Alois Melichar

Alois Melichar (18 April 1896, in Vienna – 9 April 1976, in Munich) was an Austrian composer, conductor, arranger, and music critic. He was a student of Joseph Marx at the Vienna Academy of Music, then of Franz Schreker at the Hochschule für Musik in Berlin, but later became increasingly culturally conservative.

From 1923 to 1926 Melichar was in the Caucasus, where he collected materials on Caucasian folk songs. He then lived in Berlin and Vienna. As a composer, he followed the safe footpath of Max Reger, Hans Pfitzner, and Paul Graener; he wrote a symphonic poem, ''Der Dom'' (1934); ''Rhapsodie über ein schwedisches Volkslied'' (1939); ''Lustspiel-Ouvertüre'' (1942); lieder; and film music.

Under contract to UFA he composed music for many films during the National Socialist period.

After World War II Melichar became increasingly polemic in his attacks on modernist music. His pamphlets include ''Die unteilbare Musik'' ("Indivisible music" 1952), ''Musik in der Zwangsjacke'' ("Music in the Straitjacket" 1958), and ''Schönberg und die Folgen'' ("Schoenberg and his Consequences" 1960).E. Michael Jones ''Dionysos rising: the birth of cultural revolution out of the ... '' 1994 Page 153 "Alois Melichar describes the publicity campaign waged against those who objected to the first performance of ''Moses und Aaron'', three years after the composer's death. Those who objected were stigmatized as anti-Semites."

Selected filmography

* '' Court Waltzes'' (1933)
* ''Night in May'' (1934)
* '' Song of Farewell'' (1934)
* '' Farewell Waltz'' (1934)
* '' The Young Baron Neuhaus'' (1934)
* ''Forget Me Not'' (1935)
* ''The Private Life of Louis XIV'' (1935)
* ''Stradivarius'' (1935)
* '' The Gypsy Baron'' (1935)
* ''If It Were Not for Music'' (1935)
* ''Stradivari'' (1935)
* '' The Girl Irene'' (1936)
* '' Love's Awakening'' (1936)
* ''The Beggar Student'' (1936)
* ''Land of Love'' (1937)
* '' Mother Song'' (1937)
* '' Nanon'' (1938)
* '' Capriccio'' (1938)
* '' Maria Ilona'' (1939)
* '' Immortal Waltz'' (1939)
* ''Falstaff in Vienna'' (1940)
* ''The Girl from Barnhelm'' (1940)
* ''My Life for Ireland'' (1941)
* ''The Girl from Fano'' (1941)
* '' Riding for Germany'' (1941)
* ''Attack on Baku'' (1942)
* '' Rembrandt'' (1942)
* ''Music in Salzburg'' (1944)
* ''Die Fledermaus'' (1946)
* '' The Immortal Face'' (1947)
* '' Anni'' (1948)
* '' Ulli and Marei'' (1948)
* '' The Heavenly Waltz'' (1948)
* '' The Blue Straw Hat'' (1949)
* '' Kissing Is No Sin'' (1950)
* ''Two Times Lotte'' (1950)
* '' Maria Theresa'' (1951)
* '' Don't Forget Love '' (1953)
* '' Dreaming Lips'' (1953)
* '' Diary of a Married Woman'' (1953)
* '' Love is Forever'' (1954)
* '' Dunja'' (1955)
* ''Son Without a Home'' (1955)

References

{{DEFAULTSORT:Melichar, Alois
1896 births
1976 deaths
Austrian male composers
Austrian composers
Musicians from Vienna
Pupils of Joseph Marx
20th-century Austrian composers
20th-century Austrian male musicians
Austrian expatriates in the Soviet Union