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Turntablist
Turntablism is the art of manipulating sounds and creating new music, sound effects, mixes and other creative sounds and beats, typically by using two or more turntables and a cross fader-equipped DJ mixer. The mixer is plugged into a PA system (for live events) and/or broadcasting equipment (if the DJ is performing on radio, TV or Internet radio) so that a wider audience can hear the turntablist's music. Turntablists atypically manipulate records on a turntable by moving the record with their hand to cue the stylus to exact points on a record, and by touching or moving the platter or record to stop, slow down, speed up or, spin the record backwards, or moving the turntable platter back and forth (the popular rhythmic " scratching" effect which is a key part of hip hop music), all while using a DJ mixer's crossfader control and the mixer's gain and equalization controls to adjust the sound and level of each turntable. Turntablists typically use two or more turntables and hea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DJ Q-bert In France (cropped)
A disc jockey, more commonly abbreviated as DJ, is a person who plays recorded music for an audience. Types of DJs include radio DJs (who host programs on music radio stations), club DJs (who work at a nightclub or music festival), mobile DJs (who are hired to work at public and private events such as weddings, parties, or festivals), and turntablists (who use record players, usually turntables, to manipulate sounds on phonograph records). Originally, the "disc" in "disc jockey" referred to shellac and later vinyl records, but nowadays DJ is used as an all-encompassing term to also describe persons who mix music from other recording media such as cassettes, CDs or digital audio files on a CDJ, controller, or even a laptop. DJs may adopt the title "DJ" in front of their real names, adopted pseudonyms, or stage names. DJs commonly use audio equipment that can play at least two sources of recorded music simultaneously. This enables them to blend tracks together to create ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DJ Babu
Chris Oroc a.k.a. Melvin Babu (born September 17, 1974), better known as DJ Babu or DJ Babu the Dilated Junkie, is a Filipino-American DJ and producer. He is a member of the hip hop trio Dilated Peoples, with Rakaa Iriscience and Evidence and is also a member of the Beat Junkies DJ crew. He served as the curator and host of ''Soundcheck'' for Beat Junkie Radio on Dash Radio. As of 2017, DJ Babu is the Program Director and a lead instructor alongside fellow crew members Mr. Choc, Melo-D, Rhettmatic, D-Styles and J.rocc at the Beat Junkie Institute of Sound. Career Babu is also a member of the Beat Junkies DJ crew, and together with rapper Defari forms the duo the Likwit Junkies. Babu, Evidence and Pharoahe Monch are featured in the song " H! Vltg3" from Linkin Park's album '' Reanimation''. In his early years, Babu lived in Oxnard, California for one year, and later moved to the neighboring city of Camarillo; he currently resides in Los Angeles County. Babu has won mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scratching
Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique of moving a vinyl record back and forth on a turntable to produce percussive or rhythmic sounds. A crossfader on a DJ mixer may be used to fade between two records simultaneously. While scratching is most associated with hip hop music, where it emerged in the mid-1970s, from the 1990s it has been used in some styles of rap rock, rap metal and nu metal. In hip hop culture, scratching is one of the measures of a DJ's skills. DJs compete in scratching competitions at the DMC World DJ Championships and IDA (International DJ Association), formerly known as ITF (International Turntablist Federation). At scratching competitions, DJs can use only scratch-oriented gear (turntables, DJ mixer, digital vinyl systems or vinyl records only). In recorded hip hop songs, scratched "hooks" often use portions of other songs. History Precursors A rudimentary form of turntable manipulation that is related to scr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DJ Disk
DJ Disk is a turntablist from the San Francisco Bay Area. He is of Panamanian, Colombian, and Nicaraguan descent. Born Luis Quintanilla on October 7, 1970, in San Francisco, Disk began scratching and mixing vinyl at a young age. In 1992, he joined his long-time friend DJ Qbert among the Rock Steady Crew DJs, later changing the group's name to the Invisibl Skratch Piklz. As a founding member of the Invisibl Skratch Piklz, Disk has been an enormously influential DJ and is credited with inventing the 2 Click Orbit, the echo fade technique and the 2 Click Flare Lazer Orbit techniques. He was later a founding member of El Stew, which, according to Allmusic, "dealt with the more experimental side of electronic music." In addition to extensive hip hop work with the Piklz and others, Disk has collaborated with a wide variety of musicians working in other genres, including Herbie Hancock, Bill Laswell, Buckethead, Zakir Hussain, Mike Patton, Norah Jones, Flavor Flav, Rancid, Primus, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Invisibl Skratch Piklz
The Invisibl Skratch Piklz are an American group of turntablists. The members of the group were originally hip-hop DJs, who were among the pioneers of the turntablism movement in the 1990s; turntablists create musical pieces by mixing samples from records, and by using multiple turntables as instruments. The group started in 1989 as Shadow of the Prophet, with DJ Qbert, Mix Master Mike, and DJ Apollo, who left the group in 1993. The group later added DJ Disk, Shortkut, DJ Flare, Yogafrog, D-Styles, and A-Trak to their lineup. They released numerous mix projects and albums and were featured in documentaries such as ''Battle Sounds'' and '' Scratch''. The Invisibl Skratch Piklz performed their last show on July 1, 2000 at the Skratchcon 2000 conference in San Francisco, California. They were asked by the Disco Mix Club (DMC), an international DJ association, to stop competing since they were discouraging other DJs from entering. The Piklz produced most of their work around ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cross Fader
In audio engineering, a fade is a gradual increase or decrease in the level of an audio signal. The term can also be used for film cinematography or theatre lighting in much the same way (see fade (filmmaking) and fade (lighting)). A recorded song may be gradually reduced to silence at its end (fade-out), or may gradually increase from silence at the beginning (fade-in). Fading-out can serve as a recording solution for pieces of music that contain no obvious ending. Both fades and crossfades are very valuable since they allow the engineer to quickly and easily make sure that the beginning and the end of any audio is smooth, without any prominent glitches.Langford, S. 2014. Digital Audio Editing. Burlington: Focal Press. pp. 47-57. It is necessary that there is a clear section of silence prior to the audio. Fade-ins and -outs can also be used to change the characteristics of a sound, such as to soften the attack in vocals where very plosive (‘b’, ‘d’, and ‘p’ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Oswald (composer)
John Oswald (born May 30, 1953 in Kitchener, Ontario) is a Canadian composer, saxophonist, media artist and dancer. His best known project is ''Plunderphonics'', the practice of making new music out of previously existing recordings (see sound collage and musical montage). Early life Oswald was introduced to sampling from a young age having been gifted a Reel-to-reel audio tape recording, reel-to-reel player from his parents at age 9. He then attended Simon Fraser University in the 1970s, becoming part of World Soundscape Project while on campus. It was there that Oswald became familiar with recorded sounds from different environments and applying them to new work created. Philosophy Oswald coined the term "plunderphonics" to describe his craft in a paper calle"Plunderphonics, or Audio Piracy as a Compositional Prerogative"which he presented at the Wired Society Electro-Acoustic Conference in Toronto in 1985. Inspired by William S. Burroughs' cut-up technique, Oswald had been de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Cage
John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives. Cage is perhaps best known for his 1952 composition '' 4′33″'', which is performed in the absence of deliberate sound; musicians who present the work do nothing aside from being present for the duration specified by the title. The content of the composition is not "four minutes and 33 seconds of silence," as is often assumed, but rather the sounds of the environment heard by the audience during performance. The work's challen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Music
Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may also approach a hybrid of disparate styles or incorporate unorthodox and unique elements. The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing indeterminacy techniques and seeking unknown outcomes. In France, as early as 1953, Pierre Schaeffer had begun using the term ''musique expérimentale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musique Concrète
Musique concrète (; ): " problem for any translator of an academic work in French is that the language is relatively abstract and theoretical compared to English; one might even say that the mode of thinking itself tends to be more schematic, with a readiness to see material for study in terms of highly abstract dualisms and correlations, which on occasion does not sit easily with the perhaps more pragmatic English language. This creates several problems of translation affecting key terms. Perhaps the most obvious of these is the word ''concret''/''concrète'' itself. The word in French, which has nothing of the familiar meaning of "concrete" in English, is used throughout 'In Search of a Concrete Music''with all its usual French connotations of "palpable", "nontheoretical", and "experiential", all of which pertain to a greater or lesser extent to the type of music Schaeffer is pioneering. Despite the risk of ambiguity, we decided to translate it with the English word ''concrete'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Instrument
A musical instrument is a device created or adapted to make musical sounds. In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. A person who plays a musical instrument is known as an instrumentalist. The history of musical instruments dates to the beginnings of human culture. Early musical instruments may have been used for rituals, such as a horn to signal success on the hunt, or a drum in a religious ceremony. Cultures eventually developed composition and performance of melodies for entertainment. Musical instruments evolved in step with changing applications and technologies. The date and origin of the first device considered a musical instrument is disputed. The oldest object that some scholars refer to as a musical instrument, a simple flute, dates back as far as 50,000 - 60,000 years. Some consensus dates early flutes to about 40,000 years ago. However, most historians ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bassline
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, Dub music, dub and electronic music, electronic, traditional music, traditional, or classical music for the low-pitched Part (music), instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the bass guitar, electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric organ, or synthesizer). In unaccompanied solo performance, basslines may simply be played in the lower register (music), register of any instrument while melody and/or further accompaniment is provided in the middle or upper register. In solo music for piano and pipe organ, these instruments have an excellent lower register that can be used to play a deep bassline. On organs, the bass line is typically played using the pedal keyboard and massive 16' and 32' bass pipes. Riffs and grooves Basslines in Pop music, popular m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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