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Urban Contemporary
Urban contemporary music, also known as urban music, hip hop, urban pop, or just simply urban, is a music radio format. The term was coined by New York radio DJ Frankie Crocker in the early to mid-1970s as a synonym for Black music. Urban contemporary radio stations feature a playlist made up entirely of Black genres such as R&B, pop-rap, quiet storm, urban adult contemporary, hip hop, Latin music such as Latin pop, Chicano R&B and Chicano rap, and Caribbean music such as reggae and soca. Urban contemporary was developed through the characteristics of genres such as R&B and soul. Because urban music is a largely US phenomenon, virtually all urban contemporary formatted radio stations in the United States are located in cities that have sizeable African-American populations, such as New York City, Washington, D.C., Detroit, Atlanta, Miami, Chicago, Cleveland, Philadelphia, Montgomery, Memphis, St. Louis, Newark, Charleston, New Orleans, Cincinnati, Dallas, Houston, Oaklan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
African-American Music
African-American music is an umbrella term covering a diverse range of music and musical genres largely developed by African Americans and their culture. Their origins are in musical forms that first came to be due to the condition of slavery that characterized the lives of African Americans prior to the American Civil War. Slavery and other impositions such as the Jim Crow laws shaped the world view of African Americans. Some of the globally most popular music types today, such as rock and roll, funk, jazz, rap, blues, hip-hop, and rhythm and blues were developed from the worldview of the African Americans who created and influenced these genres. It has been said that "every genre that is born from America has black roots." White slave owners sought to completely subjugate their slaves physically, mentally, and spiritually through brutal and demeaning acts. African Americans used music to counter this dehumanization. White Americans considered African Americans separate an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Delaware
The University of Delaware (colloquially UD or Delaware) is a public land-grant research university located in Newark, Delaware. UD is the largest university in Delaware. It offers three associate's programs, 148 bachelor's programs, 121 master's programs (with 13 joint degrees), and 55 doctoral programs across its eight colleges. The main campus is in Newark, with satellite campuses in Dover, Wilmington, Lewes, and Georgetown. It is considered a large institution with approximately 18,200 undergraduate and 4,200 graduate students. It is a privately governed university which receives public funding for being a land-grant, sea-grant, and space-grant state-supported research institution. UDel is ranked among the top 150 universities in the U.S. UD is classified among "R1: Doctoral Universities – Very high research activity". According to the National Science Foundation, UD spent $186 million on research and development in 2018, ranking it 119th in the nation. It is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, impro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythmic Contemporary
Rhythmic contemporary, also known as Rhythmic Top 40, Rhythmic CHR or rhythmic crossover, is a primarily American music-radio format that includes a mix of EDM, upbeat rhythmic pop, hip hop and upbeat R&B hits. Rhythmic contemporary never uses hard rock or country in its airplay, but it may occasionally use a reggae, Latin, reggaeton, or a urban contemporary gospel hit. Essentially, the format is a cross between mainstream radio and urban contemporary radio formats. Format history Although some top-40 stations such as CKLW in Windsor, Ontario, made their mark by integrating a large amount of R&B and soul product into their predominantly pop playlists as early as 1967, such stations were still considered mainstream top 40 (a cycle that continues to dominate the current Top 40/CHR chart). It was not until the disco era of the late 1970s that such stations came to be considered as a format of their own as opposed to top-40 or soul. This development was largely spurred by th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urban Contemporary Gospel
Urban/contemporary gospel is a modern subgenre of gospel music. Although the style developed gradually, early forms are generally dated to the 1970s, and the genre was well established by the end of the 1980s. The radio format is pitched primarily to African-Americans. Christian hip hop can be considered a subtype of this genre. Origins and development Protestant hymns and African-American spirituals make up the basic source material for traditional black gospel music, which in turn is the most significant source of urban/contemporary gospel. Urban/contemporary gospel has kept the spiritual focus of the traditional black gospel music, but uses modern musical forms. Urban/contemporary gospel derives primarily from traditional black gospel music, with strong influence from, and strong influence on, many forms of secular pop music. Due to strong racial divisions in 20th century American culture, urban/contemporary gospel developed specifically out of the African-American musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gospel Music
Gospel music is a traditional genre of Christian music, and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century. Hymns and sacred songs were often repeated in a call and response fashion, heavily influenced by ancestral African music. Most of the churches relied on hand-clapping and foot-stomping as rhythmic accompaniment. Most of the singing was done a cappella.Jackson, Joyce Marie. "The changing nature of gospel music: A southern case study." ''African American Review'' 29.2 (1995): 185. Academic Search Premier. EBSCO. Web. October 5, 2010. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
WVEE
WVEE (103.3 FM, "V-103") is a commercial radio station in Atlanta, Georgia. It is owned by Audacy, Inc. and airs an urban contemporary radio format. WVEE is one of the highest-rated stations of the Atlanta radio market according to Nielsen Audio, reaching number one on many reports. Its studios and offices are located in Colony Square on Peachtree Street in Midtown Atlanta, along with its sister stations WAOK, WSTR and WZGC. WVEE has an effective radiated power of 100,000 watts. It shares a tower off New Street NE, with WABE-TV, as well as with WSB-FM, which is owned by Cox Radio. The two radio stations' transmitters are diplexed together, so that they feed to the antenna instead of into each other. History 1940s The station that became WVEE first signed on the air on July 1, 1948. Its original call sign was WAGA-FM, simulcasting a country music radio format with WAGA (now WDWD). They were owned by Storer Broadcasting, a company that owned several top stations in lar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
KDAY
KDAY (93.5 FM, "93.5 KDAY") is a radio station that is licensed to Redondo Beach, California and serves the Greater Los Angeles area. The station is owned by Meruelo Media and airs a classic hip hop format. The station's studios are located in Burbank and its transmitter is in Baldwin Hills. KDAY also extends its signal coverage into the Inland Empire by adding a full power simulcast, KDEY-FM in Ontario, California to fill in all of the overlapping and gaping issues and problems in its eastern coverage area. History of KDAY The original KDAY at 1580 AM KDAY first signed on in 1948 as a 10,000-watt soul/ R&B outlet at 1580 AM. Its call sign represented that fact that it was a " daytimer"; i.e., it broadcast only during daytime hours and signed off every evening. It flipped to a top 40 format a short time later. After his firing from WABC in November 1959, famed disc jockey Alan Freed arrived at KDAY and worked there for about one year. By that time the station had a 50, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
KMEL
KMEL (106.1 FM) is an urban contemporary radio station that is licensed to San Francisco, California, and serving the San Francisco Bay Area. It is owned and operated by iHeartMedia. KMEL has studios located in the SoMa district, and broadcasts a "superpower" Class B signal of 69,000 watts from a transmitter atop the San Bruno Mountains south of San Francisco. The station's powerful signal is heard all over the Bay Area and covers areas as far north as Santa Rosa and as far south as the Santa Cruz Mountains. It is currently one of the highest- rated stations in the San Francisco Bay Area, with the largest listening audience in the males 18-to-34 year-old demographic. History 1940s–1977 106.1 FM began as KGO-FM, sister station of KGO. The FM station was originally licensed at 96.9 FM in 1946. KGO-FM moved to 106.1 FM on November 3, 1947, with facilities at a former General Electric plant on East 12th Street in Oakland. On January 14, 1955, KGO-FM moved from 106.1 to 103. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
KPRS
KPRS is an Urban contemporary radio station that broadcasts on the 103.3 MHz frequency licensed to Kansas City. The station's playlist consists of hip-hop, R&B, and gospel music. According to the Federal Communications Commission (FCC), it is the oldest continually African American family-owned radio station in the United States. The station is owned by Carter Broadcast Group, and its studios are located in South Kansas City, as well as its transmitter (located separately). History In 1950, Andrew "Skip" Carter began operating KPRS as the nation's first Black radio station west of the Mississippi River with a transmitter donated by former Kansas governor, Alf Landon. KPRS debuted as a 500-watt daytimer at 1590 AM, with a playlist that consisted of R&B and soul. In 1951, KPRS opened its first studio at 12th and Walnut Street in Kansas City, Missouri. By 1952, Carter and Ed and Psyche Pate became business partners and purchased the station for $40,000 from the Johnson Cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
KJLH
KJLH (102.3 FM) is an urban adult contemporary radio station serving the Los Angeles area. It plays R&B and classic soul music under the format, and occasionally plays some hip-hop, gospel and smooth jazz tracks. Licensed to the Los Angeles suburb of Compton, California, the station is owned by Taxi Productions, which in turn is owned by Stevie Wonder. It operates with an effective radiated power of 5.6 kW from a transmitter site in a portion of unincorporated Los Angeles County in View Park-Windsor Hills, and operates from its studios in Inglewood. History The 102.3 signal was originally licensed to Long Beach, California with the callsign KFOX-FM consisting of a country music format; upon a 1961 sale to the Illinois-California Broadcasting Co., the callsign was changed to KILB. In 1965, African American businessman John Lamar Hill, then-owner of the Angelus Funeral Home based in South Los Angeles, bought KILB from the previous owners. It was relaunched as KJLH ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
