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In 
' has two closed counters.
The digit ' 4' also has two typographic variants: the closed-top variant '4' has a closed counter, and an open-top (e.g. handwritten) '
' has an open counter.
Fonts designed for legibility often have very open apertures, keeping the strokes widely separated from one another to reduce ambiguity. This may be especially important in situations such as signs to be viewed at a distance, materials intended to be viewed by people with vision problems, or small print, especially on poor-quality paper. Fonts with open apertures include Lucida Grande, Trebuchet MS, Corbel and Droid Sans, all designed for use on low-resolution displays, and Frutiger, FF Meta and others designed for print use. This design trend has become increasingly common with the spread of humanist sans-serif designs since the 1980s and the 1990s and the use of computers requiring new fonts which are legible on-screen.
Grotesque or My Type Design Philosophy by Martin Majoor
/ref>
In typography
Typography is the art and technique of arranging type to make written language legible, readable and appealing when displayed. The arrangement of type involves selecting typefaces, point sizes, line lengths, line-spacing ( leading), an ...
, a counter is the area of a letter that is entirely or partially enclosed by a letter form or a symbol (the counter-space/the hole of). The stroke that creates such a space is known as a "bowl". Latin letters
The Latin script, also known as Roman script, is an alphabetic writing system based on the letters of the classical Latin alphabet, derived from a form of the Greek alphabet which was in use in the ancient Greek city of Cumae, in southern ...
containing closed counters include A, B, D, O, P, Q, R, a, b, d, e, g, o, p, and q. Latin letters containing open counters include c, f, h, s etc. The digits 0, 4, 6, 8, and 9 also possess a counter. An aperture is the opening between an open counter and the outside of the letter.
The lowercase ' g' has two typographic variants: the single-storey 'g' has one closed counter and one open counter (and hence one aperture); the double-storey '' has two closed counters.
The digit ' 4' also has two typographic variants: the closed-top variant '4' has a closed counter, and an open-top (e.g. handwritten) '' has an open counter.
Open and closed apertures
Different typeface styles have different tendencies to use open or more closed apertures. This design decision is particularly important for sans-serif typefaces, which can have very wide strokes making the apertures very narrow indeed.
Fonts designed for legibility often have very open apertures, keeping the strokes widely separated from one another to reduce ambiguity. This may be especially important in situations such as signs to be viewed at a distance, materials intended to be viewed by people with vision problems, or small print, especially on poor-quality paper. Fonts with open apertures include Lucida Grande, Trebuchet MS, Corbel and Droid Sans, all designed for use on low-resolution displays, and Frutiger, FF Meta and others designed for print use. This design trend has become increasingly common with the spread of humanist sans-serif designs since the 1980s and the 1990s and the use of computers requiring new fonts which are legible on-screen.
Grotesque or neo-grotesque
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than seri ...
sans-serif fonts like Helvetica use very closed apertures, folding up stroke ends to make them closer together. This gives these designs a distinctive, compact appearance, but may make similar letterforms hard to distinguish. Closed letterforms on highly condensed grotesque designs such as Impact
Impact may refer to:
* Impact (mechanics), a high force or shock (mechanics) over a short time period
* Impact, Texas, a town in Taylor County, Texas, US
Science and technology
* Impact crater, a meteor crater caused by an impact event
* Imp ...
and Haettenschweiler make characters such as ''8'' and ''9'' almost indistinguishable at small print sizes. Designer Nick Shinn has suggested that the cause of this design trend, similar to the Didone serif typefaces of the nineteenth century, may have been the desire to distribute the pressure of the printing press on the type, reducing wear./ref>
See also
* Figure space * Thin space * Paren space * Counterpunch (typography)References
Typography Whitespace {{typ-stub