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Vibraphone
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining ele ...
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Vibraphone Range
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using Percussion mallet, mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the Marimbaphone, steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured r ...
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Arthur Lyman
Arthur Lyman (February 2, 1932 – February 24, 2002) was an Hawaiian jazz vibraphone and marimba player. His group popularized a style of faux-Polynesian music during the 1950s and 1960s which later became known as exotica. His albums became favorite stereo-effect demonstration discs during the early days of the stereophonic LP album for their elaborate and colorful percussion, deep bass and 3-dimensional recording soundstage. Lyman was known as "the King of Lounge music." Biography Arthur Lyman was born on the island of Oahu in the U.S. territory of Hawaii, on February 2, 1932. He was the youngest of eight children of a Hawaiian mother and a father of Hawaiian, French, Belgian and Chinese descent. When Arthur's father, a land surveyor, lost his eyesight in an accident on Kauai, the family settled in Makiki, a subdistrict of Honolulu.Liner notes to ''Pearly Shells'' Arthur's father was very strict with him, each day after school locking him in a room with orders to play a ...
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Keyboard Percussion Instrument
A keyboard percussion instrument, also known as a bar or mallet percussion instrument, is a pitched percussion instrument arranged in a similar pattern to a piano keyboard and played with hands or percussion mallets. While most keyboard percussion instruments are fully chromatic, keyboard instruments for children, such as ones used in the Orff Schulwerk, may be diatonic or pentatonic. Despite the name, keyboard instruments such as the celesta and keyboard glockenspiel are not considered ''keyboard percussion'', owing to the different skills required to play them. These instruments are percussion instruments in most senses but are part of the keyboard section rather than the percussion section of an orchestra. Keyboard percussion instruments do not possess keyboards as such, but instead follow the arrangement of the keyboard. Keyboard percussion instruments include marimba, xylophone, vibraphone, glockenspiel, and tubular bells.http://www.pas.org/Libraries/PASIC_Archives/Chandler ...
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Marimbaphone
The marimbaphone (not to be confused with the similarly named marimba) is an obsolete tuned percussion instrument, developed by the J.C. Deagan Company of Chicago, Illinois, U.S. in the early 20th century. The marimbaphone had either shallow steel or wooden bars arranged chromatically with a tube resonator under each bar. Its timbre was similar to the celesta, and it was used mainly by marimba bands and as a solo instrument by stage artists. In addition to being played with mallets in the conventional way (as in the playing of a marimba or vibraphone), the marimbaphone was designed so that its bars could be rotated from a horizontal position to a vertical position, allowing them to more easily be played with a bow. To further facilitate bowing, the ends of its bars were concave rather than flat. A single marimbaphone could be played by more than one performer, allowing both techniques to be used simultaneously. Although the instrument has been comparatively little used in art mu ...
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Steel Marimba
The marimbaphone (not to be confused with the similarly named marimba) is an obsolete tuned percussion instrument, developed by the J.C. Deagan Company of Chicago, Illinois, U.S. in the early 20th century. The marimbaphone had either shallow steel or wooden bars arranged chromatically with a tube resonator under each bar. Its timbre was similar to the celesta, and it was used mainly by marimba bands and as a solo instrument by stage artists. In addition to being played with mallets in the conventional way (as in the playing of a marimba or vibraphone), the marimbaphone was designed so that its bars could be rotated from a horizontal position to a vertical position, allowing them to more easily be played with a bow. To further facilitate bowing, the ends of its bars were concave rather than flat. A single marimbaphone could be played by more than one performer, allowing both techniques to be used simultaneously. Although the instrument has been comparatively little used in art mus ...
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Front Ensemble
In a marching band, drum and bugle corps, or indoor percussion ensemble, the front ensemble or pit is the stationary percussion ensemble. This ensemble is typically placed in front of the football field, though some designers may use atypical layouts (such as having the front ensemble split into pods on the field). Some high school marching bands opt not to march any percussion instruments but instead have a "full" front ensemble. Originally, the front ensemble consisted of keyboard percussion and timpani, the marching versions of which are heavy and awkward. Groups began adding more and more traditional percussion instruments to the pit, and in its modern form, the ensemble may contain any type of percussion instrument. The main emphasis of the front ensemble are the mallet instruments: marimba, vibraphone, glockenspiel, chimes, crotales, and xylophone. Some marching band circuits also allow non-standard instruments (such as the violin) or electronic instruments (such a ...
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Song Bells
Song bells are a musical instrument in the keyboard percussion family. They are a mallet percussion instrument that is essentially a cross between the vibraphone, glockenspiel, and celesta. They have bars made of aluminum. They sound one octave down from the glockenspiel, or one octave above concert pitch, and generally have a range of octaves. Song bells have been made by various makers at different times but were first introduced by J.C. Deagan, Inc. in 1918 and manufactured by the company until 1924. See also *Glockenspiel *Vibraphone *Celesta The celesta or celeste , also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five- octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box ... References {{Bells Keyboard percussion instruments Idiophones Pitched percussion instruments American musical instruments Bells (percussion) ...
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Glockenspiel
The glockenspiel ( or , : bells and : set) or bells is a percussion instrument consisting of pitched aluminum or steel bars arranged in a keyboard layout. This makes the glockenspiel a type of metallophone, similar to the vibraphone. The glockenspiel is played by striking the bars with mallets, often made of a hard material such as metal or plastic. Its clear, high-pitched tone is often heard in orchestras, wind ensembles, marching bands, and in popular music. Terminology In German, a carillon is also called a , and in French, the glockenspiel is sometimes called a . It may also be called a () in French, although this term may sometimes be specifically reserved for the keyboard glockenspiel. In Italian, the term () is used. The glockenspiel is sometimes erroneously referred to as a xylophone. The Pixiphone, a type of toy glockenspiel, was one such instrument sold as a xylophone. Range The glockenspiel is limited to the upper register and usually covers about to 3 octave ...
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Marimba
The marimba () is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the timbre of the marimba is warmer, deeper, more resonant, and more pure. It also tends to have a lower range than that of a xylophone. Typically, the bars of a marimba are arranged chromatically, like the keys of a piano. The marimba is a type of idiophone. Today, the marimba is used as a solo instrument, or in ensembles like orchestras, marching bands (typically as a part of the front ensemble), percussion ensembles, brass and concert bands, and other traditional ensembles. Etymology and terminology The term ''marimba'' refers to both the traditional version of this instrument and its modern form. Its first documented use in the English language dates back to 1704. The term is of Bantu origin, deriving from the prefix meaning 'many' an ...
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Percussion Mallet
A percussion mallet or beater is an object used to strike or beat a percussion instrument in order to produce its sound. The term beater is slightly more general. A mallet is normally held in the hand while a beater may be foot or mechanically operated, for example in a bass drum pedal. The term drum stick is less general still, but still applied to a wide range of beaters. Some mallets, such as a triangle beater, are normally used only with a specific instrument, while others are used on many different instruments. Often, mallets of differing material and hardness are used to create different timbres on the same types of instrument (e.g. using either wooden or yarn mallets on a xylophone). Some mallets, such as vibraphone mallets, are normally just called mallets, others have more specialized names including: * Drum sticks, of many types, some used with a wide variety of instruments,. * Rutes, used with many instruments. * Brushes, used particularly with snare drum but also ...
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Exotica
Exotica is a musical genre, named after the 1957 Martin Denny Exotica (Martin Denny album), album of the same name that was popular during the 1950s to mid-1960s with Americans who came of age during World War II. The term was coined by Simon Waronker, Simon "Si" Waronker, Liberty Records co-founder board chairman. The musical colloquialism ''exotica'' means tropical ersatz good, ersatz, the non-native, pseudo experience of insular Oceania, Southeast Asia, Hawaii, the Amazon basin, the Andes, the Caribbean and tribal Africa. Denny described the musical style as "a combination of the South Pacific and the Orient...what a lot of people imagined the islands to be like...it's pure fantasy though." While the South Sea Islands, South Seas forms the core region, exotica reflects the "musical impressions" of every place from standard travel destinations to the mythical "Shangri-La, shangri-las" dreamt of by armchair safari-ers. History Les Baxter's album ''Ritual of the Savage'' (''Le S ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvis ...
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