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The Royal Tenenbaums
''The Royal Tenenbaums'' is a 2001 American comedy-drama film directed by Wes Anderson and co-written with Owen Wilson. It stars Danny Glover, Gene Hackman, Anjelica Huston, Bill Murray, Gwyneth Paltrow, Ben Stiller, Luke Wilson, and Owen Wilson. Ostensibly based on a nonexistent novel, and told with a narrative influenced by the writing of J. D. Salinger, it follows the lives of three gifted siblings who experience great success in youth, and even greater disappointment and failure in adulthood. The children's eccentric father Royal Tenenbaum (Hackman) leaves them in their adolescent years, then returns to them after they have grown, falsely claiming he has a terminal illness. He works on reconciling with his children and ex-wife (Huston). With a variety of influences, including Louis Malle's 1963 film ''The Fire Within'' and Orson Welles' 1942 film '' The Magnificent Ambersons'', the story involves themes of the dysfunctional family, lost greatness, and redemption. An a ...
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Wes Anderson
Wesley Wales Anderson (born May 1, 1969) is an American filmmaker. His films are known for their eccentricity and unique visual and narrative styles. They often contain themes of grief, loss of innocence, and dysfunctional families. Cited by some critics as a modern-day example of the work of an auteur, three of Anderson's films have appeared in BBC Culture's 2016 poll of the greatest films since 2000. He gained acclaim for his early work ''Bottle Rocket'' (1996), and '' Rushmore'' (1998). During this time he often collaborated with Luke Wilson and Owen Wilson and founded his production company American Empirical Pictures, which he currently runs. He then received a nomination for the Academy Award for Best Original Screenplay for ''The Royal Tenenbaums'' (2001). His next films included '' The Life Aquatic with Steve Zissou'' (2004), ''The Darjeeling Limited'' (2007), and his first stop-motion film '' Fantastic Mr. Fox'' (2009) for which he received an Academy Award for Bes ...
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American Film Institute
The American Film Institute (AFI) is an American nonprofit film organization that educates filmmakers and honors the heritage of the motion picture arts in the United States. AFI is supported by private funding and public membership fees. Leadership The institute is composed of leaders from the film, entertainment, business, and academic communities. The board of trustees is chaired by Kathleen Kennedy and the board of directors chaired by Robert A. Daly guide the organization, which is led by President and CEO, film historian Bob Gazzale. Prior leaders were founding director George Stevens Jr. (from the organization's inception in 1967 until 1980) and Jean Picker Firstenberg (from 1980 to 2007). History The American Film Institute was founded by a 1965 presidential mandate announced in the Rose Garden of the White House by Lyndon B. Johnson—to establish a national arts organization to preserve the legacy of American film heritage, educate the next generation of filmmake ...
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The Royal Tenenbaums (soundtrack)
The soundtrack to ''The Royal Tenenbaums'' features a score composed by Mark Mothersbaugh. Also featured are a variety of rock songs from the 1960s through 1990s. There have been two soundtrack album releases for ''The Royal Tenenbaums''. The first, in 2001, omitted some songs; notably, Paul Simon's " Me and Julio Down by the Schoolyard," Van Morrison's " Everyone," John Lennon's " Look at Me," the Mutato Muzika Orchestra's version of the Beatles' "Hey Jude," two tracks by the Rolling Stones (" She Smiled Sweetly" and " Ruby Tuesday"), and Erik Satie's " Gymnopédie no. 1". In 2002, the soundtrack was re-released with three songs not found on the 2001 release, but the two songs by the Rolling Stones were not included, because, while the band allows their music to be used in films, they rarely allow the songs to appear on soundtracks. The Van Morrison track, which served as the closing credits song, was also still missing. Additionally, the "Lindbergh Palace Hotel Suite," credited as ...
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Absurdism
Absurdism is the philosophical theory that existence in general is absurd. This implies that the world lacks meaning or a higher purpose and is not fully intelligible by reason. The term "absurd" also has a more specific sense in the context of absurdism: it refers to a conflict or a discrepancy between two things but there are several disagreements about their exact nature. These disagreements have various consequences for whether absurdism is true and for the arguments cited in favor and against it. Popular accounts characterize the conflict as a collision between rational man and an irrational universe, between intention and outcome, or between subjective assessment and objective worth. An important aspect of absurdism is its claim that the world ''as a whole'' is absurd. It differs in this regard from the uncontroversial and less global thesis that some ''particular'' situations, persons, or phases in life are absurd. Various components of the absurd are discussed in the ...
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Dysfunctional Family
A dysfunctional family is a family in which conflict, misbehavior, and often child neglect or abuse and sometimes even all of the above on the part of individual parents occur continuously and regularly, leading other members to accommodate such actions. Children sometimes grow up in such families with the understanding that such a situation is normal. Dysfunctional families are primarily a result of two adults, one typically overtly abusive and the other codependent, and may also be affected by substance abuse or other forms of addiction, or sometimes by an untreated mental illness. Parents having grown up in a dysfunctional family may over-correct or emulate their own parents. In some cases, the dominant parent will abuse or neglect their children and the other parent will not object, misleading a child to assume blame. Perceptions and historical context A common misperception of dysfunctional families is the mistaken belief that the parents are on the verge of separation ...
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The Magnificent Ambersons (film)
''The Magnificent Ambersons'' is a 1942 American period drama written, produced, and directed by Orson Welles. Welles adapted Booth Tarkington's Pulitzer Prize–winning 1918 novel, about the declining fortunes of a wealthy Midwestern family and the social changes brought by the automobile age. The film stars Joseph Cotten, Dolores Costello, Anne Baxter, Tim Holt, Agnes Moorehead and Ray Collins, with Welles providing the narration. Welles lost control of the editing of ''The Magnificent Ambersons'' to RKO, and the final version released to audiences differed significantly from his rough cut of the film. More than an hour of footage was cut by the studio, which also shot and substituted a happier ending. Although Welles's extensive notes for how he wished the film to be cut have survived, the excised footage was destroyed. Composer Bernard Herrmann insisted his credit be removed when, like the film itself, his score was heavily edited by the studio. Even in the released v ...
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Orson Welles
George Orson Welles (May 6, 1915 – October 10, 1985) was an American actor, director, producer, and screenwriter, known for his innovative work in film, radio and theatre. He is considered to be among the greatest and most influential filmmakers of all time. While in his 20s, Welles directed high-profile stage productions for the Federal Theatre Project, including an adaptation of ''Macbeth'' with an entirely African-American cast and the political musical '' The Cradle Will Rock''. In 1937, he and John Houseman founded the Mercury Theatre, an independent repertory theatre company that presented a series of productions on Broadway through 1941, including ''Caesar'' (1937), an adaptation of William Shakespeare's ''Julius Caesar''. In 1938, his radio anthology series ''The Mercury Theatre on the Air'' gave Welles the platform to find international fame as the director and narrator of a radio adaptation of H. G. Wells's novel ''The War of the Worlds'', which caused s ...
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The Fire Within
''The Fire Within'' (french: Le Feu follet , meaning "The Manic Fire" or "Will-o'-the-Wisp") is a 1963 drama film written and directed by Louis Malle, based on the 1931 novel ''Will O' the Wisp'' by Pierre Drieu La Rochelle, which itself was inspired by the life of Jacques Rigaut. The film stars Maurice Ronet, Jeanne Moreau—who had previously worked with Ronet and Malle in ''Elevator to the Gallows''—as well as Alexandra Stewart, Bernard Noel, Lena Skerla, Hubert Deschamps and Yvonne Clech. The score features the music of Erik Satie. Plot Alain Leroy is a recovering alcoholic at a rehabilitation clinic in Versailles, and he remains at the clinic, not working, even though his doctors believe he is ready to return to ordinary life. He is pensive and despondent, and is separated from his wife, who lives in New York. He intends to commit suicide, but first decides to visit his friends in Paris one final time, trying to find a reason to live. After his arrival in Paris, he s ...
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Louis Malle
Louis Marie Malle (; 30 October 1932 – 23 November 1995) was a French film director, screenwriter, and producer who worked in both French cinema and Hollywood. Described as "eclectic" and "a filmmaker difficult to pin down," Malle's filmography encompassed a variety genres ranging from documentaries, to romances, to period dramas, and thrillers; often detailing provocative or controversial subject matter. His most famous works include the crime thriller ''Elevator to the Gallows'' (1958), the romantic drama ''The Lovers'' (1958), the World War II drama ''Lacombe, Lucien'' (1974), the period drama ''Pretty Baby'' (1978), the romantic crime film ''Atlantic City'' (1980), the dramedy '' My Dinner with Andre'' (1981), and the autobiographical ''Au revoir les enfants'' (1987). He also co-directed the landmark underwater documentary ''The Silent World'' with Jacques Cousteau, which won the 1956 Palme d'Or and the 1957 Academy Award for Best Documentary. Malle was one of only fou ...
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Terminal Illness
Terminal illness or end-stage disease is a disease that cannot be cured or adequately treated and is expected to result in the death of the patient. This term is more commonly used for progressive diseases such as cancer, dementia or advanced heart disease than for injury. In popular use, it indicates a disease that will progress until death with near absolute certainty, regardless of treatment. A patient who has such an illness may be referred to as a terminal patient, terminally ill or simply as being terminal. There is no standardized life expectancy for a patient to be considered terminal, although it is generally months or less. Life expectancy for terminal patients is a rough estimate given by the physician based on previous data and does not always reflect true longevity. An illness which is lifelong but not fatal is a chronic condition. Terminal patients have options for disease management after diagnosis. Examples include caregiving, continued treatment, palliative an ...
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Eccentricity (behavior)
Eccentricity (also called quirkiness) is an unusual or odd behavior on the part of an individual. This behavior would typically be perceived as unusual or unnecessary, without being demonstrably maladaptive. Eccentricity is contrasted with normal behavior, the nearly universal means by which individuals in society solve given problems and pursue certain priorities in everyday life. People who consistently display benignly eccentric behavior are labeled as "eccentrics". Etymology From Medieval Latin ''eccentricus'', derived from Greek ', "out of the center", from '-, '- "out of" + ', "center". ''Eccentric'' first appeared in English essays as a neologism in 1551 as an astronomical term meaning "a circle in which the earth, sun, etc. deviates from its center." Five years later, in 1556, an adjective form of the word was used. In 1685, the definition evolved from the literal to the figurative, and ''eccentric'' is noted to have begun being used to describe unconventional or odd ...
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Comedy-drama
Comedy drama, also known by the portmanteau ''dramedy'', is a genre of dramatic works that combines elements of comedy and drama. The modern, scripted-television examples tend to have more humorous bits than simple comic relief seen in a typical hour-long legal or medical drama, but exhibit far fewer jokes-per-minute as in a typical half-hour sitcom. In the United States Examples from United States television include: ''M*A*S*H'', ''Moonlighting'', '' The Days and Nights of Molly Dodd'', '' Northern Exposure'', '' Ally McBeal'', '' Sex and the City'', '' Desperate Housewives'' and '' Scrubs''. The term "dramedy" was coined to describe the late 1980s wave of shows, including '' The Wonder Years'', ''Hooperman'', '' Doogie Howser, M.D.'' and '' Frank's Place''. See also * List of comedy drama television series *Black comedy * Dramatic structure * Melodrama * Seriousness * Tragicomedy * Psychological drama References Comedy drama Drama Drama is the specific mode of ...
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