Aleksey Konstantinovich Tolstoy

Count Aleksey Konstantinovich Tolstoy (russian: Граф Алексе́й Константи́нович Толсто́й; – ), often referred to as A. K. Tolstoy, was a Russian poet, novelist, and playwright. He is considered to be the most important nineteenth-century Russian historical dramatist, primarily on account of the strength of his dramatic trilogy ''The Death of Ivan the Terrible'' (1866), ''Tsar Fyodor Ioannovich'' (1868), and ''Tsar Boris'' (1870). He also gained fame for his satirical works, published under his own name ('' History of the Russian State from Gostomysl to Timashev'', '' The Dream of Councillor Popov'') and under the collaborational pen name of Kozma Prutkov. His fictional works include the novella ''The Family of the Vourdalak'', '' The Vampire'' (1841), and the historical novel ''Prince Serebrenni'' (1862).

Aleksey was a member of the Tolstoy family, and a second cousin of Leo Tolstoy. Due to his mother's closeness with the court of the Tsar, Aleksey was admitted to the future Alexander II's childhood entourage and became "a comrade in games" for the young Crown Prince. As a young man Tolstoy traveled widely, including trips to Italy and Germany, where he met Johann Wolfgang von Goethe. Tolstoy began his education at home under the tutelage of his uncle the writer Antony Pogorelsky, under whose influence he first became interested in writing poetry, and a number of other teachers. In 1834 Tolstoy enrolled in the Moscow Foreign Ministry State Archive as a student. In December 1835 he completed exams (in the English, French, and German languages as well as in literature, Latin, World and Russian history, and Russian statistics) at the University of Moscow.

Throughout the 1840s, Tolstoy led a busy high society life, full of pleasure trips, salon parties and balls, hunting sprees, and fleeting romances. He also spent many years in state service as a bureaucrat and diplomat. In 1856, on the day of his Coronation, Alexander II appointed Tolstoy one of his personal aide-de-adjutants. Tolstoy served as an infantry major in the Crimean War. He eventually left state service in the early 1860s to pursue his literary career. He died in 1875 of a self-administered lethal dose of morphine at his Krasny Rog estate in the Chernigov Governorate.

Biography

Early life

Alexey Konstantinovich Tolstoy was born in Saint Petersburg to the famed family of Tolstoy. His father, Count Konstantin Petrovich Tolstoy (1780–1870), a son of the army general, was a Russian state assignation bank councilor. His mother, Anna Alekseyevna Perovskaya (1796–1857), was an illegitimate daughter of Count Aleksey Kirillovich Razumovsky (1748–1822), an heir of the legendary Ukrainian hetman Alexey Razumovsky. A. K. Tolstoy's uncle (on his father's side) was Fyodor Tolstoy (1783–1873). His uncle on his mother's side was Aleksey Perovsky (1787–1836), an author known under the pen name of Antony Pogorelsky. Aleksey Konstantinovich was a second cousin of Leo Tolstoy; Count Pyotr Andreyevich Tolstoy was their common great-grandfather.

Konstantin Tolstoy and Anna Perovskaya's marriage was short-lived; they divorced in October 1817. With her six weeks old son, Anna moved first to her own Blistava estate in Chernigov Governorate, then to Krasny Rog ( ru), an estate belonging to her brother Aleksey Perovsky, who became Aleksey Konstantinovich's tutor and a long-time companion. Common knowledge has it that Pogorelsky's famous fantasy fairytale ''The Black Chicken or The People of the Underground'' was premiered at home, his young nephew being the only member of Pogorelsky's audience. It was under the latter's influence that Aleksey started to write poetry, as early as 1823, inspired by some old books he found at home. Aleksey had good teachers and at the age of six he fluently spoke French, German and English. Later he learned Italian as well.

As for the Tolstoys, Anna Perovskaya stopped seeing them altogether, only sending them postcards on major dates and holidays. Remembering those happy years, Aleksey later wrote:
In early 1826 Anna Perovskaya returned to Saint Petersburg with her brother and son. Here, due to his mother's closeness with the court of the Tsar, Aleksey was admitted to the future Tsar Alexander II's childhood entourage and in August became what was officially termed "a comrade in games" for the young Crown Prince. Aleksey's duties were not many: he had to visit the Crown Prince in Saint Petersburg and Tsarskoye Selo, take walks with him on Yelagin Island and participate in games, many of which were, in effect, small scale military exercises. They became friends and this friendship lasted for several decades, ending in the mid-1860s.McGraw-Hill Encyclopedia of World Drama, Vol 1. In autumn of 1826 Aleksey met Aleksander Pushkin for the first time.

In summer 1827 the family visited Germany where in Weimar young Aleksey met Goethe. The great man greeted the boy very warmly and left him a fragment of a mammoth tusk with his own drawing (depicting a frigate) on it, for a present. Aleksey, having been awe-stricken, remembered little: "Only his magnificent features and the way he took me upon his lap," according to his autobiography.А.К. Tolstoy. Works in 4 volumes. Moscow. Khudozhestvennaya Literatura publishers. 1964. Vol. 4. Diaries and Letters. No. 274. A letter to A.Gubernatis (translated from French). Pp. 422–428. The family spent the next ten years in continuous travel, both in Russia and abroad. An 1831 trip to Italy especially impressed the 13-year-old. "Back in Russia I fell into a deep nostalgic depression, longing for Italy which felt like a real motherland; desperately mourning the loss, I cried at night when my dreams carried me off to this Paradise lost," he wrote in his autobiography decades later. In Italy the family met Karl Bryullov. On 10 May 1831, Aleksey wrote in his diary: "Bryullov dined with us and left a sketch in my album." The painter promised Perovsky to make portraits of all three of them once he was back in Russia, but five years later he had finished only one, that of his nephew.

Career

In 1834 Tolstoy enrolled in the Moscow Foreign Ministry State Archive as a "student", where he got his first taste of working with real historical documents. In December 1835 he completed exams (in English, French and German languages and literature, Latin, World and Russian history, and Russian statistics) at the University of Moscow for the formal 1st Grade State Bureaucrat certificate. He soon embarked on a career in the Economic Affairs and Statistics Department in Saint Petersburg. Before that, in July 1835, he had buried his uncle Aleksey Perovsky (who died in Warsaw of tuberculosis) and had become heir to his Krasny Rog estate. Also in 1835 Aleksey showed some of his new poems to Vasily Zhukovsky, who praised them. There's evidence that Pushkin also approved of the young poet's early works, giving him full moral support. Tolstoy wrote a lot, refining his technique, but wasn't eager to get published. "My first experiments were, no doubt, absurd, but at least metrically they were flawless. I went on training thus for many years, before I debuted... as a prose writer, not a poet," he remembered later.

In January 1837 Tolstoy became attached to the Russian Embassy in Frankfurt where he spent the next two years. The assignment was rather formal; it did not demand Tolstoy's presence in Germany and he spent most of his time in Saint Petersburg, leading a merry life, spending up to three thousand rubles per month, often traveling to Italy and France. It was during one of these visits that he wrote his first two "gothic" novellas – ''The Family of the Vourdalak'' and ''Three Hundred Years On'' (originally in German, later translated into Russian by Boleslav Markevich). Tolstoy showed great interest in all things macabre, influenced, again, by his late uncle who "was obsessed with mysticism in every possible form" and who, in turn, was influenced by E. T. A. Hoffmann whom he was personally acquainted with.

In late 1840 Tolstoy was transferred back to Russia to a position in the Tsar's Imperial State Chancellery 2nd Department where he continued to work for many years, slowly rising in the hierarchy. As time went by, though, he showed less and less enthusiasm, for the demands of his position had come to feel like a major hindrance to his literary aspirations. In May 1841 Tolstoy debuted with '' The Vampire'' (a novella published under the pen name of "Krasnorogsky", a reference to Krasny Rog, his residence). Complicated in structure, multi-layered and rich in counterpoints, featuring both the element of "horror" and political satire, it instantly caught the attention of Vissarion Belinsky who praised its "obviously still very young, but undoubtedly gifted author," totally unaware of the latter's real identity. Tolstoy himself saw the story as insignificant and made no attempt to include it in any of the subsequent compilations; it was only in 1900 that ''The Vampire'' was re-issued. In the autumn of 1843 Tolstoy debuted as a poet: his poem "Serebryanka" was published in the No.40 edition of ''Listok Dlya Svetskikh Lyudey'' (The Paper for Fashionable People).

It took another two years for him to see his second short story, "Artyomy Semyonovich Bervenkovsky", a homage to the so-called 'natural school' apparently written under the influence of Nikolai Gogol's ''Dead Souls'', published in the 1st volume of Count Vladimir Sollogub's ''Yesterday and Today'' almanac. The 2nd volume featured ''Amena'', a novella, described as an extract from a novel called ''Stebelovsky'' which remained unfinished. Belinsky responded negatively to this publication, describing the piece as "rather dull", and an "unfortunate manifestation of mental irritation picked from Chateaubriand" (meaning apparently ''Les Martyrs'', 1809).

Throughout the 1840s Tolstoy led a busy high society life, full of pleasure trips, salon parties and balls, hunting sprees and fleeting romances. He was described as "a handsome young man with blonde hair and a freshly coloured face" and was renowned for his physical strength, "bending spoons, forks and horse-shoes and driving nails into walls with one finger." One notable business trip to Kaluga in 1850 led to a close friendship with Nikolai Gogol (whom he first met in Frankfurt and then in Rome). Tolstoy recited to Gogol many of his yet unpublished poems and fragments from what later became the novel ''Prince Serebryany''. Gogol read him the second part of his novel ''Dead Souls''. Among other friendships he struck up in the forties were those with Ivan Aksakov, Pavel Annenkov, Nikolai Nekrasov, Ivan Panaev and Ivan Turgenev.

In the early 1850s, in collaboration with the Zhemchuzhnikov brothers, Tolstoy created the fictional writer Kozma Prutkov, a petty bureaucrat with great self-esteem who parodied the poetry of the day and soon became famous for his utterly banal aphorisms. In 1851 Prutkov debuted with ''The Fantasy'' a comedy which was signed "Y" and "Z" and written by Tolstoy and Aleksey Zhemchuzhnikov. The play, mocking the then popular "nonsense" vaudeville premiered on 8 January in the Alexandrinsky Theatre. This spectacular farce (featuring at one point a dozen small dogs running about on stage) caused a huge scandal, was promptly banned by Nikolay I (who was among the audience) and remained unpublished until 1884.

It was also in 1851 that Tolstoy first met Sophia Andreyevna Miller (1827?–1892), the wife of a cavalry colonel (whom she later divorced with great difficulty) and an impressively well-educated woman who knew fourteen languages, at a Bolshoy Theater masquerade. Tolstoy fell in love with her but had to wait for another twelve years before they were able to marry. Miller had, apparently, a perfect artistic taste and Tolstoy later referred to her as his harshest and most objective critic, as well as the best friend he'd ever had. All of his love lyrics from 1851 onwards were written for and about Sophia. Many of his poems ("My dear bluebells", "Amidst the ball uproar", "Brighter than the skylark's singing", "The wind from high up, it is not...") have been set to music by renowned composers and have become famous Russian romances.

In 1854 ''Sovremennik'' magazine published several of Tolstoy's verses ("My bluebells", "Oh you haystacks..." and others), which instantly got critics talking, and also the first of Kozma Prutkov's humorously pompous poetic exercises. The latter was not so much a collective pseudonym, as a character who was making quite a point of coming across as a "real" creature, performing, among other things, obnoxious pranks, one of which involved a messenger visiting all the leading Saint Petersburg architects late at night with the urgent news of the Isaakiyevsky Cathedral having fallen down and urging them to appear early next morning at the court of Tsar Nikolay I, which they hastily did, to the Tsar's utter annoyance.

As the Crimea War broke out, Tolstoy's first intention was to gather a partisan fighting unit and lead it to the Baltic Sea, should the English decide to land there. Along with Count Aleksey Bobrinsky (future Minister of transport) he started to finance and equip two partisan squads, forty fighters each. He bought some ammunition from Tula and traveled all along the Baltic coastline, examining what was supposed to be his future theater of war, the Crown Prince being totally unaware of his plans. On 2 September the allies landed at Yevpatoria and Tolstoy headed South, to join the Imperial infantry regiment (under the command of Lev Perovsky, another of his uncles) as an army major, in March 1855. The regiment went only as far as Odessa where a thousand men were lost from typhoid. In February 1856 Tolstoy became one of the casualties. In Odessa he was nursed back to health by Sophia Miller. Alexander II was telegraphed daily on the subject of his old friend's condition, at his personal request. In May 1855 Tolstoy was back on his feet, but the war was over for him; he instead embarked upon a Crimean journey with Sophia.

After the War, in 1856, on the day of his Coronation, Alexander II appointed Tolstoy as one of his personal aide-de-camp. It was only three years later that Tolstoy managed to get rid of this tiresome privilege which implied regular duties in the Palace, interfering with his now burgeoning literary career. "You cannot imagine what a storm of rhymes rages in me, what waves of poetry are sweeping through me, longing to break free," he wrote in a letter to Sophia Miller. Two thirds of Tolstoy's poetic legacy was created in the late 1850s. 1857 saw the publication of a large poem called ''The Sinner''. It was followed by the more significant '' Ioann Damaskin'', first published in ''Russkaya Beseda'' January 1859 issue. The poem, dealing with the nature of poetry and the poet's position in society, but also hinting at the author's personal plight, caused scandal. The head of the 3rd Department Prince Vasily Dolgorukov ordered the printing of the magazine to be stopped and for the poem to be removed. The Minister of Education Evgraf Kovalevsky personally permitted the publication, his rather daring decision causing a serious rift between the two departments.

Tolstoy's poems were appearing in virtually all the major Russian magazines of the time, regardless of their ideological inclinations. Yet, in 1857 his relationship with the leftist ''Sovremennik'' group became strained. Tolstoy drifted towards the Slavophiles and their ''Russkaya Beseda'' magazine, becoming a close friend of Ivan Aksakov and Aleksey Khomyakov, but this liaison was short-lived too. In the 1860s he found himself in a strange position of being a highly popular author, criticized fiercely both from the left and from the right. As to the reasons for this, A.K. Tolstoy was never in doubt. In an autobiographical letter to Angelo de Gubernatis he wrote:
Tolstoy caused much controversy with his scathing remarks aimed at contemporary government officials (Alexander Timashev, Vladimir Butkov, Ivan Veillot) whom he – a supporter of the monarch – considered real enemies of the State. He also criticized the activities of the 3rd Department, and in the wake of the Polish uprising was one of the very few people in the Court to openly denounce Muravyov the Hangman's draconian methods of political repression.Yampolsky, Igor. Works by A.K.Tolstoy in 4 Volumes. 1964. Vol.1. Commentaries. P.14-15.

A fierce opponent of xenophobia, he saw Russia as a European country, and Russians as Europeans. This clashed with the Slavophile doctrine of maintaining Russia's "special place" in the world. "peakingof slavophiles, Khomyakov sickens me when he places ussiaabove the West just on the strength of our being Orthodox," Tolstoy wrote in a letter. All the while, well-publicized was his dispute with Turgenev, who saw the French state as Russia's potential guiding light. "What France is moving towards is the dictatorship of mediocrity," Tolstoy argued. Being neither a westernizer nor a slavophile, Tolstoy annoyed both parties by his infatuation with pre-Tatar Russian society which he idealized whole-heartedly, seeing it as an Eastern strain of European knighthood, based on the cult of the nobleman. Also causing controversy were Tolstoy's critique of the West's amoral pragmatism and socialist ideas, his dismissal of the Russian imperial ideals which he saw as tragically flawed, and his own doctrine of a centralized Russia, the vile Moscovia State being, in his view, at the root of all Russian political evil. This eclectic "political romanticism" appeared to be in conflict with every political and social trend of the time.

Tolstoy rejected some ecclesiastical