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Theora
Theora is a free lossy video compression format. It is developed by the Xiph.Org Foundation and distributed without licensing fees alongside their other free and open media projects, including the Vorbis audio format and the Ogg container. The libtheora video codec is the reference implementation of the Theora video compression format being developed by the Xiph.Org Foundation. Theora is derived from the formerly proprietary VP3 codec, released into the public domain by On2 Technologies. It is broadly comparable in design and bitrate efficiency to MPEG-4 Part 2, early versions of Windows Media Video, and RealVideo while lacking some of the features present in some of these other codecs. It is comparable in open standards philosophy to the BBC's Dirac codec. Theora is named after Theora Jones, Edison Carter's Controller on the '' Max Headroom'' television program. Technical details Theora is a variable-bitrate, DCT-based video compression scheme. Like most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theora Jones
''Max Headroom'' is an American satirical science fiction television series by Chrysalis Visual Programming and Lakeside Productions for Lorimar-Telepictures that aired in the United States on ABC from March 31, 1987, to May 5, 1988. The series is set in a futuristic dystopia ruled by an oligarchy of television networks, and features the character and media personality Max Headroom. The story is based on the Channel 4 British TV film produced by Chrysalis, '' Max Headroom: 20 Minutes into the Future''. Premise In the future, an oligarchy of television networks rules the world. Even the government functions primarily as a puppet of the network executives, serving mainly to pass laws—such as banning "off" switches on televisions—that protect and consolidate the networks' power. Television technology has advanced to the point that viewers' physical movements and thoughts can be monitored through their television sets. Almost all non-television technology has been discont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Headroom (TV Series)
''Max Headroom'' is an American satirical science fiction television series by Chrysalis Visual Programming and Lakeside Productions for Lorimar-Telepictures that aired in the United States on ABC from March 31, 1987, to May 5, 1988. The series is set in a futuristic dystopia ruled by an oligarchy of television networks, and features the character and media personality Max Headroom. The story is based on the Channel 4 British TV film produced by Chrysalis, '' Max Headroom: 20 Minutes into the Future''. Premise In the future, an oligarchy of television networks rules the world. Even the government functions primarily as a puppet of the network executives, serving mainly to pass laws—such as banning "off" switches on televisions—that protect and consolidate the networks' power. Television technology has advanced to the point that viewers' physical movements and thoughts can be monitored through their television sets. Almost all non-television technology has been discont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edison Carter
''Max Headroom'' is an American satirical science fiction television series by Chrysalis Visual Programming and Lakeside Productions for Lorimar-Telepictures that aired in the United States on ABC from March 31, 1987, to May 5, 1988. The series is set in a futuristic dystopia ruled by an oligarchy of television networks, and features the character and media personality Max Headroom. The story is based on the Channel 4 British TV film produced by Chrysalis, '' Max Headroom: 20 Minutes into the Future''. Premise In the future, an oligarchy of television networks rules the world. Even the government functions primarily as a puppet of the network executives, serving mainly to pass laws—such as banning "off" switches on televisions—that protect and consolidate the networks' power. Television technology has advanced to the point that viewers' physical movements and thoughts can be monitored through their television sets. Almost all non-television technology has been disconti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xiph
Xiph.Org Foundation is a nonprofit organization that produces free multimedia formats and software tools. It focuses on the Ogg family of formats, the most successful of which has been Vorbis, an open and freely licensed audio format and codec designed to compete with the patented WMA, MP3 and AAC. As of 2013, development work was focused on Daala, an open and patent-free video format and codec designed to compete with VP9 and the patented High Efficiency Video Coding. In addition to its in-house development work, the foundation has also brought several already-existing but complementary free software projects under its aegis, most of which have a separate, active group of developers. These include Speex, an audio codec designed for speech, and FLAC, a lossless audio codec. The Xiph.Org Foundation has criticized Microsoft and the RIAA for their lack of openness. They state that if companies like Microsoft had owned patents on the Internet, then other companies would ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vorbis
Vorbis is a free and open-source software project headed by the Xiph.Org Foundation. The project produces an audio coding format and software reference encoder/decoder (codec) for lossy audio compression. Vorbis is most commonly used in conjunction with the Ogg container format and it is therefore often referred to as Ogg Vorbis. Vorbis is a continuation of audio compression development started in 1993 by Chris Montgomery. Intensive development began following a September 1998 letter from the Fraunhofer Society announcing plans to charge licensing fees for the MP3 audio format. The Vorbis project started as part of the Xiphophorus company's Ogg project (also known as OggSquish multimedia project). Chris Montgomery began work on the project and was assisted by a growing number of other developers. They continued refining the source code until the Vorbis file format was frozen for 1.0 in May 2000. Originally licensed as LGPL, in 2001 the Vorbis license was changed to the BSD ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
On2 Technologies
On2 Technologies, formerly known as The Duck Corporation, was a small publicly traded company (on the American Stock Exchange), founded in New York City in 1992 and headquartered in Clifton Park, New York, that designed video codec technology. It created a series of video codecs called TrueMotion (including TrueMotion S, TrueMotion 2, TrueMotion RT 2.0, TrueMotion VP3, 4, 5, 6, 7 and 8). In February 2010, On2 Technologies was acquired by Google for an estimated $124.6 million. On2's VP8 technology became the core of Google's WebM video file format. History While known by the name ''The Duck Corporation'', they developed TrueMotion S, a codec that was used by some games for full motion video (FMV) sequences during the 1990s. The original office of the Duck Corporation was founded in New York City by Daniel B. Miller, Victor Yurkovsky, and Stan Marder. In 1994 Duck opened its first "satellite" engineering office in Colonie, NY under the management of Eric Ameres. Mille ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dirac (video Compression Format)
Dirac is an open and royalty-free video compression format, specification and system developed by BBC Research & Development. Schrödinger and dirac-research (formerly just called "Dirac") are open and royalty-free software implementations (video codecs) of Dirac. Dirac format aims to provide high-quality video compression for Ultra HDTV and beyond, and as such competes with existing formats such as H.264 and VC-1. The specification was finalised in January 2008, and further developments are only bug fixes and constraints. In September of that year, version 1.0.0 of an I-frame only subset known as ''Dirac Pro'' was released and has since been standardised by the SMPTE as ''VC-2''. Version 2.2.3 of the full Dirac specification, including motion compensation and inter-frame coding, was issued a few days later. Dirac Pro was used internally by the BBC to transmit HDTV pictures at the Beijing Olympics in 2008. The format implementations are named in honour of the theoretical ph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Video Compression Format
A video coding format (or sometimes video compression format) is a content representation format for storage or transmission of digital video content (such as in a data file or bitstream). It typically uses a standardized video compression algorithm, most commonly based on discrete cosine transform (DCT) coding and motion compensation. A specific software, firmware, or hardware implementation capable of compression or decompression to/from a specific video coding format is called a video codec. Some video coding formats are documented by a detailed technical specification document known as a video coding specification. Some such specifications are written and approved by standardization organizations as technical standards, and are thus known as a video coding standard. The term 'standard' is also sometimes used for ''de facto'' standards as well as formal standards. Video content encoded using a particular video coding format is normally bundled with an audio stream (enc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Video Coding Format
A video coding format (or sometimes video compression format) is a content representation format for storage or transmission of digital video content (such as in a data file or bitstream). It typically uses a standardized video compression algorithm, most commonly based on discrete cosine transform (DCT) coding and motion compensation. A specific software, firmware, or hardware implementation capable of compression or decompression to/from a specific video coding format is called a video codec. Some video coding formats are documented by a detailed technical specification document known as a video coding specification. Some such specifications are written and approved by standardization organizations as technical standards, and are thus known as a video coding standard. The term 'standard' is also sometimes used for ''de facto'' standards as well as formal standards. Video content encoded using a particular video coding format is normally bundled with an audio stream (encoded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variable Bitrate
Variable bitrate (VBR) is a term used in telecommunications and computing that relates to the bitrate used in sound or video encoding. As opposed to constant bitrate (CBR), VBR files vary the amount of output data per time segment. VBR allows a higher bitrate (and therefore more storage space) to be allocated to the more complex segments of media files while less space is allocated to less complex segments. The average of these rates can be calculated to produce an average bitrate for the file. MP3, WMA and AAC audio files can optionally be encoded in VBR, while Opus and Vorbis are encoded in VBR by default. Variable bit rate encoding is also commonly used on MPEG-2 video, MPEG-4 Part 2 video (Xvid, DivX, etc.), MPEG-4 Part 10/H.264 video, Theora, Dirac and other video compression formats. Additionally, variable rate encoding is inherent in lossless compression schemes such as FLAC and Apple Lossless. Advantages and disadvantages of VBR The advantages of VBR are tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lossy Compression
In information technology, lossy compression or irreversible compression is the class of data compression methods that uses inexact approximations and partial data discarding to represent the content. These techniques are used to reduce data size for storing, handling, and transmitting content. The different versions of the photo of the cat on this page show how higher degrees of approximation create coarser images as more details are removed. This is opposed to lossless data compression (reversible data compression) which does not degrade the data. The amount of data reduction possible using lossy compression is much higher than using lossless techniques. Well-designed lossy compression technology often reduces file sizes significantly before degradation is noticed by the end-user. Even when noticeable by the user, further data reduction may be desirable (e.g., for real-time communication or to reduce transmission times or storage needs). The most widely used lossy compression al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
