BWV 36c
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(Soar joyfully aloft),
BWV The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2 ...
 36.1 (formerly BWV 36c), is a secular cantata by
Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard wo ...
.Work at
Bach Digital Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of his family. Early manuscripts of such compositions are a major foc ...
website
He composed it in
Leipzig Leipzig ( , ; Upper Saxon: ) is the most populous city in the German state of Saxony. Leipzig's population of 605,407 inhabitants (1.1 million in the larger urban zone) as of 2021 places the city as Germany's eighth most populous, as ...
, most likely in 1725. There is evidence that the cantata was performed in April or May that year, and that it was re-staged six years later for the 40th birthday of
Johann Matthias Gesner Johann Matthias Gesner (9 April 1691 – 3 August 1761) was a German classical scholar and schoolmaster. Life He was born at Roth an der Rednitz near Ansbach. His father, Johann Samuel Gesner, a pastor in Auhausen, died in 1704, leaving the fa ...
. Bach reused parts of the cantata in two other secular cantatas, and in a church cantata for the first Sunday in Advent, ''Schwingt freudig euch empor'', BWV 36.


History and text

Bach wrote several works for celebrations of the
Leipzig University Leipzig University (german: Universität Leipzig), in Leipzig in Saxony, Germany, is one of the world's oldest universities and the second-oldest university (by consecutive years of existence) in Germany. The university was founded on 2 December ...
, ''Festmusiken zu Leipziger Universitätsfeiern''. This cantata was originally probably composed as a homage to one of the composer's academic colleagues, but it is not known which. and Johann Heinrich Ernesti (the septuagenarian rector of the
Thomasschule St. Thomas School, Leipzig (german: Thomasschule zu Leipzig; la, Schola Thomana Lipsiensis) is a co-educational and public boarding school in Leipzig, Saxony, Germany. It was founded by the Augustinians in 1212 and is one of the oldest schools ...
) have been suggested as possible recipients. The unmodified cantata was likely re-staged for
Johann Matthias Gesner Johann Matthias Gesner (9 April 1691 – 3 August 1761) was a German classical scholar and schoolmaster. Life He was born at Roth an der Rednitz near Ansbach. His father, Johann Samuel Gesner, a pastor in Auhausen, died in 1704, leaving the fa ...
's 40th birthday (9 April 1731). Gesner had become rector at the Thomasschule in Leipzig in 1730 and had been acquainted with the composer since the 1710s when both worked in Weimar. Bach reworked this cantata in both secular and sacred versions: * Secular cantatas: ** (composed before 30 November 1726) ** () * Sacred cantata , in two versions: ** BWV 36.4 () ** BWV 36.5 (2 December 1731)Work at
Bach Digital Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of his family. Early manuscripts of such compositions are a major foc ...
website
The libretto is likely by Christian Friedrich Henrici (Picander), who published the version of the text in 1727, as a cantata for the birthday of the duchess of Anhalt-Köthen, which fell on 30 November. The duchess's birthday cantata was set by Bach (in 1726 or earlier), but the music is lost.


Scoring and structure

The cantata is scored for three soloists— soprano,
tenor A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is wide ...
and bass—a four-part choir, two
oboes d'amore The oboe d'amore (; Italian for "oboe of love"), less commonly , is a double reed woodwind musical instrument in the oboe family. Slightly larger than the oboe, it has a less assertive and a more tranquil and serene tone, and is considered the ...
, two
violin The violin, sometimes known as a '' fiddle'', is a wooden chordophone ( string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument ( soprano) in the family in regu ...
s,
viola ; german: Bratsche , alt=Viola shown from the front and the side , image=Bratsche.jpg , caption= , background=string , hornbostel_sachs=321.322-71 , hornbostel_sachs_desc=Composite chordophone sounded by a bow , range= , related= *Violin family ...
,
viola d'amore The viola d'amore (; Italian for "viol of love") is a 7- or 6- stringed musical instrument with sympathetic strings used chiefly in the baroque period. It is played under the chin in the same manner as the violin. Structure and sound The vio ...
and basso continuo. # Coro: #
Recitative Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat ...
(tenor): #Aria (tenor): #Recitative (bass): #Aria (bass): #Recitative (soprano): #Aria (soprano): #Recitative (tenor): #Chorus & Recitatives (soprano, tenor, bass):


Music

The opening chorus is a "jolly" gavotte form, highlighting the oboe d'amore (which is also important in introducing the third movement). The recitatives are all Secco (music), secco and fairly short, with the tenor recitative being only six measures long.


Recordings

* ''Bach made in Germany Vol. VII – Secular Cantatas I'', Peter Schreier, Berliner Solisten, Kammerorchester Berlin, Edith Mathis, Peter Schreier, Siegfried Lorenz (baritone), Siegfried Lorenz, Eterna * ''Edition Bachakademie Vol. 139 – Congratulatory and Hommage Cantatas'', Helmuth Rilling, Gächinger Kantorei, Bach-Collegium Stuttgart, Eva Oltiványi, Marcus Ullmann, Andreas Schmidt (baritone), Andreas Schmidt, Hänssler Classic, Hänssler * ''J.S. Bach: Kantate Nr. 36c'', Kurt Thomas (composer), Kurt Thomas, Thomanerchor, Gewandhausorchester, Adele Stolte, Hans-Joachim Rotzsch, Theo Adam, Eterna * ''J.S. Bach: Weltliche Kantaten · Secular Cantatas · Cantates Profanes'', Reinhard Goebel, Ex Tempore, Musica Antiqua Köln, Dorothea Röschmann, Axel Köhler, Christoph Genz, Hans-Georg Wimmer. Archiv Produktion * ''J.S. Bach: Secular Cantatas Vol. 3'', Masaaki Suzuki, Bach Collegium Japan, Joanne Lunn, Hiroya Aoki, Makoto Sakurada, Roderick Williams, BIS Records, BIS 2013


References


External links

*
Cantata BWV 36c Schwingt freudig euch empor
history, scoring, sources for text and music, translations to various languages, discography, discussion, Bach Cantatas Website

history, scoring, Bach website

English translation, University of Vermont
BWV 36c Schwingt freudig euch empor
text, scoring, University of Alberta {{DEFAULTSORT:Schwingt freudig euch empor BWV 36c Secular cantatas by Johann Sebastian Bach 1725 compositions