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Studio Glass
Studio glass is the modern use of glass as an artistic medium to produce sculptures or three-dimensional artworks. The glass objects created are intended to make a sculptural or decorative statement. Though usage varies, the term is properly restricted to glass made as art in small workshops, typically with the personal involvement of the artist who designed the piece. This is in contrast to art glass, made by craftsmen in factories, and glass art, covering the whole range of glass with artistic interest made throughout history. Both art glass and studio glass originate in the 19th century, and the terms compare with studio pottery and art pottery, but in glass the term "studio glass" is mostly used for work made in the period beginning in the 1960s with a major revival in interest in artistic glassmaking. Pieces are often unique, or made in a small limited edition. Their prices may range from a few hundred to hundreds of thousands of dollars (US). For the largest install ...
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Teal Murrine Foglio - David Patchen
alt=American teal duck (male), Green-winged teal (male) Teal is a greenish-blue colour. Its name comes from that of a bird — the Eurasian teal (''Anas crecca'') — which presents a similarly coloured stripe on its head. The word is often used colloquially to refer to shades of cyan in general. It can be created by mixing cyan into a green base, or deepened as needed with black or grey. The complementary colour of teal is pink. It is also one of the first group of 16 HTML/CSS web colors formulated in 1987. In the RGB model used to create colours on computer screens and televisions, teal is created by reducing the brightness of cyan to about one half. Teal was a fad colour during the 1990s, with, among others, many sports teams adopting the colour for their uniforms. Etymology The first recorded use of ''teal'' as a colour name in English was in 1917. The term ''teal'' (referring to a sort of duck) is derived from the Middle English ''tele'', a word akin to the Du ...
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Neoclassicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome largely thanks to the writings of Johann Joachim Winckelmann, at the time of the rediscovery of Pompeii and Herculaneum, but its popularity spread all over Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th and up to the 21st century. European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornam ...
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Monumental Sculpture
The term monumental sculpture is often used in art history and criticism, but not always consistently. It combines two concepts, one of function, and one of size, and may include an element of a third more subjective concept. It is often used for all sculptures that are large. Human figures that are perhaps half life-size or above would usually be considered monumental in this sense by art historians, although in contemporary art a rather larger overall scale is implied. Monumental sculpture is therefore distinguished from small portable figurines, small metal or ivory reliefs, diptychs and the like. The term is also used to describe sculpture that is architectural in function, especially if used to create or form part of a monument of some sort, and therefore capitals and reliefs attached to buildings will be included, even if small in size. Typical functions of monuments are as grave markers, tomb monuments or memorials, and expressions of the power of a ruler or community, ...
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Cut Glass
Cut glass or cut-glass is a technique and a style of decorating glass. For some time the style has often been produced by other techniques such as the use of moulding, but the original technique of cutting glass on an abrasive wheel is still used in luxury products. On glassware vessels, the style typically consists of furrowed faces at angles to each other in complicated patterns, while for lighting fixtures, the style consists of flat or curved facets on small hanging pieces, often all over. Historically, cut glass was shaped using "coldwork" techniques of grinding or drilling, applied as a secondary stage to a piece of glass made by conventional processes such as glassblowing. Today, the glass is often mostly or entirely shaped in the initial process by using a mould ( pressed glass), or imitated in clear plastic. Traditional hand-cutting continues, but gives a much more expensive product. Lead glass has long been misleadingly called "crystal" by the industry, evoking th ...
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Came
A came is a divider bar used between small pieces of glass to make a larger glazing panel. There are two kinds of came: the H-shaped sections that hold two pieces together and the U-shaped sections that are used for the borders. Cames are mostly made of lead, zinc, copper, brass or brass-capped lead.Stevenson, Christine. (2004). ''Creative Stained Glass: Modern Designs & Simple Techniques.'' Lark Books. p. 12. . Of the metal strips, lead is softer and more flexible, making it easier to cut and bend. The harder metals are used to work with slightly curved lines and pieces that require greater structural support. They can also be used as border came, once again for stability and support.Shannon, George and Pat Torlen. (2002). ''The new stained glass: techniques, projects, patterns, designs.'' Sterling Publishing Company, Inc. p. 51. . Purpose Came serves three purposes:Berry, Leigh Ann. (2003). ''Basic Stained Glass Making: All the Skills and Tools You Need to Get Started.'' S ...
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Paul Joseph Stankard
Paul Joseph Stankard is an American artist, flameworker (or ' lampworker') and author. Early life Paul J. Stankard was born April 7, 1943, as the second of nine children in an Irish Catholic family. He lived in North Attleboro, Massachusetts in his early years. In his autobiography, Stankard chronicles his early struggles with dyslexia, which made classroom learning difficult. His high school transcripts showed him graduating near the bottom of his class, mistakenly assigned a low IQ score. In the book, Stankard describes the pressure and stigma of being labeled a slow learner by an educational system that at the time was not aware of dyslexia. In 1972 he discovered the concept of dyslexia and started to develop a self-directed learning program that heavily relied on books on tape (audible books). His 50-year learning journey lead to two honorary doctorate degrees and allowed him to overcome his low self-esteem and learning disabilities to become one of the foremost glass artists ...
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Paperweights
A paperweight is a small solid object heavy enough, when placed on top of papers, to keep them from blowing away in a breeze or from moving under the strokes of a painting brush (as with Chinese calligraphy). While any object, such as a stone, can serve as a paperweight, decorative paperweights of glass are produced, either by individual artisans or factories, usually in limited editions, and are collected as works of fine glass art, some of which are exhibited in museums. First produced in about 1845, particularly in France, such decorative paperweights declined in popularity before undergoing a revival in the mid-twentieth century. Basic features Decorative glass paperweights have a flat or slightly concave base, usually polished but sometimes frosted, cut in one of several variations (e.g. star-cut bases have a multi-pointed star, while a diamond cut base has grooves cut in a criss-cross pattern), although a footed weight has a flange in the base. The ground on which the ...
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Glass Worker, Reijmyre Glasbruk, Sweden
Glass is a non-crystalline, often transparent, amorphous solid that has widespread practical, technological, and decorative use in, for example, window panes, tableware, and optics. Glass is most often formed by rapid cooling (quenching) of the molten form; some glasses such as volcanic glass are naturally occurring. The most familiar, and historically the oldest, types of manufactured glass are "silicate glasses" based on the chemical compound silica (silicon dioxide, or quartz), the primary constituent of sand. Soda–lime glass, containing around 70% silica, accounts for around 90% of manufactured glass. The term ''glass'', in popular usage, is often used to refer only to this type of material, although silica-free glasses often have desirable properties for applications in modern communications technology. Some objects, such as drinking glasses and eyeglasses, are so commonly made of silicate-based glass that they are simply called by the name of the material. Despite be ...
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Fine Art
In European academic traditions, fine art is developed primarily for aesthetics or creative expression, distinguishing it from decorative art or applied art, which also has to serve some practical function, such as pottery or most metalwork. In the aesthetic theories developed in the Italian Renaissance, the highest art was that which allowed the full expression and display of the artist's imagination, unrestricted by any of the practical considerations involved in, say, making and decorating a teapot. It was also considered important that making the artwork did not involve dividing the work between different individuals with specialized skills, as might be necessary with a piece of furniture, for example. Even within the fine arts, there was a hierarchy of genres based on the amount of creative imagination required, with history painting placed higher than still life. Historically, the five main fine arts were painting, sculpture, architecture, music, and poetry, w ...
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Louis Comfort Tiffany
Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art NouveauLander, David"The Buyable Past: Quezal Glass" ''American Heritage'' (April/May 2006) and Aesthetic movements. He was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery, enamels, and metalwork. He was the first design director at his family company, Tiffany & Co., founded by his father Charles Lewis Tiffany. __TOC__ Early life Louis Comfort Tiffany was born in New York City, the son of Charles Lewis Tiffany, founder of Tiffany and Company, and Harriet Olivia Avery Young. He attended school at Pennsylvania Military Academy in West ...
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Daum (studio)
Daum is a crystal studio based in Nancy, France, founded in 1878 by Jean Daum (1825–1885). His sons, Auguste Daum (1853–1909) and Antonin Daum (1864–1931), oversaw its growth during the burgeoning Art Nouveau period. Currently Daum is the only commercial crystal manufacturer employing the pâte de verre (glass paste) process for art glass and crystal sculptures, a technique in which crushed glass is packed into a refractory mould and then fused in a kiln. History The Daum family worked at the beginning of the Art Nouveau era and created one of France's most prominent glassworks. Established at the end of the 19th century, Daum’s renown was originally linked to the École de Nancy and the art of ''pâte-de-cristal'', a major contributing factor in terms of its worldwide reputation. During the Universal Exhibition of 1900 Daum was awarded a ‘Grand Prix’ medal. Daum glass became more elaborate. Acid etching (by Jacques Grüber) was often combined with carving, e ...
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