(Do the) Mashed Potatoes
   HOME

TheInfoList



OR:

__NOTOC__ "(Do the) Mashed Potatoes" is a
rhythm and blues Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly ...
instrumental An instrumental is a recording normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to inst ...
. It was recorded by James Brown with his band in 1959 and released as a two-part single in 1960. For
contract A contract is a legally enforceable agreement between two or more parties that creates, defines, and governs mutual rights and obligations between them. A contract typically involves the transfer of goods, services, money, or a promise to tr ...
ual reasons the recording was credited to "Nat Kendrick and the Swans".


Circumstances of the recording

The recording of "(Do the) Mashed Potatoes" arose out of James Brown's success in using the
Mashed Potato Mashed potato or mashed potatoes (American and Canadian English), colloquially known as mash (British English), is a dish made by mashing boiled or steamed potatoes, usually with added milk, butter, salt and pepper. It is generally served as a ...
dance as part of his stage show. Brown wanted to record a Mashed Potatoes-themed instrumental with his band in order to capitalize on the dance's popularity. However, King Records head
Syd Nathan Sydney Nathan (April 27, 1904 – March 5, 1968) was an American music business executive who founded King Records, a leading independent record label, in 1943. He contributed to the development of country & western music, rhythm and blues a ...
, a frequent critic of Brown's proposals, would not allow it. (The first instrumental recorded by Brown and his band, titled "Doodle Bee" and credited to Brown's
tenor saxophonist The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while t ...
J.C. Davis, had not sold well when it was released on King's sister label
Federal Records Federal Records was an American record label founded in 1950 as a subsidiary of Syd Nathan's King Records and based in Cincinnati, Ohio. It was run by famed record producer Ralph Bass and was mainly devoted to Rhythm & Blues releases. The compa ...
.) Brown approached
Henry Stone Henry Stone (June 3, 1921 – August 7, 2014), born Henry David Epstein, was an American record company executive and producer whose career spanned the era from R&B in the early 1950s through the disco boom of the 1970s to the 2010s. He was be ...
, a friend in the music business who ran the Dade Records label, about recording the piece with him. Stone, although nervous about crossing Nathan (with whom he did business), arranged for Brown to record at his
Miami Miami ( ), officially the City of Miami, known as "the 305", "The Magic City", and "Gateway to the Americas", is a coastal metropolis and the county seat of Miami-Dade County in South Florida, United States. With a population of 442,241 at ...
studio. "(Do The) Mashed Potatoes" was recorded with Brown playing the piano and shouting the song's title. To prevent Brown's voice from being recognized, Stone
overdub Overdubbing (also known as layering) is a technique used in audio recording in which audio tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more av ...
bed shouted vocals by Carlton "King" Coleman, a local radio DJ, onto the recording, though Brown's voice remains audible in the background. Leadership of the band was officially credited to Nat Kendrick, who was Brown's drummer at the time, while the writing was credited to "Dessie Rozier", a
pseudonym A pseudonym (; ) or alias () is a fictitious name that a person or group assumes for a particular purpose, which differs from their original or true name (orthonym). This also differs from a new name that entirely or legally replaces an individua ...
for Brown. A simple
twelve bar blues The 12-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based o ...
tune, "(Do the) Mashed Potatoes" became a Top Ten R&B hit in 1960 and fed what would eventually grow into a national
dance craze ''Dance Craze'' is a 1981 American documentary film about the British 2 Tone music genre. The film was directed by Joe Massot, who originally wanted to do a film only about the band Madness, whom he met during their first US tour. Massot later ...
. The band recorded several more singles under the Nat Kendrick & the Swans name, including "Dish Rag", "Slow Down", and "Wobble Wobble", but none was successful. Eventually made aware of Brown's outside success, Syd Nathan relented and allowed him to release future instrumentals on King, starting with the 1961 single "Hold It" b/w "The Scratch". James Brown had a second Mashed Potatoes-themed hit with " Mashed Potatoes U.S.A." in 1962.


Personnel

''"Nat Kendrick & The Swans"'': * Carlton "King" Coleman - lead vocal * Alfred Corley - alto saxophone * J.C. Davis - tenor saxophone * James Brown - piano, vocal yelps * Bobby Roach - guitar *
Bernard Odum Bernard Odum (June 10, 1932 – August 17, 2004), born Bertrand Odom, was an American bass guitar player best known for performing in James Brown's band in the 1960s. Biography Odum started playing with Brown in 1956 and became a full-time ...
- bass * Nat Kendrick - drums


Charts

Steve Alaimo version:


Other versions

Steve Alaimo Charles Stephen Alaimo ( born December 6, 1939) is an American singer who was a teen idol in the early 1960s. He later became record producer and label owner, but he is perhaps best known for hosting and co-producing Dick Clark's ''Where the Acti ...
released the song in 1962, also on album ''
Mashed Potatoes Mashed potato or mashed potatoes (American and Canadian English), colloquially known as mash (British English), is a dish made by mashing boiled or steamed potatoes, usually with added milk, butter, salt and pepper. It is generally served as a ...
''. The British
beat Beat, beats or beating may refer to: Common uses * Patrol, or beat, a group of personnel assigned to monitor a specific area ** Beat (police), the territory that a police officer patrols ** Gay beat, an area frequented by gay men * Battery (c ...
group The Undertakers recorded a
cover version In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song release ...
of "(Do the) Mashed Potatoes" in 1963. German beat group The Rattles recorded a version for their 1963 debut single A-side.
The Kingsmen The Kingsmen are a 1960s rock band from Portland, Oregon, United States. They are best known for their 1963 recording of R&B singer Richard Berry's "Louie Louie", which held the No. 2 spot on the '' Billboard'' charts for six weeks and ...
covered the song on their 1964 album '' The Kingsmen In Person''. James Brown recorded a remake of "(Do the) Mashed Potatoes" for his 1980 album ''
Soul Syndrome ''Soul Syndrome'' is the 50th studio album by American musician James Brown. The album was released in 1980, by TK Records TK Records was an American independent record label founded by record distributor Henry Stone and Steve Alaimo in 197 ...
''. Surf rock group
Man or Astroman Man or Astro-man? is an American surf rock group that formed in Auburn, Alabama in the early 1990s and came to prominence over the following decade. Primarily instrumental, Man or Astro-man? blended the surf rock style of the early 1960s like ...
released a cover of the song called "Space Potatoes" on their 1993 EP Captain Holojoy's Space Diner, with modified lyrics.


References

* Guralnick, P. (1986). ''Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom''. New York: Back Bay Books. . * Leeds, Alan M., and Harry Weinger (1991). Star Time: Song by Song. In ''Star Time'' (pp. 46–53) D liner notes London: Polydor Records.
Nat Kendrick & The Swans.
Henry Stone Music, Inc. * White, Cliff, and Harry Weinger (1991). Are You Ready for Star Time? In ''Star Time'' (pp. 14–44) D liner notes London: Polydor Records. * Wolk, Douglas. (2004). ''Live at the Apollo''. New York: Continuum Books. {{DEFAULTSORT:Do the Mashed Potatoes James Brown songs Songs written by James Brown 1960 debut singles 1960s instrumentals 1959 songs Songs about dancing Novelty and fad dances Checker Records singles Hep Stars songs