Contents
1 Biography
1.1 1946–1954: Early years 1.2 1955–2012: The Rattlesnakes to the Bee Gees
1.2.1 1955–1958: Formation, Australian days and songwriting career 1.2.2 Returning to England, commercial break-out and worldwide popularity 1.2.3 Solo work 1.2.4 Rejoining the Bee Gees 1.2.5 The disco era 1.2.6 Production 1.2.7 Second solo work 1.2.8 Comeback for the Bee Gees
1.3 2012–present: Solo career
2 Personal life 3 Influences 4 Legacy 5 Solo discography
5.1 Studio albums 5.2 Soundtracks 5.3 Compilations 5.4 Singles
6 References 7 External links
Biography[edit]
1946–1954: Early years[edit]
See also: Hugh Gibb
Barry Alan Crompton Gibb was born in Jane Crookall Maternity Home at
8:45 AM in Douglas, Isle of Man, to Hugh Gibb, a drummer, and Barbara
Gibb (17 November 1920 – 12 August 2016) (née Pass).[14] He has
English, Irish, and Scottish ancestry.[15] He has an older sister,
Lesley Evans. He was named Barry Alan Crompton Gibb after his father's
youngest brother Alan, who died in infancy. According to Hugh, in a
mix of fact and fiction, the third name was given to Barry to honour
the Gibbs' illustrious ancestor, '
Sir
Sir Isaac' Crompton- actually Samuel
Crompton, inventor of the spinning mule.[16] When Gibb was born, his
father was busy with his music working at various hotels in Douglas,
while his mother stayed at home looking after the children. Later, the
Gibbs moved to Chapel House on Strang Road. When he was almost two
years old, he was badly burned. His mother had just made tea which she
had put on the table; he climbed up and pulled the tea pot down and
got the tea all over him. He was in Nobles Hospital for about
two-and-a-half months. Gibb later commented on that incident:
"Then the gangrene set in. Because in those days, the advancement of medicine simply didn't apply to people with bad scalds, so you didn't have skin grafts, you didn't have things like that. But this was a particularly bad scald, and I think I had 20 minutes to live at some point. The incredible thing for me is that whole two years is wiped from my memory, the whole period of being in hospital. The idea of being burnt is in there somewhere, but I have no knowledge of it. I've got the scars but I have no knowledge".[14]
In 1949, the Gibb family relocated to 50 St. Catherine's Drive.[17]
Later that year, on 22 December, his two younger brothers Robin and
Maurice were born. When the twins were young, they moved to Smedley
Cottage, Spring Valley, also in Douglas.[17] Gibb started school on 4
September 1951, three days after his fifth birthday, attending Braddan
school. In 1952, the Gibb family relocated to 43 Snaefell Road,
Willaston, which became their home for the next two years. The same
year, he went to Tynwald Street Infants School. On his seventh
birthday in 1953, he went to Desmesne Road Boys School.[14]
1955–2012: The Rattlesnakes to the Bee Gees[edit]
Further information: The Rattlesnakes (1955 band), Robert Stigwood,
Bee Gees, and The Bee Gees' concerts in 1967 and 1968
1955–1958: Formation, Australian days and songwriting career[edit]
In 1955, Gibb formed the skiffle group The Rattlesnakes, consisting of
himself on vocals and guitar, Robin and Maurice on vocals and
friends/neighbours Paul Frost and Kenny Horrocks also providing
vocals. By 1957, The Rattlesnakes played songs by Cliff Richard. Paul
Anka,
Buddy Holly
Buddy Holly and The Everly Brothers. Gibb said that their first
song played was Paul Anka's "I Love You, Baby", however, in 1968, he
remembered it as the Everly Brothers' "Wake Up Little Susie". The
Rattlesnakes' first professional gig took place on 28 December 1957 in
the Gaumont Cinema. Around 1958, Gibb's guitar was accidentally broken
by Frost, who described the guitar as "broken in the middle".[17] By
May 1958 when the Gibbs moved to Northern Grove it signalled the
departure of Frost and Horrocks. The brothers later changed the name
of the group to Wee Johnny Hayes and the Blue Cats. Under that name,
they performed regularly in Minor 15, a talent contest for
under-fifteens held on Thursday nights from 7:00 to 9:00 PM at
Princess Club in Chorlton.[17]
At the beginning of August 1958, the Gibb family set sail for
Australia from Southampton on the ship Fairsea. Also aboard was Red
Symons, future guitarist of Skyhooks, as well as Kylie Minogue's
mother.[18] The band later changed its name to Bee Gees. In 1959, the
brothers began singing between races at the Redcliffe Speedway to earn
money. Their vocal talent brought them to the attention of Bill Gates,
a radio deejay. Gates was also interested in Gibb's original material
including "Let Me Love You" and "(Underneath the) Starlight of Love".
After hearing those songs, Gates asked Gibb for more original
material. Gibb quit school in September 1961 and the Gibbs moved to
Surfers Paradise. The brothers spent the summers of 1961 and 1962
performing at hotels and clubs in the Gold Coast area. By September
1962, Gibb managed to audition songs to Col Joye. The Gibb family
moved in
Sydney
Sydney at the start of 1963.[19]
Around the same time, the
Bee Gees
Bee Gees were signed to Festival but they
were assigned to Leedon. Their first single, "The Battle of the Blue
and the Grey" was written by Gibb. All of the Bee Gees' singles from
1963 to 1966 were written by Gibb. Between 1963 and 1966, Gibb's songs
were recorded by numerous Australian recording artists including
Trevor Gordon, Noeleen Batley, Anne Shelton, April Byron, Ronnie Burns
and Lori Balmer.[20] One of them is his composition "One Road" hit No.
2 in Australia New South Wales Chart and #32 on the Kent Music Report
charts for
Jimmy Little
Jimmy Little in 1964.[21][22] Another of his compositions,
"I Just Don't Like to Be Alone" by Bryan Davies, reached No. 25 on the
New South Wales chart in 1964.[23]
In 1966, Gibb has won the annual Radio 5KA award for the best
composition of the year, "I Was a Lover, A Leader of Men".[24][25][26]
Returning to England, commercial break-out and worldwide
popularity[edit]
The
Bee Gees
Bee Gees returned to England in early 1967. On 24 February, the
group passed a live audition with
Robert Stigwood
Robert Stigwood and later signed to
Robert Stigwood
Robert Stigwood Organization also the same day that "Spicks and
Specks" was released by
Polydor
Polydor as a single in England. Stigwood
became the manager of the Bee Gees.
Colin Petersen
Colin Petersen and Vince Melouney
later joined the band as drummer and lead guitarist. The result was
their first international LP Bee Gees' 1st, the second single from the
album "To Love Somebody", on which Gibb provided the lead vocal has
become a standard song as covered by hundreds of artists consistently
throughout the years since. Around the same time, the Gibb brothers
contributed backing vocals on the track "Cowman, Milk Your Cow" a song
written by Gibb and Robin sung by singer Adam Faith.[27]
In 1967, Gibb was in The Speakeasy Club, a nightclub in London where
he was introduced by
Pete Townshend
Pete Townshend to John Lennon. Lennon was still
wearing his outfit for
Sgt. Pepper's Lonely Hearts Club Band
Sgt. Pepper's Lonely Hearts Club Band photo
shoot earlier that day on 30 March 1967; after a couple of scotch and
cokes, Townshend said to Gibb, "Do you want to meet John?" and he led
Gibb across to a room where Lennon was holding court and Townshend
said, "John. This is Barry Gibb, from the group the Bee Gees" to which
Lennon replied, "Howyadoin'"."So I met John Lennon's back", Gibb says
with a laugh, "I didn't meet his front".[28] Gibb earlier said in 2010
about the meeting, "It was virtually a closed club and you went
downstairs and there was a coffin and if you were someone they knew
and you were supposed to go in, the wall would turn around... and in
you would go. There would be [Rolling] Stones lying around all over
the place. It was one of those days when I met
John Lennon
John Lennon – from
the back. It was
Pete Townshend
Pete Townshend who introduced me... [Lennon said],
'Pleased to meet you', and he carried on talking to his guest."[29]
After many stresses on their personal and professional lives, both
Barry and Robin collapsed from nervous exhaustion on a flight from
Australia to Turkey in 1967. On 23 December 1967, Barry and Robin left
England for Australia. As Gibb explained: "But due to time difference
we arrived on Christmas Day, we missed Christmas Eve altogether!". The
pair celebrated Christmas with their manager Robert Stigwood's family
as Gibb said: "We went on to Sydney".[17]
Gibb performing with the
Bee Gees
Bee Gees in 1968.
At the end of 1967, fame was taking its toll and the group were at
odds with each other. At the start of 1968, the Gibbs were vying for
influence in determining the musical direction of the group, creating
tension in the studio and on stage. Also in 1968, to promote
Horizontal the group made their first appearance on U.S. television on
The Smothers Brothers Show
The Smothers Brothers Show as well as The Ed Sullivan Show.[30] The
group later filmed a TV special
Frankie Howerd
Frankie Howerd Meets the
Bee Gees
Bee Gees with
Frankie Howerd.[17] His 1968 composition "Only One Woman" (UK #5) was
the Marbles' most successful single up to date. The
Bee Gees
Bee Gees were
invited by Hollywood manager
Lee Hazlewood
Lee Hazlewood at his party alongside the
members of
The Monkees
The Monkees and Honey Ltd.. The photos from that event were
leaked, and two of the pictures showing Gibb was talking to actress
Angela Cartwright, and the other, is Gibb who was shown playing guitar
and the members of
Honey Ltd.
Honey Ltd. sing along.[31]
In 1969, the
Bee Gees
Bee Gees released "First of May" as the A-side, with the
flip side being "Lamplight" on which Robin sang the lead. Robert
Stigwood chose "First of May" to be the A-side. No other songs were
released from the album Odessa. Shortly after Robin announced his solo
plans, the
Bee Gees
Bee Gees released their first single without him, "Tomorrow
Tomorrow". Barry also worked with Samantha Sang, co-writing and
producing two songs "The Love of a Woman" and the B-side "Don't Let It
Happen Again" released on Parlophone.[32] He also produced songs for
P.P. Arnold
P.P. Arnold including "Bury Me Down By the River" (released as a
single) which were originally recorded by the
Bee Gees
Bee Gees for their 1970
album.[33] In the summer of 1969, Petersen left the group which now
only featured Barry and Maurice as the Bee Gees. Pentangle drummer
Terry Cox replaced Petersen to complete another 12 songs, but only
five songs were released in the album.[34]
The film Cucumber Castle, featuring only two
Bee Gees
Bee Gees after originally
including Petersen, aired on BBC2 on 26 December 1970. When the group
announced that they had split at the start of December 1969, Gibb
spent January 1970 writing songs to record the following month.[35]
Solo work[edit]
In February 1970, he started to record his first solo album, The Kid's
No Good; he released his first solo single, "I'll Kiss Your Memory",
but the rest of the songs that were supposed to be on the album were
never released and only appeared in bootlegs.[36][37] "I'll Kiss Your
Memory" was not charted in both U.K. and U.S. but reached #16 in
Netherlands in five weeks. Another country ballad "This Time" was
chosen as the B-side.[38] Bruce Eder of
AllMusic
AllMusic stated that the songs
on
The Kid's No Good
The Kid's No Good were of country and sentimental numbers.[39]
In April 1970 the album
Cucumber Castle
Cucumber Castle was released four months after
the break-up, featuring only Barry and Maurice, as Robin was working
on his solo career.[40] For the first time as a solo artist, he
appeared on the panel of judges and performed "One Bad Thing" and "The
Day Your Eyes Meet Mine" on Miss Teen Princess of the World pageant in
Germany in June, his reaction was "I've not appeared on stage for at
least a year and three months, and I really miss people". In July
1970, Gibb travelled to Australia to act as compere for Go-Set, and on
that occasion, he gave an interview on the magazine which revealed
that sixteen months after the Bee Gees' break-up, but he was still not
ready to argue with his brothers, "Obviously, we're still brothers,
but we are no longer as a group".[17]
"The Day Your Eyes Meet Mine", which he considered as the second
single from his debut album and Atco pressed some copies of it in
August 1970 with "One Bad Thing" as the B-side.[41] and was
distributed to the radio stations in Canada and elsewhere but was not
continued and it was decided to focus on a new
Bee Gees
Bee Gees release (in
favour of the Bee Gees' reunion single "Lonely Days") and was released
around August.[40] While
Polydor
Polydor planned to release "One Bad Thing" by
2 October. (elsewhere except North America and Canada)[17] Gibb
claimed that not only had he been focusing on writing and recording
songs, but he had still hoped to be an actor, "I have already had
offers to play different parts but, without appearing swell headed, I
haven't found the right part yet".[17] "One Bad Thing" was later given
by Gibb to his friend Ronnie Burns, a singer from Australia, and later
released it as a single on Festival Records.[42]
Rejoining the Bee Gees[edit]
Gibb performing on Dutch television programme TopPop in 1973
In August, the
Bee Gees
Bee Gees reunited and recorded together again, writing
"Lonely Days" and "How Can You Mend a Broken Heart" at their first
reunion session.[40] Two of Gibb's singles were omitted after the
group had reunited, "The Day Your Eyes Meet Mine" was withdrawn at the
last minute in the US while
Polydor
Polydor planned to release "One Bad Thing"
(2 October 1970).[17]
In 1971, the group released "How Can You Mend a Broken Heart" which
was their first American #1 hit. In October 1971, Gibb recorded three
songs for his fan club called
Barry Gibb
Barry Gibb Fan Club; one of the songs,
"King Kathy" was released as a single on Lyntone Records.[43] Gibb had
remained a constant creative force for the group and, by 1972, had set
aside the idea of a parallel solo career and was ready to devote full
attention to the band. To Whom It May Concern was the last album
recorded fully at
IBC Studios and their last album arranged by Bill
Shepherd who had worked with the group since 1964. Also in 1972, Gibb
moved to Los Angeles to record in
The Record Plant
The Record Plant studio.[44] In
1973, the
Bee Gees
Bee Gees moved to Robert Stigwood's
RSO Records and released
their first singles for Stigwood, "Saw a New Morning" and "Life in a
Tin Can". Stigwood was not ready to give up on the group, but he did
not believe in the musical direction they were taking. At the
suggestion of
Jerry Wexler
Jerry Wexler and
Ahmet Ertegun
Ahmet Ertegun of Atlantic Records,
Stigwood sent them to work with Atlantic producer and arranger Arif
Mardin who produced the next
Bee Gees
Bee Gees album in 1974.[45] After a
United States tour early in 1974, the band started to perform at small
clubs in England.[46]
The disco era[edit]
"It came to me in a dream, there was a request by Arif Mardin, who was
like an uncle to us, he was a great record producer during the song
'Nights On Broadway,' for the
Main Course
Main Course album, which is previous to
the 'Fever' syndrome. And he said, 'Can any of you scream, scream in
falsetto.' So, you know, give us an ad lib or a scream at the end. So
from screaming, it turned into things like 'blaming it all'."[47]
—Gibb on discovering his falsetto skills, The Larry King Show, 2002
At the start of 1975, the band moved to Miami at the suggestion of
Eric Clapton
Eric Clapton to work on their new album with R&B producer Arif
Mardin in Criteria Studios. The first song featuring Gibb's falsetto
was 1975's "Nights on Broadway". In 1976, Gibb wrote "I Just Want to
Be Your Everything", Andy Gibb's first US No. 1, and provided backup
vocals.[48]
During the year 1976, Gibb met up with
Vince Melouney
Vince Melouney and wrote two
songs, "Let It Ride" and "Morning Rain", that were never
recorded.[48][49] In November 1977, the film
Saturday Night Fever
Saturday Night Fever was
released, and its soundtrack became the best-selling soundtrack of all
time. During 1977, Gibb co-wrote "Emotion", the song remains Samantha
Sang's best-known hit. Gibb and Galuten wrote "Save Me, Save Me"
originally recorded by the group Network[50] and later covered by
Frankie Valli,[51] Dusty Springfield,[52] Rare Earth,[53] and Teri
DeSario.[54] The film Sgt. Pepper's Lonely Hearts Club Band, featuring
Gibb as Mark Henderson was shown in July 1978.[55] Andy's third
single, "Shadow Dancing", which was credited to all four Gibb
brothers, was also a US No. 1 single. In 1978, Gibb wrote a title song
to order for their manager Robert Stigwood's film and stage musical
Grease and was later recorded by singer
Frankie Valli
Frankie Valli and reached #1
in the US. The song contains guitar work by Peter Frampton. In
February 1978, he provided background vocals for his composition,
"Ain't Nothing Gonna Keep Me From You" which featured
Teri DeSario on
vocals.
After the Bee Gees' successful
1979 Spirits Having Flown Tour
1979 Spirits Having Flown Tour to
promote the album of the same name, he produced and almost wrote all
of the songs on Andy Gibb's final LP, After Dark released at the start
of 1980.
Production[edit]
In September 1980, Gibb produced the three new songs on Andy Gibb's
first compilation album, Andy Gibb's Greatest Hits. In October 1980,
Barbra Streisand's Guilty was released, produced by the
Gibb-Galuten-Richardson
Gibb-Galuten-Richardson team. The two songs of which were vocal duets
between Streisand and Gibb are "Guilty" a U.S. Top 10, and "What Kind
of Fool" also reached the Top 10 in the U.S. and reached #1 on the US
Adult contemporary chart.[56] In 1981, the
Bee Gees
Bee Gees released Living
Eyes. Songs from the album were not disco and the album was not a
commercial success. In 1982,
Clive Davis
Clive Davis asked Gibb to write for
Dionne Warwick, who was on his Arista label. Barry produced Warwick's
Heartbreaker. The songs were all written by Gibb except "Our Day Will
Come". In August 1983, after Gibb met
Kenny Rogers
Kenny Rogers who asked for some
songs, Gibb recorded his first demo for Rogers entitled "Eyes That See
in the Dark". At that time, Robin was working on his How Old Are You?
album with Maurice playing instruments. The other songs intended for
Kenny Rogers
Kenny Rogers were written in late 1982,[57] then at the start of 1983,
Barry continued to record the demos until April 1983, while also
recording songs with the
Bee Gees
Bee Gees for the film Staying Alive. In
August 1983, he produced Rogers' new album Eyes That See in the Dark,
which includes the song "Islands in the Stream" by Rogers and Dolly
Parton which became one of the best-selling singles in country
music.[58]
Second solo work[edit]
In August 1983, Irving Azoff signed Gibb to the
MCA Records
MCA Records for North
America. Gibb was signed for a few million dollars to a multi-album
deal.
Polydor
Polydor still had rights to Gibb's songs outside North
America.[59] In September 1984, his album
Now Voyager
Now Voyager was released.
Two singles from the album included "Shine, Shine", a US Top 40 single
that reached the Top 10 in their Adult contemporary charts, and "Fine
Line" which was less successful only reaching #50 on the dance charts.
The film
Now Voyager
Now Voyager starring Gibb was directed by Storm Thorgerson,
in which Gibb is the protagonist, with actor
Michael Hordern
Michael Hordern as his
guide through a confusing world between life and death. The film
includes a music video on most of the songs on Now Voyager. A video
for "Fine Line" featuring Gibb without his trademark beard and was
filmed in black and white.[60]
In 1985, Gibb started to record demos for Diana Ross, for her album
Eaten Alive. In the same year, he co-wrote most of the songs on Robin
Gibb's album Walls Have Eyes.[61]
In late 1985 and early 1986, he wrote new songs for his next album,
though his third album Moonlight Madness was not released and most of
the songs on that album was later released in 1988. Producer Randy
Jackson plays bass on all of the tracks. Gibb co-wrote three songs for
Swedish singer Carola on her album Runaway. Also in 1985, he joined
the short-lived supergroup the Bunburys with David English.[62]
Comeback for the Bee Gees[edit]
In early 1987, the
Bee Gees
Bee Gees started to record their first album in six
years. In June and July 1987, Gibb and Maurice produced Andy Gibb's
four new songs; one of them is "Arrow Through the Heart" which was
later released in 2010. In 1987, Gibb co-wrote "Up the Revolution" by
Elton John.[63] And in 1988, Gibb recorded two new songs for the Hawks
film. In September 1988, the film soundtrack of the film was released
by
Polydor
Polydor only in the U.K. The songs were all performed by Gibb
except "Chain Reaction" (Diana Ross). The single from the soundtrack,
"Childhood Days", reached only No. 60 in Germany.[64]
Around 1990, the
Bee Gees
Bee Gees recorded High Civilization. In September
1990, Gibb played guitar and produced "Born to Be Loved by You" by
Kelli Wolfe, which was released as an unreleased B-side in August
1993.[65] Around 1992, Gibb played guitar on Lulu's "Let Me Wake Up in
Your Arms", released in 1993.[66] In 1993, the
Bee Gees
Bee Gees recorded and
released Size Isn't Everything.[67] In 1994, the
Bee Gees
Bee Gees and Polydor
planned a tour to promote Size Isn't Everything, but it was off in
February, due to Gibb's trouble with arthritis in the back, right hand
and right knee.[68] Gibb co-wrote "I Will Be There", which was
recorded as a demo for
Tina Turner
Tina Turner and released on Turner's album
Twenty Four Seven. In 2001, Gibb co-wrote "I Cannot Give You My Love"
with Ashley Gibb, which was intended for Cliff Richard. In September
2001, the
Bee Gees
Bee Gees re-recorded "Islands in the Stream", which became
their last session as a group, as Gibb did not seem to be present on
the session in Middle Ear Studios, Miami Beach, Florida.[69] In 2002,
Gibb and
Michael Jackson
Michael Jackson recorded "All In Your Name". Also in 2002,
Gibb sings background vocals on Michael Bublé's version of the 1971
song "How Can You Mend a Broken Heart".[70]
In November 2003, ten months after Maurice's death, Gibb produced and
contributed background vocals and guitar to two songs performed by
Cliff Richard, "I Cannot Give You My Love" and "How Many Sleeps?";
Maurice's keyboard work from a 2001 demo version was included in this
2003 version.[71] On 2 May 2004, Barry and
Robin Gibb
Robin Gibb received the CBE
award at Buckingham Palace; their nephew Adam accepted his father
Maurice's posthumous award.[72] Also in 2004, Gibb co-wrote and sang
background vocals on his son Steve Gibb's solo single "Living in the
Rain". In January 2005, along with many artists, Gibb and his brother
Robin recorded vocal parts for the charity single "Grief Never Grows
Old" on behalf of victims of the tsunami in the Indian Ocean on 26
December 2004. In April and May 2005,
Barbra Streisand
Barbra Streisand recorded songs
for her new album produced by Gibb.[73] In August 2006, two Gibb
singles, "Doctor Mann" and "Underworld", were released on iTunes.
"Underworld" was featured on the film soundtrack of
Arctic Tale
Arctic Tale but
not in the film.[74] On 7 December 2006, Gibb joined 4,500 other
musicians in a full-page advertisement in the Financial Times
newspaper, calling for the
British Government
British Government to extend the existing
50-year copyright protection of sound recordings in the United
Kingdom. The fair play for musicians advertisement proposed that the
copyright be extended to the American standard of 95 years and was a
direct response to the
Gowers Review (published by the British
Government on 6 December 2006), which recommended the retention of the
50-year protection for sound recordings.[75]
In 2007, "Drown On the River" was released as a single on iTunes. The
song later appeared on the soundtrack of Deal. Also in the same year,
Gibb sang background vocals on Jamie Jo's song "U Turn Me On"[76] and
wrote the theme music for ITV's Grease Is the Word. Also in 2007 Gibb
appeared as a mentor in season six of American Idol. On 14 March 2009,
Gibb teamed with
Olivia Newton-John
Olivia Newton-John to present the one-hour finale
performance at a star-studded 12-hour live concert at Sydney's Sydney
Cricket Ground, part of Sound Relief, a fundraiser to aid victims of
the February 2009
Victorian Bushfires
Victorian Bushfires that devastated large tracts of
heavily wooded and populated south-eastern Australia, where the Gibb
family once lived. The concert was televised live nationally across
Australia on the Max TV cable network. On 10 July 2009, Gibb was made
a Freeman of the Borough of Douglas (Isle of Man). The award was also
bestowed upon his brother Robin and posthumously upon his brother
Maurice.[77] Also in 2009, Barry and Linda Gibb became U.S. citizens;
they retain their British citizenship. In late 2009, Barry and Robin
announced plans to record and perform together once again as the Bee
Gees.[78]
In 2010, Gibb withdrew from a planned appearance on the Gorillaz album
Plastic Beach which was released in March.[79] In December 2011, his
two songs, "Grey Ghost" and "Daddy's Little Girl" were released.[80]
On 21 February 2012, Gibb performed his first solo concert in the U.S.
at the Seminole
Hard Rock Cafe
Hard Rock Cafe in Florida.[81] He sang "How Can You
Mend a Broken Heart" with Maurice's daughter, Samantha Gibb, who is a
singer in her own band. Barry's son Steve was also on stage as lead
guitarist and sang a Maurice composition, "On Time". On 20 May 2012,
Robin Gibb
Robin Gibb died, making Barry the sole surviving Gibb brother.[82]
2012–present: Solo career[edit]
Gibb made his debut performance at the
Grand Ole Opry
Grand Ole Opry on 27 July 2012,
performing three songs with Ricky Skaggs.[83] Skaggs later recorded
"Soldier's Son" on which Gibb added vocals for Skaggs' album Music to
My Ears released in 2012.[84]
He commenced a world tour in 2013 in Australia called Mythology Tour,
featuring the
Bee Gees
Bee Gees anthology set album of the same name.[85] He
was joined on stage by his son Steve and Maurice's daughter
Samantha.[86] On that tour, for the first time on stage, Gibb
performed "Playdown" (1966), "Every Christian Lion Hearted Man Will
Show You" (1967), "I Started a Joke" (1969) and "With the Sun in My
Eyes" (1968). Also, for the first time, the music video of the Bee
Gees' 2001 song "Technicolor Dreams", written by Gibb, was shown
before the show began. This short tour inspired
Festival Records
Festival Records to
release a box set of the Bee Gees' three Australian albums, The
Festival Albums Collection, 1965–1967, and a 'best of' compilation
of the group's Australian era songs titled Morning of My Life.[87]
On 27 October 2013, Gibb appeared at the Country Music Hall of Fame
with
Kenny Rogers
Kenny Rogers and Bobby Bare; Gibb performed "Islands in the
Stream" with Kelly Lang. In October, Gibb performed at the Grand Ole
Opry for the second time with Ricky Skaggs.[88] On 21 December 2013,
Barry Gibb
Barry Gibb made a surprise appearance on the US television show
Saturday Night Live
Saturday Night Live at the end of the "
Barry Gibb
Barry Gibb
Talk
Talk Show" skit with
Jimmy Fallon,
Justin Timberlake
Justin Timberlake and Madonna. Also appearing that night
was
Sir
Sir
Paul McCartney
Paul McCartney who shared the stage with Gibb during the
closing credits where they embraced each other.[89]
On 27 January 2014, Gibb appeared on the American television show Late
Night with
Jimmy Fallon
Jimmy Fallon to announce the start of his first solo tour
of the US. He performed "You Should Be Dancing" with help from
Fallon's backing band, The Roots.[90] Gibb and Fallon sang some Everly
Brothers songs, including "Bye Bye Love" and "Wake Up Little Susie".
Gibb also sang "To Love Somebody" as a bonus online performance.[91]
On 28 January, Gibb was interviewed by the CNN about his brothers and,
in that same interview, Gibb talks about Justin Bieber, saying he is
"heading for a brick wall".[92] In a Mirror interview with Gibb on 11
July 2014 that he was still mourning following the death of Robin and
credits his wife Linda and
Paul McCartney
Paul McCartney for helping him to
recover.[93] Gibb appeared on a
Paul McCartney
Paul McCartney tribute album The Art
of McCartney released on 18 November 2014 performing "When I'm
Sixty-Four".[94] Gibb's friend, country singer
TG Sheppard said in an
interview with Gary James that Gibb just moved to Nashville and was
going into country music.[95]
On 8 February 2015 at the 57th Annual
Grammy
Grammy Awards, Gibb, along with
the group
Pentatonix
Pentatonix presented the category of Best Pop Vocal
Album.[96] On March 26, 2015, Gibb was one of the headlining acts on a
music festival called the Hard Rock Rising Miami Beach Global Music
Festival alongside Andrea Bocelli, Gloria Estefan, Flo Rida, Jon
Secada and Wyclef Jean.[97][98] For the first time in public, he
performed his new song "The Home Truth Song".[99]
On 26 June 2016, Gibb was scheduled to perform the "legend" spot at
the
Glastonbury Festival
Glastonbury Festival in England, but pulled out due to a family
illness. He did, however, appear with
Coldplay
Coldplay as a guest performer
singing "To Love Somebody" and "Stayin' Alive".[100]
On 28 June 2016, it was announced that Gibb had signed to Columbia
Records and will release his second solo album,
In the Now
In the Now on 7
October 2016.[101][102] The album is Gibb's first album with all new
material since Bee Gees' final studio album This Is Where I Came In
(2001).
In the Now
In the Now was co-written by his sons Stephen and Ashley, and
it was produced with John Merchant.[101]
On 25 June 2017, Gibb performed the "legend" spot at the Glastonbury
Festival in England.[103] He also joined
Coldplay
Coldplay on stage during the
same festival in 2016.[104]
Personal life[edit]
Gibb's first marriage was to Maureen Bates, whom he married on 22
August 1966, when he was 19 years old. The couple lived together for
only a short time and were divorced in July 1970.[105] During the
taping of the BBC's
Top of the Pops
Top of the Pops in London, Gibb met the former
Miss Edinburgh, Linda Gray. On 1 September 1970 (his 24th birthday),
Gibb married Gray. Together, they have five children – Stephen (born
1973), Ashley (born 1977), Travis (born 1981), Michael (born 1984) and
Alexandra (born 1991).[17] – and seven grandchildren.[106]
Barry also became friends with Michael Jackson, as he mentions him in
his 11 July 2014 interview with the Mirror: "He would come to Miami
and stay in our house. He’d sit in the kitchen and watch the fans
outside his hotel on TV, just giggling – 'Hee hee!' He lived
upstairs for a while, right before his child-molestation trial. We
never discussed the case. We would just sit around and write and get
drunk. Michael liked wine – there were a few nights when he just
went to sleep on the floor". Gibb also revealed on that interview that
he misses Jackson.[93]
In January 2006, Gibb purchased the former home of country singers
Johnny Cash
Johnny Cash and
June Carter Cash
June Carter Cash (the House of Cash) in
Hendersonville, Tennessee, intending to restore it and turn it into a
songwriting retreat.[107] The house was destroyed by fire on 10 April
2007 while under renovation.[108] On 10 July 2009, Gibb was made a
Freeman of the Borough of Douglas (Isle of Man). The award was also
bestowed upon his brother Robin and posthumously upon his brother
Maurice.[77] Also in 2009, Barry and Linda Gibb became US citizens.
They have dual citizenship. Barry has homes in Miami, Florida and in
Beaconsfield, Buckinghamshire, set in 90 acres of English
countryside.[109]
Influences[edit]
Gibb's influences when he was in the Rattlesnakes were Tommy
Steele,[110] The Mills Brothers,[111][112] The Everly Brothers, Paul
Anka and Cliff Richard.[17] The
Bee Gees
Bee Gees acknowledged that they would
sing in the style of the Everlys and then add a third harmony; the
result was "New York Mining Disaster 1941" (1967). When Gibb heard Roy
Orbison's song "Crying", he said: "That was it. To me that was the
voice of God."[113]
Gibb on praising the vocal skills of
Frankie Valli
Frankie Valli as well as one of
his influences, ""
Frankie Valli
Frankie Valli has become one of the hallmark voices
of our generation. He created a style that we all still strive to
emulate."[114] Gibb was also influenced by country music as his songs
on the 1970 unreleased
The Kid's No Good
The Kid's No Good were the evidence: "Country
music always inspired us. I love Nashville and I love this music.
Since my brothers passed, I’ve been able to be self-indulgent.
I’ve been able to go where I love the music".[115]
Legacy[edit]
Gibb was ranked by Q magazine at number 38 on their list of "100
Greatest Singers" in 2007.[116]
Gibb had a highly successful career as a member of the Bee Gees, a
group near the top of the all-time top-sellers list. When the group
was inducted into the
Rock and Roll Hall of Fame
Rock and Roll Hall of Fame in 1997, their
citation read "Only Elvis Presley, The Beatles, Michael Jackson, Garth
Brooks and
Paul McCartney
Paul McCartney have outsold the Bee Gees".[117] The trio's
contribution to
Saturday Night Fever
Saturday Night Fever pushed the film's soundtrack past
the 40 million mark in sales. It reigned as the top-selling album
until Michael Jackson's Thriller. They are the only group in pop
history to write, produce and record six straight No.1 hits. They have
16
Grammy
Grammy nominations and nine
Grammy
Grammy wins.
The three Gibb brothers were appointed Commanders of the Order of the
British Empire (CBE) in 2002. On 2 May 2004, Barry and Robin received
their awards at Buckingham Palace, along with their nephew Adam, who
collected the award on behalf of his father Maurice, who had died in
January 2003.[72] Gibb was also awarded a knighthood in the 2018 New
Year Honours.
Gibb is also a prolific and successful songwriter and a fellow of the
British Academy of Songwriters, Composers and Authors.[10] In 1977,
Gibb saw five of his songs simultaneously enter the Top Ten of the
Billboard Hot 100
Billboard Hot 100 and, for one week in March, four of the top five
songs were written by him. His songs were No. 1 for 27 out of 37 weeks
from 24 December 1977 to 2 September 1978. Gibb also holds a very
unusual record, in that he is the only songwriter in history to write
four successive US number one hits: in 1978, the Bee Gees' "Stayin'
Alive" was replaced at number one by Andy Gibb's single, "Love Is
Thicker Than Water", followed by the Bee Gees' "Night Fever" for their
longest run, seven weeks. This was then replaced by Yvonne Elliman's
"If I Can't Have You".
As a songwriter Gibb has had No. 1 songs in the 1960s, 1970s, 1980s
1990s and 2000s, when "Islands in the Stream" became No. 1 in the UK
as the comic relief single for 2009. His compositions for the Bee Gees
have been recorded by numerous artists, including José Feliciano,
Celine Dion, Al Green, Wyclef Jean, Janis Joplin, Jimmy Little, Barry
Manilow, Olivia Newton-John, Roy Orbison, Elvis Presley, Kenny Rogers,
Diana Ross, Nina Simone, Barbra Streisand, Samantha Sang, Tina Turner,
Conway Twitty, Frankie Valli, Luther Vandross, Sarah Vaughan, Jennifer
Warnes,
Dionne Warwick
Dionne Warwick and Andy Williams. Australian musician David
Campbell, on praising Gibb on comparing
The Beach Boys
The Beach Boys and the Bee
Gees: ""And like Brian Wilson, Barry Gibb’s melodies made the songs
timeless".[118]
Gibb's solo songs have been recorded by number of artists, including
Lou Reizner, Samantha Sang, P. P. Arnold, Ronnie Burns,
Jerry Vale
Jerry Vale and
many others.[119] As a record producer, Gibb produced albums for Andy
Gibb, Barbra Streisand, Dionne Warwick,
Kenny Rogers
Kenny Rogers and Diana Ross.
Solo discography[edit]
For his discography with the Bee Gees, see
Bee Gees
Bee Gees discography.
Studio albums[edit]
Year Album details Peak chart positions
UK [120] US [121]
1984 Now Voyager
Released: September 1984 Label: MCA, Polydor
85 72
2016 In the Now
Released: October 2016 Label: Columbia
2 63
Soundtracks[edit]
Year Album details Peak chart positions
UK [122] US [121]
1988 Hawks
Released: September 2008 Label: Polydor
— —
Compilations[edit]
Year Album details Peak chart positions
UK [122] US [121]
2006 The Guilty Demos
Released: 10 October 2006
— —
The Heartbreaker Demos
Released: 10 October 2006
— —
The
Eyes That See in the Dark
Eyes That See in the Dark Demos
Released: 10 October 2006
— —
The Eaten Alive Demos
Released: 10 October 2006
— —
Singles[edit]
Year Single Peak chart positions Certifications (sales thresholds) Album
UK [122] US [121] [122] US Dance [121] US AC [121] GER [123] NED [124]
1970 "I'll Kiss Your Memory" — — — — — 16
Singles only
1978 "A Day in the Life" — — — — — —
Sgt. Pepper (soundtrack)
1980
"Guilty" (with Barbra Streisand)
34
3
—
5
—
—
Gold
Guilty (
Barbra Streisand
Barbra Streisand album)
1981 "What Kind of Fool" (with Barbra Streisand) — 10 — 1 — —
1984 "Shine, Shine" 95 34 — 8 45 —
Now Voyager
"Fine Line" — — 50 — — —
1988 "Childhood Days" — — — — 60 —
Hawks (soundtrack)
2006 "Doctor Mann" — — — — — —
Singles only
"Underworld" — — — — — —
2007 "Drown On the River" — — — — — —
2011 "All in Your Name" (with Michael Jackson) — — — — — —
"Grey Ghost" — — — — — —
"Daddy's Little Girl" — — — — — —
"—" denotes releases did not chart
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External links[edit]
Wikimedia Commons has media related to Barry Gibb.
Official
Barry Gibb
Barry Gibb website
Official
Bee Gees
Bee Gees website
Barry Gibb
Barry Gibb on IMDb
v t e
Barry Gibb
Studio albums
Now Voyager In the Now
Soundtracks
Hawks
Compilations
The Guilty Demos
The Heartbreaker Demos
The
Eyes That See in the Dark
Eyes That See in the Dark Demos
The Eaten Alive Demos
Unreleased works
The Kid's No Good Moonlight Madness
Singles
"I'll Kiss Your Memory" "A Day in the Life" "Guilty" "What Kind of Fool" "Shine, Shine" "Fine Line" "Childhood Days" "Doctor Mann" "Underworld" "Drown On the River" "All in Your Name" "Grey Ghost" "Daddy's Little Girl"
Solo tours
Mythology Tour
Related articles
Bee Gees
The Rattlesnakes
Gibb-Galuten-Richardson
One World Project
Hugh Gibb
Robin Gibb
Maurice Gibb
Andy Gibb
Steve Gibb
Cucumber Castle
Sgt. Pepper's Lonely Hearts Club Band
Now Voyager
The
Barry Gibb
Barry Gibb
Talk
Talk Show
v t e
Bee Gees
Barry Gibb Robin Gibb Maurice Gibb
Colin Petersen Vince Melouney Alan Kendall Dennis Bryon Blue Weaver
Studio albums
The
Bee Gees
Bee Gees Sing and Play 14
Barry Gibb
Barry Gibb Songs
Spicks and Specks
Bee Gees' 1st
Horizontal
Idea
Odessa
Cucumber Castle
2 Years On
Trafalgar
To Whom It May Concern
Life in a Tin Can
Mr. Natural
Main Course
Children of the World
Spirits Having Flown
Living Eyes
E.S.P.
One
High Civilization
Size Isn't Everything
Still Waters
This Is Where I Came In
Extended plays
The Bee Gees New York Mining Disaster 1941
Soundtracks
Melody Saturday Night Fever
Live albums
Here at Last... Bee Gees... Live One Night Only
Compilation albums
Turn Around, Look at Us
Rare, Precious and Beautiful
Rare, Precious and Beautiful, Volume 2
Best of Bee Gees
Inception/Nostalgia
Best of Bee Gees, Volume 2
Bee Gees
Bee Gees Gold
Bee Gees
Bee Gees Greatest
Tales from the Brothers Gibb
The Very Best of the Bee Gees
Their Greatest Hits: The Record
Number Ones
Love Songs
The Ultimate Bee Gees
Mythology
Timeless: The All-Time Greatest Hits
Videography
Idea
Cucumber Castle
The
Bee Gees
Bee Gees Special
One for All Tour
One Night Only
The Ultimate Bee Gees
In Our Own Time
Tours
The Bee Gees' concerts in 1967 and 1968
2 Years On
2 Years On Tour
Trafalgar Tour
Mr. Natural Tour
Main Course
Main Course Tour
Children of the World
Children of the World Tour
Spirits Having Flown
Spirits Having Flown Tour
One for All World Tour
High Civilization World Tour
One Night Only World Tour
Articles
Discography
List of songs recorded List of unreleased material
A Kick in the Head Is Worth Eight in the Pants
The
Barry Gibb
Barry Gibb
Talk
Talk Show
IBC Studios
Hither Green rail crash
Bands
The Rattlesnakes Humpy Bong The Fut The Bloomfields Tin Tin The Groove Billy Thorpe and the Aztecs Toe Fat Amen Corner One World Project
People
Hugh Gibb Andy Gibb Steve Gibb Spencer Gibb Robert Stigwood Arif Mardin Ossie Byrne Steve Kipner Albhy Galuten
Book Category
v t e
Grammy
Grammy Award for Album of the Year
1959–1979
The Music from Peter Gunn
The Music from Peter Gunn –
Henry Mancini
Henry Mancini (1959)
Come Dance with Me! –
Frank Sinatra
Frank Sinatra (1960)
The Button-Down Mind of Bob Newhart
The Button-Down Mind of Bob Newhart –
Bob Newhart
Bob Newhart (1961)
Judy at Carnegie Hall
Judy at Carnegie Hall –
Judy Garland
Judy Garland (1962)
The First Family –
Vaughn Meader
Vaughn Meader (1963)
The
Barbra Streisand
Barbra Streisand Album –
Barbra Streisand
Barbra Streisand (1964)
Getz/Gilberto
Getz/Gilberto – Stan Getz,
João Gilberto
João Gilberto (1965)
September of My Years –
Frank Sinatra
Frank Sinatra (1966)
A Man and His Music –
Frank Sinatra
Frank Sinatra (1967)
Sgt. Pepper's Lonely Hearts Club Band
Sgt. Pepper's Lonely Hearts Club Band –
The Beatles
The Beatles (1968)
By the Time I Get to Phoenix –
Glen Campbell
Glen Campbell (1969)
Blood, Sweat & Tears – Blood, Sweat & Tears (1970)
Bridge over Troubled Water
Bridge over Troubled Water – Simon & Garfunkel (1971)
Tapestry –
Carole King
Carole King (1972)
The Concert for Bangladesh – Various (1973)
Innervisions
Innervisions –
Stevie Wonder
Stevie Wonder (1974)
Fulfillingness' First Finale
Fulfillingness' First Finale –
Stevie Wonder
Stevie Wonder (1975)
Still Crazy After All These Years
Still Crazy After All These Years –
Paul Simon
Paul Simon (1976)
Songs in the Key of Life
Songs in the Key of Life –
Stevie Wonder
Stevie Wonder (1977)
Rumours –
Fleetwood Mac
Fleetwood Mac (1978)
Saturday Night Fever
Saturday Night Fever – Bee Gees/Various (1979)
1980–2000
52nd Street –
Billy Joel
Billy Joel (1980)
Christopher Cross
Christopher Cross –
Christopher Cross
Christopher Cross (1981)
Double Fantasy
Double Fantasy –
John Lennon
John Lennon and
Yoko Ono
Yoko Ono (1982)
Toto IV
Toto IV – Toto (1983)
Thriller –
Michael Jackson
Michael Jackson (1984)
Can't Slow Down –
Lionel Richie
Lionel Richie (1985)
No Jacket Required
No Jacket Required –
Phil Collins
Phil Collins (1986)
Graceland –
Paul Simon
Paul Simon (1987)
The Joshua Tree
The Joshua Tree – U2 (1988)
Faith –
George Michael
George Michael (1989)
Nick of Time –
Bonnie Raitt
Bonnie Raitt (1990)
Back on the Block
Back on the Block –
Quincy Jones
Quincy Jones and various artists (1991)
Unforgettable... with Love –
Natalie Cole
Natalie Cole (1992)
Unplugged –
Eric Clapton
Eric Clapton (1993)
The Bodyguard –
Whitney Houston
Whitney Houston (1994)
MTV Unplugged –
Tony Bennett
Tony Bennett (1995)
Jagged Little Pill
Jagged Little Pill –
Alanis Morissette
Alanis Morissette (1996)
Falling into You
Falling into You –
Celine Dion
Celine Dion (1997)
Time Out of Mind –
Bob Dylan
Bob Dylan (1998)
The Miseducation of Lauryn Hill
The Miseducation of Lauryn Hill –
Lauryn Hill
Lauryn Hill (1999)
Supernatural – Santana (2000)
2001–present
Two Against Nature
Two Against Nature –
Steely Dan
Steely Dan (2001)
O Brother, Where Art Thou? Soundtrack (2002)
Come Away with Me
Come Away with Me –
Norah Jones
Norah Jones (2003)
Speakerboxxx/The Love Below
Speakerboxxx/The Love Below –
Outkast
Outkast (2004)
Genius Loves Company
Genius Loves Company –
Ray Charles
Ray Charles and various artists (2005)
How to Dismantle an Atomic Bomb
How to Dismantle an Atomic Bomb – U2 (2006)
Taking the Long Way
Taking the Long Way –
Dixie Chicks
Dixie Chicks (2007)
River: The Joni Letters –
Herbie Hancock
Herbie Hancock (2008)
Raising Sand
Raising Sand –
Robert Plant
Robert Plant &
Alison Krauss
Alison Krauss (2009)
Fearless –
Taylor Swift
Taylor Swift (2010)
The Suburbs
The Suburbs –
Arcade Fire
Arcade Fire (2011)
21 –
Adele
Adele (2012)
Babel – Mumford & Sons (2013)
Random Access Memories
Random Access Memories –
Daft Punk
Daft Punk (2014)
Morning Phase
Morning Phase –
Beck
Beck (2015)
1989 –
Taylor Swift
Taylor Swift (2016)
25 –
Adele
Adele (2017)
24K Magic –
Bruno Mars
Bruno Mars (2018)
Authority control
WorldCat Identities VIAF: 84962854 LCCN: n88618834 ISNI: 0000 0001 1494 4836 GND: 128676272 SUDOC: 074331698 BNF: cb138944346 (data) MusicBrainz: b02e4ca5-312a-4d2e-b087-30db9d5ec579 NDL: 001167159 B