Ariane (Martinů)
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''Ariane'' is a one-act
opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...
by Bohuslav Martinů to a French libretto by the composer drawn from the second, third and fourth acts of the 1943 play by
Georges Neveux Georges Neveux (1900–1982) was a French dramatist and poet. Neveux's first notable work was the play ''Juliette ou la clé des songes (Juliet or the key to dreams)'', written in 1927 and produced in 1930. It became the basis of Theodor Schae ...
, ''Le Voyage de Thésée'', (who had supplied the text to the composer's earlier opera ''
Julietta ''Juliette'' is an opera by Bohuslav Martinů, who also wrote the libretto, in French, based on the play ''Juliette, ou La clé des songes'' (''Juliette, or The Key of Dreams)'' by the French author Georges Neveux. A libretto in Czech was later pre ...
'').Smaczny, Jan. Ariane. In: ''
The New Grove Dictionary of Opera ''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volu ...
''. Macmillan, London and New York, 1997.


Performance history

Martinů composed ''Ariane'' in 1958 whilst working on his final opera, '' The Greek Passion'' – he described it in a letter to his family as 'taking a rest' from the larger work. The composition took just over a month. The
bravura In classical music a bravura is a style of both music and its performance intended to show off the skill of a performer. John Alexander Fuller-Maitland, ''A dictionary of music and musicians (A.D. 1450-1889)'p. 271-272/ref> Commonly, it is a virt ...
style of the writing for Ariadne reflects Martinů's admiration of Maria Callas. The opera is in a straightforward lyrical style with deliberate references to the operas of
Monteverdi Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is consider ...
and other early composers. Grove describes the music as being in a "warm, mainly tonal lyricism", at times "enlivened by neo-Baroque rhythmic patterns". The first performance took place in 1961 at the
Musiktheater im Revier Musiktheater im Revier (MiR) (Music Theatre in the Ruhr) is the venue for performing opera, operetta, musical theatre and ballet in Gelsenkirchen, Germany. It opened on 15 December 1959; it is listed since 1997 as a protected cultural monument. Th ...
in Gelsenkirchen, Germany, as the centre-piece of a triple-bill with '' Mahagonny'' by Brecht and Weill and ''Der Analphabet'' by Ivo Lhotka-Kalinski, two years after the composer's death. The Czech premiere took place on 23 October 1962 in Brno alongside Ariadne pieces by Claudio Monteverdi and Jiri Antonin Benda, conducted by Richard Tyn, with Miriam Šupurkovská in the title role. In September that year the opera was broadcast live radio on Czechoslovak Radio Brno, conducted by Frantisek Jilek, with Cecilie Strádalová. The Russian premiere was in Moscow in March 2016, conducted by Maria Maksimchuk.Russian premiere of Bohuslav Martinů´s opera Ariadne in Moscow on March 13
accessed 10 June 2016.


Roles


Synopsis

The story is a
surrealist Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to ...
version of the myth of
Theseus Theseus (, ; grc-gre, Θησεύς ) was the mythical king and founder-hero of Athens. The myths surrounding Theseus his journeys, exploits, and friends have provided material for fiction throughout the ages. Theseus is sometimes describ ...
,
Ariadne Ariadne (; grc-gre, Ἀριάδνη; la, Ariadne) was a Cretan princess in Greek mythology. She was mostly associated with mazes and labyrinths because of her involvement in the myths of the Minotaur and Theseus. She is best known for havi ...
, and the Minotaur. In this version of the myth, the Minotaur and Theseus look alike - and Theseus discerns part of his own personality in the monster; by killing it he destroys his love for Ariadne. ;Prologue – Sinfonia 1 The Watchman learns of the arrival in
Knossos Knossos (also Cnossos, both pronounced ; grc, Κνωσός, Knōsós, ; Linear B: ''Ko-no-so'') is the largest Bronze Age archaeological site on Crete and has been called Europe's oldest city. Settled as early as the Neolithic period, the na ...
of Thésée and his companions from a passing seagull. ;Scene 1 Thésée seeks the Minotaur and encounters Ariane. In an ambiguous conversation they seem to fall in love – but Ariane's love may be in fact for the Minotaur. The Old Man announces that the king's daughter is to be married to a stranger. Ariane reveals that she is the king's daughter and Thésée is the stranger – and asks for his name. ;Scene 2 After a second
sinfonia Sinfonia (; plural ''sinfonie'') is the Italian word for symphony, from the Latin ''symphonia'', in turn derived from Ancient Greek συμφωνία ''symphōnia'' (agreement or concord of sound), from the prefix σύν (together) and ϕωνή (sou ...
, Bouroun is dissatisfied that Thésée's infatuation with Ariane is preventing him from killing the Minotaur. Resolving to do the deed himself, he is killed by the Minotaur (offstage). When the Minotaur appears, he turns out to be Theseus's double, and taunts him – "who dares lift his hand to strike himself a death-blow?". Thésée slays the Minotaur however. ;Scene 3 A third sinfonia separates the scenes. Thésée and his companions desert Ariane, whose lyrical
lament A lament or lamentation is a passionate expression of grief, often in music, poetry, or song form. The grief is most often born of regret, or mourning. Laments can also be expressed in a verbal manner in which participants lament about something ...
closes the opera. The whole opera, including the three miniature sinfonias which introduce and punctuate it, lasts little more than 40 minutes (of which Ariane's lament takes about 9).


References

;Sources * Grove Music Online *Notes to CD recording of the opera by Supraphon (1988), CD 104395-2 (
Czech Philharmonic Orchestra The Česká filharmonie (Czech Philharmonic) is a symphony orchestra based in Prague. The orchestra's principal concert venue is the Rudolfinum. History The name "Czech Philharmonic Orchestra" appeared for the first time in 1894, as the title ...
conducted by
Václav Neumann Václav Neumann (29 October 1920 – 2 September 1995) was a Czech conductor, violinist, violist, and opera director. Life and career Neumann was born in Prague, where he studied at the Prague Conservatory with Josef Micka (violin), and ...
). {{DEFAULTSORT:Ariane (Martinu) 1961 operas Operas French-language operas Operas by Bohuslav Martinů One-act operas Operas based on classical mythology Ariadne Cultural depictions of Theseus