Baris (dance)
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''Baris'' dance ( ban, ᬩᬭᬶᬲ᭄) is a family of traditional
war dance A war dance is a dance involving mock combat, usually in reference to tribal warrior societies where such dances were performed as a ritual connected with endemic warfare. Martial arts in various cultures can be performed in dance-like setti ...
s in
Bali Bali () is a province of Indonesia and the westernmost of the Lesser Sunda Islands. East of Java and west of Lombok, the province includes the island of Bali and a few smaller neighbouring islands, notably Nusa Penida, Nusa Lembongan, and ...
,
Indonesia Indonesia, officially the Republic of Indonesia, is a country in Southeast Asia and Oceania between the Indian and Pacific oceans. It consists of over 17,000 islands, including Sumatra, Java, Sulawesi, and parts of Borneo and New Gui ...
, accompanied by
gamelan Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. T ...
, in which dancers depict the feelings of a young warrior prior to battle, glorify the manhood of the triumphant Balinese warrior, and display the sublimity of his commanding presence. ''Baris'' derives its name from the word ''bebarisan'', which literally means "line" or "file formation", referring to the soldiers who served the ancient
raja ''Raja'' (; from , IAST ') is a royal title used for South Asian monarchs. The title is equivalent to king or princely ruler in South Asia and Southeast Asia. The title has a long history in South Asia and Southeast Asia, being attested ...
s of Bali.


Performance

There are two main types of ''baris'' dance which can be found throughout the island of
Bali Bali () is a province of Indonesia and the westernmost of the Lesser Sunda Islands. East of Java and west of Lombok, the province includes the island of Bali and a few smaller neighbouring islands, notably Nusa Penida, Nusa Lembongan, and ...
. The non-ritual dance is performed by a solo male dancer, and is often the first dance that a budding dancer learns. However, there are over thirty different types of ritual ''baris'' dances, each of which is performed by a group of people, still imitating the movements of the warrior.


''Baris tunggal''

A ''baris tunggal'' dancer, namely a ''baris'' dancer who performs on his own, is dressed in white leggings known as ''celana''. Around his ankles are coverings, known as ''setewel'', which reach halfway up his calves. The dancer wears a belt (''setagen''), reaching up on his body; inside this belt a '' keris'' is tucked near the shoulder. Around the dancer's torso is a collection of fabric panels, known as ''awiran'', which hang from his body. Another panel, larger, is fixed to his chest. Around his neck he wears a circular collar known as a ''badong''; this collar may or may not be decorated with beads. The costume is completed with a triangular headdress made of shells on springs, which shake during the performance. At first, as he takes the stage, the dancer's movements are studied and careful, as if he were seeking out foes in an unfamiliar place. When he reaches the middle of the stage, hesitation gives way to self-assurance. He rises on his toes to his full stature, his body motionless with quivering limbs, he whirls on one leg, his feet tread the ground to the tumult of the gamelan, and his face renders the storm of passions of a quick-tempered warrior.


Group dances

There are a variety of group formats for the ''baris'' dance, including ''baris gde'', ''baris keris'', ''baris omang'', ''baris perisi'', and ''baris dadap''. These dances are accompanied by different types of music and involve different movements. Dancers may carry a variety of weapons, including a
kris The kris, or ''keris'' in the Indonesian language, is an asymmetrical dagger with distinctive blade-patterning achieved through alternating laminations of iron and nickelous iron (''pamor''). Of Javanese origin, the kris is famous for its dist ...
, a spear, a bow, or other weapons; often dances are named after the weapons carried. The performances may or may not attempt to convey a story. All, however, are considered sacral, and used for religious ceremonies and events. Among these dances is the ''baris demang'', which dates back to the 19th century (a drawing of a performance was acquired by
Herman Neubronner van der Tuuk Herman Neubronner van der Tuuk (23 February 1824 – 17 August 1894) was a Bible translator and linguist specialising in the languages of the Dutch East Indies. Early years and studies Van der Tuuk was born in Malacca (part of the Dutch Ea ...
while in Bali). In such a dance, dancers wear costumes similar to those worn by the ''demang'' in '' gambuh'' performances and carry wooden knives. This dance is usually performed during the ''Pemayun'' ritual. In ''baris biasa'', dancers are armed with spears. Such dances are generally brief, and involve a form of playfighting known as ''masesraman'', in which the wooden spears are knocked against each other. Dancers (who can be either male or, when they are fulfilling priestly roles, female) do not wear special costumes; they are only garbed in normal headgear and cloth. The ''baris biasa'' dance is generally performed in the morning, following temple activities. Other versions include ''baris panah'' (in which the dancers are armed with arrows), ''baris presi'' (in which the dancers are armed with round shields), and ''baris dadap'' (in which dancers are armed with elongated, oblong shields). ''Baris presi'' is common throughout northern and southern Bali. ''Baris dadap'', however, was limited in range by the 1980s. Dancers


Gallery

COLLECTIE TROPENMUSEUM Portret van drie speerdansers op een tempelcomplex op Bali TMnr 10003685.jpg COLLECTIE TROPENMUSEUM Ceremoniemeesters uit Lombok in dienst van de vorst van Bali. TMnr 60002155.jpg COLLECTIE TROPENMUSEUM Portret van een jonge Baris danser TMnr 10014271.jpg


See also

*
Balinese dance Balinese dance ( id, Tarian Bali; ban, ᬇᬕᬾᬮᬦ᭄​ᬩᬮᬶ) is an ancient dance tradition that is part of the religious and artistic expression among the Balinese people of Bali island, Indonesia. Balinese dance is dynamic, angu ...
*
Kecak ''Kecak'' (pronounced ("kechak"), alternate spellings: ''kechak'' and ''ketjak''), known in Indonesian as ''tari kecakilolahhe'', is a form of Balinese Hindu dance and music drama that was developed in the 1930s in Bali, Indonesia. Since i ...
*
Sanghyang ( ban, ᬲᬂᬳ᭄ᬬᬂ​) is a traditional sacred Balinese dance originated from the Indonesian island of Bali, it is based on the premise that an unseen force enters the body of an entranced performer. The force, identified as ''hyang'' ...


References

{{Dance of Indonesia Dances of Bali Sacred dance