Adoration of the Magi (Lorenzo Monaco)
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''The Adoration of the Magi'' is a tempera on panel painting by the Italian late Gothic artist Lorenzo Monaco, now housed in the
Uffizi Gallery The Uffizi Gallery (; it, Galleria degli Uffizi, italic=no, ) is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums ...
in
Florence Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany Regions of Italy, region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilan ...
.


History

The painting is known by a rather complete documentation. It was executed by Lorenzo with the help of three assistants, and, despite the reduced size, he was paid the huge sum of 182
florins The Florentine florin was a gold coin struck from 1252 to 1533 with no significant change in its design or metal content standard during that time. It had 54 grains (3.499 grams, 0.113 troy ounce) of nominally pure or 'fine' gold with a purcha ...
. According to some hints in
Giorgio Vasari Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work '' The Lives of the Most Excellent Painters, Sculp ...
's '' Lives of the Most Excellent Painters'', it could have been executed for the church of Sant'Egidio in Florence, when it was reconsecrated by Pope
Martin V Pope Martin V ( la, Martinus V; it, Martino V; January/February 1369 – 20 February 1431), born Otto (or Oddone) Colonna, was the head of the Catholic Church and ruler of the Papal States from 11 November 1417 to his death in February 1431. Hi ...
. Later it is documented in a room facing the cloister of the monastery of San Marco, where it was seen by
Fra Angelico Fra Angelico (born Guido di Pietro; February 18, 1455) was an Italian painter of the Early Renaissance, described by Vasari in his '' Lives of the Artists'' as having "a rare and perfect talent".Giorgio Vasari, ''Lives of the Artists''. Pengu ...
. A source from 1810 reports how the work was initially attributed to Fra Angelico himself. It was restored in 1995.


Description

The painting includes a large composition with a rather reduced use of a gilded background, a typical element of most Lorenzo's works. The upper part is in the form of a frame creating a
triptych A triptych ( ; from the Greek adjective ''τρίπτυχον'' "''triptukhon''" ("three-fold"), from ''tri'', i.e., "three" and ''ptysso'', i.e., "to fold" or ''ptyx'', i.e., "fold") is a work of art (usually a panel painting) that is divided ...
. On the left is portrayed the
nativity scene In the Christian tradition, a nativity scene (also known as a manger scene, crib, crèche ( or ), or in Italian ''presepio'' or ''presepe'', or Bethlehem) is the special exhibition, particularly during the Christmas season, of art objects rep ...
, within an architecture showing Lorenzo's refusal of the contemporary introduction of
geometrical perspective Linear or point-projection perspective (from la, perspicere 'to see through') is one of two types of graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, ...
in art. The Madonna, wearing a dark blue garment with three stars (symbols of virginity), is sitting on a stone and showing the Christ child to the spectators. St. Joseph is sitting in the lower left corner and looking upwards. The centre and right scenes are occupied by the
Magi Magi (; singular magus ; from Latin '' magus'', cf. fa, مغ ) were priests in Zoroastrianism and the earlier religions of the western Iranians. The earliest known use of the word ''magi'' is in the trilingual inscription written by Darius t ...
's procession. Differently from the
Gospel Gospel originally meant the Christian message (" the gospel"), but in the 2nd century it came to be used also for the books in which the message was set out. In this sense a gospel can be defined as a loose-knit, episodic narrative of the words a ...
tradition, they are not all portrayed as old men, but with three different ages symbolizing the ages of man. Their followers include a variety of ethnicities, from the Moors to the Tatars, as well as animals such as hounds and camels. In the upper part is a landscape of Giottoesque inspiration. The garments of the standing Magi and the one next to him have writing in Arabic. In the cusps are a ''Blessing Redeemer'' and, in the middle, two
prophets In religion, a prophet or prophetess is an individual who is regarded as being in contact with a divine being and is said to speak on behalf of that being, serving as an intermediary with humanity by delivering messages or teachings from the s ...
. In the 15th century between the cusps were added two further prophets and an '' Annunciation'', partly executed by
Cosimo Rosselli Cosimo Rosselli (; 1439–1507) was an Italian painter of the Quattrocento, active mainly in his birthplace of Florence, but also in Pisa earlier in his career and in 1481–82 in the Sistine Chapel in Rome, where he painted some of the large ...
.


Sources

*{{cite book, first=Gloria , last=Fossi, title=Uffizi, publisher=Giunti, location=Florence , year=2004, isbn=88-09-03675-1 Paintings by Lorenzo Monaco 1420s paintings Paintings in the collection of the Uffizi
Monaco Monaco (; ), officially the Principality of Monaco (french: Principauté de Monaco; Ligurian: ; oc, Principat de Mónegue), is a sovereign city-state and microstate on the French Riviera a few kilometres west of the Italian region of Lig ...
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