607?; printed 1621) The Coxcomb, comedy (1608–10; printed 1647) Beggars' Bush, comedy (c. 1612–13?; revised 1622?; printed 1647) Love's Cure, comedy (c. 1612–13?; revised 1625?; printed 1647).

Due to Fletcher's distinctive pattern of contractional forms and linguistic preferences ('em for them, ye for you, etc.), his hand can be fairly readily distinguished from Beaumont's in their collaborative works. In A King and No King, Beaumont wrote Acts I, II, and III in their entirety, plus scene IV,iv and V,ii and iv, while Fletcher wrote only the first three scenes in Act IV (IV,i-iii) and the first and third scenes of Act V (V,i and iii). The play is more Beaumont's than it is Fletcher's. Beaumont also dominates in The Maid's Tragedy, The Noble Gentleman, Philaster, and The Woman Hater. In contrast, The Captain, The Coxcomb, Cupid's Revenge, Beggars' Bush, and The Scornful Lady contain more of Fletcher's work than Beaumont's. The cases of Thierry and Theodoret and Love's Cure are somewhat confused by Massinger's revision; but in these plays too, Fletcher appears the dominant partner. Critics and scholars debate other plays. Fletcher clearly wrote the last two quarters of Four Plays in One, another play in his canon — and he clearly didn't write the first two sections. Many scholars attribute the play's first half to Nathan Field
Nathan Field
— though some prefer Beaumont. Given the limits of the existing evidence, some of these questions may be unresolvable with currently-available techniques. References[edit]

Wikisource
Wikisource
has original works written by or about: Beaumont and Fletcher

Fletcher, Ian. Beaumont and Fletcher. London, Longmans, Green, 1967. Hoy, Cyrus. "The Shares of Fletcher and His Collaborators in the Beaumont and Fletcher Canon." Studies in Bibliography. Seven parts: Vols. VIII-IX, XI-XV, 1956-62. Logan, Terence P., and Denzell S. Smith, eds. The Later Jacobean and Caroline Dramatists: A Survey and Bibliography of Recent Studies in English Renaissance Drama. Lincoln, Nebraska, University of Nebraska Press, 1978.

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The "Beaumont and Fletcher" Canon

Francis Beaumont John Fletcher Philip Massinger

Nathan Field William Shakespeare James Shirley Thomas Middleton William Rowley John Ford Ben Jonson George Chapman John Webster

Plays (some attributions conjectural)

Beaumont

The Knight of the Burning Pestle The Masque of the Inner Temple and Gray's Inn

Beaumont and Fletcher

The Woman Hater Cupid's Revenge The Coxcomb Philaster The Captain The Maid's Tragedy A King and No King Love's Pilgrimage The Scornful Lady The Noble Gentleman

Fletcher

The Faithful Shepherdess The Woman's Prize Valentinian Bonduca Monsieur Thomas The Mad Lover The Chances The Loyal Subject Women Pleased The Humorous Lieutenant The Island Princess The Pilgrim The Wild Goose Chase A Wife for a Month Rule a Wife and Have a Wife

Fletcher and Massinger

†Barnavelt The Little French Lawyer The False One The Double Marriage The Custom of the Country The Lovers' Progress The Spanish Curate The Prophetess The Sea Voyage The Elder Brother †A Very Woman

Fletcher and others

with Beaumont & Massinger Thierry and Theodoret Beggars' Bush Love's Cure with Massinger & Field The Honest Man's Fortune The Queen of Corinth The Knight of Malta with Field Four Plays, or Moral Representations, in One with Shakespeare †Henry VIII The Two Noble Kinsmen with Shirley The Night Walker Wit Without Money with Rowley The Maid in the Mill with Massinger, Chapman & Jonson Rollo, Duke of Normandy with Massinger, Ford & Webster The Fair Maid of the Inn

Others

The Nice Valour (Middleton) Wit at Several Weapons (Middleton & Rowley) The Laws of Candy (Ford) The Coronation (Shirley)

Performance and Publication

English Renaissance theatre King's Men Beaumont and Fletcher folios Humphrey Moseley Humphrey Robinson

Related

The History of Cardenio (Shakespeare & Fletcher?) † Double Falsehood
Double Falsehood
(possibly based on Cardenio)

† = Not published in the Beaumont and Fletcher folios

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