The Ajita Purana was written by Ranna in 993 CE narrates the story of

Ajitanatha Ajitanath (lit. invincible) was the second ''tirthankara'' of the present age, ''avasarpini'' (half time cycle) according to Jainism. He was born to King Jitashatru and Queen Vijaya at Ayodhya in the Ikshvaku dynasty. He was a liberated soul w ...

, the second ''

tirthankara In Jainism, a ''Tirthankara'' (Sanskrit: '; English: literally a ' ford-maker') is a saviour and spiritual teacher of the '' dharma'' (righteous path). The word ''tirthankara'' signifies the founder of a '' tirtha'', which is a fordable pass ...

'' of

Jainism Jainism ( ), also known as Jain Dharma, is an Indian religion. Jainism traces its spiritual ideas and history through the succession of twenty-four tirthankaras (supreme preachers of ''Dharma''), with the first in the current time cycle bein ...

. This is the shortest in the

Kannada language Kannada (; ಕನ್ನಡ, ), originally romanised Canarese, is a Dravidian language spoken predominantly by the people of Karnataka in southwestern India, with minorities in all neighbouring states. It has around 47 million native ...

. It narrates two stories of the previous births of the ''tirthankara''.

Story plot

The first part opens with a prince named Vimalavahana who is overcome by an intense feeling of renunciation upon beholding a few strands of gray hairs on his cheek. The grey hair remind him of the transitoriness of life and the supreme power and inevitability of death. He takes to a life of meditation and is born as a Dev in one of the heavens. In his subsequent birth he becomes Ajithanatha, the king of

Ayodhya Ayodhya (; ) is a city situated on the banks of holy river Saryu in the Indian state of Uttar Pradesh. Ayodhya, also known as Saketa, is an ancient city of India, the birthplace of Rama and setting of the great epic Ramayana. Ayodhy ...

. The customary fivefold auspicious in the life of a Thirthankara have been described at great length by Ranna with his usual gusts and devotion and piety. He was subject to intense emotional disturbances and did not know how to control them except by giving them to eloquent expression in words. The second part deals with the story of Sagara, the second Chakravarti of

who is deeply attached to all worldly pleasures. His friend Maniketu tries his best to turn the attention of the king towards renunciation but could not succeed. Finally he contrived a plan by which the 60,000 sons of Sagara were killed and in the guise of an old man with a dead son in his arms presented himself before the king and begged of him to enliven the child by fighting with death. Sagara felt helpless in the matter and said that death was no respecter of persons and all must suffer sorrow and pain. There upon Maniketu revealed to him the simultaneous death of his sons. Sagara was overcome with grief but bore it heroically and taking to a life of penance realized him in the end. Ranna has depicted this story in all its pathos and the character of Maniketu in the role of hold man bereaved of his son is the center of interest. The above are the finest parts of his work and when compared with the corresponding parts of the Sanskrit original the improvements made by Ranna can be appreciated. The feature of Ajitha - Purana is the portrait of Attimabbe painted with grateful devotion by Ranna. She was a pious and dutiful Jaina lady famous for her generosity in extending patronage to poets, in erecting temples to the Jina, and in the propagation of Jaina texts. An inscription at Lakkigundi in Dharwar district, probably written by Ranna gives a few more details concerning her religious life. It was for her sake that Ranna wrote the Ajitapurana. Her personality was so pure and noble that the poet has compared her to the

sacred waters Sacred waters are sacred natural sites characterized by tangible topographical land formations such as rivers, lakes, springs, reservoirs, and oceans, as opposed to holy water which is water elevated with the sacramental blessing of a cleric ...

of the Ganges and to a leap of Snow-White cotton.

References

Citation

Source

* Rice, Edward Peter. 1982. A history of Kannada literature. Calcutta: Association Press. * {{DEFAULTSORT:Ajitha Purana Kannada literature Jain texts 10th-century Indian books