22 (Taylor Swift song)

"22" is a song by American singer-songwriter Taylor Swift, taken from her fourth studio album, ''Red'' (2012). It was released as the album's fourth single on March 12, 2013, by Big Machine Records. Written and produced by Swift, Max Martin, and Shellback, "22" combines pop styles such as dance-pop and bubblegum with disco and 1990s rock. The track begins with an acoustic guitar riff and progresses into an upbeat refrain which incorporates pulsing synthesizers and syncopated bass drums. The lyrics celebrate being 22 years old while acknowledging the heartache that the narrator experienced in the past.

Upon ''Red'''s release, critics complimented the production of "22" as catchy but some found the lyrics weak and the song repetitive. Retrospectively, some have considered it one of Swift's best pop songs. "22" peaked at number 20 on the US ''Billboard'' Hot 100 and was certified triple platinum by the Recording Industry Association of America (RIAA). It received platinum or higher certifications in Australia, Canada, and the United Kingdom, peaking in the top 10 on the singles chart in the lattermost country. The accompanying music video was shot in Malibu, California, depicting Swift having a house party with friends. Swift included the song in the set list of the Red Tour (2013–2014) and performed it live at the 2013 ''Billboard'' Music Awards.

Media outlets dub "22" a cultural phenomenon resulting in the prominence of 22nd birthdays. A re-recorded version of "22", titled "22 (Taylor's Version)", was released as part of Swift's second re-recorded album ''Red (Taylor's Version)'' on November 12, 2021, by Republic Records. "22 (Taylor's Version)" peaked within the top 40 on singles charts of Australia, Canada, and Singapore; it also peaked at number 52 on the US ''Billboard'' Hot 100.

Writing and production

Swift released her third studio album, the self-written ''Speak Now'', in October 2010. Produced by Swift and Nathan Chapman, ''Speak Now'' expands on the country-pop production style of its predecessor, ''Fearless'' (2008). On her fourth studio album, ''Red'' (2012), Swift wanted to experiment with other musical styles. To this end, she approached different producers beyond her career base in Nashville, Tennessee. She went to Los Angeles to meet with Swedish producer Max Martin, citing his songs for "how heycan just land a chorus" as an inspiration.

Martin and Shellback, another Swedish producer, co-wrote and co-produced three songs with Swift on ''Red''—"22", "We Are Never Ever Getting Back Together", and "I Knew You Were Trouble"—all of which feature a pop production and programmed keyboards. Michael Ilbert and Sam Holland recorded "22" at MXM Studios in Stockholm and Conway Recording Studios in Los Angeles, with engineers John Hanes, Eric Eylands, and Tim Roberts. Serban Ghenea mixed "22" at MixStar Studios in Virginia Beach. The instruments used on the track include acoustic guitar (Swift, Shellback), bass (Shellback), electric guitar (Shellback), and keyboards (Martin, Shellback).

Talking about the theme of "22", Swift told '' Billboard'' that the song captures how she felt about being 22 years old, when she knew about the "possibilities of how you're still learning, but you know enough. ..That brings about a carefree feeling that is sort of based on in-decision and fear and at the same time letting loose". She said during a February 2013 interview with Ryan Seacrest that the song's inspiration was a group of female friends with whom she often hung out; despite the uncertainty of adulthood, "the one thing that you have is that you have each other". On March 12, 2013, Big Machine in partnership with Republic Records released "22" to US contemporary hit radio as the fourth ''Red'' single. A day later, it was released exclusively to Swift's official website as a limited-edition CD single, which was sold by itself or via an exclusive package with the Red Tour merchandise. "22" was released in the United Kingdom on March 31, 2013.

Composition and lyrics

Music critics described "22" as a pop song incorporating styles such as bubblegum and dance-pop. Rob Sheffield from ''Rolling Stone'' described the genre as disco, and Annie Zaleski in the '' Cleveland Scene'' called the track a "spunky '90s-rock gem". The song begins with an acoustic guitar riff and incorporate an acoustic guitar-based arrangement in the verses, which musicologist James E. Perone described as a "singer-songwriter style". The refrain is upbeat and infuses elements of dance and electronic music; the production incorporates pulsing synthesizers that recall 1980s pop music, and syncopated bass drums that evoke influences from hip hop and alternative rock. ''Billboard'' said "22" was Swift's "most blatantly 'pop' song" up to that point, and Perone commented that her vocals in "22" are processed by Martin's and Shellback's electronic production, which makes the track sound radically different compared to her previous songs. According to ''The Boot'''s Riane Konc, despite the pop production, "22" remains " nessential part of wift'scountry years".

In the lyrics, the narrator celebrates the moments of being 22 years old, inviting friends to dress up, hang out, and "make fun of heirexes" after having gone through a heartbreak. When she and the friends are at the party, she realizes the place has "too many cool kids" (who murmur, "‘Who's Taylor Swift anyway, ew?"). The group then decides to "ditch the whole scene". Towards the song's conclusion, the narrator dances with a man who "looks like bad news", but whom she "has to have".

Critics observed the conflicting emotions of early adulthood conveyed through "22". Jordan Sargent of ''Spin'' said the refrain's bass has a "fleeting upward sweep" that reflects the lyrical sentiment of "feeling young and invincible" while facing the impending "doom of growing up". For ''Billboard'', although the production is upbeat with "the most sugary hooks available", the lyrics are rather contemplative ("We're happy, free, confused and lonely in the best way"). NPR Music's J. English wrote that the contradictory feelings ("We're happy, free, confused and lonely at the same time / It's miserable and magical") serve as a mission statement for ''Red'''s depiction of a wide array of emotions, from the wide-eyed optimism on " Begin Again" to the cautionary tale of celebrity on "The Lucky One". Perone otherwise found the track to be escapist and carefree; whereas the narrators of Swift's previous songs ponder about lost love in her own headspace, the narrator of "22" hangs out at parties and gets along with a man she just met.

Critical reception

''Billboard'''s review of ''Red'' appreciated Swift's songwriting on "22" for "succinctly communicating conflicting emotion" despite the track's upbeat production. Digital Spy's Lewis Corner deemed the single another "pop smash" for Swift's career. Reviewers that highlighted "22" as one of the album's best tracks included ''Idolator'''s Sam Lansky (praising the "ironclad" hook and lyrics about young adulthood), ''USA Today'''s Jerry Shriver (describing the song as "crisp and breezy"), and the ''Tampa Bay Times''' Max Asayesh-Brown (complimenting its "jovial warble" as "plain fun"). Mesfin Fekadu of the Associated Press found it better than the lead single "We Are Never Ever Getting Back Together" but deemed the lyrics weak. Some complained that the song resembled the chart hits of pop stars such as Katy Perry and Kesha; dismissive reviews came from ''Telegram & Gazette'''s Craig S. Semon (saying the song was "bouncy but banal" and Swift's vocals "annoying" and "whiny"), AllMusic's Stephen Thomas Erlewine (calling it a "ludicrous club-filler"), and '' Slant Magazine'''s Jonathan Keefe (labelling it a "shrill, deliberately vapid knockoff").

At the 2015 Pop Awards held by Broadcast Music, Inc., "22" was one of the three award-winning songs (with " Everything Has Changed" and "Shake It Off") that helped Swift earn the recognition as one of the "Songwriters of the Year". Later reviews have been generally positive, with welcoming comments from Lansky (praising the pop hooks as catchy and saying it is impossible to resist its "millennial pink fizz" and "neutered naughtiness"), Sheffield (saying it is " pproximately22,000 times more fun than actually being 22"), Nate Jones from ''Vulture'' (hailing it for simultaneously being "absurdly catchy" and having "enough personality"), and Nick Levine from ''Time Out'''s (deeming it "far smarter than the average giddy dance-pop song"). According to ''NME'''s Hannah Mylrea, "Before '22' nobody cared when you celebrated your 22nd birthday ..and somehow Swift turned it into a milestone." In a 2019 ranking of Swift's 44 singles, ''The Guardian'''s Alexis Petridis placed the song at number four, and lauded its catchiness and contemplative lyrics about early adulthood. Perone nonetheless deemed "22" not as sophisticated and grounded as Swift's previous songs about heartbreak, specifically "Fifteen (song), Fifteen" (2009).

Commercial performance

For the week ending October 28, 2012, "22" debuted at number 44 on the US ''Billboard'' Hot 100 and number seven on Hot Digital Songs with first-week sales of 108,000 digital copies; it was the week's highest debut position. After its single release, the song peaked at number 20 on the ''Billboard'' Hot 100 and was the sixth track from ''Red'' to reach the top 20. The Recording Industry Association of America (RIAA) certified the single triple platinum, denoting three million track-equivalent Album-equivalent unit, units based on digital sales and streaming. In the United Kingdom, "22" peaked at number nine on the UK Singles Chart and was certified platinum by the British Phonographic Industry (BPI). The single also received sales certifications in Australia (double platinum), Canada (platinum), New Zealand (gold), and Japan (gold), and peaked within the top 30 in the first three countries.

Music video and live performances

Swift travelled to Malibu, California, in February 2013, and filmed the music video for "22" there a day after she attended the 55th Annual Grammy Awards. She premiered the video on March 13, 2013, on ''Good Morning America''. Directed by Anthony Mandler, the video for "22" departs from the narrative-driven video for Swift's previous single, "I Knew You Were Trouble"; it features scenes of Swift and her friends baking in the kitchen, sunbathing on the beach, bouncing on trampolines, and throwing a house party which ends with Swift diving into the pool, clothes on. Some media publications noticed Swift's fashion as Hipster (contemporary subculture), hipster-inspired (her Chambray (fabric), chambray shirt and plastic glasses), with Cosmopolitan (magazine), ''Cosmopolitan'' and ''Entertainment Weekly'' deeming the aesthetics reminiscent of Instagram's.

"22" was part of the set list to Swift's private concert held on a Péniche (barge), péniche on the Seine on January 28, 2013. Her first televised performance of "22" was on May 19, 2013, at the 2013 Billboard Music Awards, ''Billboard'' Music Awards. Dressed in silver shoes, black high-waisted shorts, and a unicorn T-shirt saying "Haters Gonna Hate", Swift sang the first verse and chorus, and the second verse in the dressing room backstage. She appeared onstage for the rest of the song, joined by ''America's Got Talent'' winners and the dance crew Jabbawockeez; the performances ended with red balloons falling from the ceiling. The song was part of the set list to the Red Tour (2013–2014), where Swift performed it with a dance troupe.

Swift later included "22" as part of the set lists to her other concerts and shows, including at the iHeartRadio Music Festival in September 2014, at the United States Grand Prix, Formula 1 United States Grand Prix at the Circuit of the Americas in October 2016, and at the DirecTV Super Saturday Night, as part of a series of pre-Super Bowl concerts, in February 2017. She performed "22" three times on the Reputation Stadium Tour (2018), as a "surprise song" for the second show in Chicago, the first show in Foxborough, Massachusetts, Foxborough, and the show in Sydney. On December 8, 2019, Swift performed the song at Capital (radio network), Capital FM's Jingle Bell Ball#2019, Jingle Bell Ball 2019 in London.

Credits and personnel

Adapted from ''Red'' album liner notes
* Taylor Swift – vocals, songwriter, acoustic guitar
* Max Martin – producer, songwriter, keyboard instrument, keyboards
* Shellback – producer, songwriter, acoustic guitar, electric guitar, keyboards, bass (instrument), bass, audio programming, programming
* Tom Coyne (music engineer), Tom Coyne – audio mastering, mastering
* Eric Eylands – assistant recording
* Serban Ghenea – audio mixing (recorded music), mixing
* John Hanes – audio engineer, engineer
* Sam Holland – recording
* Michael Ilbert – recording
* Tim Roberts – assistant mixing

Charts

Weekly charts

Year-end charts

Certifications

"22 (Taylor's Version)"

Swift re-recorded of "22" for her second re-recorded album, ''Red (Taylor's Version)''. She posted a snippet of the re-recorded song, titled "22 (Taylor's Version)", on her Instagram on August 5, 2021. ''Red (Taylor's Version)'' was released on November 12, 2021, by Republic Records; it is part of Swift's move to claim the ownership to her master recordings after a Taylor Swift masters controversy, public dispute with her former label Big Machine and talent manager Scooter Braun.

"22 (Taylor's Version)" was produced by Swift, Shellback, and Chris Rowe, Christopher Rowe. In reviews of ''Red (Taylor's Version)'', some critics remarked that "22" was one of Swift's best pop songs. Writing for ''Slant Magazine'', Jonathan Keefe commented that though the 2012 version was indiscernible from the music of other pop stars of the era, the 2021 re-recorded version improved with a wistful tone.

"22 (Taylor's Version)" peaked within the top 40 of singles charts in Australia, Canada, and Singapore. It peaked at number 52 on the US ''Billboard'' Hot 100 and 30 on the Billboard Global 200, ''Billboard'' Global 200.

Personnel

Adapted from ''Red (Taylor's Version)'' album liner notes

* Taylor Swift – lead vocals, background vocals, songwriter, producer
* Chris Rowe, Christopher Rowe – producer, lead vocals engineer
* Shellback – producer, songwriter
* Max Martin – songwriter
* Dan Burns – additional programming, additional engineer
* Matt Billingslea – drums
* Bryce Bordone – engineer
* Derek Garten – engineer, editor
* Serban Ghenea – mixer
* Max Bernstein – synths
* Mike Meadows – acoustic guitar, synths
* Amos Heller – bass guitar, bass synthesizer
* Paul Sidoti – electric guitar

Charts

Release history

References

Sources

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{{Authority control

2013 singles
2012 songs
Taylor Swift songs
Songs written by Taylor Swift
Songs written by Max Martin
Songs written by Shellback (record producer)
Big Machine Records singles
Republic Records singles
Music videos directed by Anthony Mandler
Song recordings produced by Max Martin
Song recordings produced by Shellback (record producer)
Song recordings produced by Taylor Swift
Song recordings produced by Chris Rowe
Songs about dancing
Bubblegum pop songs
American disco songs