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The Winter's Tale
''The Winter's Tale'' is a play by William Shakespeare originally published in the First Folio of 1623. Although it was grouped among the comedies, many modern editors have relabelled the play as one of Shakespeare's late romances. Some critics consider it to be one of Shakespeare's " problem plays" because the first three acts are filled with intense psychological drama, while the last two acts are comic and supply a happy ending. The play has been intermittently popular, revived in productions in various forms and adaptations by some of the leading theatre practitioners in Shakespearean performance history, beginning after a long interval with David Garrick in his adaptation ''Florizel and Perdita'' (first performed in 1753 and published in 1756). ''The Winter's Tale'' was revived again in the 19th century, when the fourth "pastoral" act was widely popular. In the second half of the 20th century, ''The Winter's Tale'' in its entirety, and drawn largely from the First Folio ...
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John Opie - Winter's Tale, Act II
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope J ...
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Pauline Implores Leontes
Pauline may refer to: Religion *An adjective referring to St Paul the Apostle or a follower of his doctrines *An adjective referring to St Paul of Thebes, also called St Paul the First Hermit *An adjective referring to the Paulines, various religious orders associated with these two saints, or a member of such an order *Cappella Paolina, or Pauline Chapel, a chapel in the Vatican *Pauline Christianity, the Christianity associated with the beliefs and doctrines espoused by St Paul the Apostle * Pauline epistles, the thirteen or fourteen letters in the New Testament traditionally believed to have been written by St Paul the Apostle *Pauline privilege, a form of dissolution of marriage People *Pauline (given name), a female given name *Pauline (singer) (born 1988), French singer (full name Pauline Vasseur) *Pauline Kamusewu (born 1982), Swedish singer of Zimbabwean origin, also known as just Pauline Places *Pauline, Idaho, United States * Pauline, Kansas, United States *Pauline, S ...
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Mucedorus
''A Most pleasant Comedie of Mucedorus the Kings Sonne of Valentia, and Amadine the Kinges daughter of Aragon'', commonly called ''Mucedorus'', is an Elizabethan romantic comedy, first performed around 1590 and regularly revived until the Restoration. It was one of the most performed plays of its age,Hattaway (1982, 129). and 16 quarto editions were published between 1598 and 1668 making it the most widely printed play from the time. It was performed for both Queen Elizabeth and King James I. A revised and expanded version was published in 1610 with additional scenes. ''Mucedorus'' has been attributed to William Shakespeare in whole and in part, but these theories are generally not accepted by Shakespeare scholars. It is generally classified as apocryphal and not part of the main Shakespearean canon. Other proposed authors have included George Peele, Robert Greene, and Thomas Lodge. Greene's ''James IV'' (c. 1590) and Peele's '' Old Wive's Tale'' (1595) belong to the same gen ...
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Greek Chorus
A Greek chorus, or simply chorus ( grc-gre, χορός, chorós), in the context of ancient Greek tragedy, comedy, satyr plays, and modern works inspired by them, is a homogeneous, non-individualised group of performers, who comment with a collective voice on the dramatic action. The chorus consisted of between 12 and 50 players, who variously danced, sang or spoke their lines in unison, and sometimes wore masks. Etymology Historian H. D. F. Kitto argues that the term ''chorus'' gives us hints about its function in the plays of ancient Greece: "The Greek verb ''choreuo'', 'I am a member of the chorus', has the sense 'I am dancing'. The word ''ode'' means not something recited or declaimed, but 'a song'. The 'orchestra', in which a chorus had its being, is literally a 'dancing floor'." From this, it can be inferred that the chorus danced and sang poetry. Dramatic function Plays of the ancient Greek theatre always included a chorus that offered a variety of background and summary ...
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Pericles, Prince Of Tyre
''Pericles, Prince of Tyre'' is a Jacobean play written at least in part by William Shakespeare and included in modern editions of his collected works despite questions over its authorship, as it was not included in the First Folio. It was published in 1609 as a quarto, was not included in Shakespeare's collections of works until the third folio, and the main inspiration for the play was Gower's ''Confessio Amantis''. Various arguments support the theory that Shakespeare was the sole author of the play, notably in DelVecchio and Hammond's Cambridge edition of the play, but modern editors generally agree that Shakespeare was responsible for almost exactly half the play — 827 lines — the main portion after scene 9 that follows the story of Pericles and Marina. Modern textual studies suggest that the first two acts, 835 lines detailing the many voyages of Pericles, were written by a collaborator, who may well have been the victualler, panderer, dramatist and pamphleteer Geo ...
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Divine Providence
In theology, Divine Providence, or simply Providence, is God's intervention in the Universe. The term ''Divine Providence'' (usually capitalized) is also used as a title of God. A distinction is usually made between "general providence", which refers to God's continuous upholding of the existence and natural order of the Universe, and "special providence", which refers to God's extraordinary intervention in the life of people. Miracles generally fall in the latter category. Etymology "Divine" evolved in the late 14th century to mean "pertaining to, in the nature of or proceeding from God or a god". This came from the Old French ''devin'' or ''devin'', with a similar meaning, and that from the Latin ''divinus'', meaning "of a god", in turn from ''divus'', with similar meaning, which was related the Latin ''deus'', meaning god or deity. The word providence comes from Latin ''providentia'' meaning foresight or prudence, and that in turn from ''pro-'', ahead" and ''videre'', to s ...
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Ethos
Ethos ( or ) is a Greek word meaning "character" that is used to describe the guiding beliefs or ideals that characterize a community, nation, or ideology; and the balance between caution, and passion. The Greeks also used this word to refer to the power of music to influence emotions, behaviors, and even morals. Early Greek stories of Orpheus exhibit this idea in a compelling way. The word's use in rhetoric is closely based on the Greek terminology used by Aristotle in his concept of the three artistic proofs or modes of persuasion. It gives credit to the speaker, or the speaker is taking credit. Etymology and origin ''Ethos'' (, ; ''plurals:'' ''ethe'', ; ''ethea'', ) is a Greek word originally meaning "accustomed place" (as in "the habitats of horses/", ''Iliad'' 6.511, 15.268), "custom, habit", equivalent to Latin ''mores''. ''Ethos'' forms the root of ''ethikos'' (), meaning "morality, showing moral character". As an adjective in the neuter plural form ''ta ethika.'' ...
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Coup De Théâtre
Coup de Theatre may refer to: * ''Coup de théâtre'', a literary term for an unexpected event in a play or a theatrical trick * ''Coup de Theatre'' (album), by Haiku d'Etat, 2004 * "Coup de théâtre", a 2015 TV episode of '' Les Mystères de l'amour'' * "Coup De Théâtre", a track on the 2005 album ''Soleil 12'' by Forgas Band Phenomena Forgas Band Phenomena is a French instrumental progressive rock and jazz fusion band. Inspired by Soft Machine and the Canterbury scene, composer and drummer Patrick Forgas has created the band and is still leading it. Since 2005, his albums a ... See also * Perry Mason moment, when information is unexpectedly and dramatically introduced In court proceedings {{Disambig ...
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Classical Unities
The classical unities, Aristotelian unities, or three unities represent a prescriptive theory of dramatic tragedy that was introduced in Italy in the 16th century and was influential for three centuries. The three unities are: #''unity of action'': a tragedy should have one principal action. #''unity of time'': the action in a tragedy should occur over a period of no more than 24 hours. #''unity of place'': a tragedy should exist in a single physical location. History Italy In 1514, author and critic Gian Giorgio Trissino (1478 – 1550) introduced the concept of the unities in his blank-verse tragedy, ''Sofonisba''. Trissino claimed he was following Aristotle. However, Trissino had no access to Aristotle's most significant work on the tragic form, ''Poetics''. Trissino expanded with his own ideas on what he was able to glean from Aristotle's book, ''Rhetoric''. In ''Rhetoric'' Aristotle considers the dramatic elements of action and time, while focusing on audience reception. Po ...
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Pandosto
''Pandosto: The Triumph of Time'' is a prose romance written by the English author Robert Greene, first published in 1588. A later edition of 1607 was re-titled ''Dorastus and Fawnia''. Popular during the time of William Shakespeare, the work's plot was an inspiration for that of Shakespeare's play ''The Winter's Tale''. Greene, in turn, may have based the work on ''The Clerk's Tale'', one of '' The Canterbury Tales'' of Chaucer. Edward Chaney suggested that Robert Greene when writing ''Pandosto'' may have had in mind the Earl of Oxford's suspicions about the paternity of his daughter (granddaughter of Lord Burghley) when he returned in 1576 from his continental tour that may have included Sicily. Description Greene's story contains darker elements than Shakespeare's version (who lightened the mood of the play for comic and romantic purposes). In Greene's tale, Pandosto, King of Bohemia, accuses his wife Bellaria of adultery committed with his childhood friend, the King of S ...
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Romance (heroic Literature)
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the '' chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel '' Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ''me ...
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Robert Greene (16th Century)
Robert Greene (1558–1592) was an English author popular in his day, and now best known for a posthumous pamphlet attributed to him, '' Greene's Groats-Worth of Witte, bought with a million of Repentance'', widely believed to contain an attack on William Shakespeare. Robert Greene was a popular Elizabethan dramatist and pamphleteer known for his negative critiques of his colleagues. He is said to have been born in Norwich. He attended Cambridge where he received a BA in 1580, and an M.A. in 1583 before moving to London, where he arguably became the first professional author in England. Greene was prolific and published in many genres including romances, plays and autobiography. Family According to the author Brenda Richardson, the "chief problem" in compiling a biography of Robert Greene was his name. ''Robert'' was one of the most popular given names of the era and ''Greene'' was a common surname. L. H. Newcomb suggests that Robert Greene "was probably the Robert Greene, s ...
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