The ''qeleshe'', ''plis'', ''qylaf'' or ''kësul'' is a white brimless felt wikt:Special:Search/skullcap, skull cap traditionally worn by Albanians, Albanians. It has spread throughout Albanian-inhabited territories, and is today part of the Albanian traditional clothing, traditional costume of the Albanians. The height and shape of the cap varies region to region.

Etymology

In Albanian: or , or , or . The word ''qeleshe'' comes from the Albanian language, Albanian word for wool (''lesh''). According to Vladimir Orel, the word ''plis'' comes from Proto-Albanian language, Proto-Albanian , related to Old High German id., Latin id. and Greek language, Greek πῖλος id., Proto-Slavic ''*pьlstь'' id.; according to Michael Driesen, Orel's reconstruction of Proto-Albanian is incorrect.

Process

There are many ways to make the plis. The most common way, in Kosovo, is using soap on the wool. The plis is always hand made. In the bazaar of Krujë, it is constructed by first getting a small chunk of wool that is placed on a table. Then, an instrument similar to a bow is used to beat the wool by hammering the string with a stone or a sturdy piece of wood. The wool is beaten and pressed until the wool strands become knotted around each other. Finally, it is washed, and shrinks. It is then pressed by a flat wooden instrument on top of it, multiple times, until the wool becomes completely flat and smooth. Then, it is sealed in a flattener for 24 hours and soaked in hot water and salt. The hat is made by two finished, flattened and pressed wool. The corners are removed to form a round shape. Afterwards, soap is added as a glue substitution to finely keep the fibres smooth while both pieces of wool are rubbed together. Then it is washed and beaten to strengthen the fabric, and placed on a wooden model. The shape of the plis is determined by the wooden model on which it is left to dry, and then rubbed with soap again to fix the shape. The wool will be smoothened with a razor. Lastly, a wooden instrument is firmly rubbed on the plis.

History

The Albanian plis/qeleshe has been handed down from Illyrians, Illyrian times. The Illyrian hemispherical cap dates from the Iron Age, found both in men's and women's graves, hence it can be assumed that it was worn both by men and women. A monument from Illyrian times that was found in Zenica shows a calotte-shaped cap, very similar to the plis. The Albanian/Illyrian cap has been classified in a broader and general Mediterranean framework, relying on illustrations on situlae and girdle plates from the later Iron Age in Northern Italy and the Southern Alps. They also feature figures with hemispherical headgear with a small spike. The wearers of such caps are depicted carrying agricultural tools which leads to consider them as country people. Furthermore, in monuments from the 2nd and 3rd centuries AD from Bosnia, Illyrians under Roman rule are depicted with similar cap shapes. Such caps are absent in the eastern half of the Balkans, in the Pannonian-Carpathian Mountains, Carpathian region and in eastern Europe. The 1542 Latin dictionary equated an Albanian hat with a kyrbasia, and described it as a "tall pileus [hat] in the shape of a cone" (). An early depiction of the hemispherical plis can be seen on Johann Theodor de Bry depiction of Moisi Golemi from 1596, however, earlier Italian and documents exist depicting Albanians wearing the plis from earlier centuries. It is also argued by Nopcsa that it may have been coloured red. During the 17-19 centuries, the appearances description and appearances steadily multiplied, depicting it as a common Albanian headdress as it became more widespread and easily accessible to wear. The white version became the most popular one and was finally declared a specific Albanian national costume during the Albanian Renaissance. In the 18-19 century, the plis became popularly depicted in painting depicting Arnaut, painters like Jean-Léon Gérôme, Charles Bargue and Marie-Gabriel-Florent-Auguste de Choiseul-Gouffier would paint Albanian subjects of the Osman Empire with the plis, as a diverse presentation of the orientalism, orient. It would be casually depicted in a formal setting, such as in ''The Albanian Marriage'' by Jean Pierre Louis Laurent Hoüel in 1785, where the priest is depicted with a plis. During the 19-20 century, Albanology, Albanologists started taking photographs of Albanian national attires, many of which would include the Plis. Franz Nopcsa von Felső-Szilvás is photographed multiple times wearing the headdress. It then became a popular headdress for Albanian soldiers to wear during the battle for independence, Shota Galica, Isa Boletini and Azem Galica are depicted wearing the plis while fighting Italian, Turkish, Greek, Serbian and Montenegrin troops during the Partition of Albania. The plis formed part of the official uniform of the 21st Waffen Mountain Division of the SS Skanderbeg, Waffen-SS Skanderbeg division and Bosnian-Herzegovinian Infantry, Albanian Legion.

Overview

The cap is part of the traditional costume of the Albanian highlanders and is considered as a National symbols of Albania, national symbol among a large number of Albanian communities.Gjergji, 2004, p. 166: "To this day many zones of the Dukagjin Plateau in Kosova and various zones inhabited by Albanians in Montenegro and Macedonia have preserved their folk costumes or some expressive element of the costume, such as the white "qeleshe" (brimless felt cap) considered as a symbol of their nationality." During the Ottoman period, the hat as a white colored Fez (hat), fez cap was the characteristic Albanian national headgear, in particular of Muslim Albanians. "Gli Albanesi, in parte di religione musulmana, conservano del lunghissimo periodo della dominazione turca il caratteristico fez bianco (qylaf o qeleshe), autentico copricapo nazionale, la cui altezza varia da regione a regione." Ethnographic museum wool

In the northern Albanian highlands, the shape is hemispherical, while in Kukës, it is truncated. In southern Albania, the cap is taller than in northern Albania, especially in the Gjirokastër and Vlorë regions, with the exception of the Myzeqe low plains region. In some areas of southern Albania the cap has a small protrusion. The cap is made from one single piece of woolen felt, usually white, that is molded to the shape of the head. The town of Kruja is particularly known for Albania's traditional felt-makers who also produce the felt caps ''qeleshe''. The cap is used by men during the traditional weddings of the Tirana region.

Gallery

File:Plisi 002.png, Hemispherical type ''qeleshe'' or ''plis''. File:Plisi 001.png, Flat-topped fez type ''qeleshe''. File:The symbol of Albanians.JPG, Hemispherical, oval and flat topped shapes of ''qeleshe''. File:Mjeshtri i plisave.jpg, A felt-maker. File:Arolsen Klebeband 01 455 2.jpg, Moisi Golemi, engraving by Johann Theodor de Bry, 1596. File:Lahut, fyell, çifteli.tiff, Albanian music trio with hemispherical type qeleshe, Has District. File:ARGJIRO POLYPHONY.jpg, Iso-polyphony ensemble Grupi Argjiro wearing tall qeleshes with a small protrusion on the top, Gjirokastër File:Fustanela 001.jpg, Albanian singers with flat-topped type ''qeleshe'', Skrapar.

References

Bibliography

* * * * * {{Folk costume Caps Albanian clothing Kosovan culture