The Lady Doth Protest Too Much, Methinks
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The Lady Doth Protest Too Much, Methinks
"The lady doth protest too much, methinks" is a line from the play '' Hamlet'' by William Shakespeare. It is spoken by Queen Gertrude in response to the insincere overacting of a character in the play within a play created by Prince Hamlet to prove his uncle's guilt in the murder of his father, the King of Denmark. The phrase is used in everyday speech to indicate doubt of someone's sincerity, especially regarding the truth of a strong denial. A common misquotation places ''methinks'' first, as in "methinks the lady doth protest too much". In ''Hamlet'' The line, like most of Shakespeare's works, is in iambic pentameter. It is found in Act III, Scene II of ''Hamlet'', where it is spoken by Queen Gertrude, Hamlet's mother. Hamlet believes that his father, the king, was murdered by his uncle Claudius (who then married Gertrude). Hamlet decides to stage a play, the ''Murder of Gonzago'', that follows a similar sequence of events, in order to test whether viewing it will trigger ...
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Abbey - The Queen In Hamlet
An abbey is a type of monastery used by members of a religious order under the governance of an abbot or abbess. Abbeys provide a complex of buildings and land for religious activities, work, and housing of Christian monks and nuns. The concept of the abbey has developed over many centuries from the early monastic ways of religious men and women where they would live isolated from the lay community about them. Religious life in an abbey may be monastic. An abbey may be the home of an enclosed religious order or may be open to visitors. The layout of the church and associated buildings of an abbey often follows a set plan determined by the founding religious order. Abbeys are often self-sufficient while using any abundance of produce or skill to provide care to the poor and needy, refuge to the persecuted, or education to the young. Some abbeys offer accommodation to people who are seeking spiritual retreat. There are many famous abbeys across the Mediterranean Basin and Europ ...
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Hamlet
''The Tragedy of Hamlet, Prince of Denmark'', often shortened to ''Hamlet'' (), is a tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play, with 29,551 words. Set in Denmark, the play depicts Prince Hamlet and his attempts to exact revenge against his uncle, Claudius, who has murdered Hamlet's father in order to seize his throne and marry Hamlet's mother. ''Hamlet'' is considered among the "most powerful and influential tragedies in the English language", with a story capable of "seemingly endless retelling and adaptation by others". There are many works that have been pointed to as possible sources for Shakespeare's play—from ancient Greek tragedies to Elizabethan plays. The editors of the Arden Shakespeare question the idea of "source hunting", pointing out that it presupposes that authors always require ideas from other works for their own, and suggests that no author can have an original idea or be an originator. When S ...
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William Shakespeare
William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. He remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a successful career in London as an a ...
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Queen Gertrude
In William Shakespeare's play ''Hamlet'', Gertrude is Hamlet's mother and Queen of Denmark. Her relationship with Hamlet is somewhat turbulent, since he resents her marrying her husband's brother Claudius after he murdered the king (young Hamlet's father, King Hamlet). Gertrude reveals no guilt in her marriage with Claudius after the recent murder of her husband, and Hamlet begins to show signs of jealousy towards Claudius. According to Hamlet, she scarcely mourned her husband's death before marrying Claudius. Her name may derive from Gertrude of Bavaria, who was Queen of Denmark in the late 12th century. Role in the play Gertrude is first seen in Act 1 Scene 2 as she tries to cheer Hamlet over the loss of his father, begging him to stay at home rather than going back to school in Wittenberg. Her worry over him continues into the second act, as she sides with King Claudius in sending Rosencrantz and Guildenstern to raise the spirits of her son. Also, rather than ascribing Ham ...
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Play Within A Play
A story within a story, also referred to as an embedded narrative, is a literary device in which a character within a story becomes the narrator of a second story (within the first one). Multiple layers of stories within stories are sometimes called nested stories. A play may have a brief play within it, such as Shakespeare's play ''Hamlet''; a film may show the characters watching a short film; or a novel may contain a short story within the novel. A story within a story can be used in all types of narration: novels, short stories, plays, television programs, films, poems, songs, video games, and philosophical essays. The inner stories are told either simply to add entertainment or more usually to act as an example to the other characters. In either case, the inner story often has a symbolic and psychological significance for the characters in the outer story. There is often some parallel between the two stories, and the fiction of the inner story is used to reveal the truth ...
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Prince Hamlet
A prince is a male ruler (ranked below a king, grand prince, and grand duke) or a male member of a monarch's or former monarch's family. ''Prince'' is also a title of nobility (often highest), often hereditary, in some European states. The female equivalent is a princess. The English word derives, via the French word ''prince'', from the Latin noun , from (first) and (head), meaning "the first, foremost, the chief, most distinguished, noble ruler, prince". Historical background The Latin word (older Latin *prīsmo-kaps, literally "the one who takes the first lace/position), became the usual title of the informal leader of the Roman senate some centuries before the transition to empire, the ''princeps senatus''. Emperor Augustus established the formal position of monarch on the basis of principate, not dominion. He also tasked his grandsons as summer rulers of the city when most of the government were on holiday in the country or attending religious rituals, and, ...
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Iambic Pentameter
Iambic pentameter () is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in that line; rhythm is measured in small groups of syllables called " feet". "Iambic" refers to the type of foot used, here the iamb, which in English indicates an unstressed syllable followed by a stressed syllable (as in ''a-bove''). " Pentameter" indicates a line of five "feet". Iambic pentameter is the most common meter in English poetry. It was first introduced into English by Chaucer in 14th century on the basis of French and Italian models. It is used in several major English poetic forms, including blank verse, the heroic couplet, and some of the traditionally rhymed stanza forms. William Shakespeare famously used iambic pentameter in his plays and sonnets, John Milton in his '' Paradise Lost'', and William Wordsworth in '' The Prelude''. As lines in iambic pentameter usually contain ten syllables, ...
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Act (drama)
An act is a major division of a theatre work, including a play, film, opera, or musical theatre, consisting of one or more scenes. The term can either refer to a conscious division placed within a work by a playwright (usually itself made up of multiple scenes) or a unit of analysis for dividing a dramatic work into sequences. As applied, those definitions may or may not align. The word ''act'' can also be used for major sections of other entertainment, such as variety shows, television programs, music hall performances, cabaret, and literature. Acts and scenes An act is a part of a play defined by elements such as rising action, climax, and resolution. A scene normally represents actions happening in one place at one time, and is marked off from the next scene by a curtain, a black-out, or a brief emptying of the stage. To be more specific, the elements that create the plot of a play and divide it into acts include the exposition, which gives information, setting up the r ...
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King Claudius
King Claudius is a fictional character and the main antagonist of William Shakespeare's tragedy ''Hamlet''. He is the brother to King Hamlet, second husband to Gertrude and uncle and later stepfather to Prince Hamlet. He obtained the throne of Denmark by murdering his brother with poison and then marrying the late king's widow. He is loosely based on the Jutish chieftain Feng who appears in ''Chronicon Lethrense'' and in Saxo Grammaticus' '' Gesta Danorum''. There has never been an actual Danish King of that name. Overview Claudius is seen at the beginning of the play to be a capable monarch as he deals diplomatically with such issues as the military threat from Norway and Hamlet's depression. It is not until the appearance of King Hamlet's Ghost in the courtyard that the audience questions his motives. During the play's progression he takes a turn for the worse by first resorting to spying, and, when that fails, murder. It is in Act III Scene 3, when Claudius forestalls Ha ...
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Second Quarto
The earliest texts of William Shakespeare's works were published during the 16th and 17th centuries in quarto or folio format. Folios are large, tall volumes; quartos are smaller, roughly half the size. The publications of the latter are usually abbreviated to Q1, Q2, etc., where the letter stands for "quarto" and the number for the first, second, or third edition published. Plays Eighteen of the 36 plays in the First Folio were printed in separate and individual editions prior to 1623. ''Pericles'' (1609) and ''The Two Noble Kinsmen'' (1634) also appeared separately before their inclusions in folio collections (the Shakespeare Third Folio and the second Beaumont and Fletcher folio, respectively). All of these were quarto editions, with two exceptions: ''The True Tragedy of Richard Duke of York'', the first edition of ''Henry VI, Part 3'', was printed in octavo form in 1595, as was the 1611 edition of ''The most lamentable tragedy of Titus Andronicus''. In chronological order, t ...
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Cliché
A cliché ( or ) is an element of an artistic work, saying, or idea that has become overused to the point of losing its original meaning or effect, even to the point of being weird or irritating, especially when at some earlier time it was considered meaningful or novel. In phraseology, the term has taken on a more technical meaning, referring to an expression imposed by conventionalized linguistic usage. The term is often used in modern culture for an action or idea that is expected or predictable, based on a prior event. Typically pejorative, "clichés" may or may not be true. Some are stereotypes, but some are simply truisms and facts. Clichés often are employed for comedic effect, typically in fiction. Most phrases now considered clichéd originally were regarded as striking but have lost their force through overuse. The French poet Gérard de Nerval once said, "The first man who compared woman to a rose was a poet, the second, an imbecile." A cliché is often a vivid d ...
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Reaction Formation
In psychoanalytic theory, reaction formation (german: Reaktionsbildung) is a defense mechanism in which emotions and impulses which are anxiety-producing or perceived to be unacceptable are mastered by exaggeration of the directly opposing tendency. Charles Rycroft, ''A Critical Dictionary of Psychoanalysis'' (London, 2nd Edn, 1995) The reaction formations belong to Level 3 of neurotic defense mechanisms, which also include dissociation, displacement, intellectualization, and repression. Theory Reaction formation depends on the hypothesis that " e instincts and their derivatives may be arranged as pairs of opposites: life versus death, construction versus destruction, action versus passivity, dominance versus submission, and so forth. When one of the instincts produces anxiety by exerting pressure on the ego either directly or by way of the superego, the ego may try to sidetrack the offending impulse by concentrating upon its opposite. For example, if feelings of hate toward ...
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