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Telenovelas
A telenovela is a type of a television serial drama or soap opera produced primarily in Latin America. The word combines ''tele'' (for "television") and ''novela'' (meaning "novel"). Similar drama genres around the world include ''teleserye'' (Philippines), '' téléroman'' (Canada, specifically Quebec), and ''sinetron'' (Indonesia). Commonly described using the American colloquialism Spanish soap opera, many telenovelas share some stylistic and thematic similarities to the soap opera familiar to the English-speaking world. The significant difference is their series run length; telenovelas tell one self-contained story, typically within the span of a year or less whereas soap operas tend to have intertwined storylines told during indefinite, continuing runs. This makes them shorter than most other television series, but still much longer than a miniseries. This planned run results in a faster-paced, more concise style of melodrama compared to a typical soap opera. Episodes of tel ...
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Blanca De Lizaur
Maria Blanca de Lizaur Guerra (born 1966), commonly known as Blanca de Lizaur, is a writer and researcher specialized in cultural studies, communications and literature. She was born in Mexico City, Mexico, to Spanish parents. She has a doctorate in philology from the Universidad de Alcala in Spain. Her articles have appeared in numerous academic journals, and she has taught and given conferences in Mexico, the United States and Spain. Blanca de Lizaur is recognized as having made important contributions to the study of the telenovela format, establishing the equivalency of the Latin American telenovela with American soap operas and Canadian téléromans, and about the definition of melodrama. In regard to Literary Theory and Cultural Studies' different schools of thought (and their corresponding theses and antitheses), Blanca de Lizaur is considered to be the first scholar to offer in her work, a structured synthesis (one that encompasses previous scholars' main approaches a ...
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Anos Rebeldes
''Anos Rebeldes'' (''Rebel Years'') was a popular telenovela which first aired on the Brazilian television Rede Globo on July 14, 1992. It was the first serial drama to highlight themes and stories of political violence and the repressed who were under the military regime. There are many themes that were first introduced to Brazilian television with this show including themes of censorship, cultural memory, and torture. This television program was set in the authoritarian regime of the 1960s and portrayed the time period through the lives of a group of high school students who had to come of age in this era. This group of students are friends who all go to the college Pedro II in 1964. The show focuses on João, and Maria Lúcia, two lovers whose opposite political views cause an ongoing struggle between identity and love. João, an idealist, eventually joins the armed struggle, while Maria Lúcia is an individualist who has little tolerance for the risks attached to the leftist so ...
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El Maleficio
''El maleficio'' (English: ''The Curse'') is a Mexican telenovela directed by Raúl Araiza produced by Ernesto Alonso for Televisa in 1983. The telenovela was so successful in 1983 that a sequel was made under the title of '' El maleficio 2: Los enviados del infierno'' in 1986. Ernesto Alonso starred as the antagonistic protagonist and Jacqueline Andere starred as protagonist, while Humberto Zurita starred as antagonist. Norma Herrera, María Sorté and Carmen Montejo also co-starred. Plot Beatriz is a respectable widow, who after the death of her husband, dedicated her life to raising her children, Vicky and Juanito, together with her mother-in-law Doña Emilia. Beatriz meets the powerful millionaire Enrique de Martino, who dazzles her with his attentions and agrees to marry him. Beatriz's life and her children change dramatically when they move to Martino's Mansion, where they come into contact with Enrique's strange children: the perverse Jorge, the sweet but confused C� ...
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Soap Opera
A soap opera, or ''soap'' for short, is a typically long-running radio or television serial, frequently characterized by melodrama, ensemble casts, and sentimentality. The term "soap opera" originated from radio dramas originally being sponsored by soap manufacturers.Bowles, p. 118. The term was preceded by " horse opera", a derogatory term for low-budget Westerns. BBC Radio's ''The Archers'', first broadcast in 1950, is the world's longest-running radio soap opera. The longest-running current television soap is ''Coronation Street'', which was first broadcast on ITV in 1960, with the record for the longest running soap opera in history being held by '' Guiding Light'', which began on radio in 1937, transitioned to television in 1952, and ended in 2009. A crucial element that defines the soap opera is the open-ended serial nature of the narrative, with stories spanning several episodes. One of the defining features that makes a television program a soap opera, according to Albe ...
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Sinetron
A soap opera, or ''soap'' for short, is a typically long-running radio or television serial, frequently characterized by melodrama, ensemble casts, and sentimentality. The term "soap opera" originated from radio dramas originally being sponsored by soap manufacturers.Bowles, p. 118. The term was preceded by "horse opera", a derogatory term for low-budget Westerns. BBC Radio's ''The Archers'', first broadcast in 1950, is the world's longest-running radio soap opera. The longest-running current television soap is ''Coronation Street'', which was first broadcast on ITV in 1960, with the record for the longest running soap opera in history being held by ''Guiding Light'', which began on radio in 1937, transitioned to television in 1952, and ended in 2009. A crucial element that defines the soap opera is the open-ended serial nature of the narrative, with stories spanning several episodes. One of the defining features that makes a television program a soap opera, according to Albert M ...
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Ángeles De La Calle
''Angels of the Street'' (Spanish: ''Ángeles de la calle'') is a 1953 Cuban-Mexican drama film directed by Agustín P. Delgado.García Osuna p.35 Cast * Rolando Barral as Pititi * Hortensia Betancourt as Mariposa * Jaime Calpe * Emilia Guiú as Magda * Andrea Palma as Regla * Ismael Pérez * Gustavo Rojo Gustavo Rojo Pinto (5 September 1923 – 22 April 2017) was a Uruguayan-Mexican actor. Life and career Gustavo Rojo was born on 5 September 1923 on a German ship in the middle of the Atlantic Ocean. His mother was the prominent Spanish auth ... * Enrique Santisteban * Lupe Suárez as Brigida References Bibliography * Alfonso J. García Osuna. ''The Cuban Filmography: 1897 through 2001''. McFarland, 2003. External links * 1953 films Cuban drama films Mexican drama films 1950s Spanish-language films Films directed by Agustín P. Delgado 1953 drama films Cuban black-and-white films Mexican black-and-white films 1950s Mexican films {{Cuba-film-stub ...
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Occult
The occult, in the broadest sense, is a category of esoteric supernatural beliefs and practices which generally fall outside the scope of religion and science, encompassing phenomena involving otherworldly agency, such as magic and mysticism and their varied spells. It can also refer to supernatural ideas like extra-sensory perception and parapsychology. The term ''occult sciences'' was used in 16th-century Europe to refer to astrology, alchemy, and natural magic. The term ''occultism'' emerged in 19th-century France, amongst figures such as Antoine Court de Gébelin. It came to be associated with various French esoteric groups connected to Éliphas Lévi and Papus, and in 1875 was introduced into the English language by the esotericist Helena Blavatsky. Throughout the 20th century, the term was used idiosyncratically by a range of different authors, but by the 21st century was commonly employed – including by academic scholars of esotericism – to refer to a range ...
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Ghosts
A ghost is the soul or spirit of a dead person or animal that is believed to be able to appear to the living. In ghostlore, descriptions of ghosts vary widely from an invisible presence to translucent or barely visible wispy shapes, to realistic, lifelike forms. The deliberate attempt to contact the spirit of a deceased person is known as necromancy, or in spiritism as a '' séance''. Other terms associated with it are apparition, haunt, phantom, poltergeist, shade, specter or spectre, spirit, spook, wraith, demon, and ghoul. The belief in the existence of an afterlife, as well as manifestations of the spirits of the dead, is widespread, dating back to animism or ancestor worship in pre-literate cultures. Certain religious practices—funeral rites, exorcisms, and some practices of spiritualism and ritual magic—are specifically designed to rest the spirits of the dead. Ghosts are generally described as solitary, human-like essences, though stories of ghostly armies ...
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Witchcraft
Witchcraft traditionally means the use of magic or supernatural powers to harm others. A practitioner is a witch. In medieval and early modern Europe, where the term originated, accused witches were usually women who were believed to have used malevolent magic against their own community, and often to have communed with evil beings. It was thought witchcraft could be thwarted by protective magic or counter-magic, which could be provided by cunning folk or folk healers. Suspected witches were also intimidated, banished, attacked or killed. Often they would be formally prosecuted and punished, if found guilty or simply believed to be guilty. European witch-hunts and witch trials in the early modern period led to tens of thousands of executions. In some regions, many of those accused of witchcraft were folk healers or midwives. European belief in witchcraft gradually dwindled during and after the Age of Enlightenment. Contemporary cultures that believe in magic and the ...
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Demons
A demon is a malevolent supernatural entity. Historically, belief in demons, or stories about demons, occurs in religion, occultism, literature, fiction, mythology, and folklore; as well as in media such as comics, video games, movies, anime, and television series. Belief in demons probably goes back to the Paleolithic age, stemming from humanity's fear of the unknown, the strange and the horrific. ''A Dictionary of Comparative Religion'' edited by S.G.F. Brandon 1970 In ancient Near Eastern religions and in the Abrahamic religions, including early Judaism and ancient-medieval Christian demonology, a demon is considered a harmful spiritual entity which may cause demonic possession, calling for an exorcism. Large portions of Jewish demonology, a key influence on Christianity and Islam, originated from a later form of Zoroastrianism, and was transferred to Judaism during the Persian era. Demons may or may not also be considered to be devils: minions of the Devil. In ...
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Supernatural
Supernatural refers to phenomena or entities that are beyond the laws of nature. The term is derived from Medieval Latin , from Latin (above, beyond, or outside of) + (nature) Though the corollary term "nature", has had multiple meanings since the ancient world, the term "supernatural" emerged in the Middle Ages and did not exist in the ancient world. The supernatural is featured in folklore and religious contexts, but can also feature as an explanation in more secular contexts, as in the cases of superstitions or belief in the paranormal. The term is attributed to non-physical entities, such as angels, demons, gods, and spirits. It also includes claimed abilities embodied in or provided by such beings, including magic, telekinesis, levitation, precognition, and extrasensory perception. The philosophy of naturalism contends that nothing exists beyond the natural world, and as such approaches supernatural claims with skepticism. Etymology and history of the conc ...
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Horror Fiction
Horror is a genre of fiction which is intended to frighten, scare, or disgust. Horror is often divided into the sub-genres of psychological horror and supernatural horror, which is in the realm of speculative fiction. Literary historian J. A. Cuddon, in 1984, defined the horror story as "a piece of fiction in prose of variable length... which shocks, or even frightens the reader, or perhaps induces a feeling of repulsion or loathing". Horror intends to create an eerie and frightening atmosphere for the reader. Often the central menace of a work of horror fiction can be interpreted as a metaphor for larger fears of a society. Prevalent elements of the genre include ghosts, demons, vampires, werewolves, ghouls, the Devil, witches, monsters, extraterrestrials, dystopian and post-apocalyptic worlds, serial killers, cannibalism, cults, dark magic, satanism, the macabre, gore and torture. History Before 1000 The horror genre has ancient origins, with roots in ...
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