Arlington Road

''Arlington Road'' is a 1999 drama film directed by Mark Pellington and starring Jeff Bridges, Tim Robbins, Joan Cusack, and Hope Davis. The film tells the story of a widowed George Washington University professor who suspects his new neighbors are involved in terrorism and becomes obsessed with foiling their terrorist plot. The film was heavily inspired by the paranoid culture of the 1990s concerning the right-wing militia movement, Ruby Ridge, the Waco siege and Oklahoma City Bombing.

Ehren Kruger wrote the script, which won the Academy of Motion Picture Arts and Sciences' (AMPAS) Nicholl Fellowship in 1996. The film was to have been originally released by PolyGram Filmed Entertainment, but the film's United States distribution rights were sold to Sony Pictures Entertainment for $6 million. The eventual release was the second title for Screen Gems (and its first wide theatrical release) while PolyGram (now part of Universal Studios) handled foreign rights.

Plot

Michael Faraday is a widower and college history professor at George Washington University with a 10-year-old son named Grant. One day, Michael encounters a boy, Brady, stumbling in the middle of a road in his neighborhood with horrific injuries to his hands. Michael takes him to the hospital and meets the boy's parents Oliver and Cheryl Lang, discovering they are his neighbors. They soon become friends, and their sons join the Discoverers, a Boy Scouts-style group.

Actions of the Langs arouse suspicion in Michael, who sees blueprints in the Langs' house which are not for the building project that Oliver, a structural engineer, claims, and a misdirected letter suggesting he lied about where he attended college. When Michael laments the FBI's lack of contrition after his wife Leah, an FBI agent, was killed in the line of duty, Oliver states that the government should be punished for its mistakes. Michael's girlfriend, Brooke, and Leah's former FBI partner, Whit Carver dismiss Michael's concerns as paranoia.

Michael takes his college class on a field trip to the site of the standoff in which his wife was killed, where he passionately excoriates the FBI for failing to sufficiently investigate the besieged family and for provoking the standoff. Michael's students appear uneasy.

Oliver tells Michael that Grant wishes someone could be punished for his mother's death, which again rouses Michael's suspicion. He discovers in archives that Oliver's real name is William Fenimore, and that he tried to blow up a post office in Kansas at age 16. He is seen by Oliver, who later confronts and berates him. Oliver states that he sought revenge on the government for causing his father's suicide, that he was imprisoned, and admits to changing his identity to hide his past from his children.

Michael appears to let the matter drop. However, a few days later, Brooke sees Oliver swap cars with a stranger in a parking lot, and follows him to a delivery depot where a number of metal boxes are exchanged. From a pay phone, she leaves Michael a message that his suspicions may have been correct, but is discovered by Cheryl.

Michael learns of Brooke's (off-screen) death on the news, where it appears she died in a car crash. The next day, Michael inadvertently discovers that messages left on his answering machine had been erased. Again suspecting foul play, Michael phones Whit about Oliver/William and asks him to check FBI records and records of calls to his home.

Michael visits the father of the late Dean Scobee, accused of blowing up a federal building in St. Louis, from where the Langs had moved. The elder Scobee is certain his son was innocent since 10 children died in the bombing. Michael becomes convinced Dean was set up when he sees him in a photo with Brady, with whom Grant is on a Discoverer field trip, and rushes in a panic to retrieve him. Troop leaders tell him that Grant was taken home with Brady. Michael confronts Oliver at his home, where he confirms that his group killed Brooke.

The next day Whit accosts Michael, stating the FBI discovered nothing suspicious about Oliver/William or his acquaintances, and says that Michael's 'missing' telephone message was from a pay phone. The following morning, Michael slips out of his house, rents a car under a false name, drives to the pay phone where Brooke made the phone call, and sees a passing delivery vehicle. He follows it to its depot, where he sees some men he recognizes from Oliver's house, and from Discoverer photographs, loading metal boxes into the van.

Michael follows the van and is shocked to see Grant at the window. Oliver intercepts Michael's car and beats him, promising to kill Grant. Oliver expounds on his group's anti-government mission, and their current target: the J. Edgar Hoover Building, the FBI's headquarters. Michael overpowers Oliver and drives to the FBI headquarters, calling Whit to warn him.

Michael sees a delivery van at the gate to the FBI building and illegally pursues it into the secure parking garage, but discovers that it is a different van and is empty. Whit tells Michael that he is the only unauthorized person in the building. Michael rushes back to his own car, discovering a bomb in the trunk seconds before it detonates. The blast partially collapses the FBI headquarters, as Oliver watches from a distance.

A montage of news clips, which portray Michael as a lonewolf terrorist seeking revenge on the FBI for Leah's death, show that the Langs have successfully framed him. Statements from Michael's students (one of whom is a conspirator) support the official story, giving accounts of his erratic and paranoid behavior and implying that he held a dangerous grudge against the FBI. Grant, now orphaned, moves in with relatives, unaware of his father's innocence.

In the final scene, Oliver and Cheryl have put their house up for sale and prepare to move to another suburban neighborhood where they will plan their next terrorist attack, as well as look for another fall guy to take the blame for their group's actions as they did with Michael and others before him.

Cast

Reception

Box office

Sony paid $6 million to acquire the film's United States distribution rights. It opened at #6 in its opening weekend with $7,515,145 behind '' American Pie'', ''Wild Wild West''s second, '' Big Daddy''s third, and ''Tarzan'' and '' The General's Daughter''s fourth weekends. The film eventually grossed $24,756,177 in the United States theatrically.

The film made a worldwide gross of $41 million on a budget of $31 million.

Critical response

The film holds a 63% rating on Rotten Tomatoes based on 91 reviews. with the site's consensus stating; "A suspenseful thriller led by strong cast performances built around a somewhat implausible story." and a 2/4 rating by Roger Ebert, who wrote of the film:

''Arlington Road'' is a thriller that contains ideas. Any movie with ideas is likely to attract audiences who have ideas of their own, but to think for a second about the logic of this plot is fatal.

Home media

The film was initially released on October 26, 1999, by Columbia TriStar Home Video. The DVD was reissued in Superbit on February 12, 2002, by Columbia TriStar Home Entertainment.

Television adaptation

In April 2021, it was announced a television series adaptation based on the film was in development at Paramount+. The project will be a co-production between CBS Studios and Village Roadshow Television with Pellington and Seth Fisher serving as executive producers.

References

External links

*
*
*

{{Ehren Kruger

1999 films
1999 crime drama films
1999 crime thriller films
1990s mystery thriller films
1990s thriller drama films
American crime drama films
American crime thriller films
American mystery thriller films
American thriller drama films
British crime drama films
1990s English-language films
Films about the Federal Bureau of Investigation
Films about educators
Films about families
Films about miscarriage of justice
Films about terrorism in the United States
Films about widowhood
Films set in Virginia
Films shot in Houston
Films shot in Virginia
Lakeshore Entertainment films
PolyGram Filmed Entertainment films
Screen Gems films
Films directed by Mark Pellington
Films scored by Angelo Badalamenti
Films with screenplays by Ehren Kruger
1990s American films
1990s British films