Ballet Society
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Ballet Society is a non-profit educational institution founded in 1946 by
Lincoln Kirstein Lincoln Edward Kirstein (May 4, 1907 – January 5, 1996) was an American writer, impresario, art connoisseur, philanthropist, and cultural figure in New York City, noted especially as co-founder of the New York City Ballet. He developed and s ...
and
George Balanchine George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze; ka, გიორგი მელიტონის ძე ბალანჩივაძე; January 22, 1904 (O. S. January 9) – April 30, 1983) was ...
. At its founding, Balanchine was the Artistic Director and Kirstein served as the Secretary. The president of Ballet Society is Nancy Lassalle, an original Board member of both the School of American Ballet and the New York City Ballet, currently Emerita.


Early history

Ballet Society began as a ballet company, the fourth ballet established by Balanchine and Kirstein in the United States. Its performances were for a subscription audience. The first performance took place on November 20, 1946 at the Central High School of Needle Trades in New York City. In its first season, it opened with '' The Four Temperaments'' and the ''Spellbound Child''.


New York City Ballet and change of mission

On April 28, 1948 ''
Orpheus Orpheus (; Ancient Greek: Ὀρφεύς, classical pronunciation: ; french: Orphée) is a Thracian bard, legendary musician and prophet in ancient Greek religion. He was also a renowned poet and, according to the legend, travelled with J ...
,'' presented by Ballet Society while it was still a ballet company, premiered at City Center. This prompted Morton Baum, Chairman of the Finance Committee of City Center of Music & Drama, to invite Balanchine and Kirstein to establish a resident company, renamed the
New York City Ballet New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company ...
. Once the dance company was given a stable home at New York City Center, Ballet Society continued to operate separately as a non-profit organization in the service of the School of American Ballet and the New York City Ballet, publishing dance books and developing and funding projects related to the sustenance and encouragement of dance in the United States, while continuing to commission new ballets. Ballet Society's purpose has been to develop an historical and pedagogical foundation for the art of ballet and dance. In its first two decades it received $200,000 in grants to research and expand the reach of ballet in the United States. With these funds Ballet Society published programs and held seminars and workshops with dance scholars, artists and dance teachers. It also commissioned and presented choreography by George Balanchine, Todd Bolender, Merce Cunningham, Lew Christensen, Francisco Moncion, and William Dollar. Ballet Society has worked since 2001 with Eakins Press Foundation to publish works of dance scholarship or that aid dance scholarship.


School of American Ballet

Balanchine and Kirstein opened the
School of American Ballet The School of American Ballet (SAB) is the most renowned ballet school in the United States. School of American Ballet is the associate school of the New York City Ballet, a ballet company based at the Lincoln Center for the Performing Arts in New ...
in 1934 before starting any of the ballet companies they went on to found over the years. Prior to and including 1946, when they began Ballet Society, Balanchine was able to utilize the dancers from his school for his ballets.


Grants and sponsorships

In 1949, Ballet Society received a grant from the Rockefeller Foundation for $2,500 for the completion of a book, published as ''The Classic Ballet: Basic Technique and Terminology'', with a text by Muriel Stuart, illustrations by Carlus Dyer, and a foreword by George Balanchine. Lincoln Kirstin is credited with the historical development. This book remains in print today. In 1958, Ballet Society received two significant grants from the Ford Foundation: a) $25,000 to conduct a survey and evaluate the state of ballet training in America, and b) $150,000 for the purpose of establishing scholarships for students at the School of American Ballet over a three-year period (the San Francisco Ballet School, and five other ballet schools, also received significant funds from Ford Foundation at this time for the same purpose). These grants helped establish a strong foundation and best practices for teaching dance and supporting a merit system that allowed dance schools to recruit the most gifted dancers regardless of financial restrictions. In 1960, Ballet Society raised funds to implement a new program at the New York City Ballet. This program allowed for 3000 underprivileged children to come to a matinee performance of the ballet, meet the dancers and have exposure to live performance. The program continues to this day at the New York City Ballet. In 1961, Ballet Society sponsored a Teachers Seminar, based on the findings of the Ford Foundation grant survey, for the purpose of upholding the highest standard of excellence in the quality of teaching ballet across the country. George Balanchine presided over the seminar through lectures and demonstrations. Ballet school directors and teachers came from all over the country to participate. In 1964, Ballet Society received a $5000 grant from the New York State Council on the Arts to conduct lecture-demonstrations in high schools across New York City. Two teams of NYCB dancers, headed by Melissa Hayden and Edward Villella, delivered these lectures. In 1986, Ballet Society sponsored travel for 21 New York City Ballet dancers to attend the International Ballet Festival of Nervi in Italy, where they performed works by George Balanchine, Jerome Robbins and Peter Martins. Through 1990–1995, Ballet Society sponsored two different museum exhibitions: '' Les Ballets 1933'' at the National Dance Museum in Saratoga Springs in 1990, and in 1993 an exhibit called ''Art, Craft, Creativity in the Theatre Through the Costumes of Barbara Karinska''. The exhibit was followed up two years later by a book, ''Costumes by Karinska'', with a chronology compiled for Ballet Society by Edward Bigelow, a former dancer of the NYCB who met Karinska in 1947. In 2014, Ballet Society produced an interactive app on the Apple platform, to foster knowledge of ballet's beginnings, history and evolution as told through its relationship with art, history and classicism.


Ballets


Books

*Nijinsky, ed. Paul Magriel, Henry Holt & Co., New York, 1946 *Pavlova, ed. Paul Magriel, Henry Holt & Co., New York, 1947 *Isadora Duncan, ed. Paul Magriel, Henry Co., & Holt, New York, 1947 *Choreography by George Balanchine: A Catalogue of Works, Eakins Press, New York, NY 1983 *Portrait of Mr. B, Lincoln Kirstein, Ballet Society, New York, NY 1984 *First a School...Fifty Years of the School of American Ballet, Viking Press, New York, NY 1985 *George Balanchine: A Reference Guide, Ballet Society, New York, NY, 1987 *Costumes by Karinska, Harry N. Abrams, New York, NY 1995 *Tanaquil LeClercq: 1929–2000, edited by Nancy Lassalle and Randall Bourscheidt, Ballet Society, New York, NY 2001 *Remembering Lincoln, edited by Nancy Reynolds, Eakins Press, New York, NY 2007 *Lincoln Kirstein: A Bibliography of Published Writings 1922–1996, Eakins Press, New York, NY, 2007


References

{{Ballet Non-profit organizations based in the United States New York City Ballet 1946 establishments in New York City Performing groups established in 1946 Dance in the United States History of ballet