Antonio "Toto" Cotogni (; 1 August 1831 – 15 October 1918) was an Italian baritone of the first magnitude. Regarded internationally as being one of the greatest male

opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...

singers of the 19th century, he was particularly admired by the composer Giuseppe Verdi. Cotogni forged an important second career as a singing teacher after his retirement from the stage in 1894.

Early years and education

Antonio Cotogni was born in

Rome , established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption ...

to Agata Fazzini and Raffaele Cotogni, who managed a small majolica plant. He had four siblings: sister Giuditta (who remained unmarried and lived in the family household); brothers Francesco, Andrea (who owned a meat packing business), and Gaspare (later mayor of Melara). After some initial studies at the Hospice of San Michele, where he was a student of Ludovico Luccesi. He studied music theory at Santa Maria Maggiore under Fontemaggi. Soon after, he began working with Achille Faldi on the study of singing itself. Under his guidance, Cotogni made his first public ventures into solo singing but only in the principal churches of Rome and in small summer music festivals in the small towns of the province, such as

Anagni Anagni () is an ancient town and ''comune'' in the province of Frosinone, Latium, central Italy, in the hills east-southeast of Rome. It is a historical and artistic center of the Latin Valley. Geography Overview Anagni still maintains the appear ...

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, Subisco,

Velletri Velletri (; la, Velitrae; xvo, Velester) is an Italian ''comune'' in the Metropolitan City of Rome, approximately 40 km to the southeast of the city centre, located in the Alban Hills, in the region of Lazio, central Italy. Neighbouring comm ...

, and Viterbo. Early on, Cotogni worked part-time in a majolica plant and did not care much for theater. He had no pretensions for assuming a career there and was content to remain a church singer. He won his first success in 1851 singing Salvatore Capocci's oratorio ''Il martirio di Sant'Eustachio'' at the church of Santa Maria in Vallicella. About his training prior to his Italian stage debut, Cotogni told a former student:

Operatic career

Debut

In 1852, after much insistence from Faldi and castrato

Domenico Mustafà Domenico Mustafà (16 April 1829 – 17 March 1912) was an Italian castrato singer, composer and choir director. Life Domenico Mustafà was born in the comune of Sellano,Teatro Metastasio, as Belcore in '' L'elisir d'amore''. For the next year, he did not sing in public at all but rather studied assiduously with Faldi to build his repertoire. After an initial contract at Spoleto for ''

Il trovatore ''Il trovatore'' ('The Troubadour') is an opera in four acts by Giuseppe Verdi to an Italian libretto largely written by Salvadore Cammarano, based on the play ''El trovador'' (1836) by Antonio García Gutiérrez. It was García Gutiérrez's mos ...

'' and '' Maria di Rohan'', he began to pick up consistent work in the Italian regional operatic circuit: Lanciano for ''Trovatore'', ''

Rigoletto ''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play '' Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had co ...

'', and ''Maria di Rohan''; Orvieto for '' I masnadieri''; '' Lucrezia Borgia'' in several cities; ''

I puritani ' (''The Puritans'') is an 1835 opera by Vincenzo Bellini. It was originally written in two acts and later changed to three acts on the advice of Gioachino Rossini, with whom the young composer had become friends. The music was set to a libretto ...

'' at Perugia. In the spring of 1857, he was signed by the impresario Jacovacci for ''

Lucia di Lammermoor ''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel '' The Bride of Lammermoo ...

'' and ''

Gemma di Vergy ''Gemma di Vergy'' is an 1834 ''tragedia lirica'' (tragic opera) in two acts by Gaetano Donizetti from a libretto by Giovanni Emanuele Bidera. It is based on the tragedy ''Charles VII chez ses grands vassaux'' ''(Charles VII and His Chief Vassal ...

'' at Rome's

Teatro Argentina The Teatro Argentina (directly translating to "Theatre Argentina") is an opera house and theatre located in Largo di Torre Argentina, a square in Rome, Italy. One of the oldest theatres in Rome, it was constructed in 1731 and inaugurated on 31 J ...

. In September and October of that year, he performed '' I due Foscari'' and ''Luisa Strozzi'' at Teatro Rossini in

Turin Turin ( , Piedmontese: ; it, Torino ) is a city and an important business and cultural centre in Northern Italy. It is the capital city of Piedmont and of the Metropolitan City of Turin, and was the first Italian capital from 1861 to 1865. The ...

. It was then that he met the soprano Maria Ballerini. They married the next year but never had any children together. Following that, Cotogni was engaged for ''Foscari'' and '' La traviata ''at Asti and then Cuneo, the Teatro Rossini again, Zara, in Genova, and at Turin for the opening of the new Teatro Alfieri. There he was asked by the impresario Scalaberni to take the place of the famous baritone

Felice Varesi Felice Varesi (born Calais, 1813 – died Milan, 13 March 1889) was a French-born Italian baritone with an illustrious singing career that began in the 1830s and extended into the 1860s. He is best remembered today for his close association wit ...

in an operatic company being formed for the theater in

Nice Nice ( , ; Niçard dialect, Niçard: , classical norm, or , nonstandard, ; it, Nizza ; lij, Nissa; grc, Νίκαια; la, Nicaea) is the prefecture of the Alpes-Maritimes departments of France, department in France. The Nice urban unit, agg ...

. During his time in Nice, Cotogni studied the role of '' Don Giovanni'' with his predecessor, Italian baritone

Antonio Tamburini Antonio Tamburini (28 March 1800 – 8 November 1876) was an Italian operatic baritone.Randel (1996) p. 900. Biography Born in Faenza, then part of the Papal States, Tamburini studied the orchestral horn with his father and voice with Aldo ...

, who had left the stage in 1855.

Breakthrough

The turning point in Cotogni's career came in late 1858. As soon as he arrived in Nice for rehearsals in October, he began to feel an air of contempt for his presence from everyone from the theater to public restaurants and cafés. Those who knew and loved Varesi felt that Cotogni, an virtually unknown singer, had been hastily and unfairly chosen to replace him. The first role he was engaged to sing was of Antonio in Gaetano Donizetti's ''

Linda di Chamounix ''Linda di Chamounix'' is an operatic ''melodramma semiserio'' in three acts by Gaetano Donizetti. The Italian libretto was written by Gaetano Rossi. It premiered in Vienna, at the Kärntnertortheater, on 19 May 1842. Performance history '' ...

'' in Nice, where the audience greeted him with noises and whistling before he had even opened his mouth. This same audience fell silent during Antonio's opening aria "Ambo nati in queste valle" and gave him a unanimous, colossal applause after the cadenza, demanding a '' bis''. That performance assured his place on the scene and revealed him to be an absolute master of his art—technically, stylistically, and dramatically. Consequently, this became one of Cotogni's signature roles, one by which he made great impressions on all the great theaters of Europe and even the most sullen critics. In Nice, he followed ''Linda'' with ''Gemma di Vergy'', ''Rigoletto'', ''La favorita'', ''Traviata'', ''Trovatore'', ''Don Pasquale'', ''Roberto Devereux'', ''Don Sebastiano'', and ''Il barbiere di Siviglia''. He sang with enormous success over the next year—''I lombardi'', Rossini's '' Otello'', and ''

Nabucco ''Nabucco'' (, short for Nabucodonosor ; en, "Nebuchadnezzar") is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on the biblical books of 2 Kings, J ...

'' in Viterbo; again at Nice for ''Lucia di Lammermoor'', '' Ernani'', ''Trovatore'', and ''Maria di Rohan''; and at

Barcelona Barcelona ( , , ) is a city on the coast of northeastern Spain. It is the capital and largest city of the autonomous community of Catalonia, as well as the second most populous municipality of Spain. With a population of 1.6 million within ci ...

's Teatro Principal for ''Saffo'', ''Traviata'', ''Attila'', ''Gemma'', ''Barbiere'', and ''Trovatore''. By October 1860, Cotogni had sung in 21 theaters,'' ''and it was at this point'' ''that he reached La Scala, Milan, debuting there in the role of Giovanni Bandino in Bottesini's'' L'assedio di Firenze''. Cotogni had been nervous about this debuting, doubting his ability to do it justice and doubting the power of his voice to be heard in the theater. The reviews of the debut were encouraging, but one or two critics mentioned a certain tremulousness and constriction in his high notes. But Cotogni regained his composure after the premiere, and won over the Milan public with his other roles that season—William Tell, Peri's ''Vittor Pisani'', Rodolfo in ''

La sonnambula ''La sonnambula'' (''The Sleepwalker'') is an opera semiseria in two acts, with music in the ''bel canto'' tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a ''ballet-pantomime'' written by Eu ...

'', and Ezio in ''Attila. '' During the ensuing decades, he also appeared at the leading opera houses in Madrid, Lisbon, Paris, London, Moscow, and Saint Petersburg. He became enormously popular with London audiences, performing at the

Royal Opera House The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Ope ...

, Covent Garden, from 1867 to 1889. He sang at Saint Petersburg in 26 successive seasons.Eaglefield-Hull 1924. It was in 1894 at Saint Petersburg that he gave his last operatic stage performance, in Donizetti's ''

Don Pasquale ''Don Pasquale'' () is an opera buffa, or comic opera, in three acts by Gaetano Donizetti with an Italian libretto completed largely by Giovanni Ruffini as well as the composer. It was based on a libretto by Angelo Anelli for Stefano Pavesi's ...

''. While Cotogni had spent his career singing the opera's baritone role of Dr. Malatesta, the younger baritone

Mattia Battistini Mattia Battistini (27 February 1856 – 7 November 1928) was an Italian operatic baritone, referred to as the "King of Baritones" in multiple publications.Steane, J.B., 1998. Singers of the Century, vol. 2. Amadeus Press, Portland, pp.&nbs ...

was now taking over many of the Cotogni's old roles. Nevertheless, Battistini requested Cotogni to honor the company by joining them in one final performance, only this time asking that he sing the lead comic bass role of Don Pasquale, which Cotogni obliged.

Voice teacher

Antonio Cotogni's class at Santa Cecilia

In retirement, Cotogni became one of the most celebrated vocal teachers in history. At the invitation of

Anton Rubinstein Anton Grigoryevich Rubinstein ( rus, Антон Григорьевич Рубинштейн, r=Anton Grigor'evič Rubinštejn; ) was a Russian pianist, composer and conductor who became a pivotal figure in Russian culture when he founded the Sa ...

, he taught at Saint Petersburg Conservatory (where incidentally he had

Sergei Diaghilev Sergei Pavlovich Diaghilev ( ; rus, Серге́й Па́влович Дя́гилев, , sʲɪˈrɡʲej ˈpavləvʲɪdʑ ˈdʲæɡʲɪlʲɪf; 19 August 1929), usually referred to outside Russia as Serge Diaghilev, was a Russian art critic, pa ...

as a student) from 1894 to 1898, but he had to abandon this post in consequence of a serious illness,Eaglefield-Hull 1924. subsequently taking up an appointment in 1899 as a professor at the Accademia di Santa Cecilia in Rome, where his assistant was Enrico Rosati, who was later to become teacher to Beniamino Gigli. The qualities that made Cotogni revered and beloved in his career on the stage also made him an exceptional teacher, one who went out of his way for his students to give them what they needed musically, artistically, and often materially. During this time, twelve-year-old

Luigi Ricci Luigi Ricci may refer to: * Luigi Ricci (composer) (1805–1859), Italian composer * Luigi Ricci (vocal coach) Luigi Ricci (1893–1981) was an Italian assistant conductor, accompanist, vocal coach, and author. Career Ricci began studying music ...

(who would later become a vocal coach) began accompanying voice lessons given by Cotogni, who had performed several of Verdi's operas under the composer's supervision. At this early age, Ricci began taking meticulous notes on traditions that Cotogni passed on to him from his own work with Verdi and other 19th century composers and conductors information about elements that had been changed in rehearsal and practice but had never been notated officially, as well as traditions of variations and cadenza begun by various singers from the past century. Ricci continued his copious note taking throughout his life and eventually compiled these into a four-part collection entitled ''Variazioni-cadenze tradizioni per canto'' (two volumes and two appendices published by

Casa Ricordi Casa Ricordi is a publisher of primarily classical music and opera. Its classical repertoire represents one of the important sources in the world through its publishing of the work of the major 19th-century Italian composers such as Gioachino Ro ...

, 1963). Cotogni died of old age in Rome less than a month prior to the 1918 armistice that ended World War I. A group of his friends, colleagues, and former students raised money for his tomb. His burial chapel is located at plot 98 in the Pincetto Nuovo section of the

Campo Verano The Campo Verano (Italian: ''Cimitero del Verano'') is a cemetery in Rome, Italy, founded in the early 19th century. The monumental cemetery is currently divided into sections: the Jewish cemetery, the Catholic cemetery, and the monument to the ...

cemetery in Rome.

Students & Protégés

Ricci reports that when in 1912 he attended performances at Moscow's Imperial theater and Zimina Opera, as well as at the Imperial Theater in St. Petersburg, half of the artists on stage had been Cotogni's students. For nearly 20 years, Cotogni dedicated himself to teaching singing. Many artists already in the fullness of their careers also came to study with him at the Liceo and/or learn from him privately.

Voice

As a child, Cotogni had merely a weak soprano voice, but it did begin to increase in volume and darken, turning later into a contralto voice. As a teenager, his voice finally began to break into that of a young man, and the head music teacher Scardovelli forbade him to sing; Cotogni grudgingly obeyed and was silent for about six months. After this period of rest, he began to find a few notes, then went on to enrich and strengthen his vocal means continuously until the complete development of a nice baritone voice.

Range

According to his biographer, Cotogni's professional/usable vocal range was from A₁ to B₄, though a handful of his roles and even his interpolations and cadenzas require a half-step lower—A♭₁. According to Ricci, his other noted interpolations include a high G♯ in Posa's romanza "Carlo, ch'è sol il nostro amore" in ''

Don Carlo ''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedr ...

''; high A♭'s in "O de verd'anni miei" and "O sommo Carlo" from '' Ernani'' and the end of "Suoni la tromba" in ''

''; and a quick high A♮in a roulade on the word "''piacere''" in "

Largo al factotum "" (Make way for the factotum) is an aria from ''The Barber of Seville'' by Gioachino Rossini, sung at the first entrance of the title character, Figaro. The repeated "Figaro"s before the final patter section are an icon in popular culture of oper ...

" from ''

Il barbiere di Siviglia ''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based ...

''. He did, however, chide

Titta Ruffo Titta Ruffo (9 June 1877 – 5 July 1953), born as Ruffo Cafiero (double forename) Titta, was an Italian operatic baritone who had a major international singing career. Known as the "Voce del leone" ("voice of the lion"), he was greatly admi ...

for interpolating an unwritten high B♭ in ''

Hamlet ''The Tragedy of Hamlet, Prince of Denmark'', often shortened to ''Hamlet'' (), is a tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play, with 29,551 words. Set in Denmark, the play depicts ...

''. It is therefore unlikely that Cotogni ever sang a note above the high A♮ in public performance. Of physiological interest is the fact that Cotogni suffered from a

lateral lisp A lisp is a speech impairment in which a person misarticulates sibilants (, , , , , , , ). These misarticulations often result in unclear speech. Types * A frontal lisp occurs when the tongue is placed anterior to the target. Interdental lisping ...

that affected his speech but that disappeared when he sang. The famed Italian conductor

Toscanini Arturo Toscanini (; ; March 25, 1867January 16, 1957) was an Italian conductor. He was one of the most acclaimed and influential musicians of the late 19th and early 20th century, renowned for his intensity, his perfectionism, his ear for orch ...

remarked that Cotogni's voice was totally even and that "one didn't hear the transition between the registers... Hearing it, it seemed that everything was natural, while, instead, the poor Cotogni had practiced for years and years to acquire that perfection."

Critical reception

Journalistic reviews of his performances were often superlative.

Gramophone recording

Cotogni ranks with his contemporaries

Francesco Graziani (baritone) Francesco Graziani (April 26, 1828 – June 30, 1901) was an Italian baritone and voice teacher. Graziani has been called the first modern baritone because his vocal attributes were well suited to the high-lying operatic parts composed by Gius ...

Jean-Baptiste Faure Jean-Baptiste Faure () (15 January 1830 – 9 November 1914) was a French operatic baritone and art collector who also composed several classical songs. Singing career Faure was born in Moulins. A choirboy in his youth, he entered the Pari ...

and Sir

Charles Santley Sir Charles Santley (28 February 1834 – 22 September 1922) was an English opera and oratorio singer with a ''bravura''From the Italian verb ''bravare'', to show off. A florid, ostentatious style or a passage of music requiring technical skill ...

as the foremost baritone of his star-studded generation. He "had a very brief and scarcely revealing relationship with the gramophone; at the age of 77... with the tenor Francesco Marconi, he recorded heduet 'I mulattieri'" (by

Francesco Masini Francesco Masini (December 6, 1894 – July 9, 1962) was a lawyer and politician from the island of Gozo, Malta. In 1947, he founded the Gozo Party, and was elected to the Maltese Legislative Assembly together with two other party members. Ea ...

), writes Michael Scott. "Not surprisingly Marconi gets the better of it. Still, however difficult it is to make out Cotogni's contribution, it is all we have left of a singer who for over 40 years dominated the stages in London, Madrid and Lisbon, St. Petersburg and Moscow and throughout Italy." Two other recordings, at times believed to be of Cotogni, are in fact the voice of tenore robusto

Francesco Tamagno Francesco Tamagno (28 December 1850 – 31 August 1905) was an Italian operatic tenor who sang with enormous success throughout Europe and America.Warrack, John and West, Ewan (1992), ''The Oxford Dictionary of Opera'', 782 pages, On 5 February ...

's brother, Giovanni. Comparisons of these two recordings—"O casto fior" and Stanislao Gastaldon's "Ti vorrei rapire" (formerly misidentified as "Perché?")—with the Tamagno brothers' recording of the ''Otello'' duet "Si pel ciel" reveals the baritone voice to be identical in timbre and production, with its thin and nasal qualities, especially in the passagio. These stand in contradistinction to the voice confirmed to be Cotogni's (the Mulattieri duet), which is noticeably more even, round, and sonorous throughout—even to the two high G naturals that end the refrain. In the Roman school, and in Cotogni's own teaching, any nasality was seen as a defect to be expressly avoided.

Repertoire

According to his biographer Angelucci, Cotogni sang one hundred fifty-seven works, but the former was only able to cite one hundred and forty-five. Of the other twelve, he could track down neither the title nor the name of the composer. Cotogni also sang the baritone solo in the "Dies irae" section of Alessandro Busi's ''Messa da requiem'' performed in honor of Gioachino Rossini's death on 9 December 1868 at the church of San Giovanni in Monte in Bologna. His delivery of the solo was sublime: "...the audience, who literally filled the church, was so shaken that, forgetting they were in church, they applauded is solowildly." That response was not unfamiliar; when he made his public debut in ''Sant'Eustachio ''in 1851, the audience's surprise and enthusiasm toward the young Cotogni's solo was so overwhelming that police had to be called in to restore order.

Legacy

During his career, Cotogni was an especial favorite of

Verdi Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the h ...

's, who praised him for the beauty, warmth and strength of his voice, as well as for the emotional intensity which he brought to his musical interpretations. He sang most of the major Verdi baritone roles and took part in the first Italian staging of ''

'', in

Bologna Bologna (, , ; egl, label=Emilian language, Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 1 ...

in 1867, under the supervision of the composer. Verdi, wanting to test out the abilities of Cotogni, privately heard him in several of the key pieces from ''Don Carlo''. When rehearsing the phrases leading up to the duet "Dio, che nell'alma infondere", Cotogni deviated from what Verdi had written, and though Verdi remarked on it, he accepted Cotogni's change, saying that it was actually better, with the result that the markings were changed in the new editions of the score. It became well known that Verdi was moved to tears by Cotogni's singing of Rodrigo's death scene at this test rehearsal. Many who knew Cotogni admired him for his almost extreme modesty and humility; Verdi was no different, only teasing him about it with his own nickname for him—''mio ignorantino'' ("my little ignoramus"). Even after his retirement from opera, he continued singing in benefits and concerts, the very last of which was in 1904, when Cotogni was 73. Cotogni's repertoire comprised between 150 and 160 roles. His operatic triumphs were not confined to Verdi's compositions. He was also an exponent of the elegant but technically demanding '' bel canto'' music of

Gioachino Rossini Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards ...

, Gaetano Donizetti,

Vincenzo Bellini Vincenzo Salvatore Carmelo Francesco Bellini (; 3 November 1801 – 23 September 1835) was a Sicilian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Gius ...

, and Saverio Mercadante. He sang roles from the new Italian

verismo In opera, ''verismo'' (, from , meaning "true") was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini. ''Verismo'' as an ...

literature, the French

grand opera Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on o ...

tradition, and some

Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...

. He was considered a Mozart specialist and keeper of some traditions of his works, even at a time when Mozart's works were not popular. He was particularly proud of his '' Don Giovanni'', a role that he learned from his predecessor, the Italian baritone

, and which Cotogni then passed on to the inheritor of his traditions,

. Cotogni sang in the company of many of the most famous opera singers of his time—sopranos

Adelina Patti Adelina Patti (19 February 184327 September 1919) was an Italian 19th-century opera singer, earning huge fees at the height of her career in the music capitals of Europe and America. She first sang in public as a child in 1851, and gave her la ...

Teresa Stolz Teresa Stolz (born 2 June 1834, Elbekosteletz (Czech: Kostelec nad Labem), Bohemia – died 23 August 1902, Milan) was a Bohemian soprano, long resident in Italy, who was associated with significant premieres of the works of Giuseppe Verdi, a ...

, Thérèse Tietjens,

Marcella Sembrich Prakseda Marcelina Kochańska (February 15, 1858 – January 11, 1935), known professionally as Marcella Sembrich, was a Polish coloratura soprano. She is known for her extensive range of two and a half octaves, precise intonation, charm, port ...

, Christina Nilsson,

Emma Albani Dame Emma Albani, DBE (born Marie-Louise-Emma-Cécile Lajeunesse; 1 November 18473 April 1930) was a Canadian-British operatic soprano of the 19th century and early 20th century, and the first Canadian singer to become an international star. He ...

, and Gemma Bellincioni; castrato

Alessandro Moreschi Alessandro Moreschi (11 November 1858 – 21 April 1922) was an Italian chorister of the late 19th century and the only castrato to make solo recordings. Early life Alessandro Moreschi was born on 11 November 1858 to Luigi Lorenzo Moreschi (1840� ...

; the Marchisio sisters; contralto Sofia Scalchi; tenors

Mario is a character created by Japanese video game designer Shigeru Miyamoto. He is the title character of the ''Mario'' franchise and the mascot of Japanese video game company Nintendo. Mario has appeared in over 200 video games since his cre ...

, Francesco Marconi, Julián Gayarre, Angelo Masini, Pietro Mongini, Lodovico Graziani,

Enrico Tamberlick Enrico Tamberlik (16 March 1820 – 13 March 1889) was an Italian tenor who sang to great acclaim at Europe and America's leading opera venues. He excelled in the heroic roles of the Italian and French repertories and was renowned for his po ...

, and

; baritones

Francesco Graziani Francesco "Ciccio" Graziani (; born 16 December 1952) is an Italian football manager and former football player who played as a forward. He began his career with Arezzo in 1970, and later joined Torino in 1973, where he remained until 1981 ...

Leone Giraldoni Leone Giraldoni (born 4 July 1824, Paris – died 19 September 1897, Moscow) was a celebrated Italian operatic baritone. He created the title roles of Gaetano Donizetti's '' Il duca d'Alba'' (1882) and Verdi's ''Simon Boccanegra'' (1857) as we ...

, and

; and basses

Foli Foli is both a surname and a given name. Notable people with the name include: *Signor Foli (1837–1899), 19th century Irish bass opera singer *Tim Foli (born 1950), American former professional baseball player *Foli Adade (born 1991), Ghanaian pr ...

, Eraclito Bagagiolo, and

Édouard de Reszke Édouard de Reszke (22 December 185325 May 1917) was a Polish bass from Warsaw. A member of the musical Reszke family, he was a successful opera singer, as were his brother Jean and his sister Josephine. He made his debut in ''Aida'' in Paris on ...

Notes

References

Sources

* Nino Angelucci, ''Ricordi di una artista, Antonio Cotogni'' (Roma, 1907). * Roland Mancini and Jean-Jacques Rouveroux, (orig. H. Rosenthal and J. Warrack, French edition), ''Guide de l'opéra'', Les indispensables de la musique (Fayard, 1995). *

Arthur Eaglefield Hull Arthur Eaglefield Hull (10 March 1876 – 4 November 1928) was an English music critic, writer, composer and organist.

(Ed.), ''A Dictionary of Modern Music and Musicians'' (Dent, London and Toronto 1924).

External links

*
Associazione Culturale Antonio Cotogni
{{DEFAULTSORT:Cotogni, Antonio 19th-century Italian male opera singers Italian operatic baritones Accademia Nazionale di Santa Cecilia faculty 1831 births 1918 deaths Singers from Rome Saint Petersburg Conservatory academic personnel Voice teachers