Anne Dudley (born 7 May 1956) is an English composer, keyboardist, conductor and pop musician. She was the first BBC Concert Orchestra's Composer in Association in 2001. She has worked in both the classical and pop genres, but she is perhaps best known as one of the core members of the synthpop band Art of Noise and as a film composer. In 1998 Dudley won an Academy Award for Best Original Musical or Comedy Score for The Full Monty. In addition to over twenty other film scores, in 2012 she served as music producer for the film version of Les Misérables,  also acting as arranger and composing some new additional music.
Dudley was born Anne Jennifer Beckingham, in Beckenham, Kent. Trained as a classical performer, she moved into the competitive commercial field as a session musician, where her professional relationship with Trevor Horn began. In 1982 Dudley made significant contributions to the Horn-produced The Lexicon of Love album by ABC. She went from fleshing-out keyboard parts to scoring the album's orchestrations (which were, according to Horn, her first-ever string arrangements) and also co-writing some of the songs. Her association with Horn led on to working with artists such as Frankie Goes to Hollywood, Seal, Marc Almond, Rod Stewart, Robbie Williams and, more recently, Siphiwo. She has co-written songs with Malcolm McLaren ("Buffalo Gals"), Cathy Dennis ("Too Many Walls"), and a 1930s-inspired song with Sting called "This Was Never Meant To Be".
She produced the Tom Jones hit "You Can Leave Your Hat On" (1988) and a Debbie Harry single "Strike Me Pink" (1993). Dudley produced two tracks on the 2002 Opera Babes album Beyond Imagination (ranking No.1 on the UK classical charts for 11 weeks, and No.4 on the US billboard charts). In 2004 she produced the album Voice for Alison Moyet. The album, an eclectic collection of covers, reached No.7 in the UK charts.
Dudley was a founding member of the successful band Art of Noise, which helped pioneer the use of sampling within the pop genre. Their stand-out hits include "Beat Box" (1984), "Moments in Love" (1985) and, with Tom Jones, "Kiss" (1988).
Her works for orchestra include "Northern Lights", a 14-minute reflection of Norway's Aurora Borealis for full orchestra, performed in 2005 and 2006 at the Royal Festival Hall and broadcast on BBC Radio 3's Late Junction programme in May 2005. Her first commission as Composer in Association with the BBC Concert Orchestra was "Music and Silence", inspired by the novel of the same name by Rose Tremain and first performed at The Royal Festival Hall in 2002. Dudley arranged Bach's Chaconne from Partita in D minor for piano trio, and a recording by the Eroica Trio appears on their Baroque album. Her album Ancient and Modern, with modern versions of some traditional hymns and Bach chorales, was released in 1999. She was the musical director for Bill Bailey's Remarkable Guide to the Orchestra, first performed in Brighton then at the Royal Albert Hall in 2008, which was recorded and released as a DVD in December 2009. The show was toured in 2009 with eight different regional orchestras participating. It involved the orchestra playing the Nokia theme tune and a french horn concerto evolving into the theme from Coronation Street.
Dudley collaborated with Sam Taylor-Wood in producing the sound and video installation Sigh at the White Cube in 2008. This work featured the BBC Concert Orchestra on eight large projected screens, miming to Dudley's score.
Dudley's career in film music has spanned 20 years and her film scores include:
Her TV music includes:
In addition to Dudley's Academy Award for The Full Monty, she has received a number of awards and nominations.
Dudley lives in Hertfordshire, England, with her recording engineer husband Roger Dudley and daughter Angela.