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The Music From Peter Gunn
''The Music from Peter Gunn'' is a soundtrack album to the TV series ''Peter Gunn'', composed and conducted by Henry Mancini, and released in 1959 on RCA Victor. It was the first album ever to win the Grammy Award for Album of the Year in 1959. The album was followed by ''More Music from Peter Gunn'', also released on RCA Victor in 1959. The opening theme music is notable for its combination of jazz orchestration with a straightforward rock 'n roll beat. In his autobiography ''Did They Mention the Music?'' Mancini stated: The ''Peter Gunn'' title theme actually derives more from rock and roll than from jazz. I used guitar and piano in unison, playing what is known in music as an ostinato, which means obstinate. It was sustained throughout the piece, giving it a sinister effect, with some frightened saxophone sounds and some shouting brass. The piece has one chord throughout and a super-simple top line. ''The Music from Peter Gunn'' was selected by the Library of Congress as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Mancini
Henry Mancini ( ; born Enrico Nicola Mancini, ; April 16, 1924 – June 14, 1994) was an American composer, conductor, arranger, pianist and flautist. Often cited as one of the greatest composers in the history of film, he won four Academy Awards, a Golden Globe, and twenty Grammy Awards, plus a posthumous Grammy Lifetime Achievement Award in 1995. His works include the theme and soundtrack for the ''Peter Gunn'' television series as well as the music for '' The Pink Panther'' film series ("The Pink Panther Theme") and "Moon River" from '' Breakfast at Tiffany's''. ''The Music from Peter Gunn'' won the inaugural Grammy Award for Album of the Year. Mancini enjoyed a long collaboration in composing film scores for the film director Blake Edwards. Mancini also scored a No. 1 hit single during the rock era on the Hot 100: his arrangement and recording of the " Love Theme from ''Romeo and Juliet''" spent two weeks at the top, starting with the week ending June 28, 1969. Early li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Recording Registry
The National Recording Registry is a list of sound recordings that "are culturally, historically, or aesthetically significant, and/or inform or reflect life in the United States." The registry was established by the National Recording Preservation Act of 2000, which created the National Recording Preservation Board, whose members are appointed by the Librarian of Congress. The recordings preserved in the United States National Recording Registry form a registry of recordings selected yearly by the National Recording Preservation Board for preservation in the Library of Congress. The National Recording Preservation Act of 2000 established a national program to guard America's sound recording heritage. The Act created the National Recording Registry, The National Recording Preservation Board and a fund-raising foundation. The purpose of the Registry is to maintain and preserve sound recordings and collections of sound recordings that are culturally, historically, or aesthetically ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene Cipriano
Gene Fred Cipriano (July 6, 1928 – November 12, 2022), known familiarly as "Cip", was an American woodwindist and session musician, playing clarinet, oboe, flute and saxophone among other instruments. He played on hundreds of recording sessions, possibly more than any other woodwind musician. Biography He was born in New Haven, Connecticut, the son of a musician who played clarinet in bands on Broadway. Gene Cipriano learned clarinet, saxophone and flute when young, played with Ted Fio Rito's band, and at the age of 23 was invited to join Tommy Dorsey's orchestra. He married band singer Frances Irvin, and settled in New York City where he played with such musicians as Lee Konitz and Claude Thornhill. He then joined the continuation Glenn Miller Orchestra led by Tex Beneke, where he met Henry Mancini. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Horn (musician)
Paul Horn (March 17, 1930 – June 29, 2014) was an American flautist, saxophonist, composer and producer. He became a pioneer of world and new age music with his 1969 album '' Inside''. He received five Grammy nominations between 1965 and 1999, including three nominations in 1965. Biography Horn was born on March 17, 1930, in New York City and had Jewish ancestry through his father. The family moved to Washington, D.C., when Horn was four. He took up the piano at age four, followed by the clarinet at 12. While in Washington, D.C., Horn attended Theodore Roosevelt High School and the Washington College of Music. In the summer of 1942, Horn worked as an usher at the Earl Theatre to buy a clarinet. He studied the clarinet and flute at the Oberlin Conservatory of Music in Ohio, earning a bachelor's degree. In June 1953, Horn gained a master's from the Manhattan School of Music. Moving to Los Angeles, he played with Chico Hamilton's quintet from 1956 to 1958 and became an established ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ronnie Lang
Ronnie Lang (sometimes spelled Ronny; born July 24, 1929) is an American jazz alto saxophonist. His professional début was with Hoagy Carmichael's Teenagers. He also played with Earle Spencer (1946), Ike Carpenter, and Skinnay Ennis (1947). Lang gained attention during his two tenures with Les Brown's Orchestra (1949–50 and 1953–56). He recorded with the Dave Pell Octet in the mid-1950s. During this time he attended Los Angeles State College of Applied Arts and Sciences studying music and woodwinds. In 1958 he became a prolific studio musician in Los Angeles, often employed by Henry Mancini, and he played the iconic sax melodic line in Bernard Herrmann's score for the movie ''Taxi Driver'' (1976). Lang also recorded with Pete Rugolo (1956), Bob Thiele (1975), and Peggy Lee (1975). Partial discography With Sammy Davis Jr *''It's All Over but the Swingin''' (Decca, 1957) With Ted Nash *''Peter Gunn'' (Crown, 1959) With Pete Rugolo *'' Music for Hi-Fi Bugs'' (EmArcy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plas Johnson
Plas John Johnson Jr. (born July 21, 1931) is an American soul-jazz and hard bop tenor saxophonist, probably most widely known as the tenor saxophone soloist on Henry Mancini’s "The Pink Panther Theme". He also performs on alto and baritone sax as well as various flutes and clarinets. Biography Born in Donaldsonville, Louisiana, United States, he sang with his family's group until his saxophonist father bought him a soprano saxophone. Largely self-taught, he soon began playing alto and later tenor saxophone. He and his pianist brother Ray first recorded as the Johnson Brothers in New Orleans in the late 1940s, and Plas first toured with R&B singer Charles Brown in 1951. After army service, he and his brother moved to Los Angeles in 1954, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ted Nash (saxophonist, Born 1922)
Theodore Malcolm "Ted" Nash (October 31, 1922 – May 12, 2011) was a jazz musician who played saxophone, flute, and clarinet. He was a session musician in Hollywood studios. His brother was trombonist Dick Nash and his nephew is saxophonist Ted Nash, who is a member of the Jazz at Lincoln Center Orchestra led by Wynton Marsalis. Early life and career Nash was born in the Boston suburb of Somerville, Massachusetts. His goal was to become a classical flutist until he began playing saxophone in his early teens. His professional career began when he went on the road with a succession of dance bands. In 1944, he became tenor saxophonist for the Les Brown big band. With Brown he played on the number one hits " Sentimental Journey" and "My Dreams Are Getting Better All the Time", both sung by Doris Day. Hollywood studios In the late 1940s, after getting married, Nash settled in the Los Angeles and became active as a session musician in the Hollywood movie and television studios. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent DeRosa
Vincent Ned DeRosa (October 5, 1920 – July 18, 2022) was an American hornist who served as a studio musician for Hollywood soundtracks and other recordings from 1935 until his retirement in 2008. Because his career spanned over 70 years, during which he played on many film and television soundtracks and as a sideman on studio albums, he is considered to be one of the most recorded brass players of all time. He set "impeccably high standards" for the horn, and became the first horn for Henry Mancini, Lalo Schifrin, Alfred Newman, and John Williams, among others, with Williams calling him "one of the greatest instrumentalists of his generation." DeRosa contributed to many of the most acclaimed albums of the 20th century, including some of the biggest-selling albums by artists as diverse as Frank Sinatra, Barry Manilow, Frank Zappa, Boz Scaggs, Ella Fitzgerald, Harry Nilsson, Stan Kenton, Henry Mancini, The Monkees, Sammy Davis Jr., and Mel Tormé. Early life and training DeR ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Graas
John Graas (March 14, 1917 – April 13, 1962) was an American jazz French horn player, composer, and arranger from the 1940s through 1962. He had a short but busy career on the West Coast, and became known as a pioneer of the French horn in jazz. Music career Graas was born in Dubuque, Iowa, on March 14, 1917. He was educated in classical music and attended Tanglewood Music Center, where he performed under the tutelage of Serge Koussevitsky. He soon became interested in jazz and studied ways to bring jazz and classical music together, an early effort at what would later be called Third Stream music. Following the path of his dual interests, he was a member of the Indianapolis Symphony Orchestra (1941), the Claude Thornhill Orchestra (1942), the Army Air Corps band during World War II (1942–1945), the Cleveland Orchestra (1945–1946), the Tex Beneke Orchestra (1946–1949), and the Stan Kenton Orchestra (1950–1953). The 1950s were a period of intense acti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milt Bernhart
Milt Bernhart (May 25, 1926 – January 22, 2004) was a West Coast jazz trombonist who worked with Stan Kenton, Frank Sinatra, and others. He supplied the solo in the middle of Sinatra's 1956 recording of '' I've Got You Under My Skin'' conducted by Nelson Riddle. Biography Bernhart (occasionally spelled Bernhardt) began on tuba, but switched to trombone in high school. At 16 he worked in Boyd Raeburn's band and later had some "gigs" with Teddy Powell. After time in the United States Army he worked, off and on, with Stan Kenton for the next ten years. He is perhaps most associated with Kenton, but in 1955 he had his first album as a leader. In 1986 he was elected President of the Big Band Academy of America. Although known as "mild-mannered" or humorous, his brief period with Benny Goodman was one area that brought out his ire. He indicated working with Goodman was "the bottom", except for basic training in the Army, of his first 23 years of life. He called Goodman a "bore" and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dick Nash
Richard Taylor Nash (born January 26, 1928) is an American jazz trombonist most associated with the swing and big band genres. He was born in Boston, Massachusetts and began playing brass instruments at ten. He became more interested in this after his parents died, and he was sent to Kurn Hattin Homes for Children in Vermont. At Kurn Hattin Homes, the first instruments he studied were the trumpet and bugle. His first professional work came in 1947 with bands like that of Tex Beneke. He served in the California National Guard from 1950 to 1952 and played for a band. After his discharge from the military, he went back to Boston, where he attended Berklee College of Music. He then joined Billy May's band. Later he became a first-call studio musician in Los Angeles, California. He was composer, conductor Henry Mancini's favorite trombonist, and was featured soloist on several Mancini soundtracks, beginning with '' Mr. Lucky'' and ''Peter Gunn''. Nash's trombone is featured on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conrad Gozzo
Conrad Joseph Gozzo (February 6, 1922October 8, 1964) was an American trumpet player. He was a member of the NBC Hollywood staff orchestra at the time of his death. Early life Gozzo was born in New Britain, Connecticut on February 6, 1922, to Mildred Katz and Jimmy Gozzo. His father played trumpet, and Gozzo began learning the instrument around the age of 5. He played in his junior and senior high school bands, but left school in 1938 or 1939 at the recommendation of Isham Jones to join bandleader and clarinetist Tommy Reynolds in Boston, Massachusetts. Career Gozzo was quickly noted for his exceptional technical ability and style. He played under Reynolds for nine months, leaving to play with Red Norvo in November 1939; he played under Norvo until February 1941, but with a brief interlude playing with trumpeter Johnnie Davis. He had a brief tenure with the orchestra of Bob Chester, with whom he first recorded; then performed and recorded with Claude Thornhill's ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
