Canon EOS 7D
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Canon EOS 7D
The Canon EOS 7D is an APS-C digital single-lens reflex camera made by Canon. It was announced on 1 September 2009 with a suggested retail price of US$1,699. Among its features are an 18.0 effective megapixel CMOS sensor, HD video recording, its 8.0 frames per second continuous shooting, new viewfinder which offers 1.0X magnification and 100% coverage, 19-point auto-focus system, movie mode, and built-in Speedlite transmitter. The 7D remained in Canon's model lineup without replacement for slightly more than five years—the longest product cycle for any EOS digital camera. Its successor was the Canon EOS 7D Mark II, announced on 15 September 2014. Features *18.0 effective megapixel APS-C CMOS sensor *Dual DIGIC 4 image processors with 14-bit processing * Liveview mode *100% viewfinder frame coverage with 1.0× magnification * 1080p HD video recording at 24p, 25p and 30p with drop frame timing *720p HD video recording at 50p (50 Hz) and 60p (59.94 Hz) *480p E ...
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Canon EOS
Canon EOS (Electro-Optical System) is an autofocus single-lens reflex camera (SLR) and mirrorless camera series produced by Canon Inc. Introduced in 1987 with the Canon EOS 650, all EOS cameras used 35 mm film until October 1996 when the EOS IX was released using the new and short-lived APS film. In 2000, the D30 was announced, as the first digital SLR designed and produced entirely by Canon. Since 2005, all newly announced EOS cameras have used digital image sensors rather than film. The EOS line is still in production as Canon's current digital SLR (DSLR) range, and, with the 2012 introduction of the Canon EOS M, Canon's mirrorless interchangeable-lens camera (MILC) system. In 2018 the system was further extended with the introduction of the EOS R camera, Canon's first full frame mirrorless interchangeable lens system. The development project was called "EOS" (Electro Optical System). EOS is also the name of the goddess of dawn in Greek mythology, which further signifies t ...
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Digital Single-lens Reflex Camera
A digital single-lens reflex camera (digital SLR or DSLR) is a digital camera that combines the optics and the mechanisms of a single-lens reflex camera with a digital imaging sensor. The reflex design scheme is the primary difference between a DSLR and other digital cameras. In the reflex design, light travels through the lens and then to a mirror that alternates to send the image to either a prism, which shows the image in the viewfinder, or the image sensor when the shutter release button is pressed. The viewfinder of a DSLR presents an image that will not differ substantially from what is captured by the camera's sensor as it presents it as a direct optical view through the main camera lens, rather than showing an image through a separate secondary lens. DSLRs largely replaced film-based SLRs during the 2000s. Major camera manufacturers began to transition their product lines away from DSLR cameras to mirrorless interchangeable-lens cameras (MILC) beginning in the 2010s ...
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720p
720p (1280×720 px; also called HD ready, standard HD or just HD) is a progressive HDTV signal format with 720 horizontal lines/1280 columns and an aspect ratio (AR) of 16:9, normally known as widescreen HDTV (1.78:1). All major HDTV broadcasting standards (such as SMPTE 292M) include a 720p format, which has a resolution of 1280×720; however, there are other formats, including HDV Playback and AVCHD for camcorders, that use 720p images with the standard HDTV resolution. The frame rate is standards-dependent, and for conventional broadcasting appears in 50 progressive frames per second in former PAL/SECAM countries (Europe, Australia, others), and 59.94 frames per second in former NTSC countries (North America, Japan, Brazil, others). The number ''720'' stands for the 720 horizontal scan lines of image display resolution (also known as 720 pixels of vertical resolution). The ''p'' stands for progressive scan, i.e. non-interlaced. When broadcast at 60 frames per second, 7 ...
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SMPTE Time Code
SMPTE timecode ( or ) is a set of cooperating standards to label individual frames of video or film with a timecode. The system is defined by the Society of Motion Picture and Television Engineers in the SMPTE 12M specification. SMPTE revised the standard in 2008, turning it into a two-part document: SMPTE 12M-1 and SMPTE 12M-2, including new explanations and clarifications. Timecodes are added to film, video or audio material, and have also been adapted to synchronize music and theatrical production. They provide a time reference for editing, synchronization and identification. Timecode is a form of media metadata. The invention of timecode made modern videotape editing possible and led eventually to the creation of non-linear editing systems. Basic concepts SMPTE timecode is presented in ''hour:minute:second:frame'' format and is typically represented in 32 bits using binary-coded decimal. There are also ''drop-frame'' and ''color framing'' flags and three extra ''b ...
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NTSC
The first American standard for analog television broadcast was developed by National Television System Committee (NTSC)National Television System Committee (1951–1953), Report and Reports of Panel No. 11, 11-A, 12–19, with Some supplementary references cited in the Reports, and the Petition for adoption of transmission standards for color television before the Federal Communications Commission, n.p., 1953], 17 v. illus., diagrs., tables. 28 cm. LC Control No.:5402138Library of Congress Online Catalog/ref> in 1941. In 1961, it was assigned the designation CCIR System M, System M. In 1953, a second NTSC standard was adopted, which allowed for color television broadcast compatible with the existing stock of black-and-white receivers. It is one of three major color formats for analog television, the others being PAL and SECAM. NTSC color is usually associated with the System M. The only other broadcast television system to use NTSC color was the System J. Since the intr ...
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High-definition Video
High-definition video (HD video) is video of higher resolution and quality than standard-definition. While there is no standardized meaning for ''high-definition'', generally any video image with considerably more than 480 vertical scan lines (North America) or 576 vertical lines (Europe) is considered high-definition. 480 scan lines is generally the minimum even though the majority of systems greatly exceed that. Images of standard resolution captured at rates faster than normal (60 frames/second North America, 50 fps Europe), by a high-speed camera may be considered high-definition in some contexts. Some television series shot on high-definition video are made to look as if they have been shot on film, a technique which is often known as filmizing. History The first electronic scanning format, 405 lines, was the first ''high definition'' television system, since the mechanical systems it replaced had far fewer. From 1939, Europe and the US tried 605 and 441 lines until, ...
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